Ian Carr, Belladonna (Half Speed Mastered)

https://www.injerah.com/web/image/product.template/5163/image_1920?unique=345a831
(0 avis)

SOLD OUT
1LP - MR BONGO
HALF SPEED MASTERED
2021

21,00 € 21.0 EUR 21,00 € hors TVA

21,00 € hors TVA

Not Available For Sale

  • Statut
  • Label
  • Genre
  • Genre
  • Genre
  • Format
  • Date de la réedition

Cette combinaison n'existe pas.

Statut: SOLD OUT
Label: MR BONGO
Genre: JAZZ, FUNK, ROCK / PSYCHE / FOLK
Format: 1 LP
Date de la réedition: 2021

TRACKLIST

A1. Belladonna 

A2. Summer Rain 

B1. Remadione 

B2. Mayday 

B3. Suspension 

B4. Hector’s House


DESCRIPTION

Gatefold

Re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid ‘Belladonna’ from 1972.


Originally released on the Vertigo label, complete with collectable ‘swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70’s. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few. 

Seen as a benchmark point in Ian Carr's career, 'Belladonna’ is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'. 

The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain’, which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70’s, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. ‘Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.

To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.