IN STOCK
NEON YELLOW
1LP - REPRISE / VMP
1974 => 2021

IN STOCK
RSD 2023
1LP - NOW-AGAIN RECORDS
1969 => 2023

IN STOCK
1LP - NATURE SOUNDS
1998 => 2018

IN STOCK
1LP - GET ON DOWN
1984 => 2022

IN STOCK
1LP - EXPANSION
1982 => 2020

IN STOCK
1LP - LUV N' HAIGHT RECORDS
RSD 2022 - DROP 1
1996 => 2022

IN STOCK
1LP - MR BONGO
1969 => 2022

IN STOCK
1LP - MR BONGO
2021

IN STOCK
1LP - P-VINE
2021 04 02

IN STOCK
1LP - NOW-AGAIN
2019 => 2024

IN STOCK
1LP - MADLIB INVAZION
2020

IN STOCK
2LP - BBE
2020

BIS => 2025 06 27
1LP - DISCOS NADA
1973 => 2022

TRACKLIST
A1 Cau– Coisa E Tal
A2 Liliana – Prá Quem Sabe Das Coisas
A3 Renato Mendes– Aldeia
A4 Marcão – Mutação
A5 Cau– San Fernando
A6 Eulalia – Fim De Noite
B1 Cau– Último Canto
B2 Cau– De Você No. 2
B3 Vera – Rosas E Garrafas
B4 Liliana (– De Você No. 1
B5 Renato Mendes– Milagre Azul

DESCRIPTION
According to Disk Union / Think Records that just made a CD reissue of this record:
"Mysterious Acid Bossa Psychedelic Folk masterpiece recorded in 1971 and released in 1973 on a small Brazilian label. Recorded by students of the law school in São Paulo, under the influence of "Sgt. Pepper's" mixed with Bossa Nova. It's a chaotic yet delicate and sophisticated.
I can't imagine it being composed or recorded by amateur musicians that they were, except by Renato Mendes, who has been active as a first-class musician since the Jazz Bossa period and was a brazilian pioneer recording an album using a Moog synthesizer in 1974. It can be said that it greatly contributes to the miraculous perfection of this work.
Known among record collectors as a record that attracts not only Brazilian music fans but also Psychedelic and Acid Folk fans, the original version is a gem and sells for over USD1000."
One of the rarest and most enigmatic LPs in the Brazilian discography from the 1970s, Pra Quem Sabe das Coisas, released in 1973 by the label EBRAU (Editora Brasileira Artistas Unidos), finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971, but put in the market as a 12-inch record only two years later.
During a telephone chat packed with affectionate memories, Cau Pimentel (Cláudio Gama Pimentel), singer, songwriter and occasional guitarist with great sensibility and talent whose main professional activity involves criminal law, brought to the surface a story of passion for music that allowed great friendships to flourish, in the bubbling environment at the University of São Paulo’s Largo do São Francisco Law School, where he graduated as a lawyer. It was at the famous Coral da USP choir that the group gathered. The shared talent for music, by the way, explains the title “pra quem sabe das coisas” – for those who know the stuff. When the subject was popular music, Cau, Marcão, Benê, Bi, Vera, Eulália e Liliana were unquestionable amongst their peers.
Over two years, between 1969 and 1971, the group of instrumentalists and singers develop the repertoire recorded on the LP. They also have a crucial support: the polished assistance of Renato Mendes (1939 – 2013), Cau Pimentel’s cousin and one of the most celebrated organ players in the country, established in samba-jazz albums such as Renato Mendes & Seu Orgão (Mocambo, 1963) and Orgão de Vanguarda (Chantecler, 1965).
Gathered by Cau, the tracklist of Pra Quem Sabe Das Coisas remains, 50 years later, impactful and hard to label. The vocal harmonies, the sophistication of the arrangements and the existential density of the lyrics produce an atmosphere of rare beauty and unusual perception of aesthetic unity, as this is a collective record. A curiosity that might explain the difficulty in finding original copies of the LP: a significant share of the batch of 500 unities, which was paid by the XI de Agosto Students Union, was distributed amongst relatives of the artists and students at São Francisco law school.
Below, Cau Pimentel reveals other mysteries of this small treasure of Brazil’s best popular music.
---The complete interview with Can is part of the record insert.---

