BIS => 2025 08 01
1LP - VINTAGE VIBES / MA DUKES OFFICE
2017

BIS => 2025 07 25
1LP - BGP
1971 => 2014

BIS => 2025 07 25
NEON YELLOW
1LP - REPRISE / VMP
1974 => 2021

BIS => 2025 08 01
2LP - NOW-AGAIN RECORDS
2001 => 2009

BIS => 2025 07 25
1LP - NATURE SOUNDS
1998 => 2018

BIS => 2025 08 01
2LP - VINTAGE VIBEZ / MA DUKES OFFICE
2018

BIS => 2025 07 25
2LP - GET ON DOWN
CHICKEN & BROCCOLI COLORED
1996 => 2022

BIS => 2025 08 01
2LP - WORLD PSYCHEDELIC FUNK CLASSICS
2010

IN STOCK
1LP - BRICK RECORDS
2013

BIS => 2025 08 01
2LP - NOW AGAIN
2010

BIS => 2025 06 27
1LP - DISCOS NADA
1973 => 2022

TRACKLIST
A1 Cau– Coisa E Tal
A2 Liliana – Prá Quem Sabe Das Coisas
A3 Renato Mendes– Aldeia
A4 Marcão – Mutação
A5 Cau– San Fernando
A6 Eulalia – Fim De Noite
B1 Cau– Último Canto
B2 Cau– De Você No. 2
B3 Vera – Rosas E Garrafas
B4 Liliana (– De Você No. 1
B5 Renato Mendes– Milagre Azul

DESCRIPTION
According to Disk Union / Think Records that just made a CD reissue of this record:
"Mysterious Acid Bossa Psychedelic Folk masterpiece recorded in 1971 and released in 1973 on a small Brazilian label. Recorded by students of the law school in São Paulo, under the influence of "Sgt. Pepper's" mixed with Bossa Nova. It's a chaotic yet delicate and sophisticated.
I can't imagine it being composed or recorded by amateur musicians that they were, except by Renato Mendes, who has been active as a first-class musician since the Jazz Bossa period and was a brazilian pioneer recording an album using a Moog synthesizer in 1974. It can be said that it greatly contributes to the miraculous perfection of this work.
Known among record collectors as a record that attracts not only Brazilian music fans but also Psychedelic and Acid Folk fans, the original version is a gem and sells for over USD1000."
One of the rarest and most enigmatic LPs in the Brazilian discography from the 1970s, Pra Quem Sabe das Coisas, released in 1973 by the label EBRAU (Editora Brasileira Artistas Unidos), finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971, but put in the market as a 12-inch record only two years later.
During a telephone chat packed with affectionate memories, Cau Pimentel (Cláudio Gama Pimentel), singer, songwriter and occasional guitarist with great sensibility and talent whose main professional activity involves criminal law, brought to the surface a story of passion for music that allowed great friendships to flourish, in the bubbling environment at the University of São Paulo’s Largo do São Francisco Law School, where he graduated as a lawyer. It was at the famous Coral da USP choir that the group gathered. The shared talent for music, by the way, explains the title “pra quem sabe das coisas” – for those who know the stuff. When the subject was popular music, Cau, Marcão, Benê, Bi, Vera, Eulália e Liliana were unquestionable amongst their peers.
Over two years, between 1969 and 1971, the group of instrumentalists and singers develop the repertoire recorded on the LP. They also have a crucial support: the polished assistance of Renato Mendes (1939 – 2013), Cau Pimentel’s cousin and one of the most celebrated organ players in the country, established in samba-jazz albums such as Renato Mendes & Seu Orgão (Mocambo, 1963) and Orgão de Vanguarda (Chantecler, 1965).
Gathered by Cau, the tracklist of Pra Quem Sabe Das Coisas remains, 50 years later, impactful and hard to label. The vocal harmonies, the sophistication of the arrangements and the existential density of the lyrics produce an atmosphere of rare beauty and unusual perception of aesthetic unity, as this is a collective record. A curiosity that might explain the difficulty in finding original copies of the LP: a significant share of the batch of 500 unities, which was paid by the XI de Agosto Students Union, was distributed amongst relatives of the artists and students at São Francisco law school.
Below, Cau Pimentel reveals other mysteries of this small treasure of Brazil’s best popular music.
---The complete interview with Can is part of the record insert.---

BIS => 2025 06 27
1LP - DISCOS NADA
2021

TRACKLIST
1. Onirico 07:27
2. O Contar de Uma Raga 14:29
3. Raga na Amazônia 11:39
4. Solaris 10:34

