BIS => 2025 07 25
1LP - VAMPISOUL UMG
1970 => 2025

Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you.
His much sought-after and stunning self-titled album from 1970 includes ‘Ele E Ela’, as sampled on Jay-Z’s ‘Thank You’, as well as some of his most popular songs like ‘Freio Aerodinamico’ and ‘Os Grilos’, swinging between sophistication and groove…
Remastered from the original tapes and pressed on 180g vinyl. This release is part of our new reissue series that comprises many other outstanding Brazilian classics by the likes of Evinha, Cassiano, Gerson King Combo, Hyldon...

TRACKLIST
Side A
1. QUARENTÃO SIMPÁTICO (RENATÃO)
2. ELE E ELA
3. DEZ LEIS
4. PIGMALIÃO 70
5. QUE EU CANSE E DESCANSE
Side B
1. ESPERANDO O MESSIAS
2. FREIO AERODINÂMICO
3. OS GRILOS (CRICKETS SING FOR ANA MARIA)
4. SUÍTE IMAGINÁRIA

DESCRIPTION
Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. By the late 60s he had already put out enough quality records to secure a place within the top Brazilian songwriters of all time, but his career luckily did not stop there and he continued releasing amazing music over the following decades until this day.
By the dawn of the 1970s, the multi-talented Valle was entering a new era, ready to test the government censors (Brazil was under strict military rule since a coup d’état in 1964) and express a socially aware stance and a playful hodge-podge of musical styles including samba, bossa nova, baião (a rhythmic beat from the rural northeast of Brazil), black American music, and rock.
“Marcos Valle” was originally released in 1970 and features a dynamic musical backing from some of Brazil’s most gifted players. Hip-hop fans may even recognize the opening horn blasts of ‘Ele E Ela,’ sampled to great effect on Jay-Z’s “Thank You.”
It includes some of his most popular songs like ‘Freio Aerodinamico’ and ‘Os Grilos’, swinging between sophistication and groove…

BIS => 2025 06 27
1LP - MUNSTER
1974 => 2025

“Gusano mecánico” has become a coveted collector’s item, highly valued by music lovers worldwide. It has been included in 5001 Record Collector Dreams by Hans Pokora, receiving the highest rarity rating and hailed as a musical masterpiece.
It was released in 1974 by the legendary Bolivian rock band Climax and was a big leap from their early recordings, where they paid tribute to their musical heroes. It became a landmark of prog rock in Bolivia and one of the few conceptual albums produced in the country.
“Gusano mecánico” explores themes such as the loss of personal essence and the vindication of indigenous peoples.

TRACKLIST
Side A
1. PACHACUTEC (REY DE ORO)
2. TRANSFUSIÓN DE LUZ
3. CUERPO ELÉCTRICO – EMBRIÓN DE REENCARNACIÓN
Side B
1. GUSANO MECÁNICO
2. PRANA (ENERGIA VITAL)
3. CRISTALES SOÑADORES

DESCRIPTION
On October 7, 1974, the now-historic “Gusano mecánico” was released — the only full-length album by the legendary Bolivian rock band Climax. Founded in 1968 from the remnants of the disbanded Los Black Byrds and the unrealized project The Turtles, Climax was formed by guitarist José “Pepe” Eguino and bassist Javier Saldías, who developed a strong bond with drummer Álvaro Córdova, cemented by their shared passion for rock. Together, they embarked on a journey of self-discovery, spending several months in the United States during a crucial period straddling the end of the Summer of Love and the lead-up to Woodstock.
This period, perhaps the most significant of the 1960s countercultural movement, saw an explosion of artistic expression driven by dissatisfaction with the society that the youth had inherited from their parents. Within this context, the influence of iconic bands such as The Jimi Hendrix Experience, Cream, Blue Cheer, and Emerson, Lake & Palmer played a pivotal role in their decision to return to Bolivia and form the country's first ‘power trio’. Their first EPs paid tribute to their musical heroes.
They quite literally brought psychedelic and prog rock to Bolivia by carrying new, experimental vinyl records in their luggage, at a time when rock music (and music in general) had very limited exposure due to the scarcity of media resources. Their musical project reflected their influences and laid down the first traces of what would later be called heavy rock, a genre that never achieved widespread popularity in Bolivia.
“Gusano mecánico” was a big leap from their previous recordings. Climax embarked on a prog rock journey, exploring themes such as the loss of personal essence and the vindication of indigenous peoples. Their rebellious discourse opposed the mechanization of humankind brought about by past decades of industrial exploitation in which they resist being absorbed by the system. It became a landmark of prog rock in Bolivia and one of the few conceptual albums produced in the country.
Over time, Climax’s music has gained cult status among prog rock fans. Their album became a coveted collector’s item, highly valued by music lovers worldwide. It was even included in 5001 Record Collector Dreams by Hans Pokora, receiving the highest rarity rating and hailed as a musical masterpiece. Only two South American albums received this distinction.

BIS => 2025 09 05
2LP - ACE
2004 => 2025

TRACKLIST
SIDE ONE
1. CORN RIGS - Magnet & Paul Giovanni 2. MORNING WAY - Trader Horne
3. NOTTANUM TOWN - Oberon
4. GRAVEYARD - Forest
5. THE SKATER – Midwinter
SIDE TWO
1. WINTER WINDS - Fotheringay
2. LORD AND MASTER - Heron
3. FLY HIGH - Bridget St John
4. SHEEP SEASON - Mellow Candle
5. THE BELLS OF DUNWICH - Stone Angel *
SIDE THREE
1. THE SEAGULLS SCREAM - Christine Quayle
2. FOREST AND THE SHORE - Keith Christmas
3. ROSEMARY HILL - Fresh Maggots
4. FINE HORSEMAN - Anne Briggs
5. THE WEREWOLF - Barry Dransfield
SIDE FOUR
1. ANOTHER DAY - Roy Harper
2. WINDOW OVER THE BAY - Vashti Bunyan
3. ELEVEN WILLOWS - C.O.B. (Clive's Original Band)
4. THE HERALD - Comus

* LP BONUS TRACK

DESCRIPTION
Compiled by Bob Stanley to document the acid folk scene, “Gather In The Mushrooms” was first issued in 2004 on Sanctuary as a CD-only release; it proved popular enough for a sequel entitled “Early Morning Hush” two years later.
This new edition of “Gather In The Mushrooms” contains the cream of both long-deleted compilations with a few additions – COB, Roy Harper, Fotheringay – that weren’t available to Sanctuary at the time. Though they aren’t traditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tunng et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed electricity; they weren’t part-timers. Listening to “Gather In The Mushrooms”, we are transported to a time when no one used the term post-modernist.
It may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore – not necessarily one of poachers and pedlars, but one of long-haired youths in tie-dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages. Groups like Stone Angel (Bonus Track), Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once you hear something as eerie and evocative as ‘Graveyard’. Home-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.

BIS => 2025 06 06
1LP - COMMON VIRTUE RECORDS
2025

This album is limited to 300 hand-numbered copies and is pressed on striking Ghost Fire vinyl, with reverse board jackets. The artwork was designed by Scientific Lens, with layout by Frank “DJ Concept” DeMaria.

Critical Praise:
“Lyrically, RJ Payne explodes out of the lineage of great spitters like DMX, Big Pun, Kool G Rap, Big L, Canibus ...” - AllHipHop
“BP has been crafting his sound and style for over 10 years. His ability to develop whole projects with a distinct sound, feel, and theme separates him from other beatmakers and producers.” -Hip Hop Golden Age
“BP Infinite has consistently delivered powerful beats and slick production that’s won over hip hop purists around the world.” -Plastic Magazine

TRACKLIST
Side A:
01. The Spotlight
02. Self Inflicted
03. Cinematic Thoughts
04. A Different Kind of Payne
Side B:
05. Away From the Madness
06. Walk In My Shoes
07. The Dream Will Survive
08. Part of Life

DESCRIPTION
Pure, unfiltered, and unrelenting—A Different Kind of Payne is a masterclass in lyrical proficiency, delivered with reckless abandonment by RJ Payne and fueled by the cinematic, hard-hitting production of Long Island’s own BP Infinite. This is a no- frills, no-features, all-bars affair, where Payne goes scorched earth over BP’s menacing soundscapes, proving once again why he’s one of the most feared lyricists in the game.
Following the success of his star-studded producer album Kill or Be Killed—which boasts features from Redman, Skyzoo, Cory Gunz, Tragedy Khadafi, Nature, E L U C I D, and Payne himself—BP Infinite flips the script with an entirely singular vision. Here, he crafts a sonic battlefield tailor-made for RJ’s relentless delivery, weaving gritty, soulful samples, hard-hitting percussion, and cinematic arrangements into an immersive listening experience.
For RJ Payne, A Different Kind of Payne comes on the heels of an unstoppable run, stacking bodies on projects like Hellraiser, GUTTR (alongside Ras Kass & Havoc), They Live (produced by Bucky Luger), and most recently 3 PIECE, crafted by the legendary Erick Sermon. With each release, Payne has continued to raise the stakes, and this project only solidifies his status as a top-tier bar assassin.
Released in partnership between Beautiful Payment Entertainment and Common Virtue Records, A Different Kind of Payne is raw, unapologetic hip-hop at its finest—a brutal display of elite lyricism and masterful production, leaving no room for mercy.
Art Design: Scientific Lens

BIS => 2025 07 04
1LP - GET ON DOWN
1990 => 2025

PRESSED ON BLUE & RUBY COLOR-IN-COLOR VINYL

TRACKLIST
A1. Short Dog’s In The House
A2. It’s Your Life
A3. The Ghetto
A4. Short But Funky
A5. Dead Or Alive
B1. Punk Bitch
B2. Ain’t Nothin But A Word To Me feat Ice Cube
B3. Hard On The Boulevard
B4. Paula & Janet
B5. Rap Like Me

DESCRIPTION
“In my category, I’m the one and only,” proclaimed Oakland legend Too $hort on his 1990 single “Short But Funky.” Few disagreed then, and even fewer would do so decades later. First appearing in the mid-1980s, slinging homemade tapes out of his car trunk, the man born Todd Shaw has always stayed true to himself. Although he is known more for the dirty side of his rap game, on “Short But Funky,” he also reminds listeners of an important fact: “There’s a serious side to everything I say.” Short Dog’s In The House, was $hort’s sixth studio album, and his second for the Jive label. By the time it hit, he was a West Coast legend, but his rep was growing Eastwards, as the rest of the country started opening its ears to new sounds. Peaking at #20 on the national Billboard 200 chart, the album was exactly what his dedicated fans expected funky, 70s drenched beats made for cars on the boulevard, and no nonsense lyrics that made more sense and dropped more knowledge than he was ever given credit for. For examples of his conscious side, look no further than the P-Funk fueled “It’s Your Life” or the album’s lead single, “The Ghetto.” The album’s second single “Short But Funky” landed somewhere in the middle of $hort and Todd Shaw, talking about where he was at as the new decade broke, and making it clear that he wasn’t going anywhere. His mortality was mainly on his mind after rumors had surfaced the year before that he had died in a crack house. He speaks directly to this crazy episode on “Dead Or Alive.” And although it’s mostly a solo affair, he brings in some heavy artillery and a lot of not for the kids profanity on “Ain’t Nothin’ But A Word To Me,” featuring none other than Ice Cube In between, $hort distributed plenty of tales and charisma for fans to eat up, continuing to build his legendary status as one of the rap trailblazers of the era. Get On Down has repressed this 1990 Bay Area classic album on Blue and Ruby Color-In-Color vinyl

BIS => 2025 08 01
1LP - HOLY BASIL RECORDS
1973 => 2025

TRACKLIST
A1. L'Onorata Famiglia
A2. Whisky
A3. Canzone Muta
A4. Il Raccolto
A5. Dalla Strada
A6. Omertà
B1. Disperatamente
B2. Dissolvenza
B3. Gin
B4. Gli Ultimi Respiri
B5. L'Addio
B6. Il Rischio
B7. Un Solo Amore

DESCRIPTION
Experience the dramatic pulse of Italian crime cinema with the first-ever vinyl reissue of Bruno Nicolai’s iconic soundtrack for "L’Onorata Famiglia (Uccidere È Cosa Nostra)", the 1973 masterpiece directed by Tonino Ricci.
Renowned for his prolific work in Italian film scores, Nicolai blends atmospheric jazz-rock, brooding fusion, and haunting melodies to perfectly capture the tension and intrigue of the era’s mafia-centric storytelling.  
This long-overdue release brings new life to the score with Luca Barcellona meticulous restoration of the original artwork, preserving its bold, cinematic aesthetic, along with vinyl mastering handled by Davide "Bassi Maestro" Bassi, lending his mastering expertise, ensuring the music resonates with modern audiophiles while maintaining its vintage warmth.  
Whether you’re a collector of Italian soundtracks, a fan of dramatic jazz-rock fusion, or an appreciator of timeless cinematic artistry, this vinyl is a must-have for your collection. Dive into the world of suspense and style that defines "L’Onorata Famiglia", limited to 500 copies!

BIS => 2 / 3 WEEKS
1LP - RRC RECORDS
2024

TRACKLIST
A1. We Don't Believe You
A2. Good Weed & Clean Clothes
A3. The Stone Tablet
A4. Jousting
A5. You Don't Know Me (feat. SonnyJim)
A6. $$, Respect, Weed & Checks
B1. Achilles Heel
B2. It's Been My Time
B3. Lightpost
B4. Times Passing (feat. Raz Fresco)
B5. Elephant Birth
B6. Well Prepared

DESCRIPTION
With his new offering"The Stone Tablet", New Jersey native Brainorchestra solidifies his legacy in underground hip-hop, carving out a raw and unfiltered masterpiece that feels as timeless as it is bold. Produced entirely by Brainorchestra himself, the album is a testament to his relentless pursuit of authenticity and artistry, drawing listeners into a world where intricate beats meet introspective bars, and sticking to his proudly independent operation.
Featuring guest appearances from UK’s SonnyJim and Toronto's Raz Fresco, "The Stone Tablet" brings together diverse voices that seamlessly blend with Brainorchestra’s visionary beats. Each track adds to the album’s mystique, with moments of reflection, hustle, and sharp wit, all contributing to Brainorchestra’s mark on the modern hip-hop landscape.
The album cover, crafted by Italian artist Claudio Scialabba, embodies the album’s theme with its raw, textured feel — reflecting Brainorchestra’s relentless, chiseled approach to his craft. "The Stone Tablet" is a statement, a monument that etches Brainorchestra's name alongside the genre’s most revered creatives.

BIS => 2025 05 16
1LP - RRC RECORDS
2024

TRACKLIST
A1. Introducción
A2. Laugh Now
A3. Re-Rock
A4. 5000 Degrees
A5. Chemical Imbalances
A6. Trust Issues - A Few (Skit) (feat. Lukey Cage)
A7. Pretty Girl Who Can Rap
B1. Higher Learning
B2. Smoke Signal
B3. The Tropicana
B4. Las Trompetas (feat. Lukey Cage)
B5. Motorcycle Sicario School (feat. T.F, RLX & Mickey Diamond)
B6. Die Later

DESCRIPTION
When CRIMEAPPLE and Big Ghost Ltd first linked up on their "Aguardiente" collaboration in 2016, the two came to shake the game up. The iconic Antioqueño bottle left a mark in underground hip-hop that still stands strong to this day, and to follow up they cooked up the deadliest material to do that once again with "Bazuko".
Named after the deadliest and most addictive street drug in Colombia, basuco, the album embodies the raw, uncut and unfiltered essence of their artistic process, much like the gritty remnants of cocaine paste.
CRIMEAPPLE's razor-sharp lyricism cuts through Big Ghost Ltd's masterful, hard-hitting beats, creating a visceral, addictive and immersive soundscape. With "Bazuko," the two aren't just following up on "Aguardiente"; they're raising the stakes, delivering a project that is as potent and unforgettable as its namesake.

BIS => 2 / 3 WEEKS
2LP - HOLY BASIL RECORDS
1972 => 2024

TRACKLIST
SIDE A
1. Cingolati
2. Avanscoperta
3. Disfatta
4. Offensiva Di Primavera
5. Allarme
6. Ora X
7. Reclutamento
SIDE B
1. Guerra Lampo
2. Retata
3. Attentato
4. Colpo Di Mano
5. Distruzioni
6. Commandos
7. Rappresaglia
SIDE C
1. Sentinella
2. Reazione Nazista
3. Crescendo Marziale
4. Truppe In Movimento
5. Guerra Di Posizione
6. Avvistamento
7. Desolazione
8. Caccia Alla Spia
9. Pattuglia
SIDE D
1. Dinamica Militare
2. Repressione
3. Dopo La Battaglia
4. Funerale Di Un Eroe
5. Ex Deportati
6. Ostinato Marziale
7. Ostinato Misterioso

DESCRIPTION
Dive into the evocative soundscapes of the past with the first ever vinyl reissue of Piero Umiliani's 1972 library masterpiece, "Guerra E Distruzione." Known for his innovative and genre-defying compositions, Umiliani's work on this album encapsulates the raw emotions and tumultuous energies of war and destruction through a unique blend of orchestral finesse and experimental brilliance.
This exclusive reissue has been remastered for vinyl by Davide "Bassi Maestro" Bassi to capture the full depth and richness of the original recordings, bringing to life every nuanced note and intricate layer. Presented in a stunning gatefold jacket with opening in the inside, replicating the original pressing, the album's artwork is a tribute to its historical significance and artistic value, offering fans and collectors a visual and auditory feast.
Limited to just 500 copies, this release is a rare gem for connoisseurs of library music, soundtrack enthusiasts, and vinyl aficionados. Immerse yourself in the hauntingly beautiful and profoundly stirring world of "Guerra E Distruzione," a timeless work that stands as a testament to Piero Umiliani's enduring legacy in the realm of cinematic soundscapes.

SOLD OUT
1LP - DE RAP WINKEL RECORDS
2023 => 2025

- Remixed by Big Ghost Ltd.
- Features Benny The Butcher, Lloyd Banks, Che Noir, Elcamino & more.
- Pressed on green vinyl.

TRACKLIST
Intro
Goodfellas
Latex Gloves
We Outside
Last Week
Made Bosses
Been Through
Speshal Machinery
Unruly

DESCRIPTION
Inspired by the Dr Dre classic, The Chronic, the concept for this release was to bridge gaps between generations, as well as coasts, while showing love to the album that introduced the world to Death Row Records. The Chronic is a timeless masterpiece that shifted not only the trajectory of Hip Hop culture at the tail end of 1992, but the entire scope of the music industry from that point on. It’s telling when an album that was recorded 3 decades ago can still provide a template for art created today, which is precisely what Big Ghost Ltd has done here. 38 Spesh & Conway are reputed spitters, who have displayed ease with rhyming over everything from dusty loops to contemporary trap beats. The fact that they can sound this naturally compelling over vintage G-funk beats is a testament to their undeniable talents.

BIS => 2025 08 22
2LP - UBIQUITY RECORDS
2024

- Highly Anticipated fourth full-length album.
- Backed by influential DJs, radio hosts, and tastemakers, including BBC Radio 6’s Huey Morgan, NTS Radio’s Bill Brewster & Mafalda, and Jazz FM’s Dom Servini.
- Praised for its warm, hypnotic rhythms and top-tier production, with endorsements from respected figures like Hot Toddy (Crazy P) and Pete Herbert (Music for Swimming Pools).

TRACKLIST
Land Of Music
Talking To People
Colours In Sky
Lost In Space
Houseboat Mayday
Summer Haven
Signature Whistle
Let’s Disappear For A While
Marina Scene
Firefly
We Dance The Skies
Agua Vida

DESCRIPTION
Rising musical visionary Reuben Vaun Smith's latest album, Land of Music, is a vibrant and atmospheric collection of tracks that transport listeners to a tropical soundscape of chilled beats, lush synths, and laid-back vocal musings. Remarkably, Smith recorded the entire album aboard a fishing trawler docked in a marina in Gibraltar, transforming the tight space into a creative sanctuary. Blending dreamy synthesizer pads, groovy beats, and smooth vocals, Land of Music evokes a relaxing, high-vibe journey from start to finish. Collaborations on the album enhance its eclectic sound, with standout performances from vocalist Lucy Saddler, who lends her ethereal voice to “Lost in Space” and the title track “Land of Music.” Additionally, labelmate and guitar virtuoso Chico Mann brings his signature funky guitar licks, infusing the album with fresh energy and dynamic flair. Smith’s Land of Music offers listeners an imaginative escape from the everyday, a vibrant sonic retreat that balances experimentalism with a deep sense of relaxation. Visually, it's paired perfectly with the striking album art courtesy of Brazil-based artists Uinverso, comprised of sisters Nadiuska and Priscila Furtado. Whether you’re tuning in on a quiet evening or drifting through a sun-soaked day, this album promises to be the perfect soundtrack for living the good life.

