IN STOCK
GATEFOLD
1LP - MUNSTER
1970 => 2011

PRE ORDER => 2025 04 18
1LP - MUNSTER
1968 => 2025

Seminal and highly influential album in the history of Venezuelan rock. “Ladies W.C.” (1968) is innovative in many aspects: from its stunning psychedelic guitars, loaded with fuzz and wah-wah effects, to its repertoire - made up of original songs - or even the graphics featured on the cover of the album.
As in the case of “Love Depression”, this album has become one of the most sought-after and collectible recordings of Venezuelan rock.
Our reissue includes remastered sound from the original tapes, 180g vinyl and liner notes.

TRACKLIST
Side A
1. PEOPLE
2. I CAN’T SEE STRAIGHT
3. TO WALK ON WATER
4. HEAVEN’S COMING UP
5. AND EVERYWHERE I SEE THE SHADOW OF THAT LIFE
Side B
1. SEARCHING FOR A MEETING PLACE
2. PUT THAT IN YOUR PIPE AND SMOKE IT
3. THE TIME OF HOPE IS GONE
4. W.C. BLUES
5. I’M GONNA BE

DESCRIPTION
Adib founded Ladies W.C. with his friends Jose Maria Arria “Chema” (bass, vocals), Wolfgang Vivas (lead vocals), and Frank Rojas (drums). Their sound was so innovative that it was not conducive to getting many bookings and they barely managed to play a single concert. As a result, all the original line-up, except Adib, upped and left. Soon after, Stephen Scott and Mario and Jaime Seijas replaced them, seamlessly complementing Adib's playing and his growing interest in blues and psychedelic hard rock.
The group’s first and only album, released by the Venezuelan label Souvenir, was recorded at Continente Studios in just 10 days. Ricardo Landaeta acted as technician, while Adib and Stephen worked out all the structures and arrangements of the songs, as well as the lyrics. They were very intense recording sessions in which they spent full days locked inside the studio. Hector Fuenmayor is the only guest musician on the recording (flute on 'To Walk on Water'). All the songs are their own compositions, which was unusual on the Venezuelan scene, as groups’ repertoires tended to be cover versions of international hits. The sleeve art, displaying a striking illustration instead of the classic covers showing a photo of the band, was also a novel ingredient in Venezuela, as was the distorted sound of the guitars which made great use of the wah-wah pedal, the extensive harmonica playing, and creative use of sound effects, all of which gave the album a unified conceptual feel.
The band were only active for only a couple of years from 1968 to 1969. Mario and Jaime left Venezuela to study in the United States, and although Adib spent a summer there with them playing as Ladies W.C. on the Allentown college circuit, the group was destined to split up.
Adib joined Sky White Meditation after he returned home and remained as a band member until 1972. Meanwhile Jaime Seijas played on another equally seminal record in the history of Venezuelan rock, The Love Depression album, also released by the Souvenir label.

PRE ORDER => 2025 04 18
7 INCH - MUNSTER
2025

TRACKLIST
1. Rita - Erotica 04:41
2. Aguaturbia - Erotica 02:48

DESCRIPTION
Two killer tracks of erotic psychedelia with a jazzy twist and touches of acid rock by the French cabaret star Rita and Chilean rock pioneers Aguaturbia.
A perfect soundtrack to an imaginary sexploitation film, half-way between the classic sound of library records and a progressive and hypnotic musical journey driven by fuzzy guitars.
Reissued on a 45 for the first time.
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Dos bombazos de psicodelia sensual con toques de jazz y de rock ácido a cargo de la estrella del cabaret francés, Rita, y de los pioneros del rock chileno Aguaturbia.
Serían la banda sonora perfecta para una película imaginaria de sexploitation, a medio camino entre los discos de librería y un viaje musical lisérgico bañado en guitarras distorsionadas.
Primera reedición en formato single.

