BIS => 2025 06 27
1LP - DISCOS NADA
2021

TRACKLIST
1. Onirico 07:27
2. O Contar de Uma Raga 14:29
3. Raga na Amazônia 11:39
4. Solaris 10:34

DESCRIPTION
It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment.
Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist.
Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver Messaien, Luciano Berio, Claudio Santoro, John Cage, Xenaxis and Karlheinz Stockhausen.
This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers.
Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. Along this path, joining her fascination with theatricality and the desire to tell stories, she immersed herself and subverted the language of traditional opera, following her heart and her instincts over nine operatic pieces.
This album is dedicated to a production that goes from the mid-1980s to the early 1990s. That was a very troubled period in the artist's life in the face of the significant loss of her father, followed by health problems, accidents, and staying away from her main instrument, the piano. She chose to give up her pianist career and intensify her authorial production. She explored the multiple possibilities of multimedia and multidisciplinary language, composing and presenting, among other pieces, two "magical operas" of great relevance, from which we selected pieces and extracts to be part of this album.
Fata Morgana (1987) is an electroacoustic opera that elaborates the imaginary and mythologies linked to the feminine sacred, associated with the cosmology of contemporary physics. The show features a collection of dream memories and images, giving emphasis to ritualistic gestures.
“Inori – to the sacred prostitute” (1993) also rescues matriarchal values based on the diversity of languages, cultures, races, beliefs, and religions. The lunar set celebrates the mysteries of the unconscious through a language open to fate and experimentation.
On side A, “Oniric” from the opera Fata Morgana (1987) presents electronic music performed in real-time along with voice. It’s interesting to note the presence of electronics in real-time unifying the album’s concept.
Jocy uses a Yamaha TX and DX7 synthesizer, instruments that permeate all selected parts.
The following pieces are two ragas : “Telling of a raga” from the same opera, and on side B “Raga in the Amazon ” plus “Solaris”, segments from the opera “Inori – to the sacred prostitute”.
All tracks are unreleased on vinyl. During a conversation , Jocy told me: “Raga is used by me in the sense of emotion, color, not exactly as musical modes in Indian music, although there is a search for the universe energy and human being integration. This was very much what I felt when I heard Carnatic music in India. There is dignity and respect there which make us feel an integration with the cosmos.”
As a curator, another of my focuses for this album is experimentation that confronts the limits between composition and indeterminacy. Speaking about Stockhausen in her book “Dialogue with letters” (SESI-SP, 2014) she says: “Mantra for two pianos by Stockhausen is one of his works that most fascinates me for certain qualities that sounds like improvisation and, are strictly determined. A challenge for pianists.” Jocy brings much of that focus to her Ragas.
The first title for this release was “Extratos Oníricos”, but during production, the composer sent us the following message: “I was thinking about the project of LP from the ‘80s and I believe the best title could be “Raga na Amazônia.”
I think the title would be more up-to-date, although I presented many concerts and events in the 70s and 80s focusing environmental questions, we still need to continue fighting for Amazon.”
About experimental music, in her same book, Jocy clarifies that "John Cage said that the word experimental should not describe an act in terms of future judgment, as to its success or failure, but should be applied to an act whose result is unknown"
During an interview at “Dialogue with composers” project, organized by the Brazilian Symphony Orchestra (OSB) in December 2020, Jocy spoke about the importance of music in her life: "I don't think of music as a career, but as a destiny. I express myself through music because this is my way of manifesting myself. It is my voice, my cry, my groan. ”
Paulo Beto

BIS => 2025 06 27
1LP - DISCOS NADA
1985 => 2020

TRACKLIST
1. Falando Alto 03:36
2. No Dia Em Que Partiram 01:48
3. A Lua, As Estrelas 03:48
4. Não Imagino 02:10
5. Lá Dentro 02:39
6. Peixe Pedra 02:16
7. Amor Platônico 03:03
8. Conversa (Bonus Track) 02:49
9. Intervalo 02:44
10. Ciência 05:29
11. Ar de Amor 03:26
12. Sem Teto 03:03
13. O Poeta 00:58
14. SP5 4R (Base) 04:06
15. Pallazo Uno (Bonus Track) 02:26

DESCRIPTION
1985 was one of the most important years in Brazil's recent history, when the country was freed from more than 20 years of military dictatorship. The youth took the lead and finally Brazil entered the world show business circuit with Rock In Rio festival. But the real revolution was happening in the underground and this record is a proof of that.
One of the people in charge was the musician, composer, poet, writer, scriptwriter and speaker from Rio de Janeiro Ronaldo Tapajós, who was always involved with experimental and avant-garde music. His trajectory begins in the mythical 1968, when, as part of the the duo Rô and Carlinhos, he released an emblematic single containing the song “O Gigante” - perhaps the first Brazilian bad trip recorded on vinyl and a shrewd criticism of the society's “square” habits.