BIS => 2025 05 30
1LP - SINYES
2024

- Album features Mick Jenkins, Guilty Simpson, Quelle Chris, Open Mike Eagle and Homeboy Sandman.
- Upcoming tour dates in the midwest and NYC.
- Pressed on Pink 180 gram vinyl.

TRACKLIST
Nierb (ft. Rootbug)
Crème Brûlée (ft. Mick Jenkins & Muggzy Flowz)
Never Question (ft. no1mportant)
Hammer (ft. Guilty Simpson)
Voices Happy (ft. Open Mike Eagle & Homeboy Sandman)
Rob Why (ft. Quelle Chris & Rudi Devino)
U Know I Know 2424 (ft. Rudi Devino & Ben Buck)
Evr Byck (ft. Muggzy Flowz)
Noble Mex and El Texo (ft. VHU & Nick Cruz)
King Nope (ft. StormShadow)
Far Side '23 (ft. B0rne)
Interloper (ft. Dom Lamarca)
'09 Nostal (ft. Bahkey)
Willchemist (ft. Muggzy Flowz)

DESCRIPTION
Produced, arranged, recorded, performed and illustrated by Dr. Bobby Banner, MPC. Features raps by lyrical greats such as Mick Jenkins, Guilty Simpson, Quelle Chris, Open Mike Eagle and Homeboy Sandman. Also includes raps from Austin, Texas artists; Muggzy Flowz, StormShadow, B0rne, no1mportant, and many more. This is a bass guitar, MPC chopped, dirty record for everyone to enjoy!

BIS => 2025 06 13
2LP - REGIME MUSIC GROUP
2025

- This is Poncho Sanchez's 31st album release.
- Poncho Sanchez is a Grammy-winning bandleader, conguero (conga player), and one of the most influential percussionists in jazz.
- Combines straight-ahead jazz, soul music, and rhythms from Latin American and South American music, and honors the traditions of Latin Jazz, following in the footsteps of Mongo Santamaria, Tito Puente, and Cal Tjader.
- Each song has a live video associated that will be pushed out following the album release.
- Album release show on March 29th in support of the record at the Belly Up Tavern Solana Beach (where it was recorded).

TRACKLIST
A Bientot
Poncho’s Beat
Sabor, Sabor
Llegue
Night Dream
Aunque Tu
Poncho In the One Ways
Boogaloo Joe
Batiri Cha Cha
Guachi Guara (Soul Sauce)

DESCRIPTION
Legendary Latin jazz percussionist Poncho Sanchez returns with his 31st recording, Live at The Belly Up Tavern, releasing digitally March 28, 2025. Recorded at the iconic venue in Solana Beach, California, this electrifying live album captures the raw energy and passion that have defined Sanchez’s storied career. A GRAMMY Award winner for Latin Soul (Best Latin Album, 1999), Sanchez has spent decades honoring and expanding the Latin jazz tradition. With a discography that includes classics like Soul of the Conga, Latin Spirits, Out of Sight!, and Psychedelic Blues, his music bridges Afro-Cuban rhythms, hard bop, and soul, bringing the spirit of legends like Dizzy Gillespie and Chano Pozo to a new generation. Following his tribute album Chano y Dizzy! and the dynamic Live in Hollywood, Sanchez once again delivers a masterful live performance, full of infectious grooves, rich storytelling, and blazing solos. Live at The Belly Up Tavern is a must-have for jazz lovers and fans of high-energy, soulful Latin music.

BIS => 2025 09 05
2LP - CLUE NO CLUE
2024 => 2025

- A deluxe version of BRAVADO+INTiMO (B.i), expanded with 7 new tracks.
- Features guest appearances from Denzel Curry, Joey Bada$$, and Ab-Soul.
- Production by heavyweights like TaeBeast, Mario Luciano, Kal Banx, and Rascal.
- .idk. has collaborated with global brands including AMG, Apple Music, Nike, Dior, Dries Van Noten, Lanvin, McLaren, and Tumi.
- U.S. tour kicking off May 2025.

TRACKLIST
…
MARiO COiNS (B)
S.U (B) (ft. Denzel Curry)
STiLL i (i) (DENiM DEMO) (ft. Joey Bada$$)
MiLES TRUMPET 2 (i)
RiCH MAN DREAMS (i) (ft. Ab-Soul)
FLOW(B.i)
HELLO
CELiNE iN THE TRAP (B)
TiFFANY (B) (ft. Gunna)
KiCKIN! (B)
DENiM (B) (ft. Joey Bada$$)
MiLES TRUMPET (i)
CHECK! (B)
PAPERCUTS (i)
SWiTCH (i) (ft. Conway The Machine)
SUPERNOVA (i) (ft. TheARTI$T)
SEE YOU AGAiN (B.i.)
GOODBi

DESCRIPTION
BRAVADO INTiMO... boasts an additional 7 tracks with features from Ab-Soul, Denzel Curry, & Joey Bada$$. Production is handled by a wide range of talent including TaeBeast, Mario Luciano, Kal Banx, Oliver Easton, Rascal, and more. Creating a balance between the strength of bravado and the vulnerability of being intimate. A new journey awaits in "BRAVADO INTiMO..." or (B.i.) by .idk. (Ignorantly Delivering Knowledge). The name itself mirrors the enigmatic creator's duality. This musical journey is less of a narrative in words and more of an exploration of essence and melodic resonance. Through a fusion of soul, jazz, and hip hop, with a futuristic touch courtesy of the electronic leaning sequencer, .idk. crafts a sonic landscape that defies convention. “My goal with this album was to simplify everything.” With a concise 51-minute runtime and a focus on conceptual clarity, "BRAVADO INTiMO..." emerges as one of .idk.’s most accessible and cohesive projects to date. “With B.i., I just wanted to sing over beats that artists like MF DOOM would normally rap over and only rap when it felt the most natural” Drawing inspiration from his collaborations with MF DOOM, .idk. effortlessly transitions between singing and rapping, creating a seamless experience that captivates from start to finish. .idk.’s efforts provide rapping, singing, production, and even creative direction for a very specific language in a world that he governs quite well. BRAVADO INTiMO... (B.i.) provides a new palette for the future of melodic rap while capturing the essence of hip hop’s foundation.

BIS => 2025 08 01
1LP - NOW-AGAIN
1994 => 2024

PRESSED ON GALAXY COLORED VINYL

TRACKKIST
A1 Vol 2 Intro
A2 Stackin What You Lackin
A3 Junkies Runnin Up
A4 Sweatin Up On A Bitch
A5 Fuck Tha Law Pt 2
B1 Caught Up In A Click
B2 Gotta Get My Pimp On
B3 Don’t Shawt My Dollas
B4 Vol 2 Outro

DESCRIPTION
The third LP in Now Again's Memphis Rap series is Gotta Get My Pimp On. Lo-fi pimp player raps recorded on a four-track cassette in Shawty Pimp's bedroom in 1994.
This is part of Now Again Records multiple LP series on the History of Memphis Rap, which attempts to capture Memphis and its underground rap scene as it began to produce some of the most distinctive music of the ’90s.
This was a unique hip-hop strain – visceral and often vicious. It was a local, low-fi, cassette-tape based movement – yet it went on to change the course of rap music.
These albums have never been pressed on vinyl – until now. From Skinny Pimp and Carmike to Gangsta Blac and Shawty Pimp, these albums have been relegated to the proverbial bins of history and bootlegged, with unofficial copies still fetching top dollar on the secondary market. These albums were all licensed directly from their original creators, and come on limited edition colored vinyl with artist-approved imagery for their first LP iterations.
You can read the story of the Memphis Rap scene in a 12-page, oversized booklet with notes by Torii MacAdams. It captures the story of Memphis rap starting with the city’s founding and ending with an auto supply shop that sold these albums over the counter, with all points in between.

BIS => 2025 08 01
2LP - 1332 RECORDS
2025

TRACKLIST
LP 1
A1 Loose Crack Featuring – Planet Asia, Tragedy Khadafi
A2 Martial Law Featuring – Kool G Rap, Lord Jamar, Sadat X
A3 Infamous Godz Featuring – Big Twins, Godfather Pt. III*, Ty-Nitty
A4 Abu La-Haab Featuring – Canibus
B1 Militant Minded Featuring – Agallah The Don Bishop*, Allah B.
B2 The Power Of God Featuring – Godfather Pt. III*, Nature (4)
B3 Death Be The Penalty Pt. 2 Featuring – Shabazz The Disciple
B4 My Life Is Real Featuring – Curt Digga, Inspectah Deck, Sheek Louch
B5 Duty Of The Civilized Featuring – Crisis Tha Sharpshooter From The Black Knights*
LP 2
A1 Pretty Thugz Featuring – Capone (3), Tragedy Khadafi
A2 That Money Featuring – Ill Conscious
A3 Blood Pressure Featuring – Killa Kali, Planet Asia, Tristate
A4 Legendary Weapons Featuring – Cappadonna, Iron Shiek, Masta Killa
A5 Bang Bang Featuring – Capital GP, Solomon Childs
B1 The Mindset Featuring – Big Noyd, Ruste Juxx
B2 Zero Point Five Percent Featuring – Wise Intelligent
B3 Ready To Blow Featuring – Method Man, Redman
B4 Student Enrollment Featuring – Curt Digga, Lotto & HBO, Papoose

DESCRIPTION
Iron Shiek, a legendary figure in underground Hip Hop, is making waves once again with the announcement of his highly anticipated new project, “Circle of Iron.” Known for his extensive work with iconic artists such as Wu-Tang Clan’s Cappadonna, Infamous Mobb, Kool G Rap, and Planet Asia, Iron Shiek is gearing up to release a compilation that brings together a roster of Hip Hop heavyweights. As the mastermind behind numerous unforgettable tracks and projects, including his solo album “Fire N Ice,” Iron Shiek has earned his place as a respected producer and MC. His unique blend of the Queens and Staten Island sounds, honed through collaborations with the Wu-Tang camp and his years as a key figure in Wu-Tang Management, sets the stage for what promises to be a powerhouse of a compilation.
All we know is that “Circle of Iron” is dropping soon without an official date set in stone but it’s poised to be a celebration of true, raw Hip Hop, with Iron Shiek at the helm, curating beats and verses that showcase the genre’s finest. With the artwork literally speaking for itself, the project will include figures who have heavy contributions to 50+ years of Hip Hop. Iron Shiek’s career trajectory, from his debut on “Protect Ya Neck Vol. 1” to managing Cappadonna’s RBC Records deal, has solidified his place in the underground scene. Now, with “Circle of Iron,” he continues to push boundaries, delivering a fresh yet nostalgic sound that speaks to the real essence of Hip Hop. With his production expertise and connections in the game, “Circle of Iron” is sure to be a defining moment for both veteran fans and newcomers alike.

BIS => 2025 08 01
1LP - GOODTALK
2023 => 2025

- That Mexican OT was a member of the 2024 XXL Freshman class, and has been recently been profiled by Rolling Stone, The Los Angeles Times, SPIN, The Washington Post, and more. He also recently appeared on hugely popular podcast The Joe Rogan Experience.
- That Mexican OT’s online footprint is significant, with his accounts exceeding the 1.5 million mark in both Insta- gram followers and YouTube subscribers. He is currently averaging more than 4.9 million monthly listeners on Spotify.
- Lonestar Luchador features appearances by Paul Wall, Maxo Cream, BigXthaPlug, and more. Global superstar Beyoncé recently championed That Mexican OT is an interview with GQ.

TRACKLIST
1. Commentator Skit Pt. 1 (feat. Ralph Barbosa Jr)
2. Skelz
3. Johnny Dang (feat. Paul Wall and Drodi)
4. Opp or 2 (feat. Maxo Kream)
5. Breannan
6. Commentator Skit Pt. 2 (feat. Ralph Barbosa Jr)
7. Hit List (feat. BigXthaPlug and Big Yavo)
8. Barrio (feat. Lefty SM)
9. 15 Missed Calls
10. Commentator Skit Pt. 3 (feat. Ralph Barbosa Jr)
11. OMG
12. Groovin
13. Be Careful Texas
14. Conscience Skit (feat. Ralph Barbosa Jr)
15. Cowboy In New York
16. Sparky Tommy Lee Skit (feat. Ralph Barbosa Jr)
17. Cowboy Killer
18. Matagorda (feat. Hogg Booma)

DESCRIPTION
That Mexican OT is making sure Texas has a seat secured at the rap table. The Tejano rapper recently burst onto the scene with exuberant, confidence-filled bars and the truck-rattling sensibilities of prime southern rap, mixed with the experimentation of DJ Screw’s signature sludgy chopped-n-screwed sound. OT rose to fame off the strength of his legendary linkup with Houston royalty Paul Wall on “Johnny Dang”, which has amassed over 300 million streams to date.
He parlayed that success into his breakout project Lonestar Luchador, which has been heralded by Pitchfork, Rolling Stone, HipHopDX, The Houston Chronicle, and more. Embodying the resilience and fire of Texas pride, the album encapsulates the energy of an artist who delivers on every bar and every beat, crafting knockout anthems that resonate far beyond borders. Now, Lonestar Luchador is available on vinyl featuring a mini poster insert,
with artwork by Jesse California.

BIS => 2025 08 01
2LP - NATURE SOUNDS
2009 => 2025

- The first ever vinyl pressing of this classic 2009 album.
- Crime Pays debuted at #3 on the Billboard 200 chart upon it’s release, and was covered by outlets like Rolling Stone, Entertainment Weekly, Pitchfork, Spin, XXL, and more.
- Cam’ron’s celebrated career includes Platinum and Gold Certifications. His albums also feature collaborations with artists like Jay-Z, Lil Wayne, Usher, Kanye West, Wale, Ol’ Dirty Bastard, Ma$e, Beanie Sigel, Prodigy, N.O.R.E., Jim Jones, Max B, and many more.
- Cam‘ron has over 3.2 million Instagram followers and over 2 million monthly Spotify listeners.
- Alongside fellow hip-hop icon Ma$e, Cam’ron is the host of It Is What It Is, a widely popular sports themed YouTube show that has featured guests like Stephen A. Smith, Mike Tyson, Snoop Dogg, Paul Pierce, Floyd Mayweather and more.

TRACKLIST
1. Crime Pays Intro
2. Cookin’ Up
3. Where I Know You From
4. F*ck Cam #1
5. Never Ever
6. Curve
7. Silky
8.GetItInOhio
9.Who
10.Grease Skit
11. You Know What’s Up (feat. C.O. and Sky-Lyn)
12. Spend The Night
13. F*ck Cam #2
14. Woo Hoo (feat. Byrd Lady & 40 Cal.)
15. Calupa
16. Cookies N Apple Juice (feat. Skitzo & Byrd Lady
17. My Job
18. Homicide
19. F*ck Cam #3
20. Got It For Cheap (feat. Skitzo)
21. Get It Get It
22. Bottom Of The Pussy
23. F*ck Cam #4

DESCRIPTION
After breaking through with a gold selling debut in the late 1990’s, Harlem emcee Cam’ron quickly emerged as a leading figure in hip-hop, just as the genre was reaching mass audiences for the first time. A platinum-selling classic on Roc-A-Fella Records came a few years later, followed by the founding of the iconic collective Dipset and the release of three more seismic solo albums over the course of the 2000s. The last chapter in his historic run was 2009’s Crime Pays, which drew praise from critics while also lighting up the Billboard Charts, showcasing Cam’s sonic evolution while proving his pen game remained unmatched. More than 15 years after it’s release, this vital collection is now receiving an official vinyl pressing for the first time ever. A perpetually underrated lyricist with transcendent rhyme mechanics embedded in his leisurely flow, Cam’ron is in peak form on Crime Pays, effortlessly walking listeners through the details of his fascinating life and times. With suprisingly modern production supplied by AraabMuzik, I.N.F.O., Skitzo, and more, this memorable album is an important chapter in the story of a truly essential artist.

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

TRACKLIST
Side A:
1. Piranhas (feat. J-Spliff & Estee Nack)
2. Facelift (feat. Estee Nack, Raz Fresco, & Daniel Son)
3. Overkill (feat. Hus Kingpin)
4. You’re DEAD (feat. Al.Divino & Crimeapple)
5. ’83 Canadian Hollow Tips (feat. P-Dirt, Raz Fresco, & Daniel Son)
6. Head Hunters (feat. Izrell)
Side B:
7. Welcome To Hell (feat. P-Dirt, DJ Eclipse, & ILL BILL)
8. Maximum Overdrive (feat. Raz Fresco, Goretex & J-Spliff)
9. White Crown Pt.ll (feat. Casual, DJ Eclipse & Planet Asia)
10. Call Me Snake (feat. P-Dirt & J-Spliff)
11. Wild Style Warz (feat. Raz Fresco & Da Flyy Hooligan)
12. Writing On The Wall (feat. Izrell & J-Spliff)

DESCRIPTION
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Reanimation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I’m on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.

BIS => 2025 08 01
1LP - NATURE SOUNDS
2025

- Blu’s music has been championed by outlets like XXL, Pitchfork, Okayplayer, Vice, HipHopDX, NPR, and more. In recent years, he has been interviewed by Billboard, Complex, LA Weekly, Noisey, Red Bull Music academy, and more.
- Blu has collaborated with prominent artists like The Roots, Logic, Miguel, Madlib, Roc Marciano, Alchemist, MF DOOM, Anderson .Paak, Freddie Gibbs, Aloe Blacc, Slum Village, Evidence, and more.
- August Fanon is among the top producers working in independent hip hop today. He has produced tracks for Westside Gunn, Mach-Hommy, Tha God Fahim, billy woods, Navy Blue, Crimeapple, Elucid, Chris Crack, ANKHLEJOHN, Vic Spencer, Akai Solo, and more.
- Forty features guest appearances by Kota The Friend, Asher Roth, R.A.P. Ferreira, Mickey Factz, Homeboy Sandman, Chester Watson, Fashawn, Charles Hamilton, and more.

TRACKLIST
1. Forty (feat. Chris cLArke and Mickey Factz)
2. Worthy (feat. Cashus King and Scienze)
3. Simple (feat. Sene and Chester Watson)
4. Love (1-4) (feat. Wyldeflowher, Geminelle, Yah Ra, Lexxus, and Noveliss)
5. Dance (feat. Phoenix Cruz and Charles Hamilton)
6. Happy (feat. Kota The Friend and R.A.P. Ferreira)
7. Knowledge (feat. Triune and Tristate)
8. Bible (feat. Propaganda and PCH)
9. Human (feat. Homeboy Sandman and Asher Roth)
10. Loser (feat. Cashus King and Stik Figa)
11. Joy (feat. Fashawn and Choosey)

DESCRIPTION
In the turbulent world of hip-hop, few artists are able to make the transition from hot young star to acclaimed rap luminary. Los Angeles emcee Blu has followed this rare path, graduating from a spot on the 2009 XXL Freshman list to an expansive catalog with more than 25 celebrated releases. Now, the talented lyricist is celebrating his remarkable journey with Forty, a new album entirely produced by influential beatsmith August Fanon, who has crafted tracks for Westside Gunn, Mach-Hommy, Tha God Fahim, billy woods, Navy Blue, and more. “This album is a celebration of me reaching 40 years of age,” Blu explains. “All the content is a reflection of where I am mentally at the age of 40.” With intricate verses packed with wisdom and maturity, the collection finds Blu and a host of guests reflecting on happiness, religion, love, knowledge, humanity, and more. Fanon brings these tracks to life with a unique production approach, taking it back to basics with soul heavy soundscapes Blu describes as “straight loops, no drum programming or layers, just really soulful loops.” With appearances by Kota The Friend, Asher Roth, R.A.P. Ferreira, Mickey Factz, Homeboy Sandman, Chester Watson, Fashawn, and more, Forty is a timless experience from an artist who remains a vital presence in any decade of life.

