Platinum Pied Pipers, Triple P Instrumentals

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BIS => 2021 12 17
1LP - UBIQUITY
2006

25.00 € 25.0 EUR 25.00 € VAT Excluded

25.00 € VAT Excluded

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    TRACKLIST 

    A1 Shotgun

    A2 Your Day Is Done

    A3 Deep Inside

    A4 Stay With Me

    B1 Fever

    B2 No Worries

    B3 After The Worries

    B4 Act Like You Know

    C1 Now Or Never

    C2 The Pees

    C3 Lights Out

    C4 One Minute More

    C5 Detroit Winter

    D1 I Got You

    D2 50 Ways To Leave Your Lover

    D3 The Bounce

    D4 Joy


    DESCRIPTION

    INSTRUMENTAL VERSION


    The funny thing about Platinum Pied Pipers is that they're neither platinum nor much like the self-proclaimed pied piper of R&B, R. Kelly. They're underground, no larger than life, yet wholly contemporary -- a pair of Detroit producers who introduced their way of doing things with interpretations of Burt Bacharach's pop staple "The Look of Love" (sounding more like a Cameo tape after being rescued from a puddle) and Faze-O's rare-groove classic "Riding High" (relatively straightforward, as easy as a summer afternoon spent in the back seat of a convertible). These and other cuts appeared on Ubiquity's Rewind! series of compilations. They built up a lot of promise, all of which is fulfilled on the duo's first album. Slum Village vet Waajeed and Barrett Strong protégé Saadiq conduct Triple P Quincy Jones-style, appearing on the cover while otherwise remaining in the background. With help from a handful of MCs and vocalists, the producers/musicians cook up a varied array of hybridized backdrops that update 30 years of soul, hip-hop, and crossover jazz. Three songs featuring the honey-voiced Tiombe Lockhart are among the top highlights; "I Got You" is the best of that lot, with Lockhart, horns, organ, electric piano, and guitar slinking and winding around one of Waajeed's crisply snapping beats. A collaboration with the Sa-Ra crew, "Deep Inside," is wonderfully freaky, a rugged stomp and a smooth glide at once. Out of the MC-led tracks, which tend to be outshined by the ones featuring vocalists, Invincible's "Detroit Winter" stands out most: "Detroit in the winter, the cold is a poison that lingers/A point for beginners: to hold on, avoiding the shivers/You either bundle up or burn rubber/But if you can't take the winter, you don't deserve summer." Many tails can be chased drawing easy parallels to the past, but the only obvious references on this album to the good old days of soul music are some crowd chatter -- likely a nod to Marvin Gaye's What's Going On and "Got to Give It Up" -- and a whole lot of spirit.