IN STOCK
2LP - UBIQUITY RECORDINGS
2020

IN STOCK
1LP - MADLIB INVAZION
2020

BIS => 2025 06 27
1LP - DISCOS NADA
2021

TRACKLIST
1. Onirico 07:27
2. O Contar de Uma Raga 14:29
3. Raga na Amazônia 11:39
4. Solaris 10:34

DESCRIPTION
It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment.
Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist.
Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver Messaien, Luciano Berio, Claudio Santoro, John Cage, Xenaxis and Karlheinz Stockhausen.
This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers.
Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. Along this path, joining her fascination with theatricality and the desire to tell stories, she immersed herself and subverted the language of traditional opera, following her heart and her instincts over nine operatic pieces.
This album is dedicated to a production that goes from the mid-1980s to the early 1990s. That was a very troubled period in the artist's life in the face of the significant loss of her father, followed by health problems, accidents, and staying away from her main instrument, the piano. She chose to give up her pianist career and intensify her authorial production. She explored the multiple possibilities of multimedia and multidisciplinary language, composing and presenting, among other pieces, two "magical operas" of great relevance, from which we selected pieces and extracts to be part of this album.
Fata Morgana (1987) is an electroacoustic opera that elaborates the imaginary and mythologies linked to the feminine sacred, associated with the cosmology of contemporary physics. The show features a collection of dream memories and images, giving emphasis to ritualistic gestures.
“Inori – to the sacred prostitute” (1993) also rescues matriarchal values based on the diversity of languages, cultures, races, beliefs, and religions. The lunar set celebrates the mysteries of the unconscious through a language open to fate and experimentation.
On side A, “Oniric” from the opera Fata Morgana (1987) presents electronic music performed in real-time along with voice. It’s interesting to note the presence of electronics in real-time unifying the album’s concept.
Jocy uses a Yamaha TX and DX7 synthesizer, instruments that permeate all selected parts.
The following pieces are two ragas : “Telling of a raga” from the same opera, and on side B “Raga in the Amazon ” plus “Solaris”, segments from the opera “Inori – to the sacred prostitute”.
All tracks are unreleased on vinyl. During a conversation , Jocy told me: “Raga is used by me in the sense of emotion, color, not exactly as musical modes in Indian music, although there is a search for the universe energy and human being integration. This was very much what I felt when I heard Carnatic music in India. There is dignity and respect there which make us feel an integration with the cosmos.”
As a curator, another of my focuses for this album is experimentation that confronts the limits between composition and indeterminacy. Speaking about Stockhausen in her book “Dialogue with letters” (SESI-SP, 2014) she says: “Mantra for two pianos by Stockhausen is one of his works that most fascinates me for certain qualities that sounds like improvisation and, are strictly determined. A challenge for pianists.” Jocy brings much of that focus to her Ragas.
The first title for this release was “Extratos Oníricos”, but during production, the composer sent us the following message: “I was thinking about the project of LP from the ‘80s and I believe the best title could be “Raga na Amazônia.”
I think the title would be more up-to-date, although I presented many concerts and events in the 70s and 80s focusing environmental questions, we still need to continue fighting for Amazon.”
About experimental music, in her same book, Jocy clarifies that "John Cage said that the word experimental should not describe an act in terms of future judgment, as to its success or failure, but should be applied to an act whose result is unknown"
During an interview at “Dialogue with composers” project, organized by the Brazilian Symphony Orchestra (OSB) in December 2020, Jocy spoke about the importance of music in her life: "I don't think of music as a career, but as a destiny. I express myself through music because this is my way of manifesting myself. It is my voice, my cry, my groan. ”
Paulo Beto

BIS => 2025 06 27
1LP - DISCOS NADA
1986 => 2021

TRACKLIST
1. Fragmentos 08:31
2. Sol da Manhã 04:53
3. Dia Claro 05:08
4. Tua Casa, Minha Casa 03:40
5. Quarto 05:49
6. Sala 04:38
7. Cozinha 02:08
8. Pela Janela 02:23

DESCRIPTION
Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others.