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

NEON GREEN VINYL

TRACKLIST
Side A:
1. Piranhas (feat. J-Spliff & Estee Nack)
2. Facelift (feat. Estee Nack, Raz Fresco, & Daniel Son)
3. Overkill (feat. Hus Kingpin)
4. You’re DEAD (feat. Al.Divino & Crimeapple)
5. ’83 Canadian Hollow Tips (feat. P-Dirt, Raz Fresco, & Daniel Son)
6. Head Hunters (feat. Izrell)
Side B:
7. Welcome To Hell (feat. P-Dirt, DJ Eclipse, & ILL BILL)
8. Maximum Overdrive (feat. Raz Fresco, Goretex & J-Spliff)
9. White Crown Pt.ll (feat. Casual, DJ Eclipse & Planet Asia)
10. Call Me Snake (feat. P-Dirt & J-Spliff)
11. Wild Style Warz (feat. Raz Fresco & Da Flyy Hooligan)
12. Writing On The Wall (feat. Izrell & J-Spliff)

DESCRIPTION
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Reanimation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I’m on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2011 => 2020

TRACKLIST
English Lane
Blue Slide Park
Party On Fifth Ave
PA Nights
Frick Park Market
Smile Back
Under The Weather
Of The Soul
My Team
Up All Night
Loitering
Hole In My Pocket
Diamonds & Gold
Missed Calls
Man In The Hat
One Last Thing

DESCRIPTION
Blue Slide Park is the debut studio album from Mac Miller, named for a section of his hometown Pittsburgh's Frick Park. Released in November 2011 by Rostrum Records, the breakthrough album topped the Billboard 200 and features the gold-certified singles, "Frick Park Market," and "Party on Fifth Ave."

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2011 => 2023

TRANSLUCENT GREEN COLORED


TRACKLIST
English Lane
Blue Slide Park
Party On Fifth Ave
PA Nights
Frick Park Market
Smile Back
Under The Weather
Of The Soul
My Team
Up All Night
Loitering
Hole In My Pocket
Diamonds & Gold
Missed Calls
Man In The Hat
One Last Thing

DESCRIPTION
Blue Slide Park is the debut studio album from Mac Miller, named for a section of his hometown Pittsburgh's Frick Park. Released in November 2011 by Rostrum Records, the breakthrough album topped the Billboard 200 and features the gold-certified singles, "Frick Park Market," and "Party on Fifth Ave."

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2010 => 2023

TRANSLUCENT YELLOW 2LP

TRACKLIST
Kickin' Incredibly Dope Shit (Intro)
Outside
Get Em Up
Nikes On My Feet
Senior Skip Day
The Spins
Don't Mind If I Do
Paper Route
Good Evening
Ride Around
Knock Knock
Mad Flava, Heavy Flow (Interlude)
Kool Aid & Frozen Pizza
All I Want Is You
Poppy
Face In The Crowd

DECRIPTION
Mac Miller's seminal mixtape K.I.D.S. was originally released in 2010 by Rostrum Records. Featuring the tracks, "Nikes on My Feet," "Kool Aid & Frozen Pizza," and "Knock Knock," Miller's first entry on the Billboard Hot 100. The title, an acronym for "Kickin' Incredibly Dope Shit," is a reference to the 1995 film, Kids, which is quoted throughout. Double LP set on translucent yellow vinyl.

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2013 => 2023

BROWN COLORED VINYL

TRACKLIST
The Star Room
Avian
I'm Not Real (Feat. Earl Sweatshirt)
S.D.S
Bird Call
Matches (Feat. Ab-Soul)
I Am Who Am (Killin' Time) [Feat. Niki Randa]
Objects in the Mirror
Red Dot Music (Feat. Action Bronson)
Gees (Feat. Schoolboy Q)
Watching Movies
Suplexes Inside of Complexes and Duplexes
Remember
Someone Like You
Aquarium
Youforia
Goosebumpz (Bonus Track)
O.K. (Feat. Tyler, the Creator) [Bonus Track]
Claymation (Feat. Vinny Radio) [Bonus Track]

DESCRIPTION
Watching Movies With The Sound Off is the second studio album by rapper Mac Miller, originally released in 2013. The album continues the changes in his musical sound that he began with the mixtape Macadelic. Mac Miller has described the album as very introspective and very personal. The album features guest appearances from Earl Sweatshirt, Ab-Soul, Action Bronson, Schoolboy Q, Jay Electronica and Tyler The Creator among others. Production was handled primarily by Miller himself (under the pseudonym Larry Fisherman) among others such as Diplo, Tyler, The Creator, Flying Lotus, The Alchemist, Clams Casino, Earl Sweatshirt, J. Hill, Chuck Inglish and Pharrell Williams.

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2011 => 2023

LAVENDER 2LP

TRACKLIST
Best Day Ever
Get Up!
Donald Trump
Oy Vey
I'll Be There
Wear My Hat
Wake Up
All Around the World
Down the Rabbit Hole
In the Air
Play Ya Cards
She Said
Life Ain't Easy
Snooze
Keep Floatin'
Bde Bonus

DESCRIPTION
When most fans think of Mac Miller, the first thing that comes to mind is his seminal work Best Day Ever, its recognizable artwork, or its most popular track and Mac's breakout single “Donald Trump.” Mac Miller’s Best Day Ever served as a successful follow-up to his breakthrough mixtape K.I.D.S. (Kickin’ Incredibly Dope Shit). The 16 track project featured some notable guest appearances by Wiz Khalifa and Phonte of Little Brother/The Foreign Exchange. And while Miller has become known for his own production skill these days, Best Day Ever featured none of his own production. Producers involved in the project included Just Blaze, Chuck Inglish, Khrysis, Beanz N Kornbread, Blue of The Sore Losers and I.D. Labs.

BIS => 2025 09 05
2LP - ROSTRUM RECORDS
2012 => 2023

WHITE 2LP

TRACKLIST
Love Me As I Have Loved You
Desperado
Loud
Thoughts from a Balcony
Aliens Fighting Robots
Vitamins
Fight the Feeling
Lucky Ass Bitch
The Mourning After
1 Threw 8
Ignorant
The Question
Angels (When She Shuts Her Eyes)
Sunlight
Clarity
America
FNCK 'Em All

DESCRIPTION
Mac Miller's seventh mixtape, Macadelic, was originally released as a free download in 2012. Featuring the hit single, "Loud," which reached #53 on the Billboard Hot 100. Macadelic was later remastered and released commercially in 2018 by Rostrum Records.

BIS => 2025 09 05
1LP - PARALLEL THOUGHT LTD.
2025

- Defcee has previously released albums on Backwoodz Studios.
- Pressed in a one-time, limited edition of just 200 colored vinyl copies.
- Includes an exclusive bonus track available only on vinyl.
- Features standout collaborations with Fatboi Sharif and Tree.

TRACKLIST
Chicago Famous
Broke
Casket Races
You Still Rap?
Open Mic Nights
Swoon
66 to Navy Pier
Big Sisters (feat. Tree)
Graduation Picture
Ben Grimm
Sigils (feat. Fatboi Sharif)
Beasts

DESCRIPTION
This album originally was planned for release in 2022—that’s when Defcee and Parallel Thought first connected, built on a mutual respect for each other’s discographies. Defcee was fresh off the success of his Backwoodz debut, Trapdoor (produced by Messiah Musik), while Parallel Thought had just released The Wild End, their collaborative album with another Chicago legend, Tree. An initial beat pack was sent, quickly followed by a demo of songs recorded by Defcee. The foundation was there, but then—silence. Long story short…life happened. Fast forward to July 2024, and Defcee spent a week in Freehold, recording the entirety of Other Blues at Parallel Thought’s studio. Other Blues lays bare small joys, big hurts, and both swagger and insecurity in equal measure, serving as a testament to honesty, redemption, and a refocusing on life’s most important priorities. Deeply personal and introspective, the album showcases Defcee’s raw, honest lyricism over Parallel Thought’s smoked-out, heavy, hazy jazz soundscapes. The project also features guest verses from extended family—New Jersey’s feature king, Fatboi Sharif, and fellow Chicagoan, Tree. Despite balancing day jobs, kids, and family, Defcee & Parallel Thought prove that music can still sound like it comes first.

BIS => 2025 08 22
1LP - DEWOLFE MUSIC
1983 => 2025

- Founded in 1909, de Wolfe Music’s legendary production music catalog has gained cult status among vinyl collectors and crate diggers worldwide. Featuring music from a roster of composers including Reg Tilsley, Roger Webb and duo Frank MacDonald & Chris Rae as well as performances from iconic musicians such as Jimmy Page and Herbie Flowers.
- De Wolfe Music has provided the soundtrack to countless feature films including Monty Python and The Holy Grail, The Witchfinder General, Dawn Of The Dead, and more than twenty of the Shaw Brothers’ Kung Fu classics.
-Major recording artists who’ve sampled the collection in recent years include Beyonce, Drake, Jay Z, Madlib, Danger Doom, Alchemist, Lily Allen, Gorillaz, Action Bronson, Jay Electronica, Cam’ron and Ja Rule, to name just a few.

TRACKLIST
Galaxis
Galaxis (Short Version)
Polestar (Version 1)
Polestar (Version 2)
Flare Path
Flare Path (Alt. End)
Millenium
Sierra Nova
Perpetuum
Glory Road
Glory Road (Alt. Intro)
Robot Ton
Piccolette
Savannah Gold

DESCRIPTION
The visionary 1983 album by Anthony Hobson, is a bold exploration of enterprising drama themes. Featuring hypnotic synth layers, commanding brass motifs, and the pulsating rhythms of electric bass and drum machine, each track resonates with confidence and ambition. Hobson's masterful compositions from this album were regular features on sports highlight reels throughout the 80’s and 90’s, including “Polestar 1” on NFL Films. From touchdowns and slam dunks to space age captains of industry, "Millennium" captivates listeners with its dynamic compositions, offering a compelling musical journey through the aspirations and achievements of the burgeoning digital age of the early 1980s.

BIS => 2025 09 05
1LP - ROSTRUM RECORDS
2011 => 2025

- Features/samples include The Temper Trap, Bun B, People Under The Stairs, Talib Kweli, and Toro y Moi.
- Producers include Cardo, Clams Casino, ID Labs (E. Dan, Big Jerm), Thes One, and 9th Wonder.
- CLEAR vinyl housed in an audiophile sleeve and packaged in a clear PVC jacket with a flap enclosure, echoing the plastic to-go bag look of the original mixtape cover.

TRACKLIST
I Love Life, Thank You
People Under The Stairs
Willie Dynamite
The Scoop on Heaven
Love Lost
Pranks 4 Players
Cold Feet
Family First
The Miller Family Reunion
Boom Bap Rap
Just A Kid
All That
All This

DESCRIPTION
First-ever vinyl pressing of Mac Miller’s fan-favorite 2011 mixtape I Love Life, Thank You, featuring the viral track "Love Lost," and appearances by Talib Kweli and Bun B. Originally released to celebrate Mac reaching one-million Twitter followers, the mixtape showcases his charismatic early sound and includes production from Clams Casino and 9th Wonder.

BIS => 2025 09 26
1LP - VAMPISOUL
1976 => 2025

In "Everybody Loves the Sunshine" (1976), Roy Ayers seamlessly blends genres, creating a timeless sound that continues to influence musicians and DJs around the world. He makes the vibraphone the central instrument, a jazz-funk approach that defines his unique style.
Over time, the album has remained an essential reference in Roy Ayers' discography and in the history of 70s Black music. Summertime soul classic!
180g vinyl

TRACKLIST
Side A
1. HEY, UH-WHAT YOU SAY COME ON
2. THE GOLDEN ROD
3. KEEP ON WALKING
4. YOU AND ME MY LOVE
5. THE THIRD EYE
Side B
1. IT AIN'T YOUR SIGN (IT'S YOUR MIND)
2. PEOPLE AND THE WORLD
3. EVERYBODY LOVES THE SUNSHINE
4. TONGUE POWER
5. LONESOME COWBOY

DESCRIPTION
In 1976, legendary musician and composer Roy Ayers released one of the most iconic albums of his career: "Everybody Loves the Sunshine." This album not only solidified Ayers as a key figure in the world of jazz-funk but also marked a milestone in soul music and contemporary jazz. It features a sophisticated blend of irresistible grooves, smooth melodies, and a unique sound that has endured over the years, becoming a reference for multiple generations of musicians and listeners.
By the mid-70s, Ayers had already established his reputation with his band, Roy Ayers Ubiquity, and his distinctive use of the vibraphone, which became his personal trademark. However, with this album, Ayers ventured into a smoother, more accessible sound, partly in response to the rise of disco music and the growing interest in more experimental sounds within the music scene. Throughout its ten tracks, Ayers managed to create a sonic atmosphere that evoked both the warmth of summer and the sophistication of jazz from that era, set against a backdrop of modern soul.
The production was carried out by Ayers himself, along with his producer and friend, David R. Williams, and features the wonderful sound of Phillip Woo's Fender Rhodes and the powerful energy of the rest of the band, achieving an unmistakable authenticity and freshness. Some of its most well-known songs include the title track, ‘Everybody Loves the Sunshine,’ ‘The Golden Rod,’ and ‘The Third Eye,’ which quickly became classics of jazz-funk and soul.
This album is crucial in Roy Ayers' career, as it demonstrates his ability to remain relevant and creative in an ever-changing music industry. Over the years, "Everybody Loves the Sunshine" has become a cult album, frequently featured in DJ sets by artists like Gilles Peterson, Theo Parrish, and Lefto. Summertime soul classic!

PRE ORDER => 2025 06 27
1LP - MUNSTER
1975 => 2025

Gatefold

"Electròccid àccid alquimístic xoc" marks a shift in Pau Riba’s sound—now electrified and fully embracing rock under the influence of artists like Lou Reed, Ray Davies, and Kevin Ayers.
Once again, Riba left everyone bewildered with a work that, on its own, gave early substance to what would eventually be known as roc català, of which Riba may well have been its most authentic representative.
First vinyl reissue in over four decades!

TRACKLIST
Side A
1. SOL SOLET
2. ES FA LLARG ES FA LLARG ESPERAR
3. CUATRE BARRES BLANC I NEGRE
4. BRIAN A CLOWN
5. LLUNA ROBADA
Side B
1. MARÍA
2. OCCIDENT (RECEPTE DE CUINA)
3. LLUNA ESTIMADA
4. ESTRELLA DE LA FORTUNA

DESCRIPTION
"Electròccid àccid alquimístic xoc" marks a shift in Pau Riba’s sound—now electrified and fully embracing rock under the influence of artists like Lou Reed—opening a new chapter as he distances himself from his immediate past. The magical "Dioptria" had been left behind.
The album was recorded in the winter of 1975 with the help of the same group of musicians who had accompanied him a few months earlier at a concert at Zeleste to debut new songs: a mix of Valencian musicians from bands like Paranoia Dea and guitarist Eduardo Bort’s group.
Once again, Riba left everyone bewildered with a work that, on its own, gave early substance to what would eventually be known as roc català, of which Riba may well have been its most authentic representative.
There are nods to Lou Reed, Ray Davies, and Kevin Ayers, but the core of "Electròccid…" is defined by Riba’s own authorship. With lyrics that veer from poetic to absurdly ironic, Riba explores themes like the moon, the stars, death, love, women, the devil, and the bourgeoisie—fueling the originality that made him such a unique artist. It's striking how naturally and effortlessly Riba incorporated the Catalan language into the rock idiom—and vice versa.
First vinyl reissue in over four decades!

PRE ORDER => 2025 06 27
1LP - VAMPISOUL
1966 => 2025

This elusive and lesser-known collector’s gem by Óscar Agudello y el Combo Moderno called “Pa’ mi muñeca” is an album devoted to recreating the strength of a musical genre that’s been the soundtrack of Colombian life for decades and represents a milestone on the route cumbia had taken by 1966, when it was originally released on Discos Fuentes. It’s exactly the kind of music that lights up a tambó or a fandango circle on carnival night.
First time reissue. Includes liner notes by genre expert Don Alirio.
180g vinyl.

TRACKLIST
Side A
1. MADRE CUMBIA
2. CUMBIA MODERNA
3. PA MI MUÑECA
4. ESTÁ COMO MANGO
5. RECORDANDO A SANTA MARTA
6. PORRITO CHOCO
Side B
1. LUCERITO
2. CUMBIA DE RECUERDO
3. OREJU
4. CUMBIA SUAVE
5. CUMBIA DE SANTA MARTA
6. ISLA DE PROVIDENCIA

DESCRIPTION
In 1966, Óscar Agudelo recorded this elusive and lesser-known collector’s gem called “Pa’ mi muñeca” for Discos Fuentes. It is a rarity where the artist took an unexpected musical turn and performed several porros, paseaitos, gaitas, and cumbias, evoking the swaying motion and rolling waves of Colombia’s Caribbean sound.
It resonates with the echoes of a romantic minstrel laced with an unexpected richness of nuance, a hallmark of the cumbia sound. It’s exactly the kind of music that lights up a tambó or a fandango circle on carnival night. A dozen tracks, none of them new, but suffused with a consciousness that can be understood within the context of their time and with the personality of the artist bold enough to bring them to life.
‘Madre cumbia’ opens the album with a festive, nostalgic mood, infused with the simple beauty and the electrifying beat of the tropics that immediately makes you want to get up and dance. It’s a fantastic example of how to perform a song with passion and make the listener fall instantly in love with an album. ‘Pa’ mi muñeca’, the title track, is a fast-paced paseaito that explores new paths that took a shortcut to the dance halls. A showstopper on the dance floor. ‘Está como mango’ is a porro-cumbia that charms with a rich tapestry of compliments, the calling card of many old-school tropical songs. ‘Cumbia de recuerdo’, ‘Cumbia suave’, ‘Cumbia de Santa Marta’, are back-to-back cumbias.
This is an album devoted to recreating the strength of a musical genre that’s been the soundtrack of Colombian life for decades. It’s a record dedicated to capturing good times, filled with simple dreams, steeped in joyful energy, and shining with the uninhibited flair, or better said, the quality of the sixties.
This album represents a milestone on the route cumbia had taken, both for Discos Fuentes and maestro Agudelo.

BIS => 2025 08 01
1LP - NOW-AGAIN RECORDS
2025

- Unreleased Disco And Boogie From Dayton, Ohio's Record Player. Their Full Album, Collating Both Sides Of Their Rare 45 With More Killer Music
Recorded In The Late '70s, Unreleased Until Now.
- Contains Oversized Booklet With Notes By Historian Bret Sjerven, Detailing The Record Player's Story And The History Of The Ohio Soul Music Scene That Allowed For Their Rise.

TRACKLIST
A1. Free Your Mind
A2. Your Fantasy
A3. Nursery Rhymes
A4. Magic
B1. Funky Bone
B2. Backup N Funktown
B3. Bump-a-rump Ability
B4. Crisis

DESCRIPTION
In 1979, Record Player privately pressed and issued a solitary
45 on their Gem City Records imprint in Dayton, Ohio. Though they had recorded a host of other songs, and were on the verge of signing to a major label, their trajectory stalled and the band splintered by the early 1980s. In the early 2000s, Record Player principle Charles Jackson surfaced with their unreleased songs. Todate, only two Record Player songs have been reissued, as part of Now-Again's long-running Soul Cal series. Now, the entirety of their oeuvre is presented here as Free Your Mind, and their story detailed in words by Bret Sjerven. This is a special release for us at Now-Again, and will be perfect for any fan of the deep disco scene that birthed the likes of Luther Davis, Edge of Daybreak, Tomorrow's People, Split Decision Band, and so many others issued by us, Numero Group, and other like minded labels.

BIS => 2 / 3 WEEKS
1LP - RRC RECORDS
2024

TRACKLIST
A1. Bacon Egg and Cheese
A2. BLAH (feat. Logic)
A3. How It Is
A4. Let It Go
A5. Free My Dogs
B1. Northside
B2. What you need (feat. Phearnone)
B3. mr. mellow
B4. Get It Done
B5. Count Your Days

DESCRIPTION
Kota The Friend and Statik Selektah reunite for their third collaborative album, "Once In A Blue Moon", a stunning follow-up to their acclaimed projects "To Kill A Sunrise" and "To See A Sunset". This album sees the duo refining their signature blend of introspective lyricism and golden-era-inspired production, creating a sonic landscape that feels both nostalgic and refreshingly modern.
Highlights include the electric energy of "BLAH," featuring rap superstar Logic, who delivers sharp, unforgettable verses alongside Kota. Violinist Phearnone adds a hauntingly beautiful touch to "What You Need," merging classical strings with Statik's soulful beats for a standout moment of artistic fusion.
"Once In A Blue Moon" is a musical reflection on the rarity and beauty of those transformative experiences that stay with you forever, a vivid journey, showing Kota The Friend and Statik Selektah at the peak of their creative synergy.

