PRE ORDER => 2025 04 18
1LP - LITTLE BUTTERFLY
1984 => 2025

(+Booklet)

Mediocampo (1984), Jaime Roos's fifth album concludes an unintentional trilogy that began with Aquello (1981) and continued with Siempre son las cuatro (1982). It is the bright side of the series, a groundbreaking album that has become a classic, perhaps the most prestigious and well-known work of his discography.
Mediocampo is as daring and experimental as his previous two works, but with much more direct and accessible communication, achieving an almost perfect distillation of his artistic vision. Today, many of its songs are an essential part of Montevideo's cultural soundtrack.

TRACKLIST
Side A
A1. Durazo y Convención
A2. Victoria Abaracón
A3. Luces en el Calabró
A4. Si piensas en mí
A5. Tal vez Cheché
Side B
B1. Los futuros murguistas
B2. Nunca fuiste al cine
B3. Una vez más
B4. Pirucho

DESCRIPTION
The album's sound, aligned with international trends of the 1980s, made Mediocampo the gateway to Jaime Roos's universe for a younger audience approaching music through rock. Its proposal was unique and deeply Uruguayan, yet it incorporated elements that resonated with a public accustomed to Anglo-Saxon pop.
The albums Aquello and Siempre son las cuatro, despite being very different works, share a focus on the Beatles-inspired pop song structure, stylistic diversity, and a search for popular roots. Mediocampo, the conclusion of this song-driven trilogy, is as daring and experimental as its predecessors but with much more direct and accessible communication, achieving an almost perfect distillation of his artistic vision. Today, many of its songs are an essential part of Montevideo's cultural soundtrack.

BIS => 2 / 3 WEEKS
1LP - LITTLE BUTTERFLY RECORDS
2022

IN STOCK
1LP - LITTLE BUTTERFLY RECORDS
1972 => 2020

PRE ORDER => 2025 06 06
1LP - LITTLE BUTTERFLY
2025

Blending Afro-Uruguayan traditions with rock, soul, jazz, and funk, Ruben Rada has shaped the music of Uruguay and Argentina from the 1960s to the present day. Daniel "Lobito" Lagarde (bass), Ricardo Nolé (piano), and Nelson Cedréz (drums)—iconic members of his greatest bands over the years—formed Rada’s Old Boys to deliver this astounding jazz tribute to the living legend.

TRACKLIST
Side A
A1. La chicha de mantenimiento
A2. Trotsky Vengarán
A3. Nunca viajé en aviones
A4. Omnibuses
A5. Alquimista
Side B
B1. Julen
B2. Canción nueva
B3. El último día de Sofía
B4. Asuntos ajenos
B5. Larry García

DESCRIPTION
Ruben Rada played a pivotal role in the development of Uruguayan music. By blending Afro-Uruguayan traditions with rock, soul, jazz, and funk, he paved a new musical path that began in the 1960s and continues to evolve today. Throughout his career, he has consistently been surrounded by talented musicians who have been integral to his sound. This was especially true with Daniel “Lobito” Lagarde, bassist and founding member of the iconic band Totem in the early 1970s; Ricardo Nolé, keyboardist, arranger, and musical director of Rada’s band in Argentina during the 1980s; and Nelson Cedréz, the drummer who has been by Rada’s side since the 1990s. In 2016, these three musicians reunited to form Rada’s Old Boys, releasing an album of jazz-infused reinterpretations of Rada’s songs that earned rave reviews. Now, they return with Manos, a bold new album that reimagines Rada’s works from every phase of his career, featuring deeply personal renditions and a special guest appearance from Rada himself on one track.