Marco Bosco started his personal journey in the 70s, but the biggest impact happened when he released his first solo work, Metalmadeira (1983), a journey made up of acoustic and electronic textures, sons of nature, vocoders, synthesizers and sequencers.
Fragmentos da Casa, his second solo album, had a striking concept, explained by the artist himself, from the original press release : “Antagonizing the synthesized universe of digital equipment and instruments to an acoustic aesthetics; plus emphasizing the timbristic characteristics of percussion: Fragmentos da Casa is a musical interpretation of a journey - one night and one day - through the rooms of an imaginary house”
Reissued for the first time, Fragmentos da Casa was originally released in 1986, by Carmo, owned by Egberto Gismonti. Carmo also released albums by Gismonti, Piry Reis, Fernando Falcão, Nando Carneiro and André Geraissati, among others.

In 1986, or Marco Bosco's percussive arsenal was unique and extremely peculiar, containing chizanzhi, caxixis, purrinhola, requo-requo, shequeres, berimbaus and lingo drum, among other instruments.

This fusion of acoustic and synthetic, promoted by some Brazilian artists in the 80's and celebrated worldwide, still brings memories to the percussionist. For him, the arrival of those electronic gadgets "was the best thing that happened on the planet".

This reissue includes a reproduction of the original artwork, new testimonies by Marco Bosco and a a long article signed by Bento Araujo, author of the series of books Lindo Sonho Delirante, which investigates audacious and fearless music produced in the Brazilian underground.


BIS => 2025 06 27
1LP - DISCOS NADA
1985 => 2020

TRACKLIST
1. Falando Alto 03:36
2. No Dia Em Que Partiram 01:48
3. A Lua, As Estrelas 03:48
4. Não Imagino 02:10
5. Lá Dentro 02:39
6. Peixe Pedra 02:16
7. Amor Platônico 03:03
8. Conversa (Bonus Track) 02:49
9. Intervalo 02:44
10. Ciência 05:29
11. Ar de Amor 03:26
12. Sem Teto 03:03
13. O Poeta 00:58
14. SP5 4R (Base) 04:06
15. Pallazo Uno (Bonus Track) 02:26

DESCRIPTION
1985 was one of the most important years in Brazil's recent history, when the country was freed from more than 20 years of military dictatorship. The youth took the lead and finally Brazil entered the world show business circuit with Rock In Rio festival. But the real revolution was happening in the underground and this record is a proof of that.
One of the people in charge was the musician, composer, poet, writer, scriptwriter and speaker from Rio de Janeiro Ronaldo Tapajós, who was always involved with experimental and avant-garde music. His trajectory begins in the mythical 1968, when, as part of the the duo Rô and Carlinhos, he released an emblematic single containing the song “O Gigante” - perhaps the first Brazilian bad trip recorded on vinyl and a shrewd criticism of the society's “square” habits.

Cinema was an experimental and avant-garde piece released in early 1985. In many ways it’s an example of the new Brazil that was reborning after 21 years of darkness under Military Dictatorship. Musically, it was a pioneer album for Brazilian music, mixing acoustic and synthetic sounds.
This rare adventure in Brazilian music was released independently in 1985, financed by the artists themselves. The original small press sold-out, belonging now to record collectors around the planet. For the first time Cinema is re-released on vinyl, with two extra and unreleased tracks found after decades.
Remastered from the original tapes, this reissue includes reproduction of the original graphic art, new testimonials from the four members of the project and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
According to Cinema’s LP press release: “in the era of visual music, Cinema is sound”. In terms of sound, listening to this album feels like diving into an intriguing anguish of trying to understand how the relationship between technology available at that time (1983-1984) and the more organic instruments happened, this duality between synthesizers/effects with percussion, woodwind instruments, piano and clarinet. In other words: how was the coexistence between the synthetic and the acoustic? This paradox seems to seduce collectors, DJs and enthusiasts of Brazilian music from the 80's around the world.
This fictional soundtrack has a dark mood, as if a fog of dark and ambient music insisted on staying on top of cheerful patterns of Afro-Brazilian percussion, or conceptual synth pop.