BIS => 2025 06 27
1LP - BGP
2025

TRACKLIST
SIDE ONE
1. SIX MILLION DOLLAR MAN THEME – Richard "Groove" Holmes
2. SUPER STRUT - Cookin' Bag
3. WORK SONG - The Pazant Brothers
4. PEACE & LOVE - Lonnie Liston Smith & The Cosmic Echoes
5. SKULL SESSION - Oliver Nelson
SIDE TWO
1. MAMA SOUL - Harold Alexander
2. HEAD START - Bob Thiele Emergency
3. THEME FROM THE MEN - Joe Bataan
4. PUT IT WHERE YOU WANT IT - Pretty Purdie
5. DRIFTING - Chucky Thurmon & Pharris Wheel

DESCRIPTION
What it is, is funky! When the acid jazz scene ruled the world it looked for its inspiration in places that other jazz fans tended to overlook. The soul jazz of the late 60s and early 70s. The music of lounge bars and small clubs that fuelled the night life of black America. This compilation brings together ten examples of the sound and is a high quality listen from start to finish.
In the post-bebop world jazz was often condemned as an intellectual music aimed at the head not the feet, but a strain of the music was always for dancing, coming straight from the legacy of the big bands, and always tipping its head to what was going on in the R&B charts. The tracks included here all stay true to that legacy.
So whether we have Lonnie Liston Smith’s plea for 'Peace & Love' with its Bob Marley echoing horn lines, or Joe Bataan as band leader covering Isaac Hayes' 'Theme From the Men', this is music allied with the contemporary sounds of the day. Oliver Nelson's synth heavy 'Skull Session' or his TV hit 'Theme From The Six Million Dollar Man' covered by Richard ‘Groove’ Holmes show this. At the heart of these recordings are the rhythms − and as such Bernard Purdie is the star either as a solo artist or simply as the man behind the kit with Harold Alexander.
This is Funky Jazz is an entry ticket to a party that everyone should want to be invited to.

IN STOCK
RSD 2025
1LP - UBIQUITY RECORDINGS
1993 => 2025

- Heavy-weight LP jacket with Obi-strip, Orange vinyl with Grey splatter
- Quantity: 1500
- This Record Store Day release is the first vinyl repress of this album since 1993.

TRACKLIST
A1 Ruffneck Jazz
A2 Panacea
A3 Singles Party
A4 La Jolla
B1 On The Strip
B2 Freestylin'
B3 Lite Bake
B4 Outerlude

DESCRIPTION
Originally released in 1993 as the debut full-length album for Greyboy, it marked his introduction as the first artist on the fledgling Ubiquity label, which had been founded only three years prior. This landmark album helped establish Greyboy (along with his guest musicians, most notably Karl Denson) as an artist/producer who would go on to define the West Coast Acid Jazz/Rare Groove scene that was already burgeoning in the UK. This Record Store Day release is the first vinyl repress of this album since 1993.