BIS => 2025 08 01
1LP - GOODTALK
2024

- That Mexican OT was a member of the 2024 XXL Freshman class, and has been recently profiled by Rolling Stone, The Los Angeles Times, SPIN, The Washington Post, and more. He also recently appeared on the hugely popular podcast The Joe Rogan Experience.
-That Mexican OT’s online footprint is significant, with his accounts exceeding the 1.5 million mark in both Instagram and Youtube followers. He is currently averaging more than 6 million monthly Spotify listeners.
- Texas Technician features appearances by Paul Wall, Slim Thug, Z-Ro, Moneybagg Yo, DaBaby and more.
-Global superstar Beyonce recently championed That Mexican OT in an interview with GQ

TRACKLIST
1. 02.02.99
2. Point Em Out (feat. DaBaby)
3. Chicken Strips & Ass (feat. Paul Wall)
4. Bull Riding (feat. Drodi and Slim Thug)
5. Wockhardt (feat. Le$)
6. Function (feat. Propain)
7. Texas Pledge (feat. Z-Ro)
8. Crooked Officer (feat. Z-Ro)
9. Cowboy In A Escalade (feat. Trapboy Freddy)
10. Comin Down (feat. Hannah Everhart and OTB Fastlane)
11. Glocks & Hammers
12. Twisting Fingers (feat. Moneybagg Yo)
13. Hola (feat. Fredo Bang)
14. In The Air (feat. Hogg Booma)
15. Mucho Gracias
16. Kick Doe Freestyle (feat. Homer and Mone)

DESCRIPTION
Bay City, Texas Rapper That Mexican OT flaunts a sound that plays just as well globally as it does at the parking lot kickback, blending Texas culture with universal ambition. Notching tens of millions of streams solidified the tejano emcee as one of the most exciting southern rapperson the come up, leading to a deal with GoodTalk and Interscope. With his latest album Texas Technician, That Mexican OT delivers on the fun and raucous sound that made him, while also showing off a meticulous desire to expand his range. Featuring appearances by Slim Thug, Paul Wall, Z-Ro, Moneybagg Yo, DaBaby, and more, the collection is now available on vinyl.

BIS => 2 / 3 WEEKS
1LP - RRC RECORDS
2025

TRACKLIST
A1. Dear Psilocybin
A2. World Blew
A3. In The Wind (feat. The Alchemist)
A4. Sweet Celine
A5. Explains it Scientifically
A6. Lost All Control
B1. Accidental Killer
B2. "Hansel & Gretel" (feat. Boldy James)
B3. Trenchblade
B4. Past Life (feat. Mavi)
B5. Buggin'
B6. Kingdom Come (Hyping Me Up)
B7. Arîba! Arîba!

DESCRIPTION
LA-based producer Real Bad Man and Detroit artist ZelooperZ release their joint album Dear Psilocybin via the producer’s own Real Bad Man Records. The album marks the duo’s first collaboration, culminating in a full-length project that also features guest appearances from Boldy James, MAVI and a verse from The Alchemist. On Dear Psilocybin, ZelooperZ invokes unconventional production out of Real Bad Man to match his own unpredictable and outlandish delivery, working outside of traditional song structures and existing in a lane of his own. The Detroit multihyphenate, who is an integral part of Danny Brown’s Bruiser Brigadecollective and also an accomplished visual artist, painted the album’s corresponding cover artwork as well.
“I definitely haven’t made anything like this before, it’s a very subtle version of my music as far as tone, ” ZelooperZ explained in a conversation with Real Bad Man for his RBM Radio show. He elaborates on the off-kilter approach to the way he recorded to say, “the album feels like a movie soundtrack for a film about a man losing his mind and getting spurts of memories along the way. ”
Speaking about how the project differs from the rest of his collaborative catalog, RBM says, “It’s trippy and it’s a little different – but the main goal was for it to be authentic to Z and his process. ” That dedication to authenticity rings true across his catalog, drawing back to the foundations of his beginnings as a producer, learning the fundamentals of sampling, experimenting with chords and learning to piece songs together by ear. RBM builds a cohesive production arc around each artist he works with, catered to their strengths as artists, working with a variety of lyrical stylists including Memphis rapper Lukah, Pink Siifu, Blu, Kool Keith, Elcamino & more.
Real Bad Man is the production moniker of visual artist and designer Adam Jay Weissman. A designer and visual artist first, he made his foray into music through his On High Alert series of imaginative, multi-generational compilations, which have featured the likes of Roc Marciano, ROME STREETZ, Pink Siifu, Maxo and more. In the years since, he’s partnered with some of hip- hop’s most talented and adventurous artists on full-length projects, refining and shaping the trajectory of some of rap’s most exciting independent artists.

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

Yellow Vinyl

TRACKLIST
Side A:
1. Intro
2. Strike Back
3. Hip Hop Is Alive
4. Melt (feat. Oak Lonetree)
Side B:
5. Big ‘Ole Butt
6. Ain’t Playing Around
7. OJ
8. The Most Confident (feat. Just Pete & King Author)

DESCRIPTION
Boston area emcee Big Dese and producer Confidence combine forces for “Kool Moe Dese”. The eight-track long project will drop via Below System Records digitally on May 16th as well as in a limited vinyl edition of 100 yellow copies and 200 black.
Propelled by singles “Strike Back” and “Melt” featuring Oak Lonetree listeners get an example of the duo’s punchline heavy bars and sample-based soundscapes. Besides Oak Lonetree other guests on the album are Just Pete and King Author.
Big Dese, over two decades deep in the game makes a masterclass of balancing lyrical disrespect and self-deprecation. Fellow Massachusetts neighbor and producer Confidence has laced tracks and projects for such notables as The Legion, Neek The Exotic, Purpose (Tragic Allies), Rashad and Edo G. He specializes in creating an ill array of head-nodders crafted from deep, dusty crates of funk, soul, disco and other vinyl sources.
The emcee and producer initially met over two decades ago. Speaking on the genesis of “Kool Moe Dese” Confidence recalled “I was working on a beat recently and found some old vocals from Dese that were never used. I put the vocals over the beat and sent them over to him. He was feeling it and decided to write new lyrics for it and we just started building from there.” Regarding the album title Dese added “I always like to do a play on words on my name for my album titles. This one had such a classic Hip Hop feel to it I decided to reference a classic Hip Hop figure.”

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

Red Vinyl

TRACKLIST
Side A:
1. No Bail Out
2. Rashad Open The Curtain
3. The Consistency
4. Rollercoaster
5. Roadwork (feat. Alex Padei)
6. The Reigh (feat. Alex Padei)
Side B:
7. Three Story Building
8. Breathe In
9. The Run Around (feat. Kore)
10. Primavera (feat. Big Shug & Royal Flush)
11. 24 to 1
Bonus Track:
12. Don’t Know Why (feat. EMS)

DESCRIPTION
Decorated Boston emcee M-Dot and acclaimed producer Confidence bring you “Library of Sound,” a gritty, soulful album built upon a raw unapologetic East Coast soundscape. The project is M-Dot’s first full-length album produced entirely by one beat-maker and showcases the duo’s undeniable chemistry nearly two decades after first connecting.
“Confidence is one of the best at chopping samples into something brand new & unrecognizable. He’s like Preemo and Pete Rock with his own twist,” says M-Dot.
The album is largely feature-free, keeping the spotlight on the classic emcee/producer formula. Guest rap verses only appear on “Primavera” from M-Dot’s longtime friends Big Shug (Gang Starr Foundation) and Queens legend Royal Flush.
“Library of Sound” delivers fervent beats and sharp, unfiltered, authentic rhymes, an ode to Hip Hop’s roots.

BIS => 2025 08 01
1LP - GOODTALK
2024

This deluxe vinyl pressing on green colored vinyl includes a gatefold jacket and fold-out poster.

TRACKLIST
1. Alone
2. Lately, Nothing (feat. Alé Araya) 3. Thinking Of You
4. Stupid
5. What You Wish For
6. Sweet.. Time (feat. Zelooperz)
7. The Earth It Works In Funny Ways 8. Stacy's Chips
9. Yourself
10. I Just Can't Be Alone
11. Dirt
12. Lover

DESCRIPTION
After her 2023 love song “Angel” went viral and earned her a deal with GoodTalk, Lexa Gates introduced herself to a wider audience with the acclaimed album Elite Vessel. The Queens native’s ability to evoke a full range of emotion through music makes her dreamy mix of R&B and rap uniquely dynamic. Elite Vessel captures the essence of this compelling artistry with a high-octane fusion of haunting melodies and fearless experimentation.

BIS => 2025 08 01
1LP - GOODTALK
2025

TRACKLIST
1. Going Nowhere Fast
2. Make Sure The Fam Straight (feat. Rowdy Rebel)
3. Namaste (feat.Rome Streetz)
4. Verbals (feat. Mavi)
5. Woosah (feat.Milc)
6. Grieving (feat. Rowdy Rebel and Mark J)
7. Be Good (feat.1up Tee)
8. Jamaica Good, Jamaica Very Good (feat. Smoke DZA)
9. Trials & Tribulations (feat. Lefty Gunplay and Cho)
10. Home Alone (Outro)

DESCRIPTION
Cuzzin Howie is a laid-back, purple dog who lives for doin drugs, making music, and cracking jokes. The pup was found swimming in a mysterious purple substance before being adopted by GoodTalk founder Jonnyshipes. Legend has it the shimmering goo contributed to Howie’s uncanny intellect and ability to communicate with humans. This purple fur ball wasted no time moving into Shipes’ crib, befriending all his homies, and becoming an important part of the GoodTalk crew. After hanging out with so many talented artists, Howie quickly developed an impeccable ear for music and proved to be a budding producer and tastemaker. Now, Jonnyshipes is finally giving Cuzzin Howie his chance to shine with Goin Nowhere Fast, a new album featuring appearances by Mavi, Rome Streetz, Smoke DZA, Rowdy Rebel, Lefty Gunplay, and more. An ideal platform for a host of trendsetting artists, the collection is the latest triumph from the burgeoning GoodTalk movement. This purple colored vinyl pressing includes special edition packaging with vibrant colors, unique inserts, hidden details, and a collectible design, capturing Cuzzin Howie’s carefree attitude and love for creativity.

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

Yellow Vinyl

TRACKLIST
Side A:
1. Intro
2. Strike Back
3. Hip Hop Is Alive
4. Melt (feat. Oak Lonetree)
Side B:
5. Big ‘Ole Butt
6. Ain’t Playing Around
7. OJ
8. The Most Confident (feat. Just Pete & King Author)

DESCRIPTION
Boston area emcee Big Dese and producer Confidence combine forces for “Kool Moe Dese”. The eight-track long project will drop via Below System Records digitally on May 16th as well as in a limited vinyl edition of 100 yellow copies and 200 black.
Propelled by singles “Strike Back” and “Melt” featuring Oak Lonetree listeners get an example of the duo’s punchline heavy bars and sample-based soundscapes. Besides Oak Lonetree other guests on the album are Just Pete and King Author.
Big Dese, over two decades deep in the game makes a masterclass of balancing lyrical disrespect and self-deprecation. Fellow Massachusetts neighbor and producer Confidence has laced tracks and projects for such notables as The Legion, Neek The Exotic, Purpose (Tragic Allies), Rashad and Edo G. He specializes in creating an ill array of head-nodders crafted from deep, dusty crates of funk, soul, disco and other vinyl sources.
The emcee and producer initially met over two decades ago. Speaking on the genesis of “Kool Moe Dese” Confidence recalled “I was working on a beat recently and found some old vocals from Dese that were never used. I put the vocals over the beat and sent them over to him. He was feeling it and decided to write new lyrics for it and we just started building from there.” Regarding the album title Dese added “I always like to do a play on words on my name for my album titles. This one had such a classic Hip Hop feel to it I decided to reference a classic Hip Hop figure.”

BIS => 2 / 3 WEEKS
1LP - BELOW SYSTEM RECORDS
2025

TRACKLIST
Side A:
1. No Bail Out
2. Rashad Open The Curtain
3. The Consistency
4. Rollercoaster
5. Roadwork (feat. Alex Padei)
6. The Reigh (feat. Alex Padei)
Side B:
7. Three Story Building
8. Breathe In
9. The Run Around (feat. Kore)
10. Primavera (feat. Big Shug & Royal Flush)
11. 24 to 1
Bonus Track:
12. Don’t Know Why (feat. EMS)

DESCRIPTION
Decorated Boston emcee M-Dot and acclaimed producer Confidence bring you “Library of Sound,” a gritty, soulful album built upon a raw unapologetic East Coast soundscape. The project is M-Dot’s first full-length album produced entirely by one beat-maker and showcases the duo’s undeniable chemistry nearly two decades after first connecting.
“Confidence is one of the best at chopping samples into something brand new & unrecognizable. He’s like Preemo and Pete Rock with his own twist,” says M-Dot.
The album is largely feature-free, keeping the spotlight on the classic emcee/producer formula. Guest rap verses only appear on “Primavera” from M-Dot’s longtime friends Big Shug (Gang Starr Foundation) and Queens legend Royal Flush.
“Library of Sound” delivers fervent beats and sharp, unfiltered, authentic rhymes, an ode to Hip Hop’s roots.

BIS => 2025 08 01
1LP - RUFF NATION
2025

TRACKLIST
1. Sucker Free City (feat. Kurupt and Ralph McDaniels)
2. Mandingo’ (feat. Raekwon, Inspectah Deck, Method Man, and Cappadonna)
3. Lions Roar (The Lion’s Pit) (feat. U-God, Kool G Rap, and The RZA)
4. Claudine (feat. Method Man, Ghostface Killah, and Nicole Bus)
5. Shaolin Vs. Lama (feat. Raekwon and Inspectah Deck)
6. Executioners From Shaolin (feat. Inspectah Deck, The GZA, and Cappadonna)
7. Cleopatra Jones (feat. Raekwon and Masta Killa)
8. Warriors Two, Cooley High (feat. Benny the Butcher and Method Man)
9. Let’s Do It Again (feat. R.J. Payne, 38 Spesh, Willie the Kid, and The RZA)
10. Dolemite (feat. Cappadonna, U-God, and Masta Killa)
11. Trouble Man (Outro) (feat. Kameron Corvet)

DESCRIPTION
Legendary Wu-Tang producer Mathematics reunites with the Wu-Tang Clan for the explosive new album, Black Samson: The Bastard Swordsman. This hard hitting release delivers eleven brand-new tracks packed with the razor sharp beats and iconic lyrical mastery that dene hip-hop‘s most influential collective. Available in three formats to cater to diverse audences: a standard CD, a deluxe 2CD edition featuring instrumental mixes, and a limited edition cassette version. This highly anticipated release coincides with the Wu-Tang Clan‘s “Enter The Final Chamber“ farewell concert tour, hitting stadiums worldwide in the latter half of 2025. This global tour will generatemassive media coverage and drive substantial demand for Black Samson: The Bastard Swordsman across all available formats.

BIS => 2 / 3 WEEKS
1LP - CONTINUED SOUND
2024

-Released and unreleased soul tracks remastered for the first time, irresistible to DJ’s and crate diggers alike.
-Composed and Produced by Paul Kyser and George Kerr, whose names are attached to some of the most recognizable samples in hip hop and R&B.
-Release parties planned for December featuring Kerr, Kyser, and The Jack Moves
-Pressed on 180 Gram Vinyl with 4 Page Color Booklet.

TRACKLIST
That’s The Way It’s Got To Be (Body and Soul) - Soul Generation
Come On Get Dancing - Pride of the Ghetto
She Comes Up - Storm
One More Time Y’all - The Nu-Sound Express LTD.
I Need Your Love - The Dynamic Beltones
By The Time I Get To Phoenix - The Escorts
Puzzle Man - Norma Jenkins
Breakin’ Up a Happy Home - Barbara Jean English
Soul Walking - The Whatnauts
Look Over Your Shoulder - The Escorts

DESCRIPTION
Continued Sound arrives on the scene with their debut release "The Soul of New Jersey Vol. 1", a split compilation of music written, composed and produced by New Jersey Soul pioneers George Kerr and Paul Kyser. If Soul Music in New Jersey were a chapter in a history book, on page 1 you’ll find the names George Kerr and Paul Kyser. Their soul music oeuvre found them blessing both sides of the control room from the 1960’s through the 90’s. Their history of soul music excellence is enough to certify them with legend status, shaping the sound of acts like Soul Generation, Rhyze, Florence Ballard, The Escorts, Linda Jones, The Moments, The O'Jays, and The Whatnauts to name a few. Only George and Paul’s music will not be confined to the history books. They remain influential to this day, helping to define popular hip-hop as we know it. Artists such as Snoop Dogg, RZA, Tribe Called Quest, Madlib, Chance The Rapper, Childish Gambino, and Jack Harlow owe some of their biggest hits to a sound crafted by Kerr and Kyser. In 2022 they even came together as a production team for The Jack Moves’ sophomore album Cruiserweight. The Soul of New Jersey series strives to cement New Jersey’s unique quality of soul music into the global consciousness. It’s been there since the beginning and it’s not going away any time soon.

BIS => 2 / 3 WEEKS
1LP - JAVOTTI MEDIA
2025

- Featuring Talib Kweli, NIKO IS & Anonymuz.
- Produced entirely by J. Rawls.
- All units pressed on Metallic Purple Vinyl and include a 11X17 poster.

TRACKLIST
I'm Ready
Midnight Angel
Rise In Colors
Can't Catch Me In Love
Bad Man (ft. NIKO IS)
Quick Hands (ft. Anonymuz)
The Fontaine Blues
Lady Day
Love Moon
Down 'N' Doomed
24K Rose (ft. Talib Kweli)
What A Way To Go

DESCRIPTION
A deeply personal journey of an aspiring artist (Solene) navigating the harsh realities of Hollywood. An album that explores the emotional toll of being a hopeless romantic in a city full of predators and narcissists. A raw look at survival — and the trauma that follows. A narrative arc that takes the listener from LA to Las Vegas, only to find the same demons follow: addiction, vices, self-destruction, and the allure of illusion but ultimately setting on a journey of healing: picking oneself up, learning from pain, and choosing hope again and again. A love letter to Jazz, honoring Solene’s roots, with Hip Hop providing the fire and framework, produced by J. Rawls, to create something new: a genre-bending sound that’s soulful, futuristic, and fearless. Midnight Angel is not just an album — it’s a testimony of recovery, and of rebellion.

SOLD OUT
1LP - SOMEOTHASHIP
2025

- A Side, Madlib produced instrumentals of Georgia Anne Muldrow's "Seeds" album.
- B Side, a collection of Georgia Anne Muldrow produced instrumentals of Declaime tracks.
- Pressed on black vinyl.

TRACKLIST
Seeds
Wind
Calabash
Kali Yuga
The Birth of Petey Wheatstraw
Best Love
Husfriend Intro
Husfriend
Kneecap Jelly
The Few
Remember
Poet
Illicit Funk
Dirty Dude
East Meets West
Sally
Young Spirit
Cake Boss
Violet Sky
Cops Still Ain’t Shit
Travlin’
Fonky Soul

DESCRIPTION
The original Madlib instrumentals to Georgia Anne Muldrow’s critically acclaimed album; “Seeds” which was released in 2012 on SomeOthaShip Connect. Heralded as one of her most captivating and immediate front-to-back statements of purpose, a deeply spiritual collection of songs. It was the first time in her career where she handed over all production duties to someone other than herself, that someone being the legendary Madlib. The beats on “Seeds” are naturally heavy, funky, soulful, abrupt yet hypnotic. All the characteristics of Madlib’s signature sound we know and love. On the B Side of the vinyl is a collection of Georgia Anne Muldrow instrumentals from across 3 Dudley Perkins albums, “Young Spirit”, “Self Study”, and “Holy Smokes.” Beats with synths reminiscent of J Dilla’s electronic era but with enough G-Funk influence to melt your Raiders hat. Bass lines that could get The Click back together. Georgia Anne Muldrow is a master of her craft on the beats and the microphone. This record is a testament to that. Rediscover “Seeds”, the magical powers of Madlib, and why beat tapes will never go out of style.

