SOLD OUT
1LP -VAMPISOUL
1981 => 2022

SOLD OUT
7INCH - VAMPISOUL
2020

SOLD OUT
NEON YELLOW VINYL
1LP - TIDAL WAVES MUSIC
2021 11 19

SOLD OUT
1LP - TIDAL WAVES MUSIC
2019

SOLD OUT
1LP - TIMMION
2014

IN STOCK
1LP - EVERLAND
2018

BIS => 2024 02 02
1LP - KINGUNDERGROUND
2021

SOLD OUT
2LP - RUN OUT GROOVE VINYL
2021 09 03

SOLD OUT
1LP - P-VINE
2021 07 30

SOLD OUT
1LP - P-VINE
2021 08 27

BIS => 2022 05 27
1LP - P-VINE
2021 07 30

7 INCH - P-VINE
2021 06 25

SOLD OUT
1LP - WE WANT SOUND
2021 04 09

SOLD OUT
2LP - ANALOG AFRICA
2021 03 26

BIS => 2023 10 06
2LP - ANALOG AFRICA
2010

SOLD OUT
1LP - COLEMINE RECORDS
2021 01 29

SOLD OUT
PINK
1LP - COLEMINE RECORDS
2021 01 29

SOLD OUT
LIMITED 7 INCH - TIDAL WAVES MUSIC
2020 10 30

SOLD OUT
7 INCH - PIANO PIANO
2020 10 09

SOLD OUT
RSD 2020
SPLATTER GREEN COLORED - 1LP - DAPTONE
2020 09 26

SOLD OUT
RSD 2020 09 26
1LP - WE WANT SOUND

BIS => 2022 03 25
LIMITED 1LP - TIDAL WAVES
2020 09 18

2020 09 11
1LP - WE WANT SOUND

SOLD OUT
LRS 2020 - LIMITED - YELLOW COLORED - EXPANSION

IN STOCK
2LP - TRAMP RECORDS
2020

BIS => 2 / 3 WEEKS
1CD - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
1CD - LIGHT IN THE ATTIC
1973 => 2007

