Amanaz, Africa

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BIS => 2024 04 05
2LP - NOW AGAIN
1975 => 2015

36,00 € 36.0 EUR 36,00 € hors TVA

36,00 € hors TVA

Not Available For Sale

  • Statut
  • Label
  • Genre
  • Genre
  • Format
  • Date de parution
  • Date de la réedition

Cette combinaison n'existe pas.

Statut: BACK IN STOCK
Label: NOW-AGAIN RECORDS
Genre: AFRO / AFROBEAT / AFRO-FUNK, ROCK / PSYCHE / FOLK
Format: 2 LP
Date de parution: 1975
Date de la réedition: 2015

TRACKLIST 

A1 Amanaz

A2 I Am Very Far

A3 Sunday Morning

A4 Khala My Friend

A5 History Of Man

A6 Nsunka Lwendo


B1 Africa

B2 Green Apple

B3 Making The Scene

B4 Easy Street

B5 Big Enough

B6 Kale

Reverb Mix (Discs C & D)


C1 Amanaz

C2 I Am Very Far

C3 Sunday Morning

C4 Khala My Friend

C5 History Of Man

C6 Nsunka Lwendo


D1 Africa

D2 Green Apple

D3 Making The Scene

D4 Easy Street

D5 Big Enough

D6 Kale


DESCRIPTION

Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, "because of how it was shared and how its inhabitants were butchered and enslaved, its resources stolen... all the atrocities slave drivers committed. " Thus, their "Kale," a blues sung in Nyanja, that traced the continent's arc from slavery to Zambia's independence closes the album.

Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader/lead guitarist Isaac Mpofu. Africa's vibe ranges from anxious ("Amanaz") to escapist ("Easy Street") to straight-up pissed-off. On the "History of Man," his voice whiskeyburned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species.

There's a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu's more restrained "Khala My Friend," which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have had relatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised.

Then there's the clear Velvet Underground-influence on the nostalgic "Sunday Morning," which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Undergound and Nico was a new release - and the underground funk of "Making The Scene." The album also tackles traditional Zambian music and early-'60s rock - punctuated, of course by Kanyepa's wah-wah and Mpofu's fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. "Green Apple" is a civil song, featuring Kanyepa's sighing guitar.

It is a perfectly arranged album, from the dichotomy of Mpofu's and Kanyepa's lead and rhythm guitars, to the vocal harmonies, to the rhythm section's sense of space and time, which allows Africa's funk to build. Inexplicably, Africa was given two separate mixes and two separate presses: one version is dry, with the vocals and drums mixed loud, the other slathered in reverb, with the vocals and drums disappearing into the mix, and with the guitar solos mixed much louder. We've presented them both here as they each have their appeal: it's up to the listener to pick the one he or she prefers. This is a highpoint of the Zamrock scene and we hope that this can be seen as its definitive reissue.