BIS => 2025 06 20
7 INCH - SEDSOULCIETY RECORDINGS
2024

IN STOCK
2LP - JELLOWSTONE
2014 => 2024

BIS => 2025 07 18
1LP - 180G
2024

IN STOCK
7 INCH - BENNY REID PRODUCTIONS
2022

IN STOCK
1LP - TIMEC / PARIS DJS
2024

IN STOCK
1LP - VAMPISOUL
1972 => 2017

IN STOCK
1LP - BGP / FLYING DUTCHMAN
1976 => 2023

IN STOCK
1LP - EVERLAND
169 => 2023

IN STOCK
1LP - EVERLAND
2016 => 2023

IN STOCK
1LP - EL PALMAS MUSIC
1976 => 2023

IN STOCK
1LP - MONTEREY
1974 => 2023

IN STOCK
1LP - VAMPISOUL
1978 => 2023

IN STOCK
1LP - VAMPISOUL
1976 => 2023

IN STOCK
1LP - P-VINE
1971 => 2023

IN STOCK
1LP - DEWOLFE MUSIC
COLOR = BLACK AND WHITE SWIRL
1973 => 2023

IN STOCK
1LP - MUSIC DE WOLFE
1975 => 2022

SOLD OUT
2LP - 180G / UNIVERSOUNDS / HMV
2022

BIS => 2025 07 18
1LP - 180G
2022

BIS => 2025 07 18
1LP - 180G
2020

IN STOCK
2LP - VAMPISOUL
2018

IN STOCK
1LP - PIANO PIANO RECORDS
2019 => 2024

IN STOCK
3LP - LETTUCE RECORDS
2025

- A groundbreaking fusion of Lettuce’s signature funk grooves with the rich, dynamic sound of the Colorado Symphony. The stunning performance captures the energy and magic of the live concert from November 18, 2018, showcasing Lettuce's improvisational brilliance and the full orchestral power.
- Available on digital, vinyl, CD, and DVD, offering fans multiple ways to experience this epic performance.
- Digital is set to drop on February 28, 2025, just ahead of Lettuce's return to Denver, CO, for another live performance with the Colorado Symphony on March 2, 2025.
- The vinyl and DVD editions provide a premium, collectible experience for die-hard Lettuce fans.
- The DVD includes high-definition, professionally shot video, offering fans an intimate, front-row experience of the unique collaboration.
- The triple LP is pressed on black vinyl and comes in a double gatefold jacket with three panels. Digipack CD.

TRACKLIST 
Mt. Crushmore
The Lobbyist
Requiem
Gang Ten
Ghost of Jupiter
Move On Up
The Force
New Intro
Larimar
Tryllis
Moksha
Everybody Wants to Rule the World
Elephant Walk -- Madison Square
Trapezoid

DESCRIPTION
Lettuce with the Colorado Symphony is a genre-defying, electrifying performance that captures the powerhouse fusion of funk, jazz, and orchestral grandeur. Recorded live with the Colorado Symphony in 2018, this album features Lettuce's signature groove-driven sound paired with the rich, sweeping power of a full orchestra. It’s a unique and breathtaking experience that showcases the band’s improvisational brilliance alongside orchestral precision. Available on digital, vinyl, and DVD, this release is a must-have for fans of both Lettuce and orchestral music, offering a fresh, exciting take on the live performance experience. Get ready to groove to the rhythm of symphonic funk like never before!

IN STOCK
2LP - LETTUCE RECORDS
2004 => 2024

SOLD OUT
1LP - GET ON DOWN
1973 => 2025

PRESSED ON RED SMOKE COLORED VINYL

TRACKLIST

Songs From Boston

A1. Sometimes I Cry

A2. Let's Gather

A3. Anticipation

A4. The Dunbar High School Marching Band
A5 . Soaring (At Dawn) Part 1

Songs From My Childhood

B1. The Harlem Buck Strut Dance
B2. Interlude

B3. Before I Rest

B4. Let's Play (Til Mom Calls)

B5. It Never Stopped In My Home Town
B6. Soaring (At Sunset) Part 2


DESCRIPTION
Starting in the late 60s, jazz music started to take an interesting, and very soulful turn. Influenced by the funk of the day – from James Brown to Sly & The Family Stone – the art form, generally not considered a funky musical genre, started to stretch out and fit into the times. It was a fertile era, and to reciprocate, funk, soul and groovy rock fans started to discover accomplished, open-minded jazz artists like
Les McCann, whose tunes made sense to their ears, even if bebop hadn’t grabbed them.
This incredible album – long a favorite of forward-thinking hip-hop producers and DJs – washes over listeners from the first chords of the incredible album opener, “Sometimes I Cry,” led by McCann’s array of analog synthesizers and backed by an excellent rhythm section (Donald Dean on drums; Ralph McDonald on percussion and Jimmy Rowser on bass).
Truth be told, highlights are hard to pick out, but fans never go long without returning to the fuzzed-out funk of “The Harlem Buck Strut Dance,” “Let’s Play (Til Mom Calls)” and “It Never Stopped In My Home- town.” These keyboard-drenched grooves sat alongside record stacks brimming with Stevie Wonder, Funkadelic, Marvin Gaye’s 70s soul and, of course, Miles Davis’ space funk
experiments of the era (like Bitches Brew).