DESCRIPTION
It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment.
Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist.
Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver Messaien, Luciano Berio, Claudio Santoro, John Cage, Xenaxis and Karlheinz Stockhausen.
This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers.
Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. Along this path, joining her fascination with theatricality and the desire to tell stories, she immersed herself and subverted the language of traditional opera, following her heart and her instincts over nine operatic pieces.
This album is dedicated to a production that goes from the mid-1980s to the early 1990s. That was a very troubled period in the artist's life in the face of the significant loss of her father, followed by health problems, accidents, and staying away from her main instrument, the piano. She chose to give up her pianist career and intensify her authorial production. She explored the multiple possibilities of multimedia and multidisciplinary language, composing and presenting, among other pieces, two "magical operas" of great relevance, from which we selected pieces and extracts to be part of this album.
Fata Morgana (1987) is an electroacoustic opera that elaborates the imaginary and mythologies linked to the feminine sacred, associated with the cosmology of contemporary physics. The show features a collection of dream memories and images, giving emphasis to ritualistic gestures.
“Inori – to the sacred prostitute” (1993) also rescues matriarchal values based on the diversity of languages, cultures, races, beliefs, and religions. The lunar set celebrates the mysteries of the unconscious through a language open to fate and experimentation.
On side A, “Oniric” from the opera Fata Morgana (1987) presents electronic music performed in real-time along with voice. It’s interesting to note the presence of electronics in real-time unifying the album’s concept.
Jocy uses a Yamaha TX and DX7 synthesizer, instruments that permeate all selected parts.
The following pieces are two ragas : “Telling of a raga” from the same opera, and on side B “Raga in the Amazon ” plus “Solaris”, segments from the opera “Inori – to the sacred prostitute”.
All tracks are unreleased on vinyl. During a conversation , Jocy told me: “Raga is used by me in the sense of emotion, color, not exactly as musical modes in Indian music, although there is a search for the universe energy and human being integration. This was very much what I felt when I heard Carnatic music in India. There is dignity and respect there which make us feel an integration with the cosmos.”
As a curator, another of my focuses for this album is experimentation that confronts the limits between composition and indeterminacy. Speaking about Stockhausen in her book “Dialogue with letters” (SESI-SP, 2014) she says: “Mantra for two pianos by Stockhausen is one of his works that most fascinates me for certain qualities that sounds like improvisation and, are strictly determined. A challenge for pianists.” Jocy brings much of that focus to her Ragas.
The first title for this release was “Extratos Oníricos”, but during production, the composer sent us the following message: “I was thinking about the project of LP from the ‘80s and I believe the best title could be “Raga na Amazônia.”
I think the title would be more up-to-date, although I presented many concerts and events in the 70s and 80s focusing environmental questions, we still need to continue fighting for Amazon.”
About experimental music, in her same book, Jocy clarifies that "John Cage said that the word experimental should not describe an act in terms of future judgment, as to its success or failure, but should be applied to an act whose result is unknown"
During an interview at “Dialogue with composers” project, organized by the Brazilian Symphony Orchestra (OSB) in December 2020, Jocy spoke about the importance of music in her life: "I don't think of music as a career, but as a destiny. I express myself through music because this is my way of manifesting myself. It is my voice, my cry, my groan. ”
Paulo Beto

BIS => 2025 06 27
1LP - DISCOS NADA
1986 => 2021

TRACKLIST
1. Fragmentos 08:31
2. Sol da Manhã 04:53
3. Dia Claro 05:08
4. Tua Casa, Minha Casa 03:40
5. Quarto 05:49
6. Sala 04:38
7. Cozinha 02:08
8. Pela Janela 02:23

DESCRIPTION
Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others.

Marco Bosco started his personal journey in the 70s, but the biggest impact happened when he released his first solo work, Metalmadeira (1983), a journey made up of acoustic and electronic textures, sons of nature, vocoders, synthesizers and sequencers.
Fragmentos da Casa, his second solo album, had a striking concept, explained by the artist himself, from the original press release : “Antagonizing the synthesized universe of digital equipment and instruments to an acoustic aesthetics; plus emphasizing the timbristic characteristics of percussion: Fragmentos da Casa is a musical interpretation of a journey - one night and one day - through the rooms of an imaginary house”
Reissued for the first time, Fragmentos da Casa was originally released in 1986, by Carmo, owned by Egberto Gismonti. Carmo also released albums by Gismonti, Piry Reis, Fernando Falcão, Nando Carneiro and André Geraissati, among others.

In 1986, or Marco Bosco's percussive arsenal was unique and extremely peculiar, containing chizanzhi, caxixis, purrinhola, requo-requo, shequeres, berimbaus and lingo drum, among other instruments.

This fusion of acoustic and synthetic, promoted by some Brazilian artists in the 80's and celebrated worldwide, still brings memories to the percussionist. For him, the arrival of those electronic gadgets "was the best thing that happened on the planet".

This reissue includes a reproduction of the original artwork, new testimonies by Marco Bosco and a a long article signed by Bento Araujo, author of the series of books Lindo Sonho Delirante, which investigates audacious and fearless music produced in the Brazilian underground.


BIS => 2025 06 27
1LP - DISCOS NADA
1985 => 2020

TRACKLIST
1. Falando Alto 03:36
2. No Dia Em Que Partiram 01:48
3. A Lua, As Estrelas 03:48
4. Não Imagino 02:10
5. Lá Dentro 02:39
6. Peixe Pedra 02:16
7. Amor Platônico 03:03
8. Conversa (Bonus Track) 02:49
9. Intervalo 02:44
10. Ciência 05:29
11. Ar de Amor 03:26
12. Sem Teto 03:03
13. O Poeta 00:58
14. SP5 4R (Base) 04:06
15. Pallazo Uno (Bonus Track) 02:26

DESCRIPTION
1985 was one of the most important years in Brazil's recent history, when the country was freed from more than 20 years of military dictatorship. The youth took the lead and finally Brazil entered the world show business circuit with Rock In Rio festival. But the real revolution was happening in the underground and this record is a proof of that.
One of the people in charge was the musician, composer, poet, writer, scriptwriter and speaker from Rio de Janeiro Ronaldo Tapajós, who was always involved with experimental and avant-garde music. His trajectory begins in the mythical 1968, when, as part of the the duo Rô and Carlinhos, he released an emblematic single containing the song “O Gigante” - perhaps the first Brazilian bad trip recorded on vinyl and a shrewd criticism of the society's “square” habits.

Cinema was an experimental and avant-garde piece released in early 1985. In many ways it’s an example of the new Brazil that was reborning after 21 years of darkness under Military Dictatorship. Musically, it was a pioneer album for Brazilian music, mixing acoustic and synthetic sounds.
This rare adventure in Brazilian music was released independently in 1985, financed by the artists themselves. The original small press sold-out, belonging now to record collectors around the planet. For the first time Cinema is re-released on vinyl, with two extra and unreleased tracks found after decades.
Remastered from the original tapes, this reissue includes reproduction of the original graphic art, new testimonials from the four members of the project and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
According to Cinema’s LP press release: “in the era of visual music, Cinema is sound”. In terms of sound, listening to this album feels like diving into an intriguing anguish of trying to understand how the relationship between technology available at that time (1983-1984) and the more organic instruments happened, this duality between synthesizers/effects with percussion, woodwind instruments, piano and clarinet. In other words: how was the coexistence between the synthetic and the acoustic? This paradox seems to seduce collectors, DJs and enthusiasts of Brazilian music from the 80's around the world.
This fictional soundtrack has a dark mood, as if a fog of dark and ambient music insisted on staying on top of cheerful patterns of Afro-Brazilian percussion, or conceptual synth pop.