BIS => 2022 02 11
LIMITED - 1LP - TIDAL WAVES MUSIC
2021 02 19

IN STOCK
1LP - EVERLAND
2019

SOLD OUT
1LP - EVERLAND
2019

SOLD OUT
1LP - EVERLAND
2018

1LP - PMG
2018
BACK IN STOCK => 2021 10 15

1LP - PMG
2016

PREORDER 2020 09 18
LIMITED CLEAR 1LP - TIDAL WAVES

SOLD OUT
5LP - NOW AGAIN
2020 09 11

SOLD OUT
CLEAR - 1LP - TIDAL WAVES MUSIC
2020 10 09

SOLD OUT
2020 09 11
CLEAR - 1LP - WE WANT SOUND

BIS => 2 / 3 WEEKS
7 INCH - VAMPISOUL
2020

IN STOCK
CLEAR
LIMITED - 1LP - TIDAL WAVES MUSIC
2021 02 19

SOLD OUT
LIMITED CLEAR
1LP - TIDAL WAVES MUSIC
2021 01 22

1LP - ALTERCAT
2021 01 15

SOLD OUT
1LP - TAMBOURINE PARTY
2021

IN STOCK
1LP - SONORAMA
2019

SOLD OUT
2LP - ANALOG AFRICA
2008

BIS => 2022 02 04
CLEAR WITH BLUE & PURPLE SPLATTER
1LP - SHIP TO SHORE
2021 12 03

SOLD OUT
RED
3LP - COLEMINE
2020 04 13

BIS => 2 / 3 WEEKS
1LP - KENT
2017

SOLD OUT
CLEAR
1LP - TIDAL WAVES MUSIC
2021

SOLD OUT
1LP - 8TH RECORDS
2021 04 30

SOLD OUT
DROP 1 - RSD 2021
1LP - SOUL BROTHER RECORDS
2021 06 12
2021 07 23

IN STOCK
7 INCH - SKYLINE RECORDS
2021 06 18

SOLD OUT
1LP - P-VINE
2021 11 19

SOLD OUT
1LP - P-VINE
2021 11 19

SOLD OUT
COKE BOTTLE CLEAR
1LP - LIGHT IN THE ATTIC
2021 11 19

BIS => 2 / 3 WEEKS
GOLD
K7 - LIGHT IN THE ATTIC
2021

SOLD OUT
CLEAR WITH BLUE & PURPLE SPLATTER
1LP - SHIP TO SHORE
2021 12 03

SOLD OUT
BLUE VINYL
1LP - ALOHA GOT SOUL
2022 04 08

SOLD OUT
RSD 2020 08 29
2LP - WE WANT SOUND
2020

SOLD OUT
1LP - PMG
2016

SOLD OUT
1LP - BE WITH RECORDS
2021 03 12

SOLD OUT
1LP - PMG
2016

SOLD OUT
1LP - GLITTERBEAT

BIS => 2 / 3 WEEKS
1LP - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
K7 - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
8-TRACK - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
CLEAR
1LP - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
GOLD
1LP - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
1CD - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
K7 - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
8-TRACK - LIGHT IN THE ATTIC
2022 11 18

BIS => 2 / 3 WEEKS
7 INCH - RECORD KICKS
2023

BIS => 2 / 3 WEEKS
1LP - P-VINE
1979 => 2022

BIS => 2025 05 16
3LP - BBE
BLUE VINYL
2022 => 2023

BIS => 2 / 3 WEEKS
2LP - BBE
1978 => 2023

SOLD OUT
7 INCH - VAMPISOUL
2022

SOLD OUT
1LP - VAMPISOUL
2020 12 04

BIS => 2 / 3 WEEKS
LIMITED EDITION RED VINYL PRESSING 
1LP - NOW AGAIN
2020 => 2023

BIS => 2023 12 01
7 INCH - MR BONGO RECORDS
2023

BIS => 2 / 3 WEEKS
1LP - FAT BEATS RECORDS
2020

BIS => 2 / 3 WEEKS
7 INCH - AUSTIN BOOGIE CREW
2017

BIS => 2 / 3 WEEKS
PIC SLEEVE
7 INCH - AUSTIN BOOGIE CREW
2019

BIS => 2 / 3 WEEKS
PIC SLEEVE
7 INCH - AUSTIN BOOGIE CREW
2019

BIS => 2 / 3 WEEKS
1LP - REEL PEOPLE MUSIC
2024

BIS => 2 / 3 WEEKS
1LP - MR BONGO
1975 => 2024

BIS => 2024 05 24
1LP - GROOVIE RECORDS
1974 => 2017

BIS => 2024 05 24
PURPLE LP
1LP - GROOVIE RECORDS
1974 => 2017

BIS => 2024 05 24
1LP - GROOVIE RECORDS
1977 => 2016

BIS => 2024 05 24
GREEN LP LTD. 100 COPIES
1LP - GROOVIE RECORDS
1977 => 2016

BIS => 2024 10 11
1LP - STONES THROW
2024

BIS => 2025 01 31
7 INCH - MEASURED MILE
2024

BIS => 2025 04 04
RSD BLACK FRIDAY 2024
ORANGE COLOURED VINYL
1LP - SOUL JAZZ RECORDS
1977 => 2024

BIS => 2025 01 24
1LP - MAD ABOUT RECORDS
1985 => 2024

BIS => 2025 01 24
7 INCH - MAD ABOUT RECORDS
2024

BIS => 2025 05 02
1LP - PM RECORDS
1980

Stone Alliances full length from 1980 with a sweet soul jazz feel

TRACKLIST
A1 Georgia O'
A2 Pedra Da Lua
A3 Aunt Remus
A4 Tribute To Afreeka
B1 Uncle Jemima
B2 Kimmy And Donnie
B3 Trampoline
B4 Para Los Papinos


DESCRIPTION

RECORDED IN NEW YORK

More jazz to dazzle the ears! If you're not familiar with this group, take a listen and join their already solid following in not only the U.S., but also South America. These 4 guys, Don Alias, Gene Perla, Bob Mintzer and Kenny Kirkland don't only possess all this musical wealth just to squander though! They love to perform, and spread their music. And they often will hold clinics which are not only listening but also learning experiences... DOWNBEAT has received them quite well, and one glance at each member's discography puts them right up in the "heavy" league!
Richman Bros. Records, Inc.