Cinema was an experimental and avant-garde piece released in early 1985. In many ways it’s an example of the new Brazil that was reborning after 21 years of darkness under Military Dictatorship. Musically, it was a pioneer album for Brazilian music, mixing acoustic and synthetic sounds.
This rare adventure in Brazilian music was released independently in 1985, financed by the artists themselves. The original small press sold-out, belonging now to record collectors around the planet. For the first time Cinema is re-released on vinyl, with two extra and unreleased tracks found after decades.
Remastered from the original tapes, this reissue includes reproduction of the original graphic art, new testimonials from the four members of the project and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
According to Cinema’s LP press release: “in the era of visual music, Cinema is sound”. In terms of sound, listening to this album feels like diving into an intriguing anguish of trying to understand how the relationship between technology available at that time (1983-1984) and the more organic instruments happened, this duality between synthesizers/effects with percussion, woodwind instruments, piano and clarinet. In other words: how was the coexistence between the synthetic and the acoustic? This paradox seems to seduce collectors, DJs and enthusiasts of Brazilian music from the 80's around the world.
This fictional soundtrack has a dark mood, as if a fog of dark and ambient music insisted on staying on top of cheerful patterns of Afro-Brazilian percussion, or conceptual synth pop.

BIS => 2025 06 27
1LP - DISCOS NADA
1989 => 2020

TRACKLIST
1. Instante de Gelo 01:53
2. Dona Roxa 03:22
3. Das Matas 04:53
4. Pantano 09:08
5. Here We Go Again 03:58
6. Carabecht 03:02
7. Terra Batida 03:04
8. Caracol 07:19
9. Pequena Dança (Bonus Track) 01:35
10. Butterflies (Bonus Track) 02:54

DESCRIPTION
Brazilian underground music in the 1980s produced fascinating and mysterious records, where organic and regional percussion finally gained electronic and synthetic nuances. Songs were processed electronically and acted in harmony with drumming and dissonant guitar interventions. This was a too bold recipe to be understood in Brazil at that time, dominated by pop music and the first signs of lambada fever and country music.
Despite being an ideal time for independent production, the music contained in Caracol was so anti-commercial that things seemed to happen in a parallel universe for the duo João de Bruçó and R.H. Jackson.
Caracol is one of the first examples of fusion between Brazilian percussive music and electronics. Synthesizers, samplers and sequencers were still a novelty in Brazil in the 1980s, but João de Bruçó and R.H. Jackson created an avant-garde masterpiece.
Using popular references and an eagerness to escape any retro / stylistic cliché that came to haunt Brazilian youth music at that time, they plunged into an audacious, intuitive and improbable sound journey in Caracol.
João de Bruçó started out as a drummer, playing from jazz to forró. Then he studied Brazilian folklore, worked in circuses and wrote tracks for theater, dance performances and TV. Studying percussion and the relationship between dance and music, he discovered new instruments and possibilities. R.H. Jackson also started out as a drummer and percussionist. He studied cinema, video and electronic composition. He also created soundtracks and researched Brazilian folk dances and candomblé. Jack was already an avid user of several technological innovations and was one of the few in Brazil in the 1980s who dominated computer programming, samplers and sequencers.
Caracol was recorded between 1988 and 1989. João was responsible for the percussion, accordion and a series of objects, such as a copper vase with water, seeds, animal hooves, snorers, springs, bells, marbles and a metal mug, plus piano and a toy clarinet. Jack took care of electronic programming, samplers, sound treatments, synthesizers, subtractions and guitars. Both were in charge of vocals.
This rare adventure of Brazilian music was released independently in 1989, financed by the artists themselves.
The original small pressing sold-out, belonging now to record collectors around the planet. For the first time Caracol is re-released on vinyl, with two extra tracks found after decades!
Remastered from the original tapes, this reissue includes a reproduction of the original graphic art, new testimonies from Alex Antunes (from Akira S. & as Garotas que Erraram), João de Bruçó and RH Jackson and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
“What draws most attention in Caracol is the choice of intuition as a creative and compositional process. Despite the sound and timbristic result being marked by a lot of simplicity, at the same time it oozes multiplicity. The voices, processed electronically, merge with a drumming of surdos, repiniques and the dissonant interventions of a guitar. The vocals are onomatopoeic and modal, like a kind of indigenous tribal ritual. Whoever wants to classify the album will have difficulties. In many moments, the choices and sounds are so primitive, that one could hardly think of it as avant-garde. But those who put pre-concepts aside - and use only their ears and musical sensitivity - will be delighted ”

PRE ORDER => 2022 04 01
2LP - FAR OUT
2022 04 01

2LP - LIGHT IN THE ATTIC
2021 01 22

BIS => 2025 08 15
2LP - SOUL JAZZ RECORDS
2023

PRE ORDER => 2025 02 28
1LP - JAKARTA
2025

Producers S. Fidelity, Bluestaeb, and Melodiesinfonie form a powerhouse trio known for their innovative blend of RnB, House, and 2-Step sounds.