BIS => 2025 06 27
1LP - DISCOS NADA
1989 => 2020

TRACKLIST
1. Instante de Gelo 01:53
2. Dona Roxa 03:22
3. Das Matas 04:53
4. Pantano 09:08
5. Here We Go Again 03:58
6. Carabecht 03:02
7. Terra Batida 03:04
8. Caracol 07:19
9. Pequena Dança (Bonus Track) 01:35
10. Butterflies (Bonus Track) 02:54

DESCRIPTION
Brazilian underground music in the 1980s produced fascinating and mysterious records, where organic and regional percussion finally gained electronic and synthetic nuances. Songs were processed electronically and acted in harmony with drumming and dissonant guitar interventions. This was a too bold recipe to be understood in Brazil at that time, dominated by pop music and the first signs of lambada fever and country music.
Despite being an ideal time for independent production, the music contained in Caracol was so anti-commercial that things seemed to happen in a parallel universe for the duo João de Bruçó and R.H. Jackson.
Caracol is one of the first examples of fusion between Brazilian percussive music and electronics. Synthesizers, samplers and sequencers were still a novelty in Brazil in the 1980s, but João de Bruçó and R.H. Jackson created an avant-garde masterpiece.
Using popular references and an eagerness to escape any retro / stylistic cliché that came to haunt Brazilian youth music at that time, they plunged into an audacious, intuitive and improbable sound journey in Caracol.
João de Bruçó started out as a drummer, playing from jazz to forró. Then he studied Brazilian folklore, worked in circuses and wrote tracks for theater, dance performances and TV. Studying percussion and the relationship between dance and music, he discovered new instruments and possibilities. R.H. Jackson also started out as a drummer and percussionist. He studied cinema, video and electronic composition. He also created soundtracks and researched Brazilian folk dances and candomblé. Jack was already an avid user of several technological innovations and was one of the few in Brazil in the 1980s who dominated computer programming, samplers and sequencers.
Caracol was recorded between 1988 and 1989. João was responsible for the percussion, accordion and a series of objects, such as a copper vase with water, seeds, animal hooves, snorers, springs, bells, marbles and a metal mug, plus piano and a toy clarinet. Jack took care of electronic programming, samplers, sound treatments, synthesizers, subtractions and guitars. Both were in charge of vocals.
This rare adventure of Brazilian music was released independently in 1989, financed by the artists themselves.
The original small pressing sold-out, belonging now to record collectors around the planet. For the first time Caracol is re-released on vinyl, with two extra tracks found after decades!
Remastered from the original tapes, this reissue includes a reproduction of the original graphic art, new testimonies from Alex Antunes (from Akira S. & as Garotas que Erraram), João de Bruçó and RH Jackson and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
“What draws most attention in Caracol is the choice of intuition as a creative and compositional process. Despite the sound and timbristic result being marked by a lot of simplicity, at the same time it oozes multiplicity. The voices, processed electronically, merge with a drumming of surdos, repiniques and the dissonant interventions of a guitar. The vocals are onomatopoeic and modal, like a kind of indigenous tribal ritual. Whoever wants to classify the album will have difficulties. In many moments, the choices and sounds are so primitive, that one could hardly think of it as avant-garde. But those who put pre-concepts aside - and use only their ears and musical sensitivity - will be delighted ”

BIS => 2025 07 04
2LP - GET ON DOWN
1994 => 2025

PRESSED ON PINK & PURPLE
PSYCHEDELIC SWIRL-COLORED VINYL

TRACKLIST
A1. Say Ahhh...
A2. Mind Melt
A3. Buttersweet Loving
A4. River Of Freedom
B1. Somebody
B2. When You Told Me You Loved Me
B3. Stay In Bed, Forget The Rest • B4. Call Me
C1. Music Selector In The Soul Reflector
C2. Sampladelic
C3. Bring Me Your Love
C4. Picnic In The Summertime
D1. Apple Juice Kissing
D2. Party Happening People
D3. DMT (Dance Music Trance)
D4. What Is This Music?

