The Four Sounds, Jazz From District Six

https://www.injerah.com/web/image/product.template/6081/image_1920?unique=a341ee2
(0 review)

PRE ORDER => 2022 07 22
1LP - MAD ABOUT RECORDS
1969 => 2022

27.00 € 27.0 EUR 27.00 € VAT Excluded

27.00 € VAT Excluded

Not Available For Sale

    This combination does not exist.

    TRACKLIST 


    A1 Seven Steps Lament 6:32
    A2 Interim 5:06
    A3 Beautiful Katrina 3:15
    B1 Up From Slavery 7:11
    B2 Wells Square Theme 4:53
    B4 The "Goema" Dance 2:30
    B3 Don't Close Your Eyes 1:50



    DESCRIPTION


    HARD-CARDBOARD SLEEVE + OBI
    180g VINYL

    Impossible-to-find gem from 1969 finally reissued in a deluxe edition.
    ULTRA RARE South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

    True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

    Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

    Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (TBLC 1).

    In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

    Notes by Siemon Allen at Flatinternational”