Willie Dunn, Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology (COLOR 2)

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TRANSLUCENT RED
2LP - LIGHT IN THE ATTIC
2021 04 02
2021 11 26

41,00 € 41.0 EUR 41,00 € hors TVA

41,00 € hors TVA

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    TRACKLIST

    The Ballad of Crowfoot

    Peruvian Dream (Part 1)

    Charlie

    Broker

    I Pity the Country

    Crazy Horse

    Louis Riel

    School Days

    The Carver

    O Canada!

    Down by the Stream (Starlight Maiden)

    Rattling Along the Freight Train (To the Spirit Land)

    Pontiac

    The Pacific

    Nova Scotia

    The Dreamer

    Sonnet 33 and 55 / Friendship Dance

    Wounded Lake

    Métis Red River Song

    Son of the Sun

    The Lovenant Chain

    Bear and Fish


    DESCRIPTION

    The definitive overview of one of Canada’s unsung musical heroes

    Rare/previously unreleased recordings, photos, and interviews

    Lyrics, discography, and filmography

    Audio re-mastered by John Baldwin Mastering

    Artwork by Christi Belcourt and Alanna Edwards

    Liner notes by Kevin Howes (Voluntary In Nature)

    Contributions from the Dunn family, Bob Robb, and Alanis Obomsawin (OC)

    Vinyl pressed at RTI


    Indie Retail Exclusive Color – Translucent Red Wax (First Image) [Available to Record Stores only]

    Online Color Edition – Opaque Red Wax (Second Image)


    How did you first experience the poetry, music, and film of Willie Dunn?

    In a Montreal coffeehouse during the mid-1960s? On a CBC Indian Magazine broadcast with host Johnny Yesno? At a Toronto record store or Native Friendship Centre at the turn of the 1970s? Waiting outside of the Mohawk Nation Longhouse? Maybe in your parent’s record collection on the Rez? A White Roots of Peace gathering? Pow wow? The Mariposa Folk Festival? Or was it that Save James Bay Benefit back in ‘73? On a good friend’s stereo? Sitting around a crackling campfire? How about an old NFB film reel or VHS tape in high school? Or while attending Manitou College? A German concert hall in the 1980s? Maybe a direct action protest on the colonial streets of Canada? Busking in Ottawa during the 1990s? College radio? At Willie’s celebration of life service in 2013 alongside Alanis Obomsawin and Willy Mitchell? LITA’s Grammy-nominated Native North America (Vol. 1) compilation or the very anthology you hold in your hands?

    There should be no judgement for coming to things when you do. All that’s important is remaining open to life-changing messages such as these…

    Willie Dunn shared truth through song and celluloid. His original composition, “I Pity the Country,” is an unparalleled statement on the greed and hate created by humankind, recorded in 1971 and still unfortunately needed today. “It’s like the reason you’re supposed to make music,” said Kurt Vile about the song to MOJO Magazine in 2015. With “Charlie,” Willie was the first to deliver the devastating story of Chanie Wenjack and the Canadian residential school system to the music community, nearly 50 years before the much-celebrated Secret Path, yet ignored outside of Indian Country and the folk festival circuit. Dunn’s film technique, featured in 1968’s The Ballad of Crowfoot (NFB), predates the “Ken Burns effect” to great effect. Are you catching the drift? Willie Dunn was not only a trailblazing leader in his time, but well ahead of the curve, simply without the PR push and big money backing of major label players.

    “He was our Leonard Cohen,” said singer-songwriter Eric Landry about his musical hero. The only difference is that Willie refused to play the Hollywood showbiz game. In talent, he is Cohen, Dylan, and Cash rolled into one and along with Buffy Sainte-Marie, Floyd Red Crow Westerman, and A. Paul Ortega, brought a new set of perspectives and realities to the folk music tradition. Willie spoke directly to his people and Mother Earth through his creations, not only from experience, but by examining his roots and connecting with the world in which he lived. We are humbled to help honour Willie Dunn. May he never be forgotten… PEACE