BIS => 2025 09 05
1LP - DIRTY LOOKS
2025

- Collaborative project between Hip-Hop icons Homeboy Sandman & Sonnyjim.
- Homeboy Sandman's song "The Carpenter" was used in the 2024 Olympic Women's Breakdancing finals competition.
- Homeboy Sandman has been hailed by MTV as "The Sound of New York".
- Sandman will be performing at the Red Rocks Amphitheatre with The Avett Brothers on July 12th, 2025.
- Sonnyjim has collaborated with MF DOOM, Jay Electronica, Action Bronson, Freddie Gibbs, Danny Brown and more.
- Sonnyjim's song "Barz Simpson" with MF Doom and Jay Electronica has amassed nearly 8 million streams.
- Pressed on black vinyl.

TRACKLIST
books
most realest
nothing less
cant stop me
not a killer
do you love me?
sound & fury
moon lullaby
there & back
guilty

DESCRIPTION
Soli Deo Gloria, Latin for “Glory to God Alone,” is the new 10-track collaborative album from NYC wordsmith Homeboy Sandman and Sonnyjim, UK's double threat who sets aside his rapping prowess to focus entirely on production. The title isn’t just a nod to the sacred; it’s a declaration of purpose. This is hip-hop without compromise — razor-sharp lyricism laid bare over smoky, sample-rich grooves. Recorded with raw intensity and zero filler, Soli Deo Gloria brings together two of rap’s most distinctive voices. Sonnyjim crafts a cinematic soundscape steeped in jazz, soul, and vintage grit while Homeboy Sandman delivers verses packed with honesty, humor, and hard-earned wisdom. Each track feels like a moment carved from marble — meditative, unflinching, and timeless. It’s minimalist and masterful — no guests, no gimmicks, just two artists operating at their highest level. More than a collection of songs, Soli Deo Gloria plays like a reflection on purpose, presence, and personal freedom. “Whatever happens is supposed to happen. So relax. Read. Never give up. Lead with love. Be yourself and love yourself,” Homeboy Sandman concludes.

BIS => 2025 09 05
1LP - P+
2025

- Glimmer of God is Jean Dawson’s most personal and critically acclaimed album yet, cementing his place in pop while staying true to his genre-bending sound.
- Features Lil Yachty and Bones, with production from Johnny May, Biako, and Johannes Klahr.
- Jean recently wrapped a 26-city North American headline tour and will open for Linkin Park’s Miracle Mile Tour in 2025, with major stops including Governors Ball.
- His music will appear in Him, an upcoming horror film from Jordan Peele’s Monkeypaw Productions, and on the upcoming Bob’s Burgers cover album.
- Jean will be on the first cover of the relaunched Hit Parader magazine, alongside Mike Shinoda.
- Co-signed by icons like Elton John and Trent Reznor, and collaborator to SZA, Lil Yachty, and Beyoncé.
- Pressed on hot pink colored vinyl.

TRACKLIST
Darlin’
Black Sugar
Play Dead
Houston
Paranoid Echo
Die For Me (feat. Lil’ Yachty)
Slow Heavy Ecstasy
The Boy and The Swan
Murciélago
You’re Bleeding Everywhere
200 Cigarettes
P4in (feat. Bones)
Bubba
Electric Children
Kollapse

DESCRIPTION
Undeniably one of today’s most essential artists, the enigmatic polymath Jean Dawson has released his highly anticipated new album, Glimmer Of God, and it’s Jean like we’ve never seen or heard him before. The project houses a collection of songs that reveal a new chapter for Jean: 15 breathtaking tracks with incredible depth and a stunning theatrical approach that envelop a powerful message of hope and chronicle his personal journey of growth. The songs feature his vocal prowess front and center, soaring across intricate production and instrumentation and boundless sonic range that honors the sounds that shaped Jean. The project captures Jean’s deep admiration for his mother, whose profound impact remains at the core of his being and his art, while simultaneously celebrating the divine feminine that exists in all of us and can prove healing and liberating.
Jean’s most honest and deeply riveting work to date, Glimmer Of God, sees the young artist make an immeasurable mark on the larger pop arena, firmly continuing his reign as one of music’s foremost visionaries today. Sonically, the album pulls inspiration from the rich musical world that was nourished by Jean’s mother as a young child growing up between the US and Mexico. Here Jean flourishes in the impact of great artists that shaped him, such as Prince, Stevie Wonder, Modest Mouse, Zapp & Roger, and the other sounds from the 80s that his mother loved across pop, dance, rock, R&B, and more. Staying true to that era that nurtured some of music’s greatest icons that was founded on live instrumentation, the album features complete live instrumentation seen through the stunning sonic arrangements. The project was largely produced and composed by Jean and his team of close collaborators that includes Hoskins (Khalid, PARTYNEXTDOOR, Don Toliver, Wiz Khalifa), Vic Wainstein (Tyler, The Creator, Frank Ocean, Mac Miller, Odd Future), Biako (Masego, Fousheé, Fana Hues, Baby Rose), and Johnny May (Sam Short, Che Lingo).

BIS => 2025 08 01
2LP - UNDERWORLD LABEL GROUP
2025

TRACKLIST
1. Lo-Fi Cinema 03:04
2. The Gang's All Here 02:48
3. The Assembly 02:20
4. Electric Impression 2 03:05
5. Soul Love (Let Em' Know Instrumental) 03:10
6. King of Diggin' 03:24
7. Symphonic Collective 03:06
8. Stadium Soul 03:25
9. The Plot In Progress 02:56
10. Orchestrated Chaos 02:37
11. Lo-Fi In Technicolor 03:40
12. True & Livin' (Revisited) 04:20
13. Electric Montage (Get Right Instrumental) 04:50
14. Afternoon In Gotham 02:54
15. The Arrangement 03:18
16. Habits of Desperation 03:40
17. Blacked Out 02:47

DESCRIPTION
Lord Finesse brings back the rich, layered, and warm sounds of ‘90s hip-hop on his new instrumental album, The SP1200 Project: Sounds & Frequencies in Technicolor. Across the 17 tracks on here, the Bronx native delivers an undeniably potent dose of sample-flipping boom-bap that’s brimming with funk and soul.
Lord Finesse was inspired to put this project together after hearing how modern music tends to be so heavily compressed. “Sonically, a good amount of today’s hip-hop music sounds like it’s being played under a heavy quilt,” he explains. “What that means is certain frequencies are buried, and they can’t be felt or heard, destroying the vibe and energy of the production—no matter how good it is.”
As a result, he began to dig into his own crates to uncover gems that he could share with the world. While some of the tracks were produced for his own albums or for other artists, Finesse also found some never-before-heard instros. Those previously unreleased beats were intended for the likes of Big L and Grand Puba, among others, but they instead found a home in his digital stash—until now.
Sounds & Frequencies in Technicolor is truly a feast for hip-hop heads with its neck-snapping drums and chopped-up samples. From one track to the next, your ears are treated to nostalgia-tinged sounds from a variety of genres. “Symphonic Collective” could very well be a leftover from Marvin Gaye’s Trouble Man soundtrack, while “Electric Montage” covers Kool & The Gang’s funkiest synths and bass with layers of grime. Other standouts include “Lo-Fi in Technicolor” and “Habits of Desperation.”

BIS => 2025 08 01
1LP - GOODTALK
2024

TRACKLIST
1. Starbury
2. Chopped
3. Earl The Pearl Monroe
4. Jimmy Dolan
5. Vegetarian Mezza
6. Leche’s Lullaby
7. Pink Coke
8. Jollibees
9. Ben Davis
10. Tubi
11. Lacrosse
12. Ralph Nader

DESCRIPTION
Hailing from Northeast Portland, Milc began making waves as an MC in 2020, sharing raw verses from his notes app during the pandemic. This creative surge marked the beginning of a serious rise, as the talented rapper grew a devoted following, highlighted by a 2024 UK tour with Rome Streetz. Brooklyn-based artist Chuck Strangers first emerged as the sonic backbone of the legendary rap collective Pro Era, crafting classic tracks for members like Joey Bada$$ and the late Capital STEEZ before expanding into a successful solo career and production work for Roc Marciano, Mick Jenkins, Boldy James, and more. Released via GoodTalk, Affordable Luxuries is collaborative album from Milc and Chuck Strangers, joining forces under the name Bad Tofu. The 12-track project delivers a blend of sharp lyricism and lo-fi boom-bap beats, offering a nostalgic yet fresh take on underground hip-hop. With tracks like "Earl The Pearl Monroe" and "Vegetarian Mezza," Affordable Luxuries showcases Milc's charismatic flow and Chuck Strangers' signature production style, reminiscent of New York rap’s golden age. Now, this acclaimed collection is available on vinyl.

BIS => 2025 08 15
2LP - CHRYSALIS
1989 => 2023

Limited Edition Magenta Colored Double Vinyl!

TRACKLIST
A1 Intro
A2 The Magic Number
A3 Change In Speak
A4 Cool Breeze On The Rocks (The Melted Version)
A5 Can U Keep A Secret
A6 Jenifa Taught Me (Derwin's Revenge)
A7 Ghetto Thang
B1 Transmitting Live From Mars
B2 Eye Know
B3 Take It Off
B4 A Little Bit Of Soap
B5 Tread Water
B6 Potholes In My Lawn
C1 Say No Go
C2 Do As De La Does
C3 Plug Tunin' (Last Chance to Comprehend)
C4 De La Orgee
C5 Buddy
D1 Description
D2 Me, Myself And I
D3 This Is A Recording 4 Living In A Full Time Era (L.I.F.E.)
D4 I Can Do Anything (Delacratic)
D5 D.A.I.S.Y. Age

DESCRIPTION
Finally back on vinyl. Now as a double vinyl LP, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

BIS => 2025 08 22
2LP - BBE
2008

TRACKLIST
A1 The Beat Konducta – The New Resident
A2 Guilty Simpson– Blow The Horns On 'Em
A3 Georgia Anne Muldrow– The Plan Part. 1
A4 The Beat Konducta – Tension
A5 Defari– Gamble On Ya Boy
A6 MED Feat. Poke – The Ox (805)
B1 The Beat Konducta – All Virtue
B2 J-Rocc – Blinfold Test #10 (He Don't Play)
B3 Prince Po– The Thang-Thang
B4 Madlib– Heat
B5 The Beat Konducta – Smoke Break
B6 The Beat Konducta – The Plan (Reprise)
C1 Karriem Riggins– Life
C2 The Beat Konducta – Parklight
C3 Frezna– Yo Yo Affair Parts 1 & 2
C4 The Professionals – I Want It Back
C5 The Beat Konducta – Disco Dance
C6 Liberation – What It Do
D1 Roc C Feat. Oh No– Take That Money
D2 Frank N Dank – Drinks Up!
D3 Stacy Epps– The Way That I Live
D4 Murs– Ratrace
D5 Guilty Simpson– Go!
D6 The Beat Konducta – Stop

DESCRIPTION
BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography. Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit.
A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cast of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.
This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series’ most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.

BIS => 2025 08 22
2LP - BBE
2025

TRACKLIST
01. Intro
02. This Thing Called Life
03. Won’t Let You Down (ft. K.ZIA & The Swag)
04. I’ve Been Waiting
05. Brighter The Days
06. There’s Much Love In The World
07. Lovey Dovey (ft. Eric Roberson & Raheem DeVaughn)
08. Research (ft. Honey Larochelle)
09. On My Own (ft. Paul Weller)
10. Out of Sight (Interlude) (Omar with Don-e)
11. Can We Go Out?
12. It’s Gonna Be Alright (ft. Scratch Professer)
13. We Can Go Anywhere (ft. Giggs)
14. Latin Salsa
15. Holding On To Life (ft. Ledisi)
16. Much 2 Much
17. 1234 (ft. Jeru The Damaja)
18. Love Is Like (ft. India Arie)

DESCRIPTION
Impressive Collective & BBE Music announce ‘Brighter The Days’ – the 9th studio album by Omar – the world renowned UK soul star. This new album continues Omar’s long-standing collaboration with Impressive Collective’s Greg Boraman, which began in 2013 on Freestyle Records with the critically acclaimed ‘The Man’ album and continued with ‘Love In Beats’ and ‘The Omar Anthology’.
Omar Lyefook MBE, singer, composer, and multi-instrumentalist, solidifies his legendary status with his latest album, Brighter The Days. Over three decades, he has been a defining force in modern Black music, crafting a sound that seamlessly blends soul, funk, jazz, salsa, dub, and hip-hop, with roots in classical music. As he puts it, “Each album is an evolution, if you will. But I’d like to think this is my magnum opus.”
A dynamic collection, Brighter The Days builds upon Omar’s distinctive style with fresh inspiration. His warm, unmistakable voice—tinged with the richness of his Caribbean heritage —is complemented by lush arrangements. Organic drums, bass, brass, keys, and guitars meet the mechanical edge of samples and beats, creating a soundscape that is both timeless and innovative. Sweeping strings, inspired by his early training in orchestral music, add grandeur. “There’s nothing quite like that feeling of hearing all those strings play together,” he says, explaining their recurring presence in his work.
As always, Omar has gathered a stellar line up of collaborators. British legends like Paul Weller, arranger Chris Cameron, rapper Giggs and guitarist Tony Remy join forces with American icons including singers India Arie, Ledisi, Eric Roberson and Raheem DeVaughn, organist Ronnie Foster, and rapper Jeru The Damaja. The result is music that is ambitious in conception and flawless in execution.
The electric styles and highlights include There’s Much Love In The World, a hopeful anthem celebrating unity, Research featuring Honey Larochelle, a sexy and funky dance floor heater, and This Thing Called Life, which captures the album’s essence of optimism amidst challenges. Omar explains, “It’s a specific amount of time we have on this earth, so why waste it arguing and fighting? There are so many more things that connect us as opposed to driving us apart.”
In Brighter The Days, Omar reminds us that music and life are about finding light in the darkness. “Music is what I live for, but so too are my children. Brighter The Days just means something better is coming for all of us.”

BIS => 2025 08 22
2LP - BBE
1981 => 2025

TRACKLIST
A1 Rainbow Love
A2 Que Alegria
A3 Night Ripple
A4 Rumbambola
B1 One More Kiss Again
B2 Mundo Cruel
B3 Get-A-Odyssey
B4 Dawn
C1 Luna De Miel (Bonus Track)
C2 Dame Un Beso (Bonus Track)
C3 Drizzling Rain (Bonus Track)
C4 Juan Pachanga (Bonus Track)
D1 Campanero (Bonus Track)
D2 Yo Soy La Rumba (Bonus Track)
D3 Duerme (Bonus Track)

DESCRIPTION
In the last decade, global audiences have increasingly explored Japanese music genres like city pop, rock, and reggae. Central to this resurgence has been BBE Music, known for its acclaimed releases on the J-Jazz and J-Jazz Masterclass Series. Guided by Ken Hidaka in Tokyo, BBE Music has now unearthed a treasure from an unexplored niche: the debut album of Japan's first authentic salsa band, Orquesta Del Sol, titled "Rainbow Love."
The roots of salsa in Japan trace back to Latin music pioneers such as Tadaaki Misago's Tokyo Cuban Boys, who played mambo and rumba post-World War II. However, salsa truly took hold in Japan in the 1970s, catalyzed by the Fania All-Stars' 1977 tour. Among those captivated was percussionist Masahito "Pecker" Hashida. Known for his reggae contributions through albums like "Pecker Power" and "Rasta Instantané Avec L'Effroyable Pecker," Pecker’s influence expanded after experiencing the vibrant salsa scene in New York City in 1977. Upon his return to Japan, he spearheaded the creation of Orquesta Del Sol, marking the inception of the salsa genre in Japan.
Orquesta Del Sol's popularity soared with performances that encompassed both covers and original pieces. The group’s rise was buoyed by Japanese session drummer Shuichi “Ponta” Murakami, whose participation in 1980 elevated their profile and led to a contract with Discomate, an arm of TBS Group. This label also featured artists like Toshiko Akiyoshi and Junko Yagami.
The band’s debut album, "Rainbow Love," was co-produced by Ponta and released in 1981. Apart from a cover of "Rumbambola" by Noro Morales, the album features original compositions performed in Japanese, Spanish, and English. The album cover, illustrated by renowned graphic artist and salsa enthusiast Yosuke Kawamura, mirrored the band’s pioneering spirit.
Masashi Takahashi, a noted Japanese Latin music specialist, observes in the newly commissioned liner notes that Orquesta Del Sol reflects shades of New Music, a genre linked to city pop. Takahashi notes that the musicians, deeply embedded in Tokyo’s vibrant studio scene, naturally gravitated towards creating a uniquely Japanese salsa sound. This sound, heavily inspired by Nuyorican salsa, has endured over the decades, warranting a worldwide reissue.
The reissue of "Rainbow Love" marks its first worldwide release on vinyl and digital formats, supplemented by seven bonus tracks previously only available on a CD reissue named "Legend Vol. 1" from the band's label, Uno Music, in 2000.
The band recorded these tracks some time after the release of their second album, Harajuku Live in the early 80s when they were offered album deals from many record companies. Four of the tracks were covers of songs of some of the favorite salsa artists of the band members that they performed at the time when they first started.
Juan Pachanga is a cover of Fania All-Stars included in the album Rhythm Machine, Campanero is a cover of José Mangual Jr. included in the album Tribute To Chano Pozo, Yo Soy La Rumba is a cover of Machito & His Orchestra included in their album Yo Soy La Rumba! and Duerme is a cover of the band Libre included in the album Con Salsa..Con Ritmo Vol. 2- Tiene Calidad.
All tracks have been remastered, with the original Japanese liner notes now available in English and accompanied by Takahashi's new insights.
The timing of this release dovetails with the growing global interest in historic Japanese music, spotlighting the origins of salsa in Japan. Orquesta Del Sol, whose former members later formed the Grammy-nominated group Orquesta De La Luz, have continued to influence the genre significantly. Their debut album remains a cornerstone, inviting new listeners to experience the innovative fusion of Latin sounds nurtured in Japan.

BIS => 2025 09 05
2LP - ACE RECORDS
2025

TRACKLIST
Side One
1. HELLO, HELLO, HELLO - STORMY PETREL
2. MELANIE MAKES ME SMILE - TONY BURROWS
3. TIP OF MY TONGUE - BROTHERLY LOVE
4. LOST AND FOUND - WHISKEY MAC
5. ON A PLANE TO NOWHERE - BARRACADE
6. LEAVE A LITTLE LOVE - CANDLEWICK GREEN
Side Two
1. LADY PEARL - CURRANT KRAZE
2. ON THE RUN - SCORCHED EARTH
3. I WANT TO BE WHERE YOU ARE - SCARECROW
4. TELLTALE - PATCHES
5. RUSTY HANDS OF TIME - PETER DOYLE
6. A LITTLE THING LIKE LOVE - RIVER
Side Three
1. DREAMS ARE TEN A PENNY - JOHN KINCADE
2. IN THE MORNING - BITTER ALMOND
3. EVERY LITTLE MOVE SHE MAKES - WHITE PLAINS
4. SCHOOLGIRL NOTION - JANIE & THE MARLETTES
5. HERE COMES THAT RAINY DAY FEELING AGAIN - FORTUNES
6. YELLOW BIRD (HAVE YOU NO HOME) - DESIGN
Side Four
1. CLOVELLY - ROGER HOLMAN & SIMON MAY
2. I NEED YOUR EVERLASTING LOVE - LIBERTY HELM
3. BYE GOODBYE - SILVER LINING
4. IT'S GETTING SWEETER ALL THE TIME - SHORTY
5. CATERPILLAR - COLD FLY
6. THIS IS MY LIFE - WEI WEI WONG

DESCRIPTION
At the turn of the 70s, songwriters like Tony Macaulay (‘Love Grows Where My Rosemary Goes’), Cook and Greenaway (‘Something's Gotten Hold Of My Heart’), Lynsey De Paul and Barry Blue (‘Storm In A Teacup’) and John Carter (‘Beach Baby’) were bossing the singles charts and Radio 1 while more serious acts like Led Zeppelin and Pink Floyd concentrated on album sales.
“Chip Shop Pop” is a stellar collection of super-melodic, expertly crafted songs; it gathers two dozen of the songs that got away, all potential hits written by these Denmark Street-schooled songwriters. You might have only heard these records once or twice before, coming out of a passing kid's transistor radio, or in the background in a cafe, or a chippie, and then they disappeared into the ether never to be heard again - until now.
Aside from the Fortunes, Marty Wilde and Candlewick Green, very few of these names will be at all familiar but the harmonies, the string and brass arrangements and top session musician playing will all be familiar to anyone who loves the sound of ‘My Baby Loves Lovin'’, ‘Silver Lady’ or ‘(If Paradise Is) Half As Nice’. They are all incredibly catchy.
Compiled by Bob Stanley from his sizeable collection of 70s 7" singles, ”Chip Shop Pop” revives records on Bell, UK, Young Blood and Bradley's, labels that were home to these unabashed radio-friendly sounds that would disappear when first disco, then punk, came along later in the 70s.
Dormant for decades, many unavailable for more than fifty years, here is a perfect collection of sunshine-friendly pop with a capital P.

