RSD 2020 10 24
GOLD NUGGET COLORED - 2LP - DOGGY STYLE RECORDS

SOLD OUT
1LP - GRILCHY PARTY
2020

SOLD OUT
1LP - 8TH RECORDS
2017

BIS => 2 / 3 WEEKS
1LP - MOBILE HOME RECORDINGS
2022

BIS => 2 / 3 WEEKS
2LP - ACE
2023

SOLD OUT
1CD - KENT
1971 => 2023

BIS => 2 / 3 WEEKS
1CD - ACE
2023

BIS => 2 / 3 WEEKS
1LP - FAT BEATS RECORDS
2020

BIS => 2024 02 23
DELUXE HARD-CARDBOARD SLEEVE COVER
180G VINYL + OBI
1LP - MAD ABOUT RECORDS
1976 => 2023

SOLD OUT
3LP - FAT BEATS RECORDS
1994 => 2024

PRE ORDER => 2025 01 17
BLACK AND YELLOW A SIDE / B SIDE
2LP - VMP / WILD PITCH
1994 => 2024

BIS => 2 / 3 WEEKS
1LP - SUPERJOCK RECORDS
2025

- Limited to 500 copies on Mardi Gras colored vinyl.
- Collection of Funk/Hip Hop tracks originally released as 7” singles only.
- Superjock Records is an independent label from New Orleans, known for its rich catalog of soul, funk, and R&B. It has played a key role in capturing the vibrant sounds of the city's music scene, producing rare and influential releases that have become cult classics among collectors.


TRACKLIST

All Night ft. Bootie Brown (The Pharcyde)

For The Wicked ft. Rakaa Iriscience (Dilated Peoples)

Everybody Pays ft. Guilty Simpson

Uptown Rulers ft. Apani B. Fly MC + Bo Dollis Jr.

Come on Down (To New Orleans) ft. Fullee Love (Soup of Jurassic 5) + Hasizzle

All Night (Professor Shorthair Extended Mix)

For The Wicked (Professor Shorthair Extended Mix)

Everybody Pays (Professor Shorthair Remix)

Uptown Rulers (Professor Shorthair Remix)

Come on Down (To New Orleans) (Professor Shorthair Bounce Remix)



DESCRIPTION

A collection of all the limited 7”(45rpm) releases by Connie Price & The Keystones on Superjock Records, a label steeped in the sounds of New Orleans Funk and Hip Hop! Collaborations include Bootie Brown (The Pharcyde), Rakaa Iriscience (Dilated Peoples), Guilty Simpson, Apani B. Fly MC, Bo Dollis Jr. (Wild Magnolias), Fullee Love (aka Soup of Jurassic 5) & New Orleans Bounce legend HaSizzle. Side A features all the classic originals helmed by musician/producer Dan Ubick, while the B-Side contains extended mixes and remixes by label owner Professor Shorthair.

BIS => 2025 06 06
7 INCH - HARLEM SHUFFLE RECORDS
2025

TRACKLIST
A - Dennis Walks, Belly Lick
B - Drumbago & The Blenders, The Game Song

DESCRIPTION
"Belly Lick" was originally released in 1968 on the Blue Cat label. "Belly Lick" is a wicked, fast-paced track that fuses early Reggae with the infectious drive of Mento. The call-and-response vocals and raw, party-like intensity make this track a standout piece of vintage Jamaican fire and a great nod to Jamaica’s traditional folk music roots. The track's quality and rarity has made it a very coveted item among Reggae vinyl collectors.
The party continues with the energetic and wild "Game Song", a wicked instrumental track difficult to describe. Its relentless pace and goofy but intricated orchestral madness suggest the soundtracks for a black and white animated cartoon from the 30s but in a Jamaican way! It is a perfect B Side for the outstanding "Belly Lick" especially considering that "The Game Song" was also written by Dennis Walks. Sadly it was the only known collaboration between Dennis Walks and Drumbago due to Drumbago untimely death in 1969.

PRE ORDER => 2025 06 06
1LP - BELOW SYSTEM RECORDS
2025

TRACKLIST
Side A:
1. Piranhas (feat. J-Spliff & Estee Nack)
2. Facelift (feat. Estee Nack, Raz Fresco, & Daniel Son)
3. Overkill (feat. Hus Kingpin)
4. You’re DEAD (feat. Al.Divino & Crimeapple)
5. ’83 Canadian Hollow Tips (feat. P-Dirt, Raz Fresco, & Daniel Son)
6. Head Hunters (feat. Izrell)
Side B:
7. Welcome To Hell (feat. P-Dirt, DJ Eclipse, & ILL BILL)
8. Maximum Overdrive (feat. Raz Fresco, Goretex & J-Spliff)
9. White Crown Pt.ll (feat. Casual, DJ Eclipse & Planet Asia)
10. Call Me Snake (feat. P-Dirt & J-Spliff)
11. Wild Style Warz (feat. Raz Fresco & Da Flyy Hooligan)
12. Writing On The Wall (feat. Izrell & J-Spliff)

DESCRIPTION
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Reanimation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I’m on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.