BIS => 2025 05 16
1LP - PM RECORDS
1983

Liebman’s release from 1983, appropriately entitled Solo as the artist is the sole performer on the release laying down Soprano Saxophone, Alto Recorder, Piano [Acoustic], Electric Piano [Fender], Synthesizer [Prophet V, Polymoog], Drums, Finger Cymbals, and Vocals on all selections


TRACKLIST
A1 Hiroshima Memorial
A2 Remembrance
A3 Trois Gnossiennes
A4 A Guidd Dream
B1 Words
B2 Translucence
B3 Relentless
B4 The Power Of The Cross

BIS => 2025 07 04
180 GRAM
TIP-ON GATEFOLD
1LP - CONCORD / VMP
1969 => 2024

BIS => 2025 07 04
1LP - GET ON DOWN
CRYSTAL CLEAR VINYL
1985 => 2022

SOLD OUT
2LP - GET ON DOWN
1982 => 2022

BIS => 2025 07 04
LIMITED TRANSPARENT RED COLORED
2LP - GET ON DOWN
1975 => 2018

IN STOCK
RSD 2024
LIMITED PURPLE + BLUE VINYL
2LP - CULTURE FACTORY
1995 => 2024

IN STOCK
1LP - EVERLAND
2023

IN STOCK
1LP - EBALUNGA!!!
2022

IN STOCK
1LP - 600 BLOCK RECORDS
2022

IN STOCK
1LP - SUGAR ROAD RECORDS
2018

BIS => 2025 06 20
1LP - MAD ABOUT RECORDS
1976 => 2022

IN STOCK
1LP - FAR OUT RECORDINGS
1965 => 2022 03 18

IN STOCK
1LP - FAR OUT RECORDINGS
1966 => 2022 03 18

IN STOCK
2LP - BBE
2022 02 04

SOLD OUT
1LP - UBIQUITY
2016

IN STOCK
CLEAR
1LP - TIDAL WAVES MUSIC
2022 01 28

IN STOCK
1LP - TIDAL WAVES MUSIC
1985 => 2022 02 25

IN STOCK
1LP - TIDAL WAVES MUSIC
2022 01 28

IN STOCK
1LP - MAD ABOUT RECORDS
2021 12 03

IN STOCK
1LP - TOOTH FACTORY
1976 => 2021

IN STOCK
RED SPLATTER
1LP - MR BONGO
2021 11 05

IN STOCK
1LP - ALBINA MUST TRUST
2018

IN STOCK
1LP - MR BONGO
2021 09 10

SOLD OUT
1LP - EVERLAND
1970 => 2022

IN STOCK
1LP - EVERLAND
1979 => 2021

IN STOCK
RED
1LP - MAD ABOUT RECORDS
1976 => 2021

IN STOCK
3LP - BBE
2017

IN STOCK
CLEAR
1LP - TIDAL WAVES MUSIC
2021 05 28

IN STOCK
1LP - TIDAL WAVES MUSIC
2021 05 28

IN STOCK
2LP - LUV N HAIGHT
1999

IN STOCK
DROP 1 - RSD 2021
1LP - TIDAL WAVES MUSIC
2021 06 12

IN STOCK
12 INCH - P-VINE
2021 05 28

IN STOCK
1LP - P-VINE
2021 06 25

IN STOCK
1LP - ESPACIAL DISCOS
1978 => 2021

IN STOCK
1LP - MAD ABOUT RECORDS
1976 => 2021

IN STOCK
1LP - UBIQUITY RECORDINGS
2020 10 23

IN STOCK
2LP - BBE RECORDS
2021 01 22

IN STOCK
LIMITED - PINK COLORED 2LP - MR BONGO
2020 11 20

IN STOCK
1LP - MR BONGO
2020 11 13

IN STOCK
1LP - ALBINA MUSIC TRUST
2020

IN STOCK
1LP - TRAMP RECORDS
2020 11 13

IN STOCK
1LP - LITTLE BUTTERFLY RECORDS
1972 => 2020

IN STOCK
LIMITED - 1LP - JET RECORDS
1973 => 2020

IN STOCK
CLEAR
1LP - TIDAL WAVES MUSIC
2020

IN STOCK
2LP - STRUT
2019

IN STOCK
1LP - PIANO PIANO
2020

IN STOCK
1LP - ROUNDTABLE
2020

IN STOCK
1LP - TIDAL WAVES MUSIC
2019

IN STOCK
1LP - MAD ABOUT RECORDS
2019

BIS => 2025 07 04
1LP - MADLIB INVAZION
2020

BIS => 2025 06 27
7 INCH - VAMPISOUL
2025

Two awesome Latin jazz-funk gems for the dance floor, blazing with the rich brass section and percussion.
Both songs are taken from mega-rare Venezuelan LPs released in 1976.
Reissued on a 45 for the first time.