BIS => 2025 09 05
1LP - BGP
1971 => 2025

TRACKLIST
Side 1
1. IF I SING MY SONG
2. THE SEA & SHE
3. I AM THE BLACK GOLD OF THE SUN
4. HANGING ROUND THE BEE TREE
5. HEY, LOVE
Side 2
1. LOVE HAS FALLEN ON ME
2. SONG FOR EVERYMAN
3. LOVE IS
4. VINE OF HAPPINESS

DESCRIPTION
When Marshall Chess decided to combine a rock group with some of the best voices he could get his hands on he invented a stream of psychedelic rock that was quite different from the one that emerged in Detroit with the help of George Clinton and Norman Whitfield.
Partly this was Marshall’s hippy sensibility, but it was one that fused perfectly with vocalist Minnie Riperton’s own word-view and the musical genius – “no other word for it”: Marshall Chess − of Charles Stepney.
Working across a cleverly arranged mix of originals and cover versions, the recordings featured some of the finest musicians that you could find in Chicago including drummer Morris Jennings, bass players Louis Satterfield and Phil Upchurch, and revolutionary guitarist Pete Cosey, who would later join Miles Davis’ group. Cosey’s guitar playing on their fourth album “Songs”, released in 1969, is incendiary and unparalleled. The vocals were arranged as a perfect choir with a series of leads most notably Minnie, Sidney Barnes and Mitch Aliota.
True success − rather than doing well enough − eluded them, with some bad decisions being made and bad luck also dogging them. When Chess left the company and Barnes the group it looked as if the writing was on the wall for Rotary Connection, but Charles Stepney wanted one more go. The New Rotary Connection came together with a refreshed vocal line up featuring Minnie, Kitty Haywood and Shirley Wahls and songs by Stepney, Minnie’s husband Richard Rudolph and Terry Callier.
“Hey Love” was the album that appeared and it is a gem, that features the astounding ‘I Am The Black Gold Of The Sun’ - later a UK hit in 1997 for Nuyorican Soul, ‘Love Has Fallen On Me’ - later recorded as a tribute to Stepney by Chaka Khan, the beautiful title track and Callier’s stunning ’Song For Everyman’. However the album failed to sell and there was no more records.
As time passed the late 60s and early 70ws productions of Charles Stepney became some of the best loved and most influential of the ear, influencing UK groups such as 4 Hero, Radiohead and more recently Jessie Ware, and “Hey, Love” has been considered one of the peaks of his work.

BIS => 2025 09 05
1LP - BGP
1968 => 2025

TRACKLIST
Side 1
1. O'BABY (I BELIEVE I'M LOSING YOU)
2. DROWN IN MY OWN TEARS
3. WHIP IT ON ME
4. WHAT MORE CAN I DO?
5. HEAVY SOUL
Side 2
1. YOU'VE BEEN A BAD GIRL
2. I'LL BE BACK
3. I CAN MAKE IT
4. THAT'S YOUR BAG

DESCRIPTION
As part of Ace 50 BGP has hooked up with our old friends at Concord Music to reissue one of the most important albums in our story. In 1987 as the dance jazz scene morphed into acid jazz Billy Hawks ‘Oh Baby (I Believe I’m Losing You)’ was filling the dance floors where either Gilles Peterson or Baz Fe Jazz were playing.
The Prestige Records album that featured the track ‘Heavy Soul!’ was impossible to find, and frustrated DJs were desperately trying to find a copy. BGP - the Ace label that the two DJs helmed - reissued the album and put the in-demand track onto a 12 inch single. With supply sufficient it became a club smash, crossing over to become a mod classic and one of the most important cuts from our scene.
In the ensuing years the tracks status has remained undimmed and the album has never turned up in significant numbers, and yet it has never been reissued since. With an attention to detail that has always been the Ace way, we have carefully mastered the record to be as close to the sound of the original Van Gelder mastering of 1967, and created and accurate representation of the album and label cover art.
Hawks never lived to be rediscovered, but through our musical detective work we tracked down his brother and found out as much of his story as possible, and also unearthed a couple of pictures. The Virginian born organist with the amazing voice was a fixture on the North Eastern lounge bar circuit, which was the entertainment backbone off Black American music at the time, and his full story is told on the illustrated inner sleeve that comes with this release.

BIS => 2025 09 05
1LP - D&D RECORDING
2025

- A powerful collaboration between D&D Studios and Fat Beats Distribution—two iconic institutions in hip-hop culture—revived for a new era.
- This is the first in a series of exclusive vinyl releases featuring classic and previously unreleased D&D recordings.
- Includes rare and never-before-heard tracks from the original D&D sessions, now available for the first time on vinyl.
- Featuring appearances and production from DJ Premier, Guru, Jay-Z, Large Professor, Big Daddy Kane, Afu-Ra, Sean Price, Lord Jamar, and more.
- A must-have for collectors and DJs, this release captures the gritty, analog essence of 90s New York hip-hop.
- Recorded at the legendary D&D Studios.

TRACKLIST
Up In D&D
How It Soundz - The D&D All Stars (feat. Sean Price, Jimmy Grand & A.G.)
Incredible - Krumb Snatch (feat. Guru)
Defeat - Afu-Ra
Rhyme Connection - QNC (feat. Lord Jamar)
Love Is Love - Craig-G (feat. Large Professor)
Foundation - Big Jaz, Jay-Z, Sauce Money & Tone Hooker
Hot Shit - The D&D All Stars (feat. Big Daddy Kane, Greg Nice, Sadat X & Guru)
Styles I Murder - Mama Mystique (feat. Nikki D)

DESCRIPTION
The iconic D&D Studios and Fat Beats Distribution proudly announce the release of "Up In D&D Volume 1", a powerful vinyl compilation celebrating the golden era of boom bap hip-hop. This project marks a historic reunion between two cultural institutions that helped shape the sound of 90s East Coast rap. Up In D&D delivers a curated collection of legendary tracks and previously unreleased gems from the vaults of D&D Studios, home to some of the most influential records in hip-hop history. Known as the creative sanctuary for artists like DJ Premier, Jay-Z, Nas, KRS-One, and many more, D&D Studios was the beating heart of authentic New York hip-hop. Co-founded by Doug Grama and David Lotwin, D&D Studios continues to honor its legacy while embracing the future. This latest release with Fat Beats brings back the gritty, analog sound of the era—with both classic tracks and newly discovered recordings pressed to wax for the first time. This release marks the first in an ongoing series, with many more vinyl drops from the legendary D&D catalog.

SOLD OUT
1LP - ROC NATION
2025

TRACKLIST
1 Side A: The Birds Don't Sing Feat. John Legend & Voices of Fire 4:00
2 Chains & Whips Feat. Kendrick Lamar 4:03
3 P.O.V. 3:05
4 Ace Trumpets 2:34
5 All Things Considered Feat. Pharrell & the Dream 3:09
6 MTBTTF 2:36
7 Side B: Ebitda Feat. Pharrell 1:59
8 F.I.C.O. Feat. Stove God Cooks 3:21
9 Inglorious Bastards Feat. Ab-Liva 2:33
10 So Far Ahead Feat. Pharrell 3:22
11 Let God Sort Em Out/ Chandeliers Feat. Nas 2:33
12 By the Grace of God Feat. Pharrell 3:06

DESCRIPTION
In the 15+ years since Clipse's last album hit the shelves of record stores, the music world has been upended several times over. Through it all, enthusiasm for the duo from Virginia never waned. 'Let God Sort 'Em Out' - Clipse's new independent release in partnership with Roc Nation Distribution - is one of the most highly anticipated releases in recent memory, a fact that underlines the singular talent and lasting influence of Pusha-T and Malice.

BIS => 2025 08 15
1LP - 1332 RECORDS
2025

TRACKLIST
A1 Sauvingnon Blanc - Featuring – Body Bag Ben
A2 Chosen
A3 Stay Healthy - Featuring – Red Inf
A4 Shop Open
A5 2 Big 2 Fail - Featuring – Big Lukah*
B1 G Code - Featuring – Royal Flush
B2 Str8 Drop
B3 4 Letter Words
B4 4 My Young Boys - Featuring – Vel Nine
B5 Dedicated to Nani Nu

DESCRIPTION
UFO FEV was born and raised in El Bario, East side of Harlem, NYC. Growing up in the mostly Puerto Rican community, he was introduced to Fat Joe and has been his “apprentice” since. He is joined on this album by California based rapper / producer Body Bag Ben. Ben has been making waves with his music for a few years now. They are both joined by guests Red Inf, Lukah, Royal FLush, and Velnine.

BIS => 2025 08 15
1LP - PHASE ONE
1988 => 2025

LIMITED TO 500 UNITS WORLDWIDE PRESSED ON 'NORTH SIDE SWIRL' COLORED VINYL

TRACKLIST
A1. Smooth Momentum
A2. Let It Rip
A3. Feel So Good A4. Deuce, Ace, Housin'
A5. My Part Of Town
B1. It's Mad
B2. Bound To Ike
B3. Open Field Attack
B4. North Side
B5. Detonator

DESCRIPTION
In discussions of the classic hip-hop era of the 1980s, frequently lost in the shuffle is the homegrown scene of Philadelphia, Pennsylvania. This is unfortunate due to the wealth of talent the scene produced, including bona fide legends such as Schoolly D, Three Times Dope, Cash Money & Marvelous, and of course, the wildly successful DJ Jazzy Jeff & The Fresh Prince. Frequently underrated is Tuff Crew, who were billed as "Philly's First Rap Supergroup", and consisted of a crew of ethnically diverse MCs and a DJ, who were regular performers of North Philly's famed After Midnight club, and who definitely represented a more hardcore rap style than some of their fellow Philly crews. Throughout the mid-to-late 1980s, Tuff Crew performed alongside some of the greatest hip-hop artists of all time, including Run-D.M.C., LL Cool J, and 2 Live Crew, but never reached the heights of commercial success, despite landing various singles on the Billboard Rap charts. The peak of this success undoubtedly came with the release of their 1988 LP Danger Zone, which featured 10 tracks of classic 80s rap, including the Billboard-charting "My Part Of Town" (#23 on the Billboard Hot Rap Singles charts). This album cemented Tuff Crew in the hip-hop history books as one of the dopest crews to ever come out of Philly, and unlike most late 80s rap albums, the lyrics and beats still bang hard in 2025.

BIS => 2025 08 15
1LP - NOW-AGAIN RECORDS
2025

Arabic Pop, Oriental Funk, Jazz Fusion And Experimental Synth: The Birth Of The Modern Lebanese Musical Adventure, Presented As A Survey Spanning The High Points Of Two Decades Of, Releases On The Groundbreaking Voix De L’Orient Label

TRACKLIST
A1. Abdallah Chahine - Nakreese - Taqsim: Hawwil Ya Ghannam
A2. Munir Bachir - Shurud
A3. Tony Frangier & Setrak Sarkissian - Azef El-leyl
A4. Robert Maalouf - Anna W Leil
A5. Nicholas Dick - Un Voix Qui M'Apelle
A6. Jacques Kodjian - Bent El-Shalabiya
B1. Elias Rahbani - Dance of Maria
B2. Adib Abou Antoun - Addayer
B3. Georgette Sayegh - Yay Yay Ya Nassini
B4. Mohamed "Mike" Hegazi & His Golden Guitar - Nouni
B5. Emaad Sayyah - Mazoufat Nagham
B6. Omar Kourshid - Arrissassa

DESCRIPTION
Those profiled include Egyptian guitarist Omar Khorshid, maverick producer/arranger/composer Elias Rahbani, mysterious talents like Nicolas Dick and Robert Maalouf and the father of the label’s founder, Abdallah Chahine, a pianist of immense talent. As told in detailed liner notes by DJ, music researcher and legacy-keeper Ernesto Chahoud and Natalie Shooter, this period of Lebanese music formed the soundtrack to the city of Beirut during its multiple transformations, from its 1950s to 1960s heyday as ‘the Switzerland of the Orient’ through to the mid 1970s and 1980s, when it soundtracked the tragic days of the Lebanese Civil War. From Chahoud’s liner notes: “I spent years going through thousands of titles from one of the largest catalog of Lebanese and Arabic music, by one of the earliest labels in the Arab world, Voix De L’Orient, to handpick the 12 songs that represent a survey into this momentous catalog.The Lebanese musical experiment, stretching almost seven decades, has offered one of the most complex and fully fledged modern Oriental scenes of the Arab world. These 12 songs were released in different periods and embody a wide range of musical ideas from the most adventurous on the Voix De L’Orient label, those musicians that played major roles in the renaissance of ancient musical traditions. So, from the ’60s and ’70s, you’ll hear Adballah Chahine improvising on Oriental scales on a custom-made piano that he developed in order to play quarter tones; you’ll engage the radical approach to folkloric music from the legendary Iraqi composer and oud player Munir Bechir; you’ll enjoy the timeless blend of Occidental and Oriental forms as fused by the genius Elias Rahbani. The songs by Georgette Sayegh, Adib Abou Antoun and Robert Maalouf give a sense of Lebanon’s unique ’70s and ’80s pop sounds.You might think that this music comes from a foreign, faraway culture, and I suppose it does, for some, but this music is close to us all. This anthology is presented 100 percent free of cultural appropriation. This album is a genuine attempt to escape the ephemeral aspect of everyday, fast music fashions. This album is absolute beauty to play out loud, while waiting for the second volume to come.”

BIS => 2025 08 15
1LP - 1332 RECORDS
2015 => 2025

TRACKLIST
A1 Sauvingnon Blanc - Featuring – Body Bag Ben
A2 Chosen
A3 Stay Healthy - Featuring – Red Inf
A4 Shop Open
A5 2 Big 2 Fail - Featuring – Big Lukah*
B1 G Code - Featuring – Royal Flush
B2 Str8 Drop
B3 4 Letter Words
B4 4 My Young Boys - Featuring – Vel Nine
B5 Dedicated to Nani Nu

DESCRIPTION
UFO FEV was born and raised in El Bario, East side of Harlem, NYC. Growing up in the mostly Puerto Rican community, he was introduced to Fat Joe and has been his “apprentice” since. He is joined on this album by California based rapper / producer Body Bag Ben. Ben has been making waves with his music for a few years now. They are both joined by guests Red Inf, Lukah, Royal FLush, and Velnine.

BIS => 2025 08 15
2LP - SOUL JAZZ
2025

TRACKLIST
1. Melody Maker
2. Full Range
3. Ghetto Organ
4. Toronto Express
5. Black Out
6. Fireball Rock
7. Tropic Island
8. Sure Soul
9. Taste Of Soul
10. SoulStew
11. ReggaeMagic
12. WestOfTheSun
13. HangingTree
14. PeenieWallie
15. WalkDon’tRun
16. BaBaBoom
17. DarkOfTheMoon
18. FullCharge

DESCRIPTION
Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.

BIS => 2025 08 15
2LP - SOUL JAZZ RECORDS
2024 => 2025

BIS => 2025 08 22
2LP - BBE
1978 => 2022

GATEFOLD DOUBLE VINYL WITH OBI STRIP

TRACKLIST
1. Monologue
2. Stella by Starlight (Instrumental)
3. Push
4. My Life
5. Everything I Have Is Yours
6. Cadillac Woman

DESCRIPTION
BBE Music is proud to present the latest J Jazz Masterclass Series reissue, 1978 soul/jazz tour de force album ’Push’ by Noriko Miyamoto.
For the first time, this critically acclaimed series that delves deep into the history of Japanese Jazz will be releasing an album by a Japanese female singer, Noriko Miyamoto produced by one of the legendary figures in Japanese Jazz, Isao Suzuki.
The release of her incredible debut album, ‘Push’, coincided with a surge in popularity for local female jazz singers such Kimiko Kasai, Yasuko Agawa, etc. that crossed over into the pop market. It was originally released by the now-defunct label, Yupiteru Records in 1978. Since then, it has been reissued a few times in Japan but recently, along with a surge of worldwide interest in old Japanese music, ‘Push’ has been gaining a cult status among foreign music heads, with the price for an original pressing skyrocketing in the second hand record market. This reissue of ‘Push’ will be the first time ever that this album will be officially released worldwide.
Long before R&B music went onto enjoy mainstream success in Japan, a soul music and disco loving lady, Noriko Miyamoto who started her music career working as a dancer at the legendary Tokyo disco, ‘Mugen’, was inspired by Tina Turner’s performance there and decided to became a soul singer. It was at a time in the early 1970s when there were only a handful of female songstresses who sang soulfully in Japan. In 1977, Miyamoto was scouted by Isao Suzuki to join his band, Soul Family and subsequently, with their backing, he produced Push, an album that kickstarted her career. It is an album that exquisitely combines her jazzy and soulful vocals with Suzuki’s acoustic bass and precocious playing from his youthful and vibrant group at the time.
Along with Sadao Watanabe, Terumasa Hino, Masabumi Kikuchi and George Otsuka, bassist, cellist, multi-instrumentalist, composer, arranger, producer and band leader, Isao Suzuki was considered to be one of the most influential figures in Japanese jazz history. Beloved by many in the Japanese jazz scene as “Oma-san”- Suzuki was renowned for developing young talent. Noriko was one of his prodigies, and so ‘Push’ became a vehicle to showcase her and his band as well, which featured notably future renowned players such as keyboardist, Masanori Sasaji, who went on to back Yasuaki Shimizu and guitarist, Kazumasa Akiyama, who played with many major Japanese Jazz musicians. According to Noriko, these young musicians in the group helped Suzuki create a brand new sound, mixing orthodox jazz with the crossover / fusion sound that was popular at the time, coming together supremely on ‘Push’.
For ‘Push’, Suzuki focused on Noriko’s unique prowess of singing songs in English, somewhat a rarity in the Japanese music scene at the time. She sang two jazz standards, ‘Everything I Have Is Yours’ and ‘Stella By Starlight’ on the album. Noriko also wrote English lyrics for two original compositions of Suzuki’s, an instrumental piece, ‘Cadillac Woman’, and ‘My Life’, a song that he composed for Kimiko Kasai, who’d originally sung it in Japanese on her 1977 album, ’Tokyo Special’.
Noriko fulfilled her long-held dream of becoming a soul singer after she moved to the US in 1990 and subsequently joined a number of prestigious outfits, such as Eddie Murphy’s band, Graham Central Station, the Brothers Johnson and Side Effect, but ‘Push’ is the album that paved the way for her career and hopefully, with this first time ever, worldwide reissue, it will attract more listeners. Sadly the producer of this album, Isao Suzuki sadly passed away recently at the age of 89. It is unfortunate that he was not able to see the reissue of this special album that he produced for Noriko Miyamoto.

BIS => 2025 09 05
1LP - SLANG
2025

- Consists of 9 singles featuring Brooklyn's very own DJ Enuff and previously released singles “Brand New” (200K+ Streams), “Have Nots” (250K+), “Megatron” (650K+).
- Visuals showcase action figure concepts, NYC lifestyle, and gritty storytelling.
- Issa Gold featured on Splice as a producer (for “Have Nots”).
- Playlist placements on Apple Music (Red Bull Basketball Mix, BARS) & Spotify (Rap Rising, Alternative Hip-Hop).
- AKTHESAVIOR featured in KidSuper x Bape collab video (April 2025).
- Have Nots was the top video for ON THE RADAR in October - (28,665 likes, 1423 comments, 4412 shares across all 3 posts).

TRAKLIST
Intro
Losing Feathers
Vices
Brand New
Wisher
Megatron
Sweepers
Have Nots
What Is This Place

DESCRIPTION
The Flatbush duo, The Underachievers, make their long-awaited return to hip-hop with Homecoming, their first project in five years. True to its name, this nine-track release is a powerful reintroduction—rooted in their signature sound while reflecting their artistic evolution. As pioneers of underground hip-hop, The Underachievers have consistently pushed boundaries with critically acclaimed projects that have shaped the genre. Homecoming continues this legacy, blending introspective lyricism with high-energy production. Previously released standalone singles “Brand New,” “Megatron,” and “Have Nots” provide an anthemic ode to unity and strength, a raw reflection on perseverance and showcase their dynamic range. The project opens with a special introduction from New York’s very own DJ Enuff, setting the stage for Homecoming with a declaration that The Underachievers are back and ready to take over. As the project unfolds, it serves as a reminder of the undeniable chemistry between AKTHESAVIOR and Issa Gold. With some production contributions from Issa Gold, Homecoming is more than a project—it’s a statement, a celebration, and a testament to The Underachievers’ enduring impact.

