BIS => 2025 10 03
7 INCH - JAVOTTI MEDIA
2025

- Featuring Maseo, Black Thought, Posdnous, Mike G, Afrika & Busta Rhymes.

TRACKLIST
Native Sons Part 2 (Vocal Version)
Native Sons Part 2 (Instrumental)

DESCRIPTION
The Native Tongues family unites for Native Sons Part 2 by Talib Kweli & J Rawls, featuring De La Soul, Black Thought, Busta Rhymes, and Jungle Brothers' Mike G and Afrika. Produced by J Rawls, Native Sons Part 2 is the lead single from the upcoming Javotti Media compilation, NOTES FROM THE UNDERGROUND, coming Spring 2025 on Fat Beats.

BIS => 2025 10 03
1LP - D&D RECORDING
2025

- A powerful collaboration between D&D Studios and Fat Beats Distribution—two iconic institutions in hip-hop culture—revived for a new era.
- This is the first in a series of exclusive vinyl releases featuring classic and previously unreleased D&D recordings.
- Includes rare and never-before-heard tracks from the original D&D sessions, now available for the first time on vinyl.
- Featuring appearances and production from DJ Premier, Guru, Jay-Z, Large Professor, Big Daddy Kane, Afu-Ra, Sean Price, Lord Jamar, and more.
- A must-have for collectors and DJs, this release captures the gritty, analog essence of 90s New York hip-hop.
- Recorded at the legendary D&D Studios.

TRACKLIST
Up In D&D
How It Soundz - The D&D All Stars (feat. Sean Price, Jimmy Grand & A.G.)
Incredible - Krumb Snatch (feat. Guru)
Defeat - Afu-Ra
Rhyme Connection - QNC (feat. Lord Jamar)
Love Is Love - Craig-G (feat. Large Professor)
Foundation - Big Jaz, Jay-Z, Sauce Money & Tone Hooker
Hot Shit - The D&D All Stars (feat. Big Daddy Kane, Greg Nice, Sadat X & Guru)
Styles I Murder - Mama Mystique (feat. Nikki D)

DESCRIPTION
The iconic D&D Studios and Fat Beats Distribution proudly announce the release of "Up In D&D Volume 1", a powerful vinyl compilation celebrating the golden era of boom bap hip-hop. This project marks a historic reunion between two cultural institutions that helped shape the sound of 90s East Coast rap. Up In D&D delivers a curated collection of legendary tracks and previously unreleased gems from the vaults of D&D Studios, home to some of the most influential records in hip-hop history. Known as the creative sanctuary for artists like DJ Premier, Jay-Z, Nas, KRS-One, and many more, D&D Studios was the beating heart of authentic New York hip-hop. Co-founded by Doug Grama and David Lotwin, D&D Studios continues to honor its legacy while embracing the future. This latest release with Fat Beats brings back the gritty, analog sound of the era—with both classic tracks and newly discovered recordings pressed to wax for the first time. This release marks the first in an ongoing series, with many more vinyl drops from the legendary D&D catalog.

BIS => 2025 09 05
1LP - DE RAP WINKEL RECORDS
2025

- Ruste Juxx is a member of the Boot Camp Clik and protege of Sean Price.
- The album is pressed on Electric Blue Vinyl.
- Features a vinyl-only bonus track.

TRACKLIST
Promise (Intro)
Real Rap
Mic and a Minute
True School MC
Gorilla
I Rap
Stone Solid
Damage
Break It Down
Promise (Outro)
Don't Stop [Bonus Track]

DESCRIPTION
One MC. One producer. Pure hip-hop. Brooklyn’s own Ruste Juxx links up with Dutch beatsmith Oh Jay to deliver Break It Down – a transatlantic collaboration that strips hip-hop back to its raw core. No features, no compromises, just bars and beats, straight from the soul. Break It Down is also available on all streaming platforms, but vinyl heads take note: The physical vinyl release includes a bonus track you won’t find anywhere else. Support the real. This is hip-hop in its purest form.

BIS => 2 / 3 WEEKS
1LP - BURNING SOUNDS
1975 => 2025

Purple Transparent Vinyl LP - 180 Gram

TRACKLLIST
Side 1
1. Give Rasta Praise (3.38)
2. Natty Dread Uptown (3.18)
3. Jah Jah Gonna Get You (3.05)
4. Barrabas (2.48)
5. Rasta Pon Top (3.01)
Side 2
1. Beat Them Jah-Jah (3.17)
2. African Liberation (3.12)
3. Different Kind A World (2.47)
4. Big Bam Bam (2.44)
5. It Gwine Dreada (3.14)

DESCRIPTION
‘Rasta Pon Top’ is a classic roots reggae album by the Twinkle Brothers, a Jamaican reggae group formed in the early 1960s. ‘Rasta Pon Top’ is known for its strong Rastafarian themes, uplifting lyrics, and infectious rhythm, which are hallmarks of the group's music.
The Twinkle Brothers, led and produced by Norman Grant, have been influential in the reggae scene for decades, blending roots reggae with elements of rock, soul, and other genres.