BIS => 2025 06 27
1LP - DISCOS NADA
1989 => 2020

TRACKLIST
1. Instante de Gelo 01:53
2. Dona Roxa 03:22
3. Das Matas 04:53
4. Pantano 09:08
5. Here We Go Again 03:58
6. Carabecht 03:02
7. Terra Batida 03:04
8. Caracol 07:19
9. Pequena Dança (Bonus Track) 01:35
10. Butterflies (Bonus Track) 02:54

DESCRIPTION
Brazilian underground music in the 1980s produced fascinating and mysterious records, where organic and regional percussion finally gained electronic and synthetic nuances. Songs were processed electronically and acted in harmony with drumming and dissonant guitar interventions. This was a too bold recipe to be understood in Brazil at that time, dominated by pop music and the first signs of lambada fever and country music.
Despite being an ideal time for independent production, the music contained in Caracol was so anti-commercial that things seemed to happen in a parallel universe for the duo João de Bruçó and R.H. Jackson.
Caracol is one of the first examples of fusion between Brazilian percussive music and electronics. Synthesizers, samplers and sequencers were still a novelty in Brazil in the 1980s, but João de Bruçó and R.H. Jackson created an avant-garde masterpiece.
Using popular references and an eagerness to escape any retro / stylistic cliché that came to haunt Brazilian youth music at that time, they plunged into an audacious, intuitive and improbable sound journey in Caracol.
João de Bruçó started out as a drummer, playing from jazz to forró. Then he studied Brazilian folklore, worked in circuses and wrote tracks for theater, dance performances and TV. Studying percussion and the relationship between dance and music, he discovered new instruments and possibilities. R.H. Jackson also started out as a drummer and percussionist. He studied cinema, video and electronic composition. He also created soundtracks and researched Brazilian folk dances and candomblé. Jack was already an avid user of several technological innovations and was one of the few in Brazil in the 1980s who dominated computer programming, samplers and sequencers.
Caracol was recorded between 1988 and 1989. João was responsible for the percussion, accordion and a series of objects, such as a copper vase with water, seeds, animal hooves, snorers, springs, bells, marbles and a metal mug, plus piano and a toy clarinet. Jack took care of electronic programming, samplers, sound treatments, synthesizers, subtractions and guitars. Both were in charge of vocals.
This rare adventure of Brazilian music was released independently in 1989, financed by the artists themselves.
The original small pressing sold-out, belonging now to record collectors around the planet. For the first time Caracol is re-released on vinyl, with two extra tracks found after decades!
Remastered from the original tapes, this reissue includes a reproduction of the original graphic art, new testimonies from Alex Antunes (from Akira S. & as Garotas que Erraram), João de Bruçó and RH Jackson and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.
“What draws most attention in Caracol is the choice of intuition as a creative and compositional process. Despite the sound and timbristic result being marked by a lot of simplicity, at the same time it oozes multiplicity. The voices, processed electronically, merge with a drumming of surdos, repiniques and the dissonant interventions of a guitar. The vocals are onomatopoeic and modal, like a kind of indigenous tribal ritual. Whoever wants to classify the album will have difficulties. In many moments, the choices and sounds are so primitive, that one could hardly think of it as avant-garde. But those who put pre-concepts aside - and use only their ears and musical sensitivity - will be delighted ”

BIS => 2025 06 27
1LP - BGP
2025

TRACKLIST
SIDE ONE
1. SIX MILLION DOLLAR MAN THEME – Richard "Groove" Holmes
2. SUPER STRUT - Cookin' Bag
3. WORK SONG - The Pazant Brothers
4. PEACE & LOVE - Lonnie Liston Smith & The Cosmic Echoes
5. SKULL SESSION - Oliver Nelson
SIDE TWO
1. MAMA SOUL - Harold Alexander
2. HEAD START - Bob Thiele Emergency
3. THEME FROM THE MEN - Joe Bataan
4. PUT IT WHERE YOU WANT IT - Pretty Purdie
5. DRIFTING - Chucky Thurmon & Pharris Wheel

DESCRIPTION
What it is, is funky! When the acid jazz scene ruled the world it looked for its inspiration in places that other jazz fans tended to overlook. The soul jazz of the late 60s and early 70s. The music of lounge bars and small clubs that fuelled the night life of black America. This compilation brings together ten examples of the sound and is a high quality listen from start to finish.
In the post-bebop world jazz was often condemned as an intellectual music aimed at the head not the feet, but a strain of the music was always for dancing, coming straight from the legacy of the big bands, and always tipping its head to what was going on in the R&B charts. The tracks included here all stay true to that legacy.
So whether we have Lonnie Liston Smith’s plea for 'Peace & Love' with its Bob Marley echoing horn lines, or Joe Bataan as band leader covering Isaac Hayes' 'Theme From the Men', this is music allied with the contemporary sounds of the day. Oliver Nelson's synth heavy 'Skull Session' or his TV hit 'Theme From The Six Million Dollar Man' covered by Richard ‘Groove’ Holmes show this. At the heart of these recordings are the rhythms − and as such Bernard Purdie is the star either as a solo artist or simply as the man behind the kit with Harold Alexander.
This is Funky Jazz is an entry ticket to a party that everyone should want to be invited to.