Most adventuresome release from the Alliance to date. Everything is well thought out and conceived at a high level of artistic achievement. Jazz programmers will find this of special interest, and jazz buyers will find this something worth having.
Midwest Record Recap


With their musically diverse fourth album, Stone Alliance proves that they deserve the respect and praise of the jazz and contemporary music community.

Highly recommended addition to any playlist!
Eric Gribin, The Jazz Line


Stone Alliance: Heads Up (PM) is an exciting set featuring some top contemporary jazzmen. Led by bassist Gene Perla and drummer Don Alias, the group fuses jazz, Latin, and funk idioms into a cohesive music which is both rhythmically and melodically appealing. The mostly original compositions give Kenny Kirkland, Bob Mintzer, Robert Piltch, Jan Hammer, and a number of other players room to stretch out, and there's some inspired soloing throughout. Stone Alliance represents "fusion" at its best, and the group is deserving of much wider exposure. Alias' "Uncle Jemima" and Orlando Lopez' "Para Los Papinos" are knockouts.
"Gem" Lieberson


What makes this group stand out among others is the natural feeling they have for playing with and among a complicated melange of rhythms.
Bob Rosenblum


Stone Alliance has succeeded in creating a complex sound easy to listen to.
M.P., Erie Times


A really tasty fusion set, with the keyboards covered by Kenny Kirkland and Jan Hammer. No commercial compromises, just honest music, with lots of synthesizer leads and background keyboards.
Jim Aikin, Contemporary Keyboard


"Just love 'Heads Up.' I will give it maximum exposure."
Ian Drever, CFUV, University of Victoria

BIS => 2025 05 02
1LP - PM RECORDS
1977

Stone Alliance’s 1977 release with a Latin flair – and jazz through and through

TRACKLIST
A1 I'll Tell You Tomorrow
A2 Mujeres Sud Americanas (The Women Of South America)
A3 Miss T.
B1 Graciela
B2 Amigos
B3 Taking A Good Long Look

DESCRIPTION
They were, or rather are, the first representatives of the latest musical evolution that has mastered the world. We were, and still are, a dominated, wondrous audience quite fascinated by a different way of life through music. It seems that what Stone Alliance was saying -- about telling a story each time one plays -- is true. We listen to the story woven by the music of Stone Alliance and we identify with it; in the long run we become enriched. And who else but AMIGOS would enrich us? Thank you, Stone Alliance!
Club de Arte


While most of the jazz world is heading toward either commercialism or the avant-garde, it's a pleasure to find a group such as Stone Alliance filling in this ever widening gap.
CBF


This album was recorded after the American trio had stayed a year in Buenos Aires, playing with and absorbing the talents of the Argentinian musicians who accompany here. The result is a dazzling blend of styles, and Stone Alliance's best effort to date. There is some fierce playing, notably from saxophonist Steve Grossman, but the overall feeling is Latin American melancholy and rhythm.

Percussionist Don Alias seems most adept at this synthesis; his African jungle percussion is delightful when positioned against the throb of congas, whistles and other South American instruments.
T.E.


What seven musicians can do with the aid of double and triple tracking, overdubbing, mixing and editing is not only astounding -- but an absolute delight.

Highly recommended to the intelligent jazz-lover.
Mark Allen, Record Review


This gem of a recording, done in Buenos Aires, features the trio known as Stone Alliance -- Steve Grossman, tenor sax, Gene Perla, bass, keyboards and guitar, and Don Alias, percussion and guitar -- augmented by local musicians. The music, as expected, is highly rhythmic, but also unexpectedly eletronic in spots. The traditional -- abandon on the bright "I'll Tell You Tomorrow" -- is contrasted with synthesizer overdub on the languid bolero, "Mujeres Sud Americanas." "Amigos," a surprise favorite, is a brief three-part exposition of what Latin percussion should sound like.
Jazz Album Picks, Cash Box


"...one of my all-time favorites...truly awe-inspiring...why can't they make albums like this anymore...."
A.S., London

