IN STOCK
1LP - BGP
2016

IN STOCK
1LP - BGP
1971 => 1994

IN STOCK
1LP - BGP
1972 => 1996

BIS => 2025 08 29
1LP - BGP
1971 => 1992

IN STOCK
3LP - BBE RECORDS
2021

IN STOCK
7 INCH - VAMPISOUL
2021

BIS => 2025 08 29
1LP - WESTBOUND
1972 => 2020

BIS => 2025 08 29
1LP - STAX
1973 => 2017

IN STOCK
1LP - BGP
1975 => 2020

BIS => 2025 08 29
2LP - VAMPISOUL
2010

IN STOCK
7 INCH - HOBO CAMP
2020

IN STOCK
7 INCH - UBIQUITY
2020

IN STOCK
LIMITED - 7INCH - COLD BUSTED
2020

IN STOCK
2LP - BBE
2018

BIS => 2025 08 22
2LP - BBE
2001

IN STOCK
2LP - DITC STUDIOS
2000 => 2020

IN STOCK
2LP - BBE
2020

IN STOCK
1LP - BBE
2019

IN STOCK
2LP - BBE
2020

IN STOCK
1LP - BEAT JAZZ INTERNATIONAL
2022

IN STOCK
1LP - NOW-AGAIN RECORDS
2024

IN STOCK
1LP - BIG DAWG RECORDS
2024

IN STOCK
2LP - FAT BEATS RECORDS
2024

IN STOCK
7 INCH - UNCLE HOWIE RECORDS
2023

IN STOCK
ULTRA CLEAR
2LP - UNCLE HOWIE RECORDS
2023

IN STOCK
7 INCH - F-SPOT RECORDS
2023

IN STOCK
1LP - GRILCHY PARTY
2023

IN STOCK
TWO COLORED DISCS
CUSTOM RETRO VIDEO GAME-INSPIRED PACKAGING
2LP - ROSTRUM RECORDS
2008 => 2023

IN STOCK
2LP - PINK SIIFU
2021 => 2023

IN STOCK
YELLOW GREEN
2LP - EVERLAND
1960 => 2022

IN STOCK
2LP - UBIQUITY RECORDINGS
2020

IN STOCK
1LP - RAP VACATION
2020

IN STOCK
2LP - TRU SOUL RECORDS
2020

IN STOCK
2LP - GET ON DOWN
2000 => 2025

PRESENTED IN AN OPAQUE GREEN WITH BLACK AND ORANGE SPLATTER PRESSING HOUSED IN A DELUXE GATEFOLD JACKET

TRACKLIST
A1. Anything Is Possible
A2.You Nasty
A3. Pimp Shit
A4. Just Like Dope (feat. E-40)
B1. Call Me Daddy
B2. Recognize Game (feat. Chyna)
B3. She Know (feat. The Nation Riders)
B4. 2 Bitches
B5. All The Time
C1. Where They At (feat. Captain Save ‘Em)
C2. Don't Hate The Player
C3. Be My Dirty Love
C4. Nation Riders Anthem
D1. Old School
D2. You Nasty (Instrumental)
D3. Pimp Shit (Instrumental)
D4. 2 Bitches (Instrumental)

DESCRIPTION
One year after coming out of early retirement and releasing his 11th studio album Can't Stay Away, Too $hort dropped his 12th studio album You Nasty in the year 2000. With over twenty years in the game, Too $hort don't stop mackin' or rappin' and spits his pimp game over West Coast funk-laden tracks with some Dirty South influences for the Y2K. Get On Down in partnership with Sony Music's CERTIFIED is proud to present You Nasty for the first time on vinyl. The album is pressed on colored vinyl with 3 bonus instrumentals and packaged in a deluxe gatefold jacket.