TRACKLIST
Side A
LA RETRETA MAYOR -TORTA DE PAN
Side B
PABLO SCHNEIDER -LA VENGANZA

DESCRIPTION
First time 45 reissue of these two awesome Latin jazz-funk gems from Venezuela.
La Retreta Mayor was founded and led by guitarist Alex Rodríguez. ‘Torta de pan’, reminiscent of recordings of classic US funk bands such as the JBs, was originally included in their only and hard-to-find LP. On the flip side of our 45 we find ‘La venganza’ that was part of a mega rare soundtrack written and recorded by Pablo Schneider for the obscure Venezuelan sexploitation film “Sobre la Hierba… Virgen”. Both songs were released on Discomoda in 1976 and the original records are almost impossible to find in any condition.
How cool and handy is to have both songs together on a DJ-friendly 45? First time 7” reissue.

BIS => 2025 06 27
1LP - BGP / FLYING DUTCHMAN
1977 => 2024

IN STOCK
1LP - FLYING DUTCHMAN
1970 => 2023

BIS => 2025 06 27
1LP - BGP
1969 => 2022

IN STOCK
1LP - KENT
1970 => 2014

BIS => 2025 06 27
1LP - BGP
1971 => 1994

BIS => 2025 06 27
1LP - BGP
1970 => 2025

TRACKLIST
Side 1
01 Rainbow Ride
02 I'm Leaving Home (She's Leaving Home)
03 Candle Waxing
04 Baby James
05 The Love Flow
Side 2
01 New York Good Sugar/Love Lyric #7
02 For You, Child
03 Jennipher
04 Take Away This Pain
05 Velvet Smile

DESCRIPTION
When Creed Taylor was setting up his CTI label one of his proposed signings was Billy Vera. This led to a deal for Vera’s younger sister Kathy McCord. In fact, McCord was the first artist signed and recorded by CTI. Her debut, “Kathy McCord” was released in 1970.
Although the label would go on to establish a fine reputation in jazz, Kathy McCord was a folk rock album. A gifted young poet the 17-year old McCord wrote many of the tracks on the album which were then interpreted in the studio by a crack team of jazz musicians that included Harvey Brooks (bass), Hubert Laws (flute), John Hall (guitar) and Wells Kelly and Ed Shaugnessy (drums). Musically and lyrically both the musicians and McCord stretched out on tracks like ‘Rainbow Ride’, ‘Jennipher’, ‘Candle Waxing’ and ‘Take Away This Pain’ to conjure up an amazing fusing of folk and jazz. The only cover on show was a version of Lennon and McCartney’s ‘She’s Leaving Home’ which McCord repurposed as I’m Leaving Home.
Upon release the album sold poorly. Creed’s expertise and contacts were in the jazz field and he had no idea how to market an album of folk jazz songs sung with fragile beauty by a good looking girl still in her late teenage years. Also, when Billy Vera did not sign to CTI McCord was dropped.
Over time “Kathy McCord” attracted a dedicated following amongst folk-rock collectors in America and the UK. In many respects it was an echo of something like Deena Webster’s 1968 folk rock LP, “Tuesday’s Child” that also came, went and is now sought after.
Ace are delighted to give the world the first vinyl reissue of “Kathy McCord” since 1970. Pressed on black 180gm vinyl it also includes liner notes from Billy Vera who, in conclusion, has this to say about his later beloved sister, “My sister had the goods. She could sing, she could write and she looked great. Like so many other talented people, she just failed to get lucky. Listen and enjoy her. I love her stuff”. You will too...

BIS => 2025 04 25
7 INCH (33⅓ RPM) - BGP
2024

BIS => 2025 06 27
1LP - BGP / FLYING DUTCHMAN
1973 => 2024

BIS => 2025 06 27
2LP - BGP / FLYING DUTCHMAN
2023

BIS => 2025 06 27
1LP - BGP
1972 => 2022