BIS => 2025 05 02
TIP-ON; GATEFOLD
180 GRAM
1LP - VMP / STAX
1974 => 2021

PRE ORDER => 2025 01 17
7 INCH - SEDSOULCIETY RECORDINGS
2024

TRACKLIST

A) VOCAL
B) DUB


DESCRIPTION

“Back For More” is probably the most successful track of Cool Million, but for shure the most looked for. DJs and collectors are willing to pay incredible high sums to get hold of one copy of the original pressings from 2010. Only 1000 copies got pressed and this dancefloor filler is still an active 45 in DJ sets worldwide. This Neo-Boogie slam is with no doubt a classic already.
Cool Million’s banger and title track off their 2010 album “Back For More” is a teaming up with vocal legend, Eugene Wilde, a soulful synth funk jam, and has remained one of Cool Million’s most streamed singles.
Now in 2024, Cool Million is back for more with the refreshed master mixdown and vinyl pressing of this dancefloor classic on Sedsoulciety Recordings.
As usual with a never released and brand-new dub version on the flipside.
Now hitting the stores all over the world again. Though for all DJs and collectors we are happy to announce the redefinition of up-tempo Neo-Boogie is back for more.

BIS => 2025 04 18
7 INCH - SECRET STASH
2024

- First ever release.
- Only 250 units available.
- Hand numbered.

TRACKLIST 
The Funky Judge
Where Did The Judge Go

DESCRIPTION
Bull & The Matadors have long been a staple on the northern soul scene. Their sides for Chicago's Toddlin' Town Records have lit up dancefloors at all-nighters for decades. Their biggest hit came in the summer of 1968 with "The Funky Judge". Later that year, they cut a follow-up tune called "Where Did The Judge Go". Sadly, the label moved on from the group before it was ever released. Secret Stash Records is proud to present the first-ever pressing of this lost funky northern soul gem! The limited edition, hand-numbered 250-unit pressing features The Funky Judge on the flip.

BIS => 2025 04 18
7 INCH - AVIS / BREWERYTOWN RECORDS
2025

- This is The Ebonys' first-ever single, and it’s finally being reissued on 7" for the first time in almost half a century.
- Remastered from the original studio tapes. Arrangement by Roland Chambers.

TRACKLIST 
Back In My Arms
Can't Help But Love You

DESCRIPTION
Avis would see two releases in total, a Ray Sharp solo record (AVIS-1002) but more relative to our story, The Ebonys - Back In My Arms b/w I Can't Help But Love You (AVIS-1001). Recorded in 1968 and released in 1969 the record failed to chart, or maybe get radio play at all. This was the very first release for Clarence, David, James, and Jennifer as The Ebonys. Written and produced by Ray and arranged by the late, great Roland Chambers, the single seems to have long been forgotten. Perhaps it was overlooked, or overshadowed by the very successful career The Ebonys would go on to have at PIR, under Gamble & Huff. In 1971, The Ebonys' single You're The Reason Why was in the ten on the U.S. R&B Charts, a first for PIR. Fifty-five years later, after a seemingly endless effort by Raymond Waterhouse to relive some of that late 1960s glory with later bands like Waterhouse, Live A Little, Profit, The Four Accents, The Ebonys original reel-to-reel master tapes from the Avis label sessions have been found and remastered and sound as good today as they did back in 1969. In that original session for Ray at Sigma Sound Studios with Joe Tarsia doing the mix, there were three songs done in total, which will finally see a proper release on a 7" / 45rpm.

PRE ORDER => 2025 04 12
RSD 2025
1LP - UBIQUITY RECORDINGS
1993 => 2025

- Heavy-weight LP jacket with Obi-strip, Orange vinyl with Grey splatter
- Quantity: 1500
- This Record Store Day release is the first vinyl repress of this album since 1993.

TRACKLIST
A1 Ruffneck Jazz
A2 Panacea
A3 Singles Party
A4 La Jolla
B1 On The Strip
B2 Freestylin'
B3 Lite Bake
B4 Outerlude

DESCRIPTION
Originally released in 1993 as the debut full-length album for Greyboy, it marked his introduction as the first artist on the fledgling Ubiquity label, which had been founded only three years prior. This landmark album helped establish Greyboy (along with his guest musicians, most notably Karl Denson) as an artist/producer who would go on to define the West Coast Acid Jazz/Rare Groove scene that was already burgeoning in the UK. This Record Store Day release is the first vinyl repress of this album since 1993.