TRACKLIST

01. Just Give Me The Aux
02. TTT feat. Douniah

03. Summertime In ’92
04. 365 P (Tre Posti)
05. Slow Me Down feat. Douniah


DESCRIPTION

Their collaborative magic often unfolds in unique settings, such as a picturesque studio in the South of France, where they crafted their long awaited EP "365 P". The trio's ability to capture the essence of live sessions and translate it into vibrant, downtempo grooves has earned them a reputation already. As a result the group created these most vibey tracks between RnB, House & 2-Step to their catalogue ever - catching the vibe of this beautiful sessions together with douniah.
“Being Stuck in a loop with someone. repeating the same conversations over n over while nothing changes.” - douniah
"We started working on a joint project in Paris at Bluestaeb’s flat in 2017 already. Over the course of the years following, we tried to continue working on the project remotely from Berlin, Paris and Zurich. With only one conclusion: we need to be in the room together to make this a record that feels exciting to us. This May we finally closed ourselves in for a week and created what has become this beautiful EP with tons of live recordings." - S. Fidelity

IN STOCK
DAMAGED = CORNER BUMP (POCHETTES CORNEES)
CLOUDY CLEAR PURPLE
2LP - LIGHT IN THE ATTIC
2021

IN STOCK
RSD 2020
LIMITED WHITE COLORED
7 INCH - JUMPIN' & PUMPIN'
2020

BIS => 2024 11 08
2LP - SOUL JAZZ RECORDS
2023

BIS => 2024 11 08
1LP - SOUL JAZZ RECORDS
2024

BIS => 2024 11 08
2LP - SOUL JAZZ RECORDS
2024

BIS => 2025 07 04
PRESSED ON WHITE (LP1) & RED (LP2) VINYL
2LP - TRAFFIC ENTERTAINMENT GROUP
2012

BIS => 2 / 3 WEEKS
2LP - ACE
2024

IN STOCK
ONLY AVAILABLE ON VINYL
7 INCH - SOUL IN THE HORN 
2022

IN STOCK
FIESTA RED VINYL
7 INCH - AUSTIN BOOGIE CREW
2016 => 2023

SOLD OUT
1LP - CUSS RECORDS
2023

PRE ORDER => 2022 01 14
RED
1LP - STRANGE NEIGHBOR
2018 => 2022 01 14

BIS => 2 / 3 WEEKS
2LP - NATURE SOUNDS
2013 => 2023

PRE ORDER => 2023 11 23
BLACK FRIDAY 2023
SPECIAL LIMITED EDITION COLOR WAX
2LP - LIGHT IN THE ATTIC
2023

BIS => 2 / 3 WEEKS
1LP - DEF PRESSE
2023

BIS => 2025 08 22
1LP - BBE
2022

SOLD OUT
2LP - NOW-AGAIN
2007 => 2023

BIS => 2 / 3 WEEKS
2LP - YOUNG HEAVY SOULS
2023

SOLD OUT
2LP - SOUNDWAY RECORDS
2018

SOLD OUT
1LP - OSTINATO RECORDS
2023

BIS => 2024 10 11
1LP - STONES THROW
2022

SOLD OUT
1LP - SOUNDWAY RECORDS
2017

SOLD OUT
1LP - SOUNDWAY
2022

SOLD OUT
2LP - NOW-AGAIN RECORDS
2013 => 2023

BIS => 2022 02 11
2LP - STONE THROW

SOLD OUT
1LP - SOUNDWAY RECORDS
2017

BIS => 2022 09 02
2LP - SOUNDWAY
2013 => 2019

BIS => 2 / 3 WEEKS
12 INCH - EXPANSION
2012

2LP - THE DROP
2020 12 11

PRE ORDER => 2022 08 26
7 INCH - ALOHA GOT SOUL
COLOR = BLUE
2020

PRE ORDER => 2022 08 26
7 INCH - ALOHA GOT SOUL
2020

1LP - Tidal Waves Music
2018

2LP - LIGHT IN THE ATTIC
2021 01 22

BIS => 2 / 3 WEEKS
1LP - BBE
1985 => 2022

BIS => 2 / 3 WEEKS
12 INCH - BBE RECORDS
2021

BIS => 2 / 3 WEEKS
12 INCH - BBE
2021

2LP - LIGHT IN THE ATTIC
2021 09 10

PRE-ORDER 2020 10 30
1LP - FAR OUT

YELLOW
1LP - TOMMY BOY MUSIC
1983 => 2021 06 25

2LP - LIGHT IN THE ATTIC
2021 09 10

1LP - BASTARD JAZZ RECORDS
2020 12 11

SOLD OUT
1LP - LIGHT IN THE ATTIC
1986 => 2020

SOLD OUT
1LP - BE WITH RECORDS
2021

SOLD OUT
CD - LIGHT IN THE ATTIC
1986 => 2020

SOLD OUT
1LP - LIGHT IN THE ATTIC
1986 => 2020

SOLD OUT
TAPE - LIGHT IN THE ATTIC

RED & GOLD SWIRL
2LP - EVERLAND
PRE ORDER => 2021 11 19

SOLD OUT
CLEAR / GREEN SWIRL
1LP - LIGHT IN THE ATTIC
1986 => 2020

2LP - LIGHT IN THE ATTIC
2021 01 22

SOLD OUT
1LP - SOUNDWAY
2014

BIS => 2 / 3 WEEKS
7 INCH - OPEN AIR 72
2025