BIS => 2025 10 10
2LP - GREENBACK RECORDS
2025

TRACKLIST
1 Play This at My Funeral
2 Everywhere I Go Ft. Dem Joints
3 Been a Long Time Pt.2 Ft. Jenn-Em
4 The Moment Ft. Busta Rhymes & Problem
5 Earth Is Over
6 Leave Me Alone Ft. Dr Dre & Ty$Ign
7 Belly of the Beast Ft. Jason Martin (Problem)
8 History
9 Genisis
10 Perfect Alibi Ft. Stalone
11 American Idol Xzibit Ft. Symba
12 Crash Ft. Royce Da 5'9
13 For the Love Ft. Ice Cube & Lorine Chia
14 Shut Yo Mouth Ft. Compton Av &Butch Cassidy
15 Higher Ft. Redman & B-Real
16 Sucess
17 Notified (King Tee) Ft. Cold 187
18 What U Like Ft. Guapdad 4000 & Daygo Fatts
19 End of the Day Ft. Tre Capital & Domo Genisis
20 Kingmaker

DESCRIPTION
Xzibit - Kingmaker marks the West Coast legend's long-awaited return, his first album since 2012. Packed with heavyweight collaborations, Kingmaker features industry icons like Dr. Dre, Ice Cube, Busta Rhymes, Redman, Royce da 5'9", Ty Dolla $ign, and more. With hard-hitting production and Xzibit's signature razor-sharp delivery, this album blends raw lyricism with top-tier beats, reaffirming his status as a hip-hop powerhouse. A must-have for retailers and fans alike, Kingmaker is set to make waves across the culture.

BIS => 2025 09 26
2LP - GET ON DOWN
1996 => 2025

PRESSED ON METALLIC SILVER WITH RED EFFECT COLORED VINYL
LIMITED TO 1000 COPIES

TRACKLIST
A1.The Coming (Intro)
A2. Do My Thing
A3. Everything Remains Raw
B1. Abandon Ship
B2. Woo Hah!! (Got You All In Check)
B3. It's A Party feat Zhane
C1. Hot Fudge
C2. Ill Vibe feat Q-Tip
C3. Flipmode Squad Meets Def Squad feat Jamal, Keith Murray, Lord Have Mercy and Redman
D1. Still Shining
D2. Keep It Movin' feat Charlie Brown, Dinco D and Milo
D3. The Finish Line D4. End Of The World (Outro)

DESCRIPTION
In 1996, Busta Rhymes delivered his debut album, The Coming, three years after the Leaders of the New School unofficially disbanded. Though his talents were evident on those Leaders of the New School releases, Busta went on a series of features that only built up the public's desire for a solo Busta album. Right out of the gate, Busta dropped his classic debut single "Woo Hah!! (Got You All in Check)" that made it abundantly clear he was to be mentioned among Hip Hop's greatest solo artists. The energy and originality packed on that one song set a tone for the album that displays Busta's raw talent and ability to bend words with his ever rambunctious flow. The album features production by Easy Mo Bee, DJ Scratch, Q-Tip, and J Dilla. Songs such as "Everything Remains Raw", "Abandon Ship", and "Still Shining" all rise above as The Coming's stand-out tracks, but "Ill Vibe" is the album's crown jewel moment. Busta sounds right at home over this J Dilla beat, trading verses with his Native Tongue cohort Q-Tip. The Coming was a critical and commercial success for Busta Rhymes. It reached #6 on the Billboard 200 chart in 1996 and has since received a platinum certification from RIAA. As mentioned, The Coming boasts the hit single "Woo Hah!! Got You All in Check " which reached #8 on the Billboard Hot 100 chart in 1996. It was nominated for a 1997 Grammy Award for Best Rap Solo Performance. It also ended up sporting another hit single, It's a Party featuring Zhané. The Coming shows amazing variety where Busta can break free from the bells and the whistles of the Busta Dungeon Dragon flow to explore other ways of leaving our jaws open by his incredible lyricism. The Coming surely lives up to its title, as Busta delivers a performance that ignited his impeccable solo career.