IN STOCK
2LP - GET ON DOWN
1991 => 2024

PRESSED ON "DAY-GLO WASHED" COLORED VINYL
PACKAGED WITH A FOLD-OUT ALBUM ART POSTER AND NUMBERED OBI
LIMITED TO 1000 COPIES

TRACKLIST
A1. What Is A Booty • A2. Mistadobalina • A3. The Wacky World Of Rapid Transit
B1. Pissin' On Your Steps • B2. Dark Skin Girls • B3. Money For S.. C1. Ahonetwo, Ahonetwo C2. Prelude C3. Dr. Bombay • C4. Sunny Meadows • D1. Sleepin' On My Couch
D2. Hoodz Come In Dozens • D3. Same Ol' Thing • D4. Ya Lil' Crumbssnatchers


DESCRIPTION

In the early 90s gangsta rap dominated on the West Coast led by N.W.A., Above The Law, CMW, Ice-T, and Bay Area artists like Too $hort. The East Coast had harder acts like EPMD and Kool G Rap, alongside politically and socially conscious groups like Public Enemy, BDP, and Poor Righteous Teachers. In contrast, groups like De La Soul, A Tribe Called Quest, and Brand Nubian emerged with a more positive and laid-back vibe. It was during this time frame that Oakland, CA’s Del The Funky Homosapien (PKA Del Tha Funkee Homosapien) emerged incorporating elements and styles akin to The Native Tongue's East Coast Hip-Hop with a P-Funk-influenced West Coast vibe.
I Wish My Brother George Was Here debuted in 1991 under Del’s cousin Ice Cube’s Street Knowledge imprint. The album was quite the opposite of "Street Knowledge" with 14 tracks of funk-filled beats and Del spitting humorous stories as an outsider to the gangsta rap scene. The amazing production was overseen by Ice Cube’s production crew The Boogie Men who also produced Da Lench Mob’s Guerillas In Tha Mist the following year. I Wish My Brother George Was Here set the stage for the success of other West Coast acts like The Pharcyde and helped Del to bring forward his crew of Hieroglyphics with Souls Of Mischief and Casual. I Wish My Brother George Was Here is a classic from the lead single “Mistadobalina” to the jazz sample cut of “The Wacky World of Rapid Transit”, to the trippy P-funk laced “Sunny Meadowz” and the hard-hitting “Hoodz Come In Dozens” with a touch of freestyle rap on The Meter’s sampled track “Same Ol’ Thing". Del delivers a no-skips funky light-hearted album that has stood the test of time.
Get On Down is proud to bring back this West Coast classic on vinyl. The album is pressed on “Day-Glo Washed” double-colored vinyl packaged with a fold-out album art cover poster and numbered OBI limited to 1000 copies.

IN STOCK
NEON YELLOW
2LP - SONY / VMP
1992 => 2022

IN STOCK
PURPLE & ORANGE MARBLE
2LP - NOW AGAIN / VMP
2016 => 2022

BIS => 2025 07 25
NEON YELLOW
1LP - REPRISE / VMP
1974 => 2021

IN STOCK
LIMITED TO 1000 COPIES
BLACC TATTOO INK-IN-CLEAR COLORED VINYL
GATEFOLD JACKET
NUMBERED OBI
2LP - GET ON DOWN
2014 => 2024

IN STOCK
LIMITED TO 500 HAND-NUMBERED COPIES WORLDWIDE
CLEAR TEAL WAVE COLORED VINYL
1LP - NEXT RECORDS
2024

IN STOCK
COLORED VINYL
GATEFOLD JACKET WITH FULL LYRICS
2LP - GET ON DOWN
1992 => 2024

IN STOCK
1LP - NOW-AGAIN RECORDS
1977 => 2024

IN STOCK
1LP - CINEMATIC MUSIC GROUP
2015 => 2024

IN STOCK
PINK VINYL WITH BLACK SPLATTER
RUN PRESSED AT 45 RPM
140-GRAM VINYL
HOUSED IN A 24PT REVERSE BOARD JACKET 
1LP - NOVELTY RECORDS
2023

IN STOCK
2LP - COALMINE RECORDS
1998 => 2024

IN STOCK
2LP - NATURE SOUNDS
2024

IN STOCK
SOLID RED COLOURED VINYL
1LP - ROCAFORT
2024

IN STOCK
PRESSED ON RED, WHITE AND BLACK DOUBLE COLORED VINYL
COMMEMORATIVE NUMBERED OBI
LIMITED TO 2000 COPIES
2LP - GET ON DOWN
1993 => 2023