DESRIPTION
When one makes mention of Deee-Lite, the 90's house-funk trio of Lady Miss Kier, and DJs Dmitry and Towa Tei, invariably their Billboard smash single “Groove Is In The Heart” will come up, and for good reason. With its Herbie Hancock-sampling bassline, some classic rhymes from Q-Tip, and guest vocals by Parliament-Funkadelic legend Bootsy Collins, the song became an indelible classic of 90s music, a massive commercial hit for Deee-lite and is widely considered one of the greatest dance songs of all time. Although a massive success for the group, “Groove Is In The Heart” led to some pigeonholing from critics and reviewers, who had specific expectations for future records.
Rather than deliver more of the same free-wheeling, breezy dance music of World Clique, Deee-lite took a more politically-minded approach with their second album, spurred largely by front-woman Lady Miss Kier, who had a lengthy history of political activism prior to forming the group. 1992's Infinity Within rendered several Dance-chart hit singles, but was not as commercially or critically lauded as its forebear.
Deee-lite were undaunted by their change in commercial fortune, regrouping with the addition of junglist DJ Ani, replacing the absent Towa Tei to record their third record. 1994's Dewdrops In The Garden was the result of their efforts, which struck a remarkable balance between the celebratory grooves of World Clique, and the social justice-driven Infinity Within. Lady Miss Kier had done a lot of world-traveling in the time between albums, and the material in Dewdrops was a reflection of her experiences, applying a spirit of global togetherness to their house-funk grooves.
Regrettably, Dewdrops In The Garden was not a commercial success, yet it still managed to render its share of #1 Dance Chart singles; the atmospheric techno bounciness of “Bring Me Your Love”, and the spacious funk-house track “Call Me.” Though Deee-lite would disband soon after Dewdrops In The Garden's release, the record remains an unheralded favorite among dance music devotees for its coupling infectiously bright, and soulful melodies, with banging dance-floor grooves, and unshakably optimistic vibes.

IN STOCK
GATEFOLD SLEEVE WITH EXTENSIVE SLEEVE NOTES
2LP - SOUL JAZZ RECORDS
2024

IN STOCK
EP - DEATHBOMB ARC
2023

IN STOCK
RSD 2023
12 INCH - FSOL DIGITAL RECORDINGS
1989 => 2023

IN STOCK
1LP - MADLIB INVAZION
2021

IN STOCK
10 INCH - DRUMETRICS
2024

IN STOCK
1LP - 55 MUSIC
2024

PRE ORDER => 2022 09 30
12 INCH - BBE
2022

IN STOCK
12 INCH - SOUNDWAY RECORDS
2022

PRE ORDER => 2022 04 23
2LP - JUMPIN' & PUMPIN'
RSD 2022 - DROP 1
2022 04 23

PRE ORDER => 2022 04 01
2LP - FAR OUT
2022 04 01

BIS => 2021 12 17
2LP - UBIQUITY
2008

2LP - LIGHT IN THE ATTIC
2021 01 22

IN STOCK
12 INCH - SOUNDWAY RECORDS
2020

BIS => 2025 07 04
1LP - MADLIB INVAZION
2020

IN STOCK
2LP - ACE RECORDS
2022

BIS => 2025 06 27
3LP - WESTBOUND
2017

BIS => 2024 11 08
2LP - SOUL JAZZ RECORDS
2023

BIS => 2025 07 11
1LP - FUNK ON SIGHT
2019

BIS => 2025 04 18
1LP - GOLDEN WOLF RECORDS
2023

SOLD OUT
1LP - CUSS RECORDS
2024

- Innovative blend of hip-hop, jazz fusion, and psychedelia.
- Ultra deluxe case-wrapped tip-on, gold foil jackets with a single 140g black vinyl in a poly-lined inner sleeve. 
- Only 500 LP's worldwide.