BIS => 2025 04 18
1LP - MUNSTER
2024

BIS => 2025 04 18
1LP - MUNSTER
1986 => 2024

BIS => 2025 04 18
7 INCH - MUNSTER
1977 => 2024

BIS => 2025 04 18
1LP - MUNSTER
1967 => 2024

BIS => 2025 04 18
1LP - MUNSTER
2024

BIS => 2025 04 18
1LP - MUNSTER
2024

BIS => 2025 04 18
1LP - MUNSTER
1980 => 2024

BIS => 2025 04 18
1LP - MUNSTER
1968 => 2007

IN STOCK
RSD 2023
1LP - MUNSTER
1972 => 2023

IN STOCK
SPLATTER
1LP - MUNSTER
DROP 1 - RSD 2021
1969 => 2021

IN STOCK
2LP - MUNSTER
2021 => 2024

IN STOCK
1LP - MUNSTER
2024

IN STOCK
RSD 2024
(BLUE COLOR VINYL)
LIMITED 500 WORLDWIDE
1LP - MUNSTER
2024

BIS => 2025 05 09
1LP - MUNSTER
1970 => 2024

BIS => 2025 03 07
7 INCH - MUNSTER
2024

BIS => 2024 12 20
1LP - MUNSTER
2023

BIS => 2024 12 20
1LP - MUNSTER / MONO-TONE
1977 => 2020

BIS => 2024 09 27
GATEFOLD
1LP - MUNSTER
1982 => 2024

SOLD OUT
1LP - MUNSTER
1968 => 2021

BIS => 2025 03 07
1LP - MUNSTER
2020

IN STOCK
RSD 2020
1LP + 7 INCH - MUNSTER
1977 => 2020

SOLD OUT
1LP - MUNSTER
1972 => 2020

IN STOCK
7 INCH - MUNSTER
2024

BIS => 2024 06 21
7 INCH - MUNSTER
2024

IN STOCK
1LP - MUNSTER
2023

BIS => 2 / 3 WEEKS
7 INCH - MUNSTER
2024

BIS => 2024 11 22
1LP - MUNSTER
2022

IN STOCK
7 INCH - MUNSTER
2021 05 14

IN STOCK
1LP - MUNSTER
2024

7 INCH - MUNSTER

7 INCH - MUNSTER

1LP - MUNSTER

7 INCH - MUNSTER

1LP - MUNSTER

1LP - MUNSTER

1LP - MUNSTER

1LP - MUNSTER

PREORDER 2020 10 09
2LP - MUNSTER

7”
Munster

7”
Munster

BIS => 2 / 3 WEEKS
7 INCH x 3 - MUNSTER
2021 06 18

BIS => 2 / 3 WEEKS
1LP - MUNSTER
2021 04 09

SOLD OUT
1LP - MUNSTER
2021 03 19

PRE ORDER => 2024 04 26
7 INCH - MUNSTER
2024

PRE ORDER => 2025 05 02
1LP - MUNSTER
1970 => 2025

Aguaturbia’s second LP “Volumen 2” (1970) is an essential album to understand the construction of what we know today as Chilean rock.
The album is as raw and dynamic as their debut LP, featuring even heavier rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. Comparisons with the Grateful Dead, Country Joe and the Fish and Led Zeppelin can be drawn. Splendid heavy psych and proto-stoner tracks make this album a pioneer recording in the history of South American rock.
We are thrilled to make this outstanding LP available again after many years out of stock.

TRACKLIST
A1 I WONDER WHO
A2 HEARTBREAKER
A3 BLUES ON THE WESTSIDE
A4 WATERFALL
B1 WELL ALL RIGHT
B2 ROCK DE LA CARCEL
B3 EVOL
B4 AGUATURBIA