IN STOCK
FRUIT PUNCH COLORED VINYL
HAND NUMBERED OBI LIMITED TO 2000 COPIES 
1LP - GET ON DOWN
2009 => 2023

IN STOCK
1LP - MADLIB INVAZION MUSIC LIBRARY SERIES
2023

IN STOCK
2LP - GET ON DOWN
1992 => 2017

IN STOCK
1LP - 600 BLOCK RECORDS 
2023

BIS => 2025 08 01
2LP - NOW-AGAIN RECORDS
2001 => 2009

IN STOCK
2LP - SELECT RECORDS
1991 => 2023

IN STOCK
RSD 2023
1LP - NOW-AGAIN RECORDS
1969 => 2023

IN STOCK
1LP - CULTURES OF SOUL
2020 => 2021

BIS => 2025 07 25
1LP - NATURE SOUNDS
1998 => 2018

IN STOCK
2LP - DELTRON PARTNERS
2001 => 2017

IN STOCK
1LP - NOW-AGAIN RECORDS
197? => 2022

IN STOCK
BLACK FRIDAY
1LP - MADLIB INVAZION
2011 => 2022

IN STOCK
1LP - NOW AGAIN
1970s => 2022

BIS => 2025 08 01
2LP - VINTAGE VIBEZ / MA DUKES OFFICE
2018

IN STOCK
1LP - GET ON DOWN
1984 => 2022

BIS => 2025 07 25
2LP - GET ON DOWN
CHICKEN & BROCCOLI COLORED
1996 => 2022

IN STOCK
1LP - MASS APPEAL
2019

IN STOCK
1LP - EXPANSION
1982 => 2020

IN STOCK
1LP - VAMPISOUL
1971 => 2022

IN STOCK
2LP - TUFF KONG RECORDS
2014 => 2022

IN STOCK
1LP - SILVER AGE
RSD 2022 - DROP 1
2022

IN STOCK
1LP - LUV N' HAIGHT RECORDS
RSD 2022 - DROP 1
1996 => 2022

IN STOCK
1LP - MR BONGO
1969 => 2022

IN STOCK
2LP - STONES THROW
2016

IN STOCK
1LP - SILVER AGE
2018 => 2022

IN STOCK
1LP - NOW AGAIN
1975 => 2022

IN STOCK
1LP - MADLIB INVAZION
2021

BIS => 2025 08 01
2LP - WORLD PSYCHEDELIC FUNK CLASSICS
2010

IN STOCK
1LP - MR BONGO
2021

IN STOCK
CLEAR
1LP - TIDAL WAVES MUSIC
2021 07 30

IN STOCK
1LP - AIR VINYL
2021

IN STOCK
2LP - GET ON DOWN
CLEAR
1992 => 2016

IN STOCK
2LP - GET ON DOWN
1992 => 2014

IN STOCK
1LP - NOW AGAIN
2015 => 2021

IN STOCK
1LP - BRICK RECORDS
2013

IN STOCK
LIMITED - 1LP - P-VINE
2021 03 19

IN STOCK
1LP - P-VINE
2021 04 23

IN STOCK
1LP - P-VINE
2021 03 19

IN STOCK
PINK
1LP - MR BONGO
2021 03 05

IN STOCK
1LP - NOW-AGAIN
2019 => 2024

BIS => 2025 08 01
2LP - NOW AGAIN
2010

IN STOCK
1LP - ALBINA MUSIC TRUST
2021 02 26

BIS => 2025 05 02
1LP - TRU SOUL RECORDS
2020

IN STOCK
1LP - NOW AGAIN
1976 => 2012

IN STOCK
1LP - MADLIB INVAZION
2020

IN STOCK
2LP - BBE
2020

IN STOCK
2LP - BBE
2016

IN STOCK
1LP - EVERLAND
2019

IN STOCK
2LP - BBE
2020

BIS => 2025 06 27
1LP - DISCOS NADA
1973 => 2022

TRACKLIST
A1 Cau– Coisa E Tal
A2 Liliana – Prá Quem Sabe Das Coisas
A3 Renato Mendes– Aldeia
A4 Marcão – Mutação
A5 Cau– San Fernando
A6 Eulalia – Fim De Noite
B1 Cau– Último Canto
B2 Cau– De Você No. 2
B3 Vera – Rosas E Garrafas
B4 Liliana (– De Você No. 1
B5 Renato Mendes– Milagre Azul