BIS => 2025 07 04
2LP - GET ON DOWN
1994 => 2025

PRESSED ON PINK & PURPLE
PSYCHEDELIC SWIRL-COLORED VINYL

TRACKLIST
A1. Say Ahhh...
A2. Mind Melt
A3. Buttersweet Loving
A4. River Of Freedom
B1. Somebody
B2. When You Told Me You Loved Me
B3. Stay In Bed, Forget The Rest • B4. Call Me
C1. Music Selector In The Soul Reflector
C2. Sampladelic
C3. Bring Me Your Love
C4. Picnic In The Summertime
D1. Apple Juice Kissing
D2. Party Happening People
D3. DMT (Dance Music Trance)
D4. What Is This Music?

DESRIPTION
When one makes mention of Deee-Lite, the 90's house-funk trio of Lady Miss Kier, and DJs Dmitry and Towa Tei, invariably their Billboard smash single “Groove Is In The Heart” will come up, and for good reason. With its Herbie Hancock-sampling bassline, some classic rhymes from Q-Tip, and guest vocals by Parliament-Funkadelic legend Bootsy Collins, the song became an indelible classic of 90s music, a massive commercial hit for Deee-lite and is widely considered one of the greatest dance songs of all time. Although a massive success for the group, “Groove Is In The Heart” led to some pigeonholing from critics and reviewers, who had specific expectations for future records.
Rather than deliver more of the same free-wheeling, breezy dance music of World Clique, Deee-lite took a more politically-minded approach with their second album, spurred largely by front-woman Lady Miss Kier, who had a lengthy history of political activism prior to forming the group. 1992's Infinity Within rendered several Dance-chart hit singles, but was not as commercially or critically lauded as its forebear.
Deee-lite were undaunted by their change in commercial fortune, regrouping with the addition of junglist DJ Ani, replacing the absent Towa Tei to record their third record. 1994's Dewdrops In The Garden was the result of their efforts, which struck a remarkable balance between the celebratory grooves of World Clique, and the social justice-driven Infinity Within. Lady Miss Kier had done a lot of world-traveling in the time between albums, and the material in Dewdrops was a reflection of her experiences, applying a spirit of global togetherness to their house-funk grooves.
Regrettably, Dewdrops In The Garden was not a commercial success, yet it still managed to render its share of #1 Dance Chart singles; the atmospheric techno bounciness of “Bring Me Your Love”, and the spacious funk-house track “Call Me.” Though Deee-lite would disband soon after Dewdrops In The Garden's release, the record remains an unheralded favorite among dance music devotees for its coupling infectiously bright, and soulful melodies, with banging dance-floor grooves, and unshakably optimistic vibes.

BIS => 2025 07 25
1LP - NOW-AGAIN RECORDS
2025

TRACKLIST

A1. Del Jones - The Last Letter
A2. Herb Johnson - Where Are You
A3. Will You Be There - Timothy McNealy
A4. Little Beaver - Do Right man
A5. Soul Superiors - Trust In Me Baby
A6. Outback - Strangers In Our Homeland
A7. The Montecarlos - If You Leave

A8. Words Of Wisdom - You Made Me Everything
B1. Soul Charges - My Heart Beats For You
B2. The Power Of Attorney - I'm Just Your Clown
B3. James Reese - Throwing Stones (Kenny Dope Mix)
B4. Richard Marks - I'm With You Love
B5. Bonnie Floyd - You're My Everything
B6. The Ledgends - A Fool For You
B7. Apple & The Three Oranges - Moonlight


DESCRIPTION
This anthology follows Now-Again's Loving On The Flipside, issued more than a decade ago. And that anthology itself got its start in a different time, a decade even earlier - the era in which Now-Again's Egon and his friends chased down funk 45s and the odd LP for their testosterone riddled, aggressive sound. Often times the funk song on one of their chosen is would be the throw-away b-side, the hasty afterthought the band cobbled together the night before hitting - or while in - the studio because they'd put all of their energies into writing the amazing ballad that would ensure their entry in soul's history books.
Every once in a while, that funk song they coveted could have been - in an alternate universe - a ballad. The Third Guitar's "Baby Don't Cry," El Pooks* "I Could Do The Impossible" and Spider Harrison's "Beautiful Day" all fit into this category. That realization notwithstanding, more often than not they shined over the ballads to get to the tough stuff.
Then they started flipping those funk records over to find some loving on the flip side. Some marvellous tunes were there to be found.
This is the long awaited follow up. Contained within this anthology are some of the greatest soul ballads that go sweet with a beat - or, to follow our tagline, epitomize "sweet funk." Most of these songs have never been compiled. Some have never been issued in any form. Some, like the Ledgends entry here, were sampled to great success (in that case for Freddie Gibbs and Madlib's "Deeper"). Some haven't been sampled, but, like Herb Johnson's entry, are patiently awaiting their day.
It should go without saying that we're proud to present this music in good conscience; with the full participation of everyone but the most obscure names contained within. And, for those who we've not yet been able to contact, this is our message: We've found your brethren, we've placed them beside you on an album that we hope you feel is befitting of your collective contri- butions to soul music and now we're just waiting for you. Though the music you recorded is from the years past, vour time is now.