TRACKLIST 
Intro
Chaos in the Brain
Mystic Memories
Cartoons
Eternal Souls
Ring Fingers
Hiccups
Chaos in the Brain (Club Edit)
Outro

DESCRIPTION
A wild and mind-bending fusion of hip-hop, cinematic jazz, and psychedelic soundscapes awaits you. Celestial shards of cosmic dust linger in the atmosphere, enveloped by an onslaught of irresistible bass lines and meticulously crafted beats. Picture the likes of Stanley Clarke, David Axelrod, and Aphex Twin all reimagined as twenty-somethings, jamming together under the influence of heroic doses. The result is nothing short of exhilarating, an absolute frenzy that melts your face away.

PRE ORDER => 2025 02 28
1LP - JAKARTA
2025

Producers S. Fidelity, Bluestaeb, and Melodiesinfonie form a powerhouse trio known for their innovative blend of RnB, House, and 2-Step sounds.

TRACKLIST

01. Just Give Me The Aux
02. TTT feat. Douniah

03. Summertime In ’92
04. 365 P (Tre Posti)
05. Slow Me Down feat. Douniah


DESCRIPTION

Their collaborative magic often unfolds in unique settings, such as a picturesque studio in the South of France, where they crafted their long awaited EP "365 P". The trio's ability to capture the essence of live sessions and translate it into vibrant, downtempo grooves has earned them a reputation already. As a result the group created these most vibey tracks between RnB, House & 2-Step to their catalogue ever - catching the vibe of this beautiful sessions together with douniah.
“Being Stuck in a loop with someone. repeating the same conversations over n over while nothing changes.” - douniah
"We started working on a joint project in Paris at Bluestaeb’s flat in 2017 already. Over the course of the years following, we tried to continue working on the project remotely from Berlin, Paris and Zurich. With only one conclusion: we need to be in the room together to make this a record that feels exciting to us. This May we finally closed ourselves in for a week and created what has become this beautiful EP with tons of live recordings." - S. Fidelity

SOLD OUT
1LP - GET ON DOWN
1990 => 2019

IN STOCK
DAMAGED = CORNER BUMP (POCHETTES CORNEES)
CLOUDY CLEAR PURPLE
2LP - LIGHT IN THE ATTIC
2021

IN STOCK
RSD 2020
LIMITED WHITE COLORED
7 INCH - JUMPIN' & PUMPIN'
2020

IN STOCK
DAMAGED = SMALL CRACKING ON THE TOP OF THE SLEEVE
RSD 2020
LIMITED NUMBERED - 1LP - JUMPIN’ & PUMPIN’
1993 => 2020