DESCRIPTION
According to Disk Union / Think Records that just made a CD reissue of this record:
"Mysterious Acid Bossa Psychedelic Folk masterpiece recorded in 1971 and released in 1973 on a small Brazilian label. Recorded by students of the law school in São Paulo, under the influence of "Sgt. Pepper's" mixed with Bossa Nova. It's a chaotic yet delicate and sophisticated.
I can't imagine it being composed or recorded by amateur musicians that they were, except by Renato Mendes, who has been active as a first-class musician since the Jazz Bossa period and was a brazilian pioneer recording an album using a Moog synthesizer in 1974. It can be said that it greatly contributes to the miraculous perfection of this work.
Known among record collectors as a record that attracts not only Brazilian music fans but also Psychedelic and Acid Folk fans, the original version is a gem and sells for over USD1000."
One of the rarest and most enigmatic LPs in the Brazilian discography from the 1970s, Pra Quem Sabe das Coisas, released in 1973 by the label EBRAU (Editora Brasileira Artistas Unidos), finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971, but put in the market as a 12-inch record only two years later.
During a telephone chat packed with affectionate memories, Cau Pimentel (Cláudio Gama Pimentel), singer, songwriter and occasional guitarist with great sensibility and talent whose main professional activity involves criminal law, brought to the surface a story of passion for music that allowed great friendships to flourish, in the bubbling environment at the University of São Paulo’s Largo do São Francisco Law School, where he graduated as a lawyer. It was at the famous Coral da USP choir that the group gathered. The shared talent for music, by the way, explains the title “pra quem sabe das coisas” – for those who know the stuff. When the subject was popular music, Cau, Marcão, Benê, Bi, Vera, Eulália e Liliana were unquestionable amongst their peers.
Over two years, between 1969 and 1971, the group of instrumentalists and singers develop the repertoire recorded on the LP. They also have a crucial support: the polished assistance of Renato Mendes (1939 – 2013), Cau Pimentel’s cousin and one of the most celebrated organ players in the country, established in samba-jazz albums such as Renato Mendes & Seu Orgão (Mocambo, 1963) and Orgão de Vanguarda (Chantecler, 1965).
Gathered by Cau, the tracklist of Pra Quem Sabe Das Coisas remains, 50 years later, impactful and hard to label. The vocal harmonies, the sophistication of the arrangements and the existential density of the lyrics produce an atmosphere of rare beauty and unusual perception of aesthetic unity, as this is a collective record. A curiosity that might explain the difficulty in finding original copies of the LP: a significant share of the batch of 500 unities, which was paid by the XI de Agosto Students Union, was distributed amongst relatives of the artists and students at São Francisco law school.
Below, Cau Pimentel reveals other mysteries of this small treasure of Brazil’s best popular music.
---The complete interview with Can is part of the record insert.---

BIS => 2025 06 27
1LP - DISCOS NADA
2021

TRACKLIST
1. Onirico 07:27
2. O Contar de Uma Raga 14:29
3. Raga na Amazônia 11:39
4. Solaris 10:34