- Chachi Romero is a longtime NYC Record Producer and DJ with many 12'' releases under his belt since 1992 which include a string of co-productions with "Hot Music" producer Pal Joey.
- Chachi's sound is equally influenced by Funk, Disco, Psych Rock, Post Punk No-Wave, Hip-Hop & Reggae.
- This is the second released 7 inch under his new imprint Open Air Records.

TRACKLIST 
Sunwave Space
Arm Candy

DESCRIPTION
Chachi Romero returns with his second 7" vinyl release, featuring "Sunwave Space" and "Arm Candy." Both tracks deliver a Nu Funk Disco groove with a touch of thump. "Sunwave Space" picks up the pace with its synth-infused modern funk feel, while "Arm Candy" draws you to the dancefloor with its infectious house groove.

BIS => 2025 08 22
2LP - UBIQUITY RECORDS
2024

- Highly Anticipated fourth full-length album.
- Backed by influential DJs, radio hosts, and tastemakers, including BBC Radio 6’s Huey Morgan, NTS Radio’s Bill Brewster & Mafalda, and Jazz FM’s Dom Servini.
- Praised for its warm, hypnotic rhythms and top-tier production, with endorsements from respected figures like Hot Toddy (Crazy P) and Pete Herbert (Music for Swimming Pools).

TRACKLIST
Land Of Music
Talking To People
Colours In Sky
Lost In Space
Houseboat Mayday
Summer Haven
Signature Whistle
Let’s Disappear For A While
Marina Scene
Firefly
We Dance The Skies
Agua Vida

DESCRIPTION
Rising musical visionary Reuben Vaun Smith's latest album, Land of Music, is a vibrant and atmospheric collection of tracks that transport listeners to a tropical soundscape of chilled beats, lush synths, and laid-back vocal musings. Remarkably, Smith recorded the entire album aboard a fishing trawler docked in a marina in Gibraltar, transforming the tight space into a creative sanctuary. Blending dreamy synthesizer pads, groovy beats, and smooth vocals, Land of Music evokes a relaxing, high-vibe journey from start to finish. Collaborations on the album enhance its eclectic sound, with standout performances from vocalist Lucy Saddler, who lends her ethereal voice to “Lost in Space” and the title track “Land of Music.” Additionally, labelmate and guitar virtuoso Chico Mann brings his signature funky guitar licks, infusing the album with fresh energy and dynamic flair. Smith’s Land of Music offers listeners an imaginative escape from the everyday, a vibrant sonic retreat that balances experimentalism with a deep sense of relaxation. Visually, it's paired perfectly with the striking album art courtesy of Brazil-based artists Uinverso, comprised of sisters Nadiuska and Priscila Furtado. Whether you’re tuning in on a quiet evening or drifting through a sun-soaked day, this album promises to be the perfect soundtrack for living the good life.

BIS => 2025 06 13
EP - ROSTRUM RECORDS
2025

- Debut EP from Alé Araya, available on vinyl for the first time.
- in visions showcases Araya’s unique fusion of jazz, electronic, R&B, soul, and Latin influences.
- "Midnight Gospel" was highlighted alongside songs by artists such as Beyoncé, Big Thief, and Mitski in Barack Obama's list of favorite songs for 2023.
- Over the past two years, Araya has collaborated with a diverse range of artists, including Saba, Joseph Chilliams, Alice Glass, Lexa Gates, and Riovaz.
- Pressed on Marble Teal Vinyl, limited to 500 signed copies.

TRACKLIST
rivers (Demo)
Earth Angel
Endless Sky
Janet
Citrine
Midnight Gospel
treetops
Con Razón

DESCRIPTION
Alternative R&B artist Alé Araya’s debut EP in visions is available on vinyl for the first time ever. This limited edition is signed by Alé and pressed on a green marble disk. The EP includes viral tracks like “Endless Sky” and “Midnight Gospel,” which Barack Obama put on his "Favorite Songs of 2023" playlist. Limited to 500 copies.