DESCRIPTION
Aguaturbia’s debut album was originally released in 1970 and showcases one of South America's most significant psychedelic bands from the late 60s and early 70s. Their influence in their native Chile —and beyond— was groundbreaking.
In July that same year the band recorded this “Volumen 2” that delivers even heavier intensity than their debut LP. As expected, this album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. Comparisons with the Grateful Dead, Country Joe and the Fish and Led Zeppelin can be drawn. Splendid heavy psych and proto-stoner tracks make this album a pioneer recording in the history of South American rock.
The LP showcases breathtaking moments, like the psych-blues ‘Heartbreaker’ or ‘I Wonder Who’ where guitarist Carlos Corales shines. When he played solos at the gigs, the effect on the audience was silence and euphoria at the same time. In fact, Carlos Corales (guitar) and Willy Cavada (drums) were both professional musicians who had made a previous career in rock and roll bands. Other outstanding songs are ‘Blues On The Westside’, ‘Waterfall’ and the magnificent ‘Well All Right’.
Controversy accompanies the release of the album once again. In this case the cover artwork, a tribute to Salvador Dalí, scandalizes the most conservative sector of Chilean society.
"Volumen 2" is an essential album to understand the construction of what we know today as Chilean rock.
We are thrilled to make this outstanding LP available again after many years out of stock.

PRE ORDER => 2025 05 23
1LP - MUNSTER
1974 => 2025

“Gusano mecánico” has become a coveted collector’s item, highly valued by music lovers worldwide. It has been included in 5001 Record Collector Dreams by Hans Pokora, receiving the highest rarity rating and hailed as a musical masterpiece.
It was released in 1974 by the legendary Bolivian rock band Climax and was a big leap from their early recordings, where they paid tribute to their musical heroes. It became a landmark of prog rock in Bolivia and one of the few conceptual albums produced in the country.
“Gusano mecánico” explores themes such as the loss of personal essence and the vindication of indigenous peoples.

TRACKLIST
Side A
1. PACHACUTEC (REY DE ORO)
2. TRANSFUSIÓN DE LUZ
3. CUERPO ELÉCTRICO – EMBRIÓN DE REENCARNACIÓN
Side B
1. GUSANO MECÁNICO
2. PRANA (ENERGIA VITAL)
3. CRISTALES SOÑADORES

DESCRIPTION
On October 7, 1974, the now-historic “Gusano mecánico” was released — the only full-length album by the legendary Bolivian rock band Climax. Founded in 1968 from the remnants of the disbanded Los Black Byrds and the unrealized project The Turtles, Climax was formed by guitarist José “Pepe” Eguino and bassist Javier Saldías, who developed a strong bond with drummer Álvaro Córdova, cemented by their shared passion for rock. Together, they embarked on a journey of self-discovery, spending several months in the United States during a crucial period straddling the end of the Summer of Love and the lead-up to Woodstock.
This period, perhaps the most significant of the 1960s countercultural movement, saw an explosion of artistic expression driven by dissatisfaction with the society that the youth had inherited from their parents. Within this context, the influence of iconic bands such as The Jimi Hendrix Experience, Cream, Blue Cheer, and Emerson, Lake & Palmer played a pivotal role in their decision to return to Bolivia and form the country's first ‘power trio’. Their first EPs paid tribute to their musical heroes.
They quite literally brought psychedelic and prog rock to Bolivia by carrying new, experimental vinyl records in their luggage, at a time when rock music (and music in general) had very limited exposure due to the scarcity of media resources. Their musical project reflected their influences and laid down the first traces of what would later be called heavy rock, a genre that never achieved widespread popularity in Bolivia.
“Gusano mecánico” was a big leap from their previous recordings. Climax embarked on a prog rock journey, exploring themes such as the loss of personal essence and the vindication of indigenous peoples. Their rebellious discourse opposed the mechanization of humankind brought about by past decades of industrial exploitation in which they resist being absorbed by the system. It became a landmark of prog rock in Bolivia and one of the few conceptual albums produced in the country.
Over time, Climax’s music has gained cult status among prog rock fans. Their album became a coveted collector’s item, highly valued by music lovers worldwide. It was even included in 5001 Record Collector Dreams by Hans Pokora, receiving the highest rarity rating and hailed as a musical masterpiece. Only two South American albums received this distinction.