DESCRIPTION
It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment.
Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist.
Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver Messaien, Luciano Berio, Claudio Santoro, John Cage, Xenaxis and Karlheinz Stockhausen.
This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers.
Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. Along this path, joining her fascination with theatricality and the desire to tell stories, she immersed herself and subverted the language of traditional opera, following her heart and her instincts over nine operatic pieces.
This album is dedicated to a production that goes from the mid-1980s to the early 1990s. That was a very troubled period in the artist's life in the face of the significant loss of her father, followed by health problems, accidents, and staying away from her main instrument, the piano. She chose to give up her pianist career and intensify her authorial production. She explored the multiple possibilities of multimedia and multidisciplinary language, composing and presenting, among other pieces, two "magical operas" of great relevance, from which we selected pieces and extracts to be part of this album.
Fata Morgana (1987) is an electroacoustic opera that elaborates the imaginary and mythologies linked to the feminine sacred, associated with the cosmology of contemporary physics. The show features a collection of dream memories and images, giving emphasis to ritualistic gestures.
“Inori – to the sacred prostitute” (1993) also rescues matriarchal values based on the diversity of languages, cultures, races, beliefs, and religions. The lunar set celebrates the mysteries of the unconscious through a language open to fate and experimentation.
On side A, “Oniric” from the opera Fata Morgana (1987) presents electronic music performed in real-time along with voice. It’s interesting to note the presence of electronics in real-time unifying the album’s concept.
Jocy uses a Yamaha TX and DX7 synthesizer, instruments that permeate all selected parts.
The following pieces are two ragas : “Telling of a raga” from the same opera, and on side B “Raga in the Amazon ” plus “Solaris”, segments from the opera “Inori – to the sacred prostitute”.
All tracks are unreleased on vinyl. During a conversation , Jocy told me: “Raga is used by me in the sense of emotion, color, not exactly as musical modes in Indian music, although there is a search for the universe energy and human being integration. This was very much what I felt when I heard Carnatic music in India. There is dignity and respect there which make us feel an integration with the cosmos.”
As a curator, another of my focuses for this album is experimentation that confronts the limits between composition and indeterminacy. Speaking about Stockhausen in her book “Dialogue with letters” (SESI-SP, 2014) she says: “Mantra for two pianos by Stockhausen is one of his works that most fascinates me for certain qualities that sounds like improvisation and, are strictly determined. A challenge for pianists.” Jocy brings much of that focus to her Ragas.
The first title for this release was “Extratos Oníricos”, but during production, the composer sent us the following message: “I was thinking about the project of LP from the ‘80s and I believe the best title could be “Raga na Amazônia.”
I think the title would be more up-to-date, although I presented many concerts and events in the 70s and 80s focusing environmental questions, we still need to continue fighting for Amazon.”
About experimental music, in her same book, Jocy clarifies that "John Cage said that the word experimental should not describe an act in terms of future judgment, as to its success or failure, but should be applied to an act whose result is unknown"
During an interview at “Dialogue with composers” project, organized by the Brazilian Symphony Orchestra (OSB) in December 2020, Jocy spoke about the importance of music in her life: "I don't think of music as a career, but as a destiny. I express myself through music because this is my way of manifesting myself. It is my voice, my cry, my groan. ”
Paulo Beto

BIS => 2025 06 27
1LP - DISCOS NADA
1986 => 2021

TRACKLIST
1. Fragmentos 08:31
2. Sol da Manhã 04:53
3. Dia Claro 05:08
4. Tua Casa, Minha Casa 03:40
5. Quarto 05:49
6. Sala 04:38
7. Cozinha 02:08
8. Pela Janela 02:23

DESCRIPTION
Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others.

Marco Bosco started his personal journey in the 70s, but the biggest impact happened when he released his first solo work, Metalmadeira (1983), a journey made up of acoustic and electronic textures, sons of nature, vocoders, synthesizers and sequencers.
Fragmentos da Casa, his second solo album, had a striking concept, explained by the artist himself, from the original press release : “Antagonizing the synthesized universe of digital equipment and instruments to an acoustic aesthetics; plus emphasizing the timbristic characteristics of percussion: Fragmentos da Casa is a musical interpretation of a journey - one night and one day - through the rooms of an imaginary house”
Reissued for the first time, Fragmentos da Casa was originally released in 1986, by Carmo, owned by Egberto Gismonti. Carmo also released albums by Gismonti, Piry Reis, Fernando Falcão, Nando Carneiro and André Geraissati, among others.

In 1986, or Marco Bosco's percussive arsenal was unique and extremely peculiar, containing chizanzhi, caxixis, purrinhola, requo-requo, shequeres, berimbaus and lingo drum, among other instruments.

This fusion of acoustic and synthetic, promoted by some Brazilian artists in the 80's and celebrated worldwide, still brings memories to the percussionist. For him, the arrival of those electronic gadgets "was the best thing that happened on the planet".

This reissue includes a reproduction of the original artwork, new testimonies by Marco Bosco and a a long article signed by Bento Araujo, author of the series of books Lindo Sonho Delirante, which investigates audacious and fearless music produced in the Brazilian underground.