TRACKLIST
Side A
1. SANTIAGO SILVA - EL PITO
2. ÑICO ESTRADA - SALCHICHA CON HUEVOS
3. BETO VILLENA - DÉJENME SER LIBRE
4. NILO ESPINOSA Y SU ORQUESTA - LINDO CABALLITO
5. PANCHO ACOSTA Y SUS GUARACHEROS - HERIBERTO BOOGALOO
Side B
1. MELCOCHITA, KARAMANDUKA, MAG PERUVIAN ALL STARS - PERUVIAN BOOGALOO
2. LO KINTOS - SIN CAÑA Y SIN PLATANAL
3. JOE DI ROMA - BUGALÚ
4. SANTIAGO SILVA - LA BATEA
5. TITO CHICOMA Y SU ORQUESTA CON PACO AMAYO - PATA PATA PELADA
Side C
1. JOE DI ROMA - POPURRI BOOGALOO (EDIT)
2. MELCOCHITA, KARAMANDUKA, MAG PERUVIAN ALL STARS - PERUVIAN GUAJIRA
3. MELCOCHITA Y SUS ASTRONAUTAS - RUMBA A GOGO
4. SONORA CASINO - GUAJIA DE AMOR
5. LUCIANO LUCIANI Y SUS MULATOS - GUAJIRA CUBANA
6. MARIO ALLISON Y SU COMBO - EL BOOGASHAKE
Side D
1. COCO LAGOS Y SUS ORATES - TUMBA COCO
2. LOS KINTOS - BAM BAM (YO SÉ QUE VAN VAN)
3. LAGHONIA / NEW JUGGLER SOUND - BAHÍA
4. OTTO DE ROJAS - SOUL LIMBO
5. SANGRE JOVEN - NO SÉ NO SÉ
6. CONJUNTO LOS RAYOS DEL ANDE - CADERA CONTRA CADERA
DESCRIPTION
These two vinyl records showcase the legacy left by the boogaloo movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded on the remarkable local label MAG more than five decades ago and now invite today’s new generations to dance body and soul to these re-releases.
You will find outstanding tracks by the likes of Tito Chicoma, Melcochita, Los Kintos, Otto Rojas, Coco Lagos among many others.
MAG was one of the most important and prolific labels in Peru and, though it also was involved in releasing a lot of other types of music, its specialty was the tropical variety, which coincidentally, DJs and collectors seem to crave most.
Peru developed a major boogaloo scene in the mid-60s, far from the genre’s place of origin, New York, where iconic songs like 'Bang Bang' and 'El Pito', fused soul and funk with Latin sounds, conquering dance halls and winning extensive radio airplay. The music trend soon spread to Caribbean countries and from there made the geographical leap to the city of Lima. 'El Pito', the collective creation of the Joe Cuba Sextet, was particularly popular. Shorn of overelaborate arrangements, the improvisation and spontaneity of the song resonated with the young generation who were avid for new music after the U.S. placed an embargo on the distribution of Cuban music.
In July 1966, Rebeca Llave´s label, Disperú, released the 45 RPM of 'El Pito' (and Joe Cuba's LP), promoting the single in the most prestigious newspaper in the country: El Comercio. The press information stated that the record had sold seventy thousand copies in New York and fifty thousand in Los Angeles. That same year local dance versions by the bands of Alfredo Linares (MAG) and Lucho Macedo (El Virrey) were released, followed by another by the band of the Argentinean musician Enrique Lynch who was based in Peru (Sono Radio). These records were a hit with a new generation that embraced Lucho Macedo's band and the garage rock of Los York's with equal enthusiasm.
Although Joe Bataan claimed that boogaloo was killed off at the end of the sixties by the labels and their veteran musicians (who conspired against the new generation of singers), Pete Rodriguez, Richie Ray and the Lebrón Brothers continued to release boogaloo records in Peru, but salsa music soon took over.
These two vinyl records showcase the legacy left by this movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded more than five decades ago and now invite today’s new generations to dance body and soul to these re-releases. You will find outstanding tracks by the likes of Tito Chicoma, Melcochita, Los Kintos, Otto Rojas, Coco Lagos among many others.
MAG was one of the most important and prolific labels in Peru and, though it also was involved in releasing a lot of other types of music, its specialty was the tropical variety, which coincidentally, DJs and collectors seem to crave most.