BIS => 2025 07 18
1LP - 180G
2024

BIS => 2025 08 01
GATEFOLD
JACKET WITH LYRICS
2LP - GET ON DOWN
1996 => 2024

BIS => 2025 07 11
LIMITED TO 300 COPIES
CREAM & ORANGE SPLATTER
1LP - DRINK SUM WTR
2024

BIS => 2025 07 25
GATEFOLD BLACK
2LP - UNCLE HOWIE RECORDS
2004 => 2023

BIS => 2025 07 25
1LP - VAMPISOUL
1967 => 2022

BIS => 2025 07 18
1LP - 180G
2022

BIS => 2025 07 18
1LP - 180G
2021

BIS => 2025 08 01
2LP - GET ON DOWN
2000 => 2015

BIS => 2025 07 18
1LP - 180G
2020

BIS => 2025 08 01
2LP - GET ON DOWN
1988 => 2017

BIS => 2025 06 13
1LP - FUNK ON SIGHT
2024

BIS => 2025 07 25
2LP - BIG BEAT / GNP CRESCENDO
1966 => 2024

BIS => 2025 07 25
2LP - DUCK DOWN
2005 => 2024

BIS => 2025 05 30
2LP - UBIQUITY RECORDS
2024

BIS => 2025 07 25
BLUE COLORED
1LP - WESTBOUND
1970 => 2020

BIS => 2025 08 01
ACCESSORIES - SUPER7
2025

• Inspired by the album art from J Dilla’s second studio album, Donuts
• Figure is 3.75” scale and features five points of articulation
• Includes synthesizer and removable necklace accessories, and comes packaged on a blistered cardback
• The perfect gift for any J Dilla fan, collect the entire assortment of music legend figures by Super7!

DESCRIPTION
A cornerstone of hip-hop culture and beat-making mastery, J Dilla’s Donuts changed the game forever. For the first time ever, Super7 is honoring the legend- ary producer with a 3.75” scale, articulated ReAction Figure! Inspired by the iconic 2006 album cover of Donuts, this figure comes equipped with a synthesiz- er accessory, removable necklace, and full color blistered cardback packaging that nods to Donuts’ enduring influence. A tribute to one of the greatest—don’t let this J Dilla ReAction Figure pass you by!

BIS => 2025 08 01
1LP - SILVER AGE
2025

PRESSED ON PINK COLORED VINYL

TRACKLIST
A1: Knull & Void (feat. Method Man & Frankie Pulitzer)
A2: Knul & Void (Instrumental)
A3: Knull & Void (Acapella)
B1: Safe Haven
B2: Safe Haven (Instrumental)
B3: Safe Haven (Acapella)
B4: Bonus Lick – Beef & Brockoli

DESCRIPTION
Czarface returns from the shadows with "Knull & Void", a bone-rattling 12” straight from the film Venom: The Last Dance. Featuring Wu-Tang Clan's Method Man and the elusive Frankie Pulitzer, and rounded out with a never-before-heard B-side "Safe Haven", this one's destined to be a collector's grail. Whether you're a hip-hop head or a Marvel-maniac, these tracks hit harder than Venom himself...grab it before it vanishes into the void!

BIS => 2025 07 04
1LP - VMP / TOMMY BOY
1989 => 2018


TRACKLIST
A1 Dance For Me
A2 Mama Gave Birth To The Soul Children
A3 Come Into My House
A4 Latifah's Law
A5 Wrath Of My Madness
A6 The Pros
B1 Ladies First
B2 A King And Queen Creation
B3 Queen Of Royal Badness
B4 Evil That Men Do
B5 Princess Of The Posse
B6 Inside Out

DESCRIPTION
This was our August 2018 Rap and Hip Hop title. With All Hail The Queen, Queen Latifah became a superstar without compromising her gender expression or the Afrocentric positivity that beamed from her skills. The Queen was loud, proud, woman in every way she knew how to be; her presence alone became the standard.

BIS => 2025 07 04
2LP - VMP / DEF JAM
2007 => 2024

LP1 Purple / LP2 Red
Double Gatefold - Direct-To-Board

TRACKLIST
A1 At The Cabana Skit
A2 Toney Sigel A.K.A. The Barrel Brothers
A3 Yolanda's House
A4 We Celebrate
B1 Walk Around
B2 Yapp City
B3 White Linen Affair (Toney Awards)
B4 Supa GFK
C1 Rec-Room Therapy
C2 The Prayer
C3 I'll Die For You
C4 Paisley Darts
D1 Shakey Dog Starring Lolita
D2 !
D3 Killa Lipstick
D4 Slow Down

DESCRIPTION
Released in December 2007, The Big Doe Rehab was a technical commercial success at the time, but it endures spiritually as an essential title in [Ghostface Killah's] own expansive, 13-album discography, let alone his larger body of work with other artists. While every Wu member’s solo project inevitably serves as a stage for the Clan, with The Big Doe Rehab, the spotlight never leaves Ghostface Killah in the dark, even with so many other big-name players entering and exiting — a level of artistry that could only be achieved by one of hip-hop’s top dart spitters.

BIS => 2025 07 04
1LP - HARLEM SHUFFLE RECORDS
2025

14 ORIGINAL TRACKS COMPILATION LP
ROCKSTEADY – BOSS REGGAE – EARLY REGGAE 1965-1975

TRACKLIST
A1. The Soul Leaders & Carib Beats - Pour On The Sauce
A2. Lynn Taitt & The Jets - I Spy
A3. The Kilowatts - Real Cool Operator
A4. Sir Collins & The Black Diamonds - Black Diamonds
A5. Clive’s All Stars & George Murphy - San Sebastian
A6. Eric Monty Morris - Cinderella
A7. Dell Williams - Searching For Your Love

B1. Derrick Morgan - I Who Have Nothing
B2. Chenley Duffus - To Be A Lover
B3. Lloyd Charmers - President Version
B4. Tony Bins - Musical Shower
B5. Annette Clarke - Just One Look
B6. The Jay Boys - Del Gago
B7. Desmond Riley - Tear Them


DESCRIPTION
Here is the much anticipated Volume 5 of the HOT SAUCE compilation LPs dedicated to the Trojan related labels between 1965 and 1975.

HOT SAUCE Volume 5 features outstanding original Rocksteady, Boss Reggae and early Reggae tracks including rare songs, overlooked gems, hidden treasures and a couple of hits.

The record labels showcased on this fourth volume are Amalgamated, Bread, Downtown, Duke, Explosion,Grape, Harry J Records , JJ Records, Rio, Splash, Upsetter and Techniques.

Particular attention has been paid to the way the songs are sequenced so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side.