IN STOCK
7 INCH - CQQL
2024

BIS => 2025 01 10
1LP - STONES THROW
2023

BIS => 2024 11 08
2LP - SOUL JAZZ RECORDS
2023

BIS => 2024 11 08
1LP - SOUL JAZZ RECORDS
2024

BIS => 2024 11 08
2LP - SOUL JAZZ RECORDS
2024

BIS => 2025 01 24
1LP - MADLIB INVAZION MUSIC LIBRARY SERIES
2024

BIS => 2025 07 04
PRESSED ON WHITE (LP1) & RED (LP2) VINYL
2LP - TRAFFIC ENTERTAINMENT GROUP
2012

SOLD OUT
PICTURE DISC
7 INCH - FOOL'S GOLD
2024

BIS => 2 / 3 WEEKS
2LP - ACE
2024

BIS => 2025 01 31
2LP - ACE
2024

BIS => 2025 06 13
7 INCH - VAMPISOUL
1984 => 2022

SOLD OUT
PRESSED ON 180G BLACK VINYL
EP - LOW RECORDINGS
2024

IN STOCK
ONLY AVAILABLE ON VINYL
7 INCH - SOUL IN THE HORN 
2022

IN STOCK
ONLY AVAILABLE ON VINYL
7 INCH - SOUL IN THE HORN
2022

IN STOCK
1LP - DEATHBOMB ARC
2024

SOLD OUT
RSD ESSENTIAL INDIE COLORWAY - OPAQUE RED ROSE
2LP - BULK RECORDINGS
2001 => 2023

IN STOCK
7 INCH - HIGH WATER MUSIC
2024

IN STOCK
FIESTA RED VINYL
7 INCH - AUSTIN BOOGIE CREW
2016 => 2023

SOLD OUT
1LP - CUSS RECORDS
2023

IN STOCK
7 INCH - HIGH WATER MUSIC
2023

BIS => 2 / 3 WEEKS
12 INCH - SOUL IN THE HORN
2023

DROP 1 - RSD 2021
RED/BLACK + WHITE/BLACK
2LP - BLOCGLOBAL
2021 06 12

PRE ORDER => 2022 01 14
RED
1LP - STRANGE NEIGHBOR
2018 => 2022 01 14

SOLD OUT
DROP 2 - RSD 2021
SILVER
2LP - SOUL JAZZ RECORDINGS
2021

BIS => 2024 02 02
12 INCH - MR BONGO RECORDS
2024
House/Brazil/Tropicalia

BIS => 2 / 3 WEEKS
2LP - NATURE SOUNDS
2013 => 2023

SOLD OUT
1LP - FLY ALGARIC RECORDS
2018 => 2023

SOLD OUT
DROP 1 - RSD 2021
2LP - JUMPIN' PUMPIN'
2021

IN STOCK
DROP 1 - RSD 2021
10 INCH - FSOL DIGITAL RECORDINGS
2021

BIS => 2025 05 30
2LP - ACE
2023

PRE ORDER => 2023 11 23
BLACK FRIDAY 2023
SPECIAL LIMITED EDITION COLOR WAX
2LP - LIGHT IN THE ATTIC
2023

BIS => 2 / 3 WEEKS
1LP - DEF PRESSE
2023

PRE ORDER => 2022 01 21
GLOW IN THE DARK
1LP - MADLIB INVAZION
2022 01 21

3/4/22 1LP MADLIB INVAZION Rap/Hip Hop

BIS => 2 / 3 WEEKS
1CD - ACE
2023

BIS => 2025 05 16
1LP - BBE
2023

BIS => 2025 05 16
1LP - BBE
2022

SOLD OUT
2LP - NOW-AGAIN
2007 => 2023

BIS => 2 / 3 WEEKS
2LP - YOUNG HEAVY SOULS
2023

SOLD OUT
2LP - SOUNDWAY
2017

SOLD OUT
2LP - SOUNDWAY
2010 => 2017

SOLD OUT
1LP - SOUNDWAY RECORDS
2022

SOLD OUT
2LP - SOUNDWAY RECORDS
2018

SOLD OUT
1LP - OSTINATO RECORDS
2023

IN STOCK
LIMITED - EP
10 INCH - MUTUAL INTENTIONS
2020

IN STOCK
LIMITED - 1LP - MUTUAL INTENTIONS
2020

BIS => 2024 10 11
1LP - STONES THROW
2022

SOLD OUT
1LP - SOUNDWAY RECORDS
2017

BIS => 2023 10 13
1LP - STONES THROW
2022

SOLD OUT
12 INCH - SOUNDWAY
2019

SOLD OUT
RSD 2023
1LP - FSOL DIGITAL RECORDINGS
2015 => 2023

SOLD OUT
1LP - SOUNDWAY
2022

SOLD OUT
2LP - NOW-AGAIN RECORDS
2013 => 2023

BIS => 2 / 3 WEEKS
2LP - BBE
2020

BIS => 2 / 3 WEEKS
1LP - JUMPIN’ & PUMPIN’
1993 => 2023

BIS => 2022 02 11
2LP - STONE THROW

7 INCH - MR BONGO
PREORDER 2020 12 11

7 INCH - MR BONGO
PREORDER 2020 12 11

PREORDER 2020 10 09
12 INCH - MR BONGO

PREORDER 2020 10 09
12 INCH - MR BONGO

SOLD OUT
1LP - SOUNDWAY RECORDS
2017

BIS => 2022 09 02
2LP - SOUNDWAY
2013 => 2019

1LP - UBIQUITY RECORDINGS
2021 04 16

BIS => 2 / 3 WEEKS
12 INCH - EXPANSION
2012

SOLD OUT
2LP - BBE
2021

SOLD OUT
12 INCH - BBE
2022

2LP - THE DROP
PRE ORDER => 2021 11 19

2LP - THE DROP
2020 12 11