BIS => 2025 08 22
1LP - F-SPOT RECORDS
2025

- Compilation of 7 previous limited edition 45s.
- Heavy all-star lineup of singers and musicians including Hollie Cook, N'Dea Davenport, Ranking Joe, The Lions, and more.
- Includes the long sold out and highly in demand singles “After Laughter” and “Didn’t I”.
- Previous steady radio play on BBC Radio 6, KCRW, SoHo Radio, and more.
- Very popular among DJ’s and collectors.
- Pressed on traditional black vinyl and housed in a tip-on jacket with insert poster.

TRACKLIST
Ain't That Loving You (feat. Chris Murray)
I Only Have Eyes For You (feat. Chris Dowd & Tippa Lee)
Your Old Stand By (feat. Trish Toledo)
Are You Lonely for Me, Baby (feat. Malik Moore)
Hercules (feat. Alex Désert & The Lions)
You Don't Know Me (feat. Eli "Paperboy" Reed)
After Laughter (feat. Destani Wolf)
Cramp Your Style (feat. N'Dea Davenport)
Got That Will (feat. Gina Murrell & Ranking Joe)
Live and Let Live (feat. Miles Tackett)
Tell It Like It Is (feat. Asdru Sierra)
Didn't I (feat. Hollie Cook)
If You Let Me (feat. Jr Thomas & The Volcanos)

DESCRIPTION
When Night Owls released their first 45 in July 2019, few could have predicted that their vision of reimagining soul classics in a Jamaican style would blossom into a catalog of fifteen 45s featuring a total of 27 songs with many of today's leading soul singers and legendary artists. Following the success of their first compilation LP, "Versions," it was only a matter of time before Night Owls would grace us with a Vol. 2. Now, in 2025, we are excited to present "Versions II," which compiles their latest seven 45s to date, tastefully programmed from start to finish. Raising the bar even higher, this production team, comprising Dan Ubick, Blake Colie, Dave Wilder, and Roger Rivas, further cements their distinct vision and signature sound, delivering hit after hit over the years. With Night Owls' twist on many beloved, chart-topping hits and diggers' choice deep cuts (including the highly in-demand and long-sold-out single "After Laughter b/w Didn't I"), producer Dan Ubick has once again meticulously curated a tracklist that highlights each vocalist's strengths. Featuring many well-known guest artists such as Hollie Cook (Prince Fatty, Mr. Bongo), N'Dea Davenport (The Brand New Heavies), Chris Dowd (Fishbone), Ranking Joe (Greensleeves, Joe Gibbs), Tippa Lee (Studio One, Dub Club), Trish Toledo, Asdru Sierra (Ozomatli), Malik Moore (Ocean 11), Alex Désert (Hepcat) & The Lions, Eli "Paperboy" Reed, Destani Wolf, Gina Murrell (U Roy, Wailing Souls, Orgone), Chris Murray, Miles Tackett (Breakestra, Funky Sole), and Jr. Thomas & The Volcanos, "Versions II" is yet another heavy soul and dub-infused LP, ready for turntables across the globe.

PRE ORDER => 2025 10 10
1LP - ROC NATION
2025

BONUS TRACKS / GATEFOLD LP JACKET

TRACKLIST
1 Birds Don't Sing (Feat. John Legend & Voices of Fire
2 Chains & Whips (Feat. Kendrick Lamar)
3 P.O.V. (Feat. Tyler the Creator)
4 So Be It
5 Ace Trumpets
6 All Things Things Considered (Feat. Pharrel Williams & The-Dream
7 M.T.B.T.T.F
8 E.B.I.T.D.A (Feat. Pharrel Williams)
9 F.I.C.O. (Feat. Stove God Cooks)
10 Inglorious Bastards (Feat. Ab-Liva)
11 So Far Ahead (Feat. Pharrel Williams)
12 Let God Sort Em Out
13 Chandeliers (Feat. Nas)
14 By the Grace of God (Feat. Pharrel Williams)

DESCRIPTION
In the 15+ years since Clipse's last album hit the shelves of record stores, the music world has been upended several times over. Through it all, enthusiasm for the duo from Virginia never waned. 'Let God Sort 'Em Out' - Clipse's new independent release in partnership with Roc Nation Distribution - is one of the most highly anticipated releases in recent memory, a fact that underlines the singular talent and lasting influence of Pusha-T and Malice.

PRE ORDER => 2025 08 15
1LP - NATURE SOUNDS
2025

- Masta Killa is one of nine original members of iconic group Wu-Tang Clan, and remains an important presence in the collective, which is among the most successful and influential acts in hip-hop history. The group just wrapped up Wu-Tang Forever: The Final Chamber, a historic set of performances in arenas across North America.
- Earlier this year, Masta Killa hit 24 cities across the U.S. on a Balance tour promoting the album.
- Balance is executive produced by Wu-Tang mastermind RZA, who also contributes production and guest vocals on the album. Balance also includes appearances by Method Man, Snoop Dogg, Raekwon, N.O.R.E., Cappadonna, Uncle Murda, and more.
- Balance has been featured in prominent editorial playlists on streaming platforms, including Apple Music’s Rap Heavy Hitters, BARS, and Flowery, Tidal's Grown Rap and New East Coast, and Amazon’s Elite Rap.
- Masta Killa’s solo career includes collaborations with not only the entire Wu-Tang Clan, but Sean Price, Pete Rock, MF DOOM, Public Enemy, Rakim, 9th Wonder, Prodigy, Redman, Kurupt, and more. His last album Loyalty Is Royalty was covered by outlets like XXL, Billboard, Spin, Forbes, HipHopDX, Revolt, and more.
- Masta Killa is a spokesperson for PETA in current national print advertising campaign.

TRACKLIST
1. Hip Hop Forever
2. Eagle Claw (feat. Raekwon and Capadonna)
3. BK Harlem (feat. Head I.C.E)
4. Building With The Abbott (feat. RZA)
5. City (feat. Jamall Ray)
6. Glad To Meet You (feat. Method Man and Snoop Dogg)
7. It's Been A Long Time
8. Trumpets (feat. N.O.R.E., AZ, and Uncle Murda)
9. King Custom
10. Again (feat. AB Money and Big Bub)

DESCRIPTION
More than thirty years after their seismic arrival, the legendary Wu-Tang Clan remains as relevant as ever, whether inspiring an acclaimed TV series or securing a historic Las Vegas artist residency. With a wealth of talent that may never be duplicated, the group’s impact has been amplified by the solo careers of all nine members. Masta Killa has been an important part of this legacy, with four acclaimed solo albums containing countless Wu classics. Now, in the midst of the last Wu-Tang Clan tour ever, Masta Killa is back with the highly anticipated new album Balance. Executive produced by Wu-Tang mastermind RZA, the collection is vintage New York hip-hop at its finest, with thunderous drums courtesy of beatsmiths like Easy Mo Bee, PF Cuttin, Nick Price, and RZA himself. Lyrically, Killa proves his sword is sharper than ever, sharing wise words alongside a diverse set of guests including Method Man, Snoop Dogg, RZA, Raekwon, N.O.R.E., Cappadonna, AZ, Uncle Murda, and more. “What the world and the musical universe needs now is balance,” Masta Killa explains. Capturing a wide spectrum of moods and content, Balance embodies its title perfectly.

PRE ORDER => 2025 09 05
1LP - JACKPOT RECORDS
1976 => 2025

INDIES EXCLUSIVE GOLDEN SUNSHINE COLOURED VINYL.

TRACKLIST
A1 One Step Forward
A2 Uptown Babies
A3 Chase The Devil
A4 War Ina Babylon
B1 Norman
B2 Stealing In The Name Of Jah
B3 Tan And See
B4 Smokey Room
B5 Smile Out A Style

DESCRIPTION
Jackpot Records is extremely proud to announce our reissue of the revered reggae album 1976's War Ina Babylon by Max Romeo & The Upsetters. Originally released on Island Records, the album is considered one of the greatest Reggae albums of all time and was a massive influence on the UK punk movement that was just starting to bubble to the surface. The record's incredible power belies an unlikely partnership between one of the world's greatest producers (and experimenters in sound), Lee "Scratch" Perry, and vocalist Max Romeo (who by 1976 had performed on over 120 7" singles) Romeo had been transforming from his "rude" records to writing lyrics with social themes as the era in Jamaica was rife with poverty, gangs, and politically motivated killings. As he was looking to produce protest music at it's most powerful alongside music that would never leave the listener's souls, Lee Perry and Max Romeo started collaborating together. Recorded in two weeks in 1976, utilizing Lee Perry's kitchen sink production, War Ina Babylon is considered part of Lee Perry's 'holy trinity' Black Ark produced LPs released by Island Records (Junior Murvin's Police and Thieves and The Heptones' Party Time being the other classics LPs in the trinity), this LP continues to find new fans with every passing generation.

PRE ORDER => 2025 08 15
2LP - CHRYSALIS
2001 => 2023

TRACKLIST
A1 Intro
A2 Bionix
A3 Baby Phat
A4 Simply
A5 Simply Havin'
B1 Held Down
B2 Rev. Do Good #1
B3 Watch Out
B4 Special
B5 Rev. Do Good #2
C1 The Sauce
C2 Am I Worth You?
C3 Pawn Star
C4 What We Do (For Love)
D1 Rev. Do Good #3
D2 Peer Pressure
D3 It's American
D4 Trying People

DESCRIPTION
AOI: Bionix is De La Soul's sixth full-length album, released on December 4, 2001. The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on De La Soul's previous album, Art Official Intelligence: Mosaic Thump. A mischievous teenager takes a hit of the substance, then morphs into Slum Village frontman J Dilla, who provides the intro and outro to the marijuana-themed song "Peer Pressure" (which he also produced).

SOLD OUT
1LP - DE RAP WINKEL RECORDS
2021 => 2025

- Trust The Sopranos album remixed by Big Ghost Ltd.
- Album features appearances by Elcamino, Ransom, Heem, Klass Murda, Chase Fetti, Rick Hyde, Che Noir and more.
- Includes vinyl only track "Dying Breed"
- Pressed on Turquoise vinyl.

TRACKLIST
Dying Breed
Corner
Price Of Fame
Puddle Of Pain
Spineless
Tokyo Drift
Load Up
Love Left
Silent Death

DESCRIPTION
Trust Gang meets Black Sopranos meets a completely reimagined version of the original ‘Trust The Sopranos’ album. ‘The Big Ghost Ltd ‘83 Miami Edition’ of the album was executive produced by 38 Spesh and De Rap Winkel, and sonically brought to fruition by the aforementioned, world infamous, Big Ghost Ltd. The sounds transport the listener to a time when Lamborghini Countaches and Ferrari Testarossas reigned supreme. To when Moët was the luxury beverage young street entrepreneurs aspired to pop. To a time when oversized dookie rope chains were the ultimate symbol of success amongst aspiring hustlers. Reaganomics. Cocaine. Pastel suits. The melding of these ingredients would inspire and provide the blueprints for Scarface, Miami Vice, and other depictions of 80s criminal decadence. This is also what inspired the sounds and visuals for this project.

PRE ORDER => 2025 09 05
1LP - JWJ PUBLISHING
2025

- Reimagining of Let’s Get It: Thug Motivation 101, now performed live with a full orchestra.
- Features iconic tracks like “Soul Survivor,” “Go Crazy,” “My Hood,” and “Trap or Die”.
- The Color of Noize Orchestra, created by Derrick Hodge, is an immersive audio-visual series blending contrasting sounds, styles, and setups. The project has ties to artists like Wizkid, Anderson .Paak, and WILLOW.
- This highly anticipated release merges classical instrumentation with iconic production perfect for hip-hop purists, live music lovers and collectors.
- Pressed on black vinyl.

TRACKLIST
Standing Ovation
Let's Get It / Sky's The Limit
Thug Motivation 101
Get Ya Mind Right
Air Forces
Trap or Die
Bang
Bottom of the Map
Go Crazy
Trap Star
And Then What
Soul Survivor

DESCRIPTION
Celebrate the 20th anniversary of one of hip-hop’s most iconic albums with Jeezy’s TM:101 Live, a once-in-a-lifetime reimagining of Let’s Get It: Thug Motivation 101, now backed by a full live orchestra. Originally released in 2005, TM:101 didn’t just introduce Jeezy to the world; it immortalized trap music, debuting at #1 on the Billboard Hip-Hop and R&B charts and #2 on the Billboard 200. Widely hailed as a critical and cultural classic, the album became the blueprint for a generation of street anthems and dominance. Now, Jeezy elevates his legacy with an epic live performance, merging raw lyrics with rich orchestral arrangements lending to a new level of sonic depth. Featuring stunning live renditions of tracks like “Soul Survivor,” "Go Crazy,” “My Hood" and “Trap or Die,” this release captures the emotion, scale and storytelling that defined a movement.

PRE ORDER => 2025 09 05
1LP - SPN RECORDS
2025

- New full-length studio album by Theo Croker, GRAMMY-nominated trumpeter, producer, and composer.
- Features high-profile collaborations with Estelle, Kassa Overall, Gary Bartz, MAAD, Malaya, D’LEAU, and Tyreek McDole.
- Explores jazz, house, soul, hip-hop, and experimental electronics through a dreamlike narrative arc.
- Standout tracks include “One Pillow,” “64 Joints,” “High Vibrations,” and “We Still Wanna Dance”.
- Produced by Theo Croker with co-production by D’LEAU, Elite, and Kassa Overall.
- Pressed on 180 Gram Black Vinyl with a printed insert.

TRACKLIST
Prelude 3
One Pillow (feat. Estelle & Kassa Overall)
64 joints (feat. Tyreek McDole)
Up frequency (Higher) (feat. Maad)
Light As A Feather (feat. Gary Bartz & Natureboy Flako)
High Vibrations (feat. Malaya & D'LEAU)
Crystal Waterfalls
We Still Wanna Dance (feat. D'LEAU)
Postlude 3

DESCRIPTION
Dream Manifest is the latest visionary statement from GRAMMY-nominated trumpeter, composer, and producer Theo Croker—a transcendent sonic journey blending jazz, soul, electronica, and Afro-futurist storytelling into a genre-fluid experience. Brought to life with an elite ensemble and shaped through intentional craftsmanship, the album invites listeners into a dreamstate where ritual, resistance, and revelation unfold through sound. From the meditative invocation of “Prelude 3” to the dance-floor liberation of “We Still Wanna Dance” and the interdimensional elegance of “One Pillow” (featuring Estelle and Kassa Overall), Croker builds a soundscape where dualities meet: acoustic and synthetic, earthly and cosmic, past and future. With contributions from jazz legends like Gary Bartz and next-gen voices like MAAD, Malaya, and Tyreek McDole, the album vibrates with collective spirit and personal truth. Produced entirely by Croker with select collaborators like D’LEAU, Elie, and Kassa Overall, and mixed by longtime engineer Todd Carder, Dream Manifest is rooted in improvisation and intentionality. It’s more than an album—it’s a ceremonial experience. Every track, every solo, every melody, every groove is a call to imagine beyond the limitations of the known world. Pressed on limited edition 180gram vinyl with a printed insert, Dream Manifest is a must-have artifact of sonic and spiritual significance—created to raise your vibrations.

PRE ORDER => 2025 09 05
1LP - DEWOLFE MUSIC
1972 => 2025

- Exclusive reissue of Tilsley Orchestra No.10 from De Wolfe Music, a pioneering library music label revered by crate diggers, producers, and beatmakers.
- Featuring the classic break “Warlock,” famously sampled by countless artists including Drake, Jay Z, Jay Electronica, KRS-One, Swizz Beatz, Soulja Boy, Swizz Beatz, and more.
- A masterclass of lush orchestral drama funk, big band arrangements, classic ’70s breaks, and genre-spanning compositions
- Reg Tilsley is a prolific composer known for his work in film and television, including Dawn of the Dead (1978), The Benny Hill Show, and Breaking Bad.
- First time commercial release and limited run of only 500 units.

TRACKLIST
Hold The Road
Blue Eyes
Warlock
Just Carol
Grand Slam
Come Next Sunday
Stax
Pan Ram
Sue
Strike Rich
Theme For Marilyn
Mark Twelve
Rosebud Joe Version 1
Rosebud Joe Version 2

DESCRIPTION
With influences ranging from Burt Bacharach to Quincy Jones, Tilsley Orchestral No.10 belongs on the shelves of all record collectors. Sweeping strings, pounding drums, leaping flutes, and polished horn sections take the listener on a sonic journey of late 60’s orchestral pop. Composed and arranged by the library legend Reginald Tilsley, this eponymous collection of recordings digs deep into jazz harmonies that adds a level of complexity while maintaining the simplicity of easy listening, highlighting the true genius of the composer. Tilsley Orchestral No. 10 spans a spectrum of spirits, from the lows of lost love (Sue) to the highs of winning the big game (Grand Slam). This LP features a favorite of hip-hop producers, Warlock, which has been sampled in songs by artists including Cam’ron, KRS-ONE, Soulja Boy, and Jay Electronica.

PRE ORDER => 2025 09 05
2LP - BIG BEAT
1968 => 2025

TRACKLIST
SIDE ONE
1. INTRODUCTION BY "HUMBLE HARVE" MILLER / MR FARMER
2. NO ESCAPE
3. SATISFY YOU
4. NIGHT TIME GIRL
5. UP IN HER ROOM
SIDE TWO
1. GYPSY PLAYS HIS DRUMS
2. CAN'T SEEM TO MAKE YOU MINE
3. MUMBLE AND BUMBLE
4. FOREST OUTSIDE YOUR DOOR
5. 900 MILLION PEOPLE DAILY ALL MAKING LOVE
6. PUSHIN' TOO HARD
SIDE THREE
1. INTRODUCTION BY "HUMBLE" HARV / MR FARMER
2. MUMBLE AND BUMBLE
3. NO ESCAPE
4. SATISFY YOU
5. HUBBLY BUBBLY LOVE
6. UP IN HER ROOM
SIDE FOUR
1. GYPSY PLAYS HIS DRUMS
2. CAN'T SEEM TO MAKE YOU MINE
3. FLYIN' WITH LOVE
4. 900 MILLION PEOPLE DAILY ALL MAKING LOVE
5. PUSHIN' TOO HARD

DESCRIPTION
“Raw & Alive – The Seeds In Concert” may just possibly be the greatest “live” album that never was. Released in 1968 towards the end of the original quartet’s career, the album was an attempt to deliver on vinyl the live frenzy that these garage legends were notorious for in person.
The album is highly regarded by Seeds aficionados, containing as it does exciting versions of band classics like ‘No Escape’ and ‘Up In Her Room’, as well as superlative new originals such as the punkoid ‘Satisfy You’, the latter a clear return to form after the flowery “Future” long-player. But most are unaware that the performances were actually cut live in the studio, with applause added afterward for release.
The original premise was for a Seeds show to be taped in front of an audience. Attended by the bands fan club, a live studio performance was recorded in February 1968, only to be scrapped at the last minute. The second disc of our deluxe vinyl reissue features this planned album in the form in which it was prepared for release, direct from the assembled master tape which has not been heard until now. The early version included the rare ‘Hubbly Bubbly Love’, which would not be re-recorded for “Raw & Alive”.
The new 2LP “Raw & Alive” is the fourth in the series of Seeds expanded editions and comes with a 8-page booklet, with notes from compiler Alec Palao that detail the history of the swansong of the original Seeds personnel, illustrated with unseen photos of the quartet on stage in their mid-60s heyday.

PRE ORDER => 2025 09 05
1LP - MUNSTER
1966 => 2025

Released exclusively in Germany in March 1966, “Black Monk Time” by The Monks has become a cult classic—praised as a groundbreaking forerunner to punk and krautrock.
From the explosive opener ‘Monk Time’ to the fierce ‘Complication,’ “Black Monk Time” rejected flower power for something more urgent—anger, humor, and innovation developing a confrontational, rhythm heavy sound.
Remastered sound from the tapes, pressed on 180g vinyl.