The HOT SAUCE series is a musical journey across Trojan and its labels showcasing early Jamaican Reggae’s diverse musical genres and outstanding artists.

BIS => 2025 08 01
1LP - PM RECORDS
1983

Liebman’s release from 1983, appropriately entitled Solo as the artist is the sole performer on the release laying down Soprano Saxophone, Alto Recorder, Piano [Acoustic], Electric Piano [Fender], Synthesizer [Prophet V, Polymoog], Drums, Finger Cymbals, and Vocals on all selections


TRACKLIST
A1 Hiroshima Memorial
A2 Remembrance
A3 Trois Gnossiennes
A4 A Guidd Dream
B1 Words
B2 Translucence
B3 Relentless
B4 The Power Of The Cross

BIS => 2025 08 01
180 GRAM
1LP - SONY / VMP
2001 => 2023

BIS => 2025 07 04
180 GRAM
TIP-ON GATEFOLD
1LP - CONCORD / VMP
1969 => 2024

BIS => 2025 07 04
GATEFOLD JACKET WITH A SIX PANEL INSERT
FULL ALBUM LINERS, SONG LYRICS
2LP - MATIC RECORDS / COALMINE REISSUES
1996 => 2024

BIS => 2025 08 01
1LP - NEXT RECORDS
2017 => 2024

BIS => 2025 07 04
1LP - MADLIB INVAZION MUSIC LIBRARY SERIES
2023

BIS => 2025 05 16
1LP - TCF MUSIC GROUP
2023

BIS => 2025 08 01
2LP - HHC
1994 => 2023

BIS => 2025 07 04
COLOR = WHITE VINYL
1LP - GET ON DOWN
2006 => 2014

BIS => 2025 07 04
1LP - GET ON DOWN
CRYSTAL CLEAR VINYL
1985 => 2022

BIS => 2025 07 04
2LP - GET ON DOWN
2001 => 2022

BIS => 2025 05 16
2LP - M3 RECORDS
2001 => 2021

BIS => 2025 08 01
1LP - SILVER AGE
2021

BIS => 2025 08 01
1LP - SILVER AGE
2019

BIS => 2025 08 01
1LP - 36 CHAMBERS
1999 => 2021

BIS => 2025 08 01
2LP - MADLIB INVAZION
2014

BIS => 2025 08 01
LIMITED TRANSPARENT RED COLORED
2LP - GET ON DOWN
1975 => 2018

BIS => 2025 08 01
2LP - GET ON DOWN
1986 => 2016

BIS => 2025 06 06
2LP - TRAFFIC ENTERTAINMENT
1993 => 2010

BIS => 2025 06 13
LIMITED TO 500 UNITS
COLOR HELLFIRE
2LP - WAR MEDIA
2014 => 2024

BIS => 2025 07 04
1LP - NATURE SOUNDS
2024

BIS => 2025 08 01
RSD ESSENTIAL - INDIE COLORWAY YELLOW
2LP - HHC RECORDS
2002 => 2023

BIS => 2025 06 20
1LP - MAD ABOUT RECORDS
1976 => 2022

BIS => 2025 07 04
1LP - MADLIB INVAZION
2020

BIS => 2025 07 25
2LP - ACE / STAX
2025

TRACKLIST
SIDE ONE
1. THEME FROM THE MEN (Instrumental)
2. TYPE THANG
3. ROLLING DOWN A MOUNTAINSIDE
4. (IF LOVING YOU IS WRONG) I DON'T WANT TO BE RIGHT
5. JOY PT 1
SIDE TWO
1. JOY PT 2
2. WONDERFUL
3. SOMEONE MADE YOU FOR ME
4. TITLE THEME
5. HUNG UP ON MY BABY (Instrumental)
SIDE THREE
1. CHOCOLATE CHIP
2. CHOCOLATE CHIP (Instrumental)
3. COME LIVE WITH ME
4. BODY LANGUAGE
5. DISCO CONNECTION
SIDE FOUR
1. ST. THOMAS SQUARE
2. ROCK ME EASY BABY PT 1
3. ROCK ME EASY BABY PT 2
4. JUICY FRUIT (DISCO FREAK) PT 1
5. JUICY FRUIT (DISCO FREAK) PT 2

DESCRIPTION
The wonderfully favourable response to our first CD and double vinyl volume of the original A and B sides of the singles of the late great Isaac Hayes – as originally released on Stax’ Enterprise subsidiary between 1969 and 1972 – has forced us to bring forward, this month, the release of “Hot Buttered Singles 2” to cater for what Ace is sure will be just as great a level of popular demand.
This volume picks up where “Hot Buttered Singles Vol 1” left off with Hayes’ final 45 of 1972, and carries his seven inch story through to 1976 – by which time Stax was defunct, and Hayes’ was on his own Hot Buttered Soul label via ABC Records. It features eight US R&B chart hits including the much sampled ‘Hung Up On My Baby’ and ‘Chocolate Chip’, Hayes’ biggest hit of this period ‘Joy’ and the ever-popular 1976 instrumental ‘Disco Connection’, which finally gave Hayes’ his second UK Top 20 hit after ‘Shaft’.
All tracks match the original single edits, and wherever possible are taken from digital transfers of the original Enterprise singles masters. Where the original 45s came in two parts, they also do so here. And where original singles masters no longer exist, as was the case for two tracks, Ace’s engineers have re-created them beat for beat from the longer album versions. (Have fun guessing which two they were…)
As with “Hot Buttered Singles Vol 1”, the LP inners and CD booklet are packed with label shots, copious other images and an extensive sleeve note that gives deep detail about the featured songs. It also makes the package look as good as it sounds.