PRE ORDER => 2025 06 06
1LP - BELOW SYSTEM RECORDS
2025

NEON GREEN VINYL

TRACKLIST
Side A:
1. Piranhas (feat. J-Spliff & Estee Nack)
2. Facelift (feat. Estee Nack, Raz Fresco, & Daniel Son)
3. Overkill (feat. Hus Kingpin)
4. You’re DEAD (feat. Al.Divino & Crimeapple)
5. ’83 Canadian Hollow Tips (feat. P-Dirt, Raz Fresco, & Daniel Son)
6. Head Hunters (feat. Izrell)
Side B:
7. Welcome To Hell (feat. P-Dirt, DJ Eclipse, & ILL BILL)
8. Maximum Overdrive (feat. Raz Fresco, Goretex & J-Spliff)
9. White Crown Pt.ll (feat. Casual, DJ Eclipse & Planet Asia)
10. Call Me Snake (feat. P-Dirt & J-Spliff)
11. Wild Style Warz (feat. Raz Fresco & Da Flyy Hooligan)
12. Writing On The Wall (feat. Izrell & J-Spliff)

DESCRIPTION
When we last heard from Bay Area producer DEAD PERRY, he was riding high on the critical success of "The Art Of Reanimation" album. That album was a re-imagining of legendary Hieroglyphics crew emcee Casual's work from his "Big Head Science" album.
However on the forthcoming "Acoustic Shadows" album, as the title implies things get a bit dark. As he relays "when I made (The Art Of Reanimation) with Cas, I wanted to cater to the specific sound that Hieroglyphics has, but put my spin on it without making it too dark (though there are a couple of dark gems sprinkled throughout). I knew that my next album was going to be a solo LP and I wanted it to be something special. Dark and grimy has always been my style of beat making so I wanted to showcase that with this record."
However, the title also has a double meaning to the producer. "The term Acoustic Shadows comes from a Civil War phenomenon that refers to a sonic blind spot. Due to geographical obstructions disrupting sound waves you could think you are a great distance from the battlefield while you could already be in it. It also refers to my style keeping to the shadows and out of the limelight, when I only appear in photos wearing a mask, it's not because I’m on that post MF Doom craze, it's because I came from graffiti and graffiti artists let their art be their only face to the public."
That style is showcased throughout the forthcoming album, including his choice of collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, Izrell, P-Dirt, J-Spliff and cuts from DJ Eclipse. Concepts also lent itself to the grime including the John Carpenter-esque synth laden "Call Me Snake" track, which inadvertently inspired the emcees. As DEAD PERRY relates "I give the beats a place-holder title until the track is done so this one was 'Die Kurt Russ.' P-Dirt chose to create the concept off the beat title. Crafting that song was a fun experience." It also has a full circle moment as DEAD PERRY and Casual expand their "White Crown" single from their previous project on this release enlisting Planet Asia to drop an additional Afro-Centric verse.

PRE ORDER => 2025 06 13
1LP - PARALLEL THOUGHT LTD.
2025

- Defcee has previously released albums on Backwoodz Studios.
- Pressed in a one-time, limited edition of just 200 colored vinyl copies.
- Includes an exclusive bonus track available only on vinyl.
- Features standout collaborations with Fatboi Sharif and Tree.

TRACKLIST
Chicago Famous
Broke
Casket Races
You Still Rap?
Open Mic Nights
Swoon
66 to Navy Pier
Big Sisters (feat. Tree)
Graduation Picture
Ben Grimm
Sigils (feat. Fatboi Sharif)
Beasts