TRACKLIST
Side A
1. MONK TIME
2. SHUT UP
3. BOYS ARE BOYS AND GIRLS ARE CHOICE
4. HIGGLE-DY PIGGLE-DY
5. I HATE YOU
6. OH, HOW TO DO NOW
Side B
1. COMPLICATION
2. WE DO WIE DU
3. DRUNKEN MARIA
4. LOVE CAME TUMBLIN’ DOWN
5. BLAST OFF!
6. THAT’S MY GIRL

DESCRIPTION
Released exclusively in Germany in March 1966, “Black Monk Time” by The Monks has become a cult classic -praised as a groundbreaking forerunner to punk and krautrock. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim.
The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men—Walther Niemann and Karl Remy—who became their managers and helped reinvent their identity.
Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Nowhere is this clearer than in the album’s opening track, ‘Monk Time,’ which captures their entire aesthetic in under three minutes. A pounding, repetitive groove of bass and drums anchors the track, layered with distorted guitar bursts, percussive electric banjo, chaotic organ stabs, and unrestrained, shouted vocals. It’s a declaration of intent—urgent, jarring, and unforgettable.
Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. From the explosive opener ‘Monk Time’ to the fierce ‘Complication,’ “Black Monk Time” rejected flower power for something more urgent—anger, humor, and innovation.
At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history—loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the ‘60s. The band never sparked the revolution they hinted at, but decades later, “Black Monk Time” still resonates. This is your chance to experience the album that dared to be different - don’t miss it.
Remastered sound from the tapes, pressed on 180g vinyl.

PRE ORDER => 2025 09 05
1LP - VAMPISOUL
2025

Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler’s, and Juaneco y su Combo.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

TRACKLIST
Side A
1. MI GUITARRA LLORA POR TI
2. BAILA CON RANIL
3. EL VIAJERO
4. CUMBIA EN TU SOLEDAD
5. FANTASÍA DEL AMAZONAS
6. LAS OLADAS
7. CHINITO RULO
Side B
1. SONIDO AMAZÓNICO
2. VUELO A SATURNO
3. TIN MARÍN
4. MARLENITA
5. BAILANDO EN EL INFINITO
6. LAGRIMAS DE MIS OJOS
7. ALABANZA A DIOS

DESCRIPTION
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s.
By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler’s de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler’s. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement’s potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography.
Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band’s 10 LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

PRE ORDER => 2025 09 05
1LP - VAMPISOUL
2025

"Psychedelic Cumbia Party" brings together for the first time the best recordings of Los Zheros, a pioneering band of Amazonian cumbia from Peru. Their sound blends fast, percussive cumbia rhythms with surf-style electric guitars.
The album features their psychedelic rock hit ‘Cuarto oscuro,’ a highly sought-after track not only among cumbia collectors but also garage and psych DJs.
This compilation is a joint release with Peruvian label Rey Record and includes an insert with never-before seen photos of the band, as well as liner notes by expert Víctor Zela (creator of the acclaimed project "La Cumbia de mis Viejos").

TRACKLIST
Side A
1. PARA CHACHITA
2. CAMINANDO
3. LA ROSA
4. MI LAMENTO
5. RITMO ORIENTAL
6. MARITA
Side B
1. CUARTO OSCURO
2. NADANDO
3. TORO EN ÓRBITA
4. DESCARGA DE LOS ZHEROS
5. MARILÚ
6. EL PUSANGUERO

DESCRIPTION
This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos—alongside groups like Los Rogers and Los Wemblers—in the heart of Peru's Amazon capital.
The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style—a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the traditional cumbia styles that developed in other cumbia-producing countries like Colombia.
The album includes their psychedelic rock hit ‘Cuarto Oscuro,’ a highly sought-after track not only by cumbia collectors but also by garage and psychedelic DJs. This song also marked the beginning of their recording career in 1973.
This compilation is a joint release with the Peruvian label Rey Record and comes with an insert featuring never- before-seen photos of the band, as well as liner notes by genre expert Víctor Zela (the mind behind the prestigious project "La Cumbia de mis Viejos").

PRE ORDER => 2025 09 05
1LP - MUNSTER
1973 => 2025

"Paloma mensajera" (featuring members of New Juggler Sound / Laghonia) shows the shift that was taking place within Peruvian rock away from psych and hard rock which had predominated during the early 70s.
The style adopted by Grupo Amigos (and other bands and artists during this period) highlights the influence of soft rock, UK, US and Latin American folk rock and, above all, the desire to keep the melodic greatness of The Beatles alive.
This reissue includes bonus tracks and extensive liner notes.

TRACKLIST
Side A
1. NO SABES QUE ME SIENTO BIEN
2. MUJER
3. DAMA
4. SON LAS 5
5. EN EL CAMPO
6. EVERYBOBY IS FREE – BONUS TRACK
Side B
1. ENSUEÑO
2. EL TREN DEL SEÑOR TAYLOR
3. ATARDECER DE UN VERANO
4. BUSCANDO UN HOGAR
5. PSIQUIATRA
6. DIRTY GIRL – BONUS TRACK

DESCRIPTION
"Paloma mensajera" (featuring members of New Juggler Sound / Laghonia) shows the shift that was taking place within Peruvian rock away from psych and hard rock which had predominated during the early 70s.
The style adopted by Grupo Amigos (and other bands and artists during this period) highlights the influence of soft rock, UK, US and Latin American folk rock and, above all, the desire to keep the melodic greatness of The Beatles alive. The positive reception albums by artists such as We All Together, Telegraph Avenue and Zulu garnered between 1972 and 1975, marked a change of paradigm and in preferences within the Peruvian rock scene. Eclecticism gained new ground, to the detriment of the sectarian and orthodox, while melody grew more present and visible, moving away from the progressive experimentation that typified underground Peruvian rock up to the beginning of the 70s.
For their first single on MAG, included on this reissue, the band adopted a formula in which Beatles harmonies converged symmetrically with folk motifs. ‘Dirty Girl' was a hit on the radio. A full album followed but only a fairly small number of copies of the album were pressed, which seems to have been the main reason for omitting it from the historical accounts of Peruvian rock music from the late 90s onwards.
In "Paloma mensajera" all compositions were penned by the group, after several years during which cover versions were a staple. Some of the musical resources that the band had at their disposal in terms of composition and arrangements are striking and even surprising, considering that they were a debut band, whose members were under the age of 20. The arrangements included the clever use of a Moog synthesizer which had just arrived at the MAG studio.
The success achieved by the Beatles tribute performances played by the members of Grupo Amigos for decades have eclipsed the songs that Edmundo, Andrés Da Ros and Simón Ames composed with youthful enthusiasm and energy between 1972 and 1973 to the point where they have almost been forgotten. This re-release of "Paloma mensajera" should help rectify this major injustice. It includes bonus tracks and extensive liner notes.

PRE ORDER => 2025 09 05
1LP - MUNSTER
1985 => 2025

“Anti Todo” is Eskorbuto’s most celebrated album, recorded in the shortest time imaginable and released in 1985. It shows what the Spanish punk band did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible.
A new remastering for this edition has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed “Anti Todo”, a true classic recorded at Eskorbuto’s peak of their creativity and energy.
It includes a large poster and insert with notes.

TRACKLIST
Side A
1. HISTORIA TRISTE
2. DE TI DEPENDE
3. ES UN CRIMEN
4. MATA LA MUSICA
5. ANTI TODO
6. HACIENDO BOBADAS
Side B
1. CUIDADO
2. TAMARA
3. CEREBROS DESTRUIDOS
4. HA LLEGADO EL MOMENTO (EL FIN)

DESCRIPTION
1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it.
Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things…
When it came to recording “Anti Todo”, Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and we have to ask: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song ‘Tamara’ was practically composed on the spot in the studio in less than two recording days, as was much of ‘Ha llegado el momento’.
The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed “Anti Todo”, a true classic in our musical history, originally released in 1985 at Eskorbuto’s peak of their creativity and energy.
This edition of the album includes a large poster and insert with notes.

PRE ORDER => 2025 09 05
1LP - MUNSTER
2025

Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it’ll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures.
“Joropop. Psych Pop & Folk in Venezuela, 1968-1976” features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks—most of which have never been reissued until now. Let’s set off together to discover the magic of Caracas in the late ‘60s!

TRACKLIST
Side A
1. BUENOS DÍAS JUVENTUD – EL ZIGUI Y UNA LUZ
2. DAMA GENTIL – GRUPO ESPIGA
3. VIENDO LA LLUVIA – GRUPO SYMA
4. LÁGRIMAS EN TUS OJOS – LA FE PERDIDA
5. PEOPLE – LADIES W.C.
6. QUIERO CLARIDAD – LOS FABRICANTES DE MUÑECAS
7. EL CIELO ESTÁ EN TU MENTE – LOS MEMPHIS
8. SED DE AMOR – LA CUARTA CALLE
Side B
1. JOROPO Nº 2 – GRUPO C.I.M.
2. AMOR Y FELICIDAD – GRUPO PAN
3. STORMY – LOS RANGERS
4. REGRESA JUNTO A MI – LOS CHICOS MALOS
5. SIEMBRA TUS SUEÑOS – CIRUELA
6. CONOCE EL AMOR – THE FOUR BLUES
7. DI QUIÉN ES FELIZ – LA CUARTA CALLE

DESCRIPTION
Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it’ll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures.
“Joropop. Psych Pop & Folk in Venezuela, 1968-1976” features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks—most of which have never been reissued until now.
The golden age of Caracas pop started in 1965. It replaced the wave of cloyingly romantic song writing as fresh talents leant into richer and more complex styles: folk-rock, psychedelia, soul, hard blues, symphonic pop, Latin rock etc. Singer-songwriters, experimental electric guitars and jam sessions all appeared on the scene, creating music that became increasingly refined and free. The industry took a while to catch on to this new trend and leave behind the teen idols and dream lifestyles.
By the late 60s, there was a long list of new bands in the capital city. Young people finally found their voice.
Let’s set off together to discover the magic of Caracas in the late ‘60s!

PRE ORDER => 2025 09 12
1LP - NOW-AGAIN RECORDS
2025

The Lost Album By Rodney Stepp’s Rapture Ensemble. Unreleased Sweet Soul And Disco Funk From Mid-70s Indianapolis, Featuring Members Of Amnesty, Midnight Star, And The Spinners. Rapture’s Story Told In Great Detail In Liner Notes Written By Naptown Historian Kyle Long.

TRACKLIST
A1. In My Life
A2. Playing Around
A3. Do You Wanna
A4. Turn On Your Funk-A-Phizor
A5. The Beat Won't Leave You Hangin'
A6. On the Way to the World
B1. Happiness Is
B2. Send My Love
B3. Oh I Love You So
B4. Down at the Disco
B5. Let Me Put It InYour Ear
B6. Errol Flynn

DESCRIPTION
A photo in Rodney Stepp’s scrapbook sums this period in his life in music. It’s 1974, The Spinners were headliners at the “Zaire 74” music festival, a sideshow to Muhammad Ali’s fabled “Rumble in the Jungle” fight with George Foreman. Among the faded snapshots, there’s a picture of Stepp backstage posing arm in arm with Ali; another image shows The Greatest seated at Stepp’s Fender Rhodes alongside vocalist Etta James. It was all a dream for this Naptown wunderkind, who had previously recorded for Herb Miller’s LAMP Records as the Diplomatics and had issued the sweet soul killer “Young Girl” as Jazzie Cazzie and the Eight Sounds on a rare Knaptown 45. (These recordings have been documented on the Now-Again LAMP anthology and our Loving On The Flipside compilation.) But as exciting as his rise out of those local status was, as exciting as it was to headline festivals and arenas and appear on late night talk shows, Stepp grew restless with the mechanical routine of being a sideman. He grew tired of playing the same charts night after night.He was hungry for a creative outlet that mimicked his earliest days in recorded music. So, in 1978, Stepp left The Spinners and returned to Indianapolis, where he established an all-stargroup of musicians–including members of Jazzie Cazzie and the fabled Amnesty–and he named the band Rapture. They inspired countless others. They recorded an album’s worth of material. Now-Again’s Egon first got tapes from Stepp in 2002 and dutifully transferred them, but the time was not right for a foray into this wealth of material. Come 2025, and this is the first time it Rapture’s music is seeing the light of day, a triumphant, late career moment for Stepp and a cause for celebration of those intrigued by deep, sweet soul and disco funk

PRE ORDER => 2025 09 12
1LP - NATURE SOUNDS
2024 => 2025

- Tha God Fahim is one of hip-hop's most talented young artists. A frequent collaborator of independent rap luminaries Mach-Hommy and Your Old Droog, Fahim’s music has been championed by top outlets like Pitchfork, Complex, The Fader, Okayplayer, and more.
- Tha God Fahim has worked with the likes of Earl Sweatshirt, DJ Muggs, Knxwledge, Vinnie Paz, Onyx, Evidence, Oh No, Statik Selektah, Quelle Chris, and more.
- The Hyperbolic Time Chamber Rap series has never been available at retail until now.
- Hyperbolic Time Chamber Rap is entirely produced by Nicholas Craven, an acclaimed producer who has worked with artists like Roc Marciano, Westside Gunn, Mach-Hommy, Conway, Benny The Butcher, Boldy James, Pink Siifu, billy woods, Styles P, Navy Blue, Ransom, Planet Asia, Raz Fresco, and more.

TRACKLIST
1. Saiyan Pride
2. A Nightmare You Can’t Come Back From
3. Dump Dynasty
4. 10 x Gravity
5. The Riddle Of Steel
6. LSSJ
7. Hyperbolic Time Chamber Rap II
8. Tha Supreme Kai Of Bean Pies
9. Repetition
10. Saiyan Pride (Instrumental)
11. A Nightmare You Can’t Come Back From (Instrumental)
12. Dump Dynasty (Instrumental)
13. 10 x Gravity (Instrumental)
14. The Riddle Of Steel (Instrumental)
15. LSSJ (Instrumental)
16. Hyperbolic Time Chamber Rap II (Instrumental)
17. Tha Supreme Kai Of Bean Pies (Instrumental)
18. Repetition (Instrumental)

DESCRIPTION
With an ever-growing horde of rappers clamoring for attention, manifesting a successful long-term career in hip-hop has become an almost supernatural achievement, reserved for artists with near-mystical talents. Atlanta emcee Tha God Fahim embraces this role, positioning himself as a divine warrior with lyrical powers transcending this earthly realm, battling dark forces with tactical ingenuity and relentless dedication. This artistic vision has become even more vivid in recent years, culminating in the wildly creative series Hyperbolic Time Chamber Rap with acclaimed producer Nicholas Craven. Inspired by the anime phenomenon Dragon Ball and its conception of a dimension unconstrained by the rules of time, Fahim and Craven just concluded the ambitious endeavor with a staggering fifteen volumes released in only eight months. Taken collectively, Hyperbolic Time Chamber Rap forms a vital entry in Tha God Fahim's catalog, blending gritty narratives of hustle and hardship with intergalactic rhyme wizardry. Fahim's stratospheric ambitions are elevated by exquisite production from Nicholas Craven, known for his work with Roc Marciano, Mach-Hommy, Westside Gunn, Conway, Boldy James, Pink Siifu, and more. After a limited release on Bandcamp, Nature Sounds is now rolling out the Hyperbolic Time Chamber Rap series on vinyl. This pressing of volume 1 contains the full collection on side A, with the accompanying instrumentals on side B.

PRE ORDER => 2025 09 12
2LP - COALMINE RECORDS
1998 => 2025

This Collector’s Edition 2XLP features the original artwork, enhanced with subtle rebranding elements by Mr. Krum to commemorate the reissue. Pressed on classic black vinyl, the release is sonically elevated through a fresh remaster by D-Sane of Digital Age Sound, giving this underground classic the long-overdue vinyl treatment it deserves.

TRACKLIST
Side A:
A1. Intro
A2. Time Waits for No Man (feat. Encore)
A3. Suckas Don’t Respect It
A4. Bits & Pieces
Side B:
B1.Interlude B2.Me&MyCrew
B3. What It’s All About
B4. View To A Kill
Side C:
C1. Unassisted DJ Battle (feat. Vin Roc)
C2. Unassisted
C3. What Y’all Wanna Do
C4. Hip Hop Essentials
Side D:
D1. Interlude
D2. Hey Love
D3. Take It Back Home (feat. Planet Asia)
D4. Heat Seaking
D5. Outro (Shout Outs)

DESCRIPTION
Rasco’s Time Waits for No Man stands as a cornerstone of West Coast underground hip- hop, blending unflinching lyricism with top-tier production and a reverence for the culture. Originally released in 1998, the album marked the first full-length hip-hop project from the iconic Stones Throw Records, cementing their legacy as a launching pad for independent artists.
The album showcases Rasco’s no-nonsense approach, focusing heavily on his prowess as an emcee and his commitment to preserving hip- hop’s authenticity. With a commanding voice and sharp, no-frills lyricism, Rasco delivers on every track, ensuring his presence is felt throughout.
Guest appearances from underground heavyweights like Dilated Peoples, Defari, Encore, and Planet Asia, along with contributions from turntablists Vin Roc, DJ Revolution, DJ Babu, and D-Styles. Meanwhile, an all-star production roster featuring Peanut Butter Wolf, Paul Nice, Kut Masta Kurt, and Fanatik provides a sonic foundation that perfectly complements Rasco’s rugged delivery. Highlights include the Fanatik-produced single “The Unassisted,” a stripped-down anthem that epitomizes late ‘90s indie hip-hop. Other standout tracks include “What It’s All About,” Peanut Butter Wolf’s “Hip Hop Essentials,” and the collaborative gems “Major League” and “Take It Back Home.”
This long-awaited reissue by Coalmine Records breathes new life into Time Waits for No Man, making it available for the first time since 2004. A must-listen for fans of classic hip-hop, this album remains a timeless testament to Rasco’s artistry and the enduring appeal of underground hip-hop.

PRE ORDER => 2025 09 12
2LP - COALMINE RECORDS
1998 => 2025

This Collector’s Edition 2XLP features the original artwork, enhanced with subtle rebranding elements by Mr. Krum to commemorate the reissue. Pressed on a striking Blue Smoke color configuration, the release is sonically elevated through a fresh remaster by D-Sane of Digital Age Sound, giving this underground classic the long-overdue vinyl treatment it deserves.

TRACKLIST
Side A:
A1. Intro
A2. Time Waits for No Man (feat. Encore)
A3. Suckas Don’t Respect It
A4. Bits & Pieces
Side B:
B1.Interlude B2.Me&MyCrew
B3. What It’s All About
B4. View To A Kill
Side C:
C1. Unassisted DJ Battle (feat. Vin Roc)
C2. Unassisted
C3. What Y’all Wanna Do
C4. Hip Hop Essentials
Side D:
D1. Interlude
D2. Hey Love
D3. Take It Back Home (feat. Planet Asia)
D4. Heat Seaking
D5. Outro (Shout Outs)

DESCRIPTION
Rasco’s Time Waits for No Man stands as a cornerstone of West Coast underground hip- hop, blending unflinching lyricism with top-tier production and a reverence for the culture. Originally released in 1998, the album marked the first full-length hip-hop project from the iconic Stones Throw Records, cementing their legacy as a launching pad for independent artists.
The album showcases Rasco’s no-nonsense approach, focusing heavily on his prowess as an emcee and his commitment to preserving hip- hop’s authenticity. With a commanding voice and sharp, no-frills lyricism, Rasco delivers on every track, ensuring his presence is felt throughout.
Guest appearances from underground heavyweights like Dilated Peoples, Defari, Encore, and Planet Asia, along with contributions from turntablists Vin Roc, DJ Revolution, DJ Babu, and D-Styles. Meanwhile, an all-star production roster featuring Peanut Butter Wolf, Paul Nice, Kut Masta Kurt, and Fanatik provides a sonic foundation that perfectly complements Rasco’s rugged delivery. Highlights include the Fanatik-produced single “The Unassisted,” a stripped-down anthem that epitomizes late ‘90s indie hip-hop. Other standout tracks include “What It’s All About,” Peanut Butter Wolf’s “Hip Hop Essentials,” and the collaborative gems “Major League” and “Take It Back Home.”
This long-awaited reissue by Coalmine Records breathes new life into Time Waits for No Man, making it available for the first time since 2004. A must-listen for fans of classic hip-hop, this album remains a timeless testament to Rasco’s artistry and the enduring appeal of underground hip-hop.