BIS => 2025 06 27
1LP - BGP
2025

TRACKLIST
SIDE ONE
1. MY LITTLE GIRL - Bobby Garrett
2. BABY, WITHOUT YOU - Danny Monday
3. LIGHTEN UP BABY - Ty Karim
4. YOU HIT ME (RIGHT WHERE IT HURT ME) – Alice Clark
5. CIGARETTE ASHES - Jimmy Conwell
6. (JUST A LITTLE) FAITH AND UNDERSTANDING -The Magicians
7. I CAN FEEL YOUR LOVE - Felice Taylor
SIDE TWO
1. GONE WITH THE WIND IS MY LOVE – Rita & The Tiaras
2. YOU TURNED MY BITTER INTO SWEET - Mary Love
3. WOULD YOU BELIEVE - Jackie Lee
4. TRY MY LOVE - Toni & The Showmen
5. THE SAME OLD THING - The Olympics
6. WHAT GOOD AM I WITHOUT YOU - Darrow Fletcher
7. WHAT SHOULD I DO - Little Ann

DESCRIPTION
Northern soul is in the news again, as once more this most resilient of dance floor cults is discovered by a new generation. For four decades now Ace Records has been a natural home for the music and using that experience we are bringing you our first ever all classics collection of some of the scene's greatest hits. All on one LP.
The recordings featured on this release are tried and tested, often in the hot forge of the scene's earliest day, when new discoveries were coming thick and fast, and only the strong survived. These did.
So we have 14 tracks which filled floors in Wigan, Blackpool, Cleethorpes, London's 100 Club and many other legendary venues. From West Coast Mirwood and Kent/ Modern label classics by Jackie Lee, Bobby Garrett, Mary Love and Danny Monday, to the big City Chicago soul of Darrow Fletcher via the super rare recordings by Rita & The Tiaras and Little Ann, which are now accepted standards of the scene.

BIS => 2025 06 27
1LP - VAMPISOUL
1966 => 2025

“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats.
Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

TRACKLIST
Side A
1. DAME CAFÉ
2. NEGRA QUERIDA
3. PUES NO DA PA’ MÁS
4. PITIMBÁN
5. CUMBIA MILAGROSA
6. GALERAZAMBA
Side B
1. JOSÉ DOLORES
2. LOS GAVILANES
3. LA PREGUNTADERA
4. EDITH
5. CHARANGUERA
6. SE TE VE

DESCRIPTION
The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms. This group included notable figures like Andrés Landero, Aníbal Velásquez, Lisandro Meza, and Alfredo Gutiérrez, among others.
A prime example of their diverse musical styles is the album “Dame café”, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaíto and pasaje. The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind “Dame café”, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The group’s creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends. Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album “Dame café” has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track ‘Pues no da pa’ más’. Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

BIS => 2025 06 27
7 INCH - VAMPISOUL
2025

Two awesome Latin jazz-funk gems for the dance floor, blazing with the rich brass section and percussion.
Both songs are taken from mega-rare Venezuelan LPs released in 1976.
Reissued on a 45 for the first time.

TRACKLIST
Side A
LA RETRETA MAYOR -TORTA DE PAN
Side B
PABLO SCHNEIDER -LA VENGANZA

DESCRIPTION
First time 45 reissue of these two awesome Latin jazz-funk gems from Venezuela.
La Retreta Mayor was founded and led by guitarist Alex Rodríguez. ‘Torta de pan’, reminiscent of recordings of classic US funk bands such as the JBs, was originally included in their only and hard-to-find LP. On the flip side of our 45 we find ‘La venganza’ that was part of a mega rare soundtrack written and recorded by Pablo Schneider for the obscure Venezuelan sexploitation film “Sobre la Hierba… Virgen”. Both songs were released on Discomoda in 1976 and the original records are almost impossible to find in any condition.
How cool and handy is to have both songs together on a DJ-friendly 45? First time 7” reissue.

BIS => 2025 07 25
1LP - BGP / FLYING DUTCHMAN
1977 => 2024

BIS => 2025 07 25
1LP - KENT
2017

BIS => 2025 06 27
1LP - KENT
2002

BIS => 2025 07 25
3LP - WESTBOUND
2017

BIS => 2025 07 25
2LP - CHISWICK
1977 => 2025

DOUBLE VINYL LIMITED EDITION

TRACKLIST
SIDE ONE
1. MOTÖRHEAD
2. VIBRATOR
3. LOST JOHNNY
4. IRON HORSE / BORN TO LOSE
SIDE TWO
1. WHITE LINE FEVER
2. KEEP US ON THE ROAD 3. THE WATCHER
4. TRAIN KEPT A-ROLLIN'
SIDE THREE
1. CITY KIDS
2. BEER DRINKERS & HELL RAISERS 3. ON PAROLE
4. INSTRO
5. I'M YOUR WITCH DOCTOR
6. LOST JOHNNY (Mix 2)
SIDE FOUR
1. CITY KIDS (Mix 1)
2. I'M YOUR WITCH DOCTOR (Alternative Mix)
3. THE WATCHER (Mix 3)
4. WHITE LINE FEVER (Mix 7)
5. KEEP US ON THE ROAD (Mix 1)
6. MOTÖRHEAD (Alternative vocal & guitar solo)

DESCRIPTION
To kick off Ace Records 50th Anniversary we are delighted to offer up a 2-LP version of one of the most seminal and important heavy metal albums of all time.
Funded by and released on Chiswick Records in 1977, Motörhead’s debut album was a sonic blister of epic proportions capturing the musical lighting generated by Lemmy (bass/vocals), Phil Taylor (guitar) and Eddie Clarke (drums).
This 2-LP set not only offers up this classic first album featuring tracks like ‘White Line Fever’, ‘Violator’ and ‘Keep Us On The Road’ but also collates together, on sides three and four, ‘City Kids’ the “Beer Drinkers EP” as well as different mixed and alternative versions of ear-bleeding classics like ‘Motörhead’, ‘The Watcher’ and ‘Keep Us On The Road’.
The album cover features a silver hot foil replication Joe Petagno’s original Motorhead logo in all its glory. Sleeve notes are by Ted Carroll who takes the reader through the story of how Chiswick Records managed to scrape together the money to fund the recording and write themselves and Motörhead into rock and roll history.
It’s one hell of a way to kick off Ace’s 50th Anniversary re-issue schedule.