DESCRIPTION
This album originally was planned for release in 2022—that’s when Defcee and Parallel Thought first connected, built on a mutual respect for each other’s discographies. Defcee was fresh off the success of his Backwoodz debut, Trapdoor (produced by Messiah Musik), while Parallel Thought had just released The Wild End, their collaborative album with another Chicago legend, Tree. An initial beat pack was sent, quickly followed by a demo of songs recorded by Defcee. The foundation was there, but then—silence. Long story short…life happened. Fast forward to July 2024, and Defcee spent a week in Freehold, recording the entirety of Other Blues at Parallel Thought’s studio. Other Blues lays bare small joys, big hurts, and both swagger and insecurity in equal measure, serving as a testament to honesty, redemption, and a refocusing on life’s most important priorities. Deeply personal and introspective, the album showcases Defcee’s raw, honest lyricism over Parallel Thought’s smoked-out, heavy, hazy jazz soundscapes. The project also features guest verses from extended family—New Jersey’s feature king, Fatboi Sharif, and fellow Chicagoan, Tree. Despite balancing day jobs, kids, and family, Defcee & Parallel Thought prove that music can still sound like it comes first.

PRE ORDER => 2025 06 27
1LP - KENT
1970 => 2025

TRACKLIST
Side 1
01 From A Whisper To A Scream
02 The Chokin' Kind
03 Sweet Touch Of Love
04 What Is Success
05 Working In The Coalmine
Side 2
01 Everything I Do Gonna Be Funky
02 Pickles
03 Louie
04 Either
05 Cast Your Fate To The Wind

DESCRIPTION
Allen Toussaint’s debut as a solo artist, “The Wild Sound Of New Orleans” was released in 1958 under the name of Tousan. In the 60s, he established himself as a songwriter, producer and arranger for a number of labels and generated hits like ‘Working In The Coal Mine’ for Lee Dorsey that got to #8 in the Billboard Hot 100 in 1966. Other classic tracks that Toussaint either wrote, produced or arranged included ‘Fortune Teller’, Lipstick Traces’ and ‘Ooh Poo Pah Do’.
It was only in 1970 that he found time to record another solo album, aptly entitled “Toussaint”. As well as serving up his own version Of ‘Working In The Coal Mine’, Toussaint recorded other originals like ‘From A Whisper To A Scream’ and ‘Everything I Do Is Gonna Be Funky’. There were also four instrumental tracks – ‘Pickles’, ‘Louie’, ‘Either’ and a sublime version of ‘Cast Your Fate To The Wind’ listed as ‘Allen Toussaint at the piano’.
The original version of Toussaint was released in 1970 on Scepter records and is now hailed as a soulful classic. Ace were delighted to first reissue it in 1985 as “From A Whisper To A Scream” with the addition of a bonus track and with a slightly different running order.
On “Toussaint” we present the original album as Allen Toussaint intended it to be heard. Remastered to perfection this is an essential purchase.

PRE ORDER => 2025 06 27
1LP - MUNSTER
1975 => 2025

Gatefold

"Electròccid àccid alquimístic xoc" marks a shift in Pau Riba’s sound—now electrified and fully embracing rock under the influence of artists like Lou Reed, Ray Davies, and Kevin Ayers.
Once again, Riba left everyone bewildered with a work that, on its own, gave early substance to what would eventually be known as roc català, of which Riba may well have been its most authentic representative.
First vinyl reissue in over four decades!

TRACKLIST
Side A
1. SOL SOLET
2. ES FA LLARG ES FA LLARG ESPERAR
3. CUATRE BARRES BLANC I NEGRE
4. BRIAN A CLOWN
5. LLUNA ROBADA
Side B
1. MARÍA
2. OCCIDENT (RECEPTE DE CUINA)
3. LLUNA ESTIMADA
4. ESTRELLA DE LA FORTUNA

DESCRIPTION
"Electròccid àccid alquimístic xoc" marks a shift in Pau Riba’s sound—now electrified and fully embracing rock under the influence of artists like Lou Reed—opening a new chapter as he distances himself from his immediate past. The magical "Dioptria" had been left behind.
The album was recorded in the winter of 1975 with the help of the same group of musicians who had accompanied him a few months earlier at a concert at Zeleste to debut new songs: a mix of Valencian musicians from bands like Paranoia Dea and guitarist Eduardo Bort’s group.
Once again, Riba left everyone bewildered with a work that, on its own, gave early substance to what would eventually be known as roc català, of which Riba may well have been its most authentic representative.
There are nods to Lou Reed, Ray Davies, and Kevin Ayers, but the core of "Electròccid…" is defined by Riba’s own authorship. With lyrics that veer from poetic to absurdly ironic, Riba explores themes like the moon, the stars, death, love, women, the devil, and the bourgeoisie—fueling the originality that made him such a unique artist. It's striking how naturally and effortlessly Riba incorporated the Catalan language into the rock idiom—and vice versa.
First vinyl reissue in over four decades!