BIS => 2025 04 25
7 INCH - KENT
2025

TRACKLIST
True True Love
Instrumental Version

DESCRIPTION
Dean Chalkley’s Good For The Soul celebrates the joy of dancing to northern soul. This fast paced stylised short film plugs right into the emotional and cathartic nature of the music. Intricate and expressive dance moves are delivered by Durassie Kiangangu to a soundtrack of blistering rhythms and raw vocals from Tobi Lark’s rare soul track ‘True True Love’. The resulting combination is a fusion of dextrous dance moves and potent sounds that will turn your heartbeat up.
The film was originally presented at 50 Years On The Soul Stays Strong exhibition, that marked the 50th anniversary of the first legendary Wigan Casino Allnighters in 1973. Northern soul has a rich legacy and its devotees are very passionate about it, but this film focuses on the here and now, the energy, heat and wonder of being in your own dancing world.
The northern soul scene continues to attract devotees young and old all keeping the faith and letting the music move them.
‘True True Love’ was released as the first Kent Select single in 2006 and original copies sell for £300 plus − if you can find one. Ace are delighted to re-issue ‘True True Love’ on vinyl paired with an unreleased instrumental version by the Dave & Darrell Band.
The single comes in a picture sleeve featuring a still from Dean Chalkley’s amazing film along with liner notes written by Ady Crosdell.

BIS => 2025 04 25
7 INCH - BGP
2025

TRACKLIST
Just In Time To See The Sun
China Doll (Part 1)

DESCRIPTION
The latest selection of BGP 45s is the most diverse yet taking in the worlds of funk, soul, jazz and old school hip hop, as we continue in our mission to provide DJ weapons to the world…
Leon Thomas is of course famed as one of the most important voices to have emerged from the 1960s jazz scene. He worked alongside Pharoah Sanders and Lonnie Liston Smith, co-composing ‘The Creator Has A Master Plan’.
At Flying Dutchman some of his records took lessons from contemporary soul resulting in wonderful fusions. Here we present two of his very best reissue on 7-inch for the first time.

BIS => 2025 04 25
7 INCH - BGP
2025

TRACKLIST
Dollar Bill Y'All
Instrumental

DESCRIPTION
The latest selection of BGP 45s is the most diverse yet taking in the worlds of funk, soul, jazz and old school hip hop, as we continue in our mission to provide DJ weapons to the world…
New York rapper Jimmy Spicer was one of the first clients of behemoth rap management company RUSH, and recorded a handful of important singles in the early 1980s.
The best of the bunch was his sole outing for Spring ‘Money (Dollar Bill Y’All’) which rides of a crunch funk beat, and has become a much sampled classic. The original 7-inch mix is reissued here for the first time.

BIS => 2025 04 25
7 INCH - BGP
2025

TRACKLIST
Crazy Girl Part 1
Crazy Girl Part 2

DESCRIPTION
The latest selection of BGP 45s is the most diverse yet taking in the worlds of funk, soul, jazz and old school hip hop, as we continue in our mission to provide DJ weapons to the world…
Blind singer Freddie Love was from Baton Rouge and made two amazing 45s for Eddie Shuler’s ANLA label.
His debut is the two-sided dancer ‘Crazy Girl’ which is heavily influenced by James Brown and is another record that is having its first vinyl reissue.

BIS => 2025 04 25
7 INCH - BGP
2025

TRACKLIST
Nobody
It Cracks Me Up

DESCRIPTION
The latest selection of BGP 45s is the most diverse yet taking in the worlds of funk, soul, jazz and old school hip hop, as we continue in our mission to provide DJ weapons to the world…
West Coast based vocal group Hodges James & Smith’s ‘Nobody’ has long been a club classic for funk DJs and was championed by David Holmes. Hovering at around £100 for an original copy, we reissue it on 7-inch for the first time.
For extra pleasure we have included the previously only on CD ‘It Cracks Me Up’ on the flip.

BIS => 2025 07 25
2LP -STAX
2024

BIS => 2025 06 27
1LP - BGP
2024

BIS => 2025 06 27
1LP - BGP
2024

BIS => 2025 07 25
2LP - BIG BEAT
1967 => 2024

BIS => 2025 04 25
7 INCH (33⅓ RPM) - BGP
2024

BIS => 2025 06 27
1LP - ACE RECORDS
2024

BIS => 2025 07 25
1LP - BGP / FLYING DUTCHMAN
1973 => 2024

BIS => 2025 07 25
1LP - SOUTHBOUND
1977 => 2024

BIS => 2025 05 30
7 INCH - ACID JAZZ
1975 => 2024

BIS => 2025 06 27
1LP - BGP
2024

BIS => 2025 07 25
2LP - BIG BEAT
1966 => 2023

BIS => 2025 04 25
1LP - BGP
2000

BIS => 2025 06 27
12 INCH - CHISWICK
1977 => 2023

BIS => 2025 07 25
1LP - WESTBOUND
1975 => 2023

BIS => 2025 06 27
2LP - BGP / FLYING DUTCHMAN
2023

BIS => 2025 07 25
1LP - BGP
1972 => 2022

BIS => 2025 07 25
1LP - ACE RECORDS
1961 => 1990

BIS => 2025 06 27
1LP - STAX
1991

BIS => 2025 06 27
1LP - SOUTHBOUND
1974 => 2010

BIS => 2025 04 25
1LP - BGP
2001

BIS => 2025 04 25
2LP - BGP
2002

BIS => 2025 06 27
1LP - STAX
1993

BIS => 2025 07 25
1LP - BGP
1972 => 2014

BIS => 2025 04 25
2LP - BGP
2001