BIS => 2025 08 15
1LP - 1332 RECORDS
2025

TRACKLIST
1. Hex Murda (Intro) [Featuring Hex Murda] 00:24
2. Things I Seen 03:45
3. Make It Flood 03:02
4. Beast Mode 03:58
5. Fargo (Featuring Wais P) 02:34
6. Sometimes You Go (Featuring Jon Connor) 03:21
7. History Lesson (Featuring Jon Connor & Nim K.) 03:01
8. Do You Remember? (Prelude) 01:20
9. Do You Remember? Feat Superstah Snuk 02:26
10. Alotta Prose (I Know) [Featuring Marv Won] 03:07
11. Henny Cancer (Featuring Salute Da Kidd) 02:57
12. Things I Seen (Outro) 00:33

DESCRIPTION
"Things I Seen," the highly anticipated collaborative album between Bronze Nazareth and Termanology, is nothing short of a masterclass in hip-hop artistry. This project represents the perfect intersection of two legendary forces in the underground scene, each bringing their unique flavor to the table. With Bronze Nazareth’s unparalleled production and poetic lyricism joining forces with Termanology’s razor-sharp rhymes and magnetic presence, "Things I Seen" is an experience that transcends mere music—it’s an audible journey through life, struggle, and triumph.
The creation of "Things I Seen" is a testament to the synergy of two creative titans who have long earned their places in hip-hop’s pantheon. Bronze Nazareth, known for crafting lush, cinematic soundscapes, and Termanology, celebrated for his lyricism and storytelling, embarked on this project with a shared vision: to create an album that is both timeless and authentic. The result is a seamless blend of gritty beats, thought-provoking lyrics, and an unrelenting dedication to the craft.
The album's genesis can be traced to a mutual admiration between the two artists, with both recognizing the potential to create something extraordinary together. Sessions were filled with late-night conversations, shared stories, and a deep dive into the realities of their respective journeys. This organic collaboration is evident in the cohesive sound and thematic depth of "Things I Seen."
From the raw introspection of tracks like “Sometimes You Go” to the hard-hitting bars on cuts like “Alotta Prose (I Know)” and “Beast Mode,” this album delivers a dynamic listening experience. Fans of both artists will find themselves revisiting the project time and again, uncovering new layers of meaning with each listen. "Things I Seen" isn’t just an album; it’s a declaration of the enduring power of hip-hop and the stories it tells.

BIS => 2025 08 15
1LP - 1332 RECORDS
2025

TRACKLIST
A1 Sauvingnon Blanc - Featuring – Body Bag Ben
A2 Chosen
A3 Stay Healthy - Featuring – Red Inf
A4 Shop Open
A5 2 Big 2 Fail - Featuring – Big Lukah*
B1 G Code - Featuring – Royal Flush
B2 Str8 Drop
B3 4 Letter Words
B4 4 My Young Boys - Featuring – Vel Nine
B5 Dedicated to Nani Nu

DESCRIPTION
UFO FEV was born and raised in El Bario, East side of Harlem, NYC. Growing up in the mostly Puerto Rican community, he was introduced to Fat Joe and has been his “apprentice” since. He is joined on this album by California based rapper / producer Body Bag Ben. Ben has been making waves with his music for a few years now. They are both joined by guests Red Inf, Lukah, Royal FLush, and Velnine.

BIS => 2025 08 15
1LP - PHASE ONE
1988 => 2025

LIMITED TO 500 UNITS WORLDWIDE PRESSED ON 'NORTH SIDE SWIRL' COLORED VINYL

TRACKLIST
A1. Smooth Momentum
A2. Let It Rip
A3. Feel So Good A4. Deuce, Ace, Housin'
A5. My Part Of Town
B1. It's Mad
B2. Bound To Ike
B3. Open Field Attack
B4. North Side
B5. Detonator

DESCRIPTION
In discussions of the classic hip-hop era of the 1980s, frequently lost in the shuffle is the homegrown scene of Philadelphia, Pennsylvania. This is unfortunate due to the wealth of talent the scene produced, including bona fide legends such as Schoolly D, Three Times Dope, Cash Money & Marvelous, and of course, the wildly successful DJ Jazzy Jeff & The Fresh Prince. Frequently underrated is Tuff Crew, who were billed as "Philly's First Rap Supergroup", and consisted of a crew of ethnically diverse MCs and a DJ, who were regular performers of North Philly's famed After Midnight club, and who definitely represented a more hardcore rap style than some of their fellow Philly crews. Throughout the mid-to-late 1980s, Tuff Crew performed alongside some of the greatest hip-hop artists of all time, including Run-D.M.C., LL Cool J, and 2 Live Crew, but never reached the heights of commercial success, despite landing various singles on the Billboard Rap charts. The peak of this success undoubtedly came with the release of their 1988 LP Danger Zone, which featured 10 tracks of classic 80s rap, including the Billboard-charting "My Part Of Town" (#23 on the Billboard Hot Rap Singles charts). This album cemented Tuff Crew in the hip-hop history books as one of the dopest crews to ever come out of Philly, and unlike most late 80s rap albums, the lyrics and beats still bang hard in 2025.

BIS => 2025 08 15
1LP - NATURE SOUNDS
2015 => 2025

- The last official M.O.P. solo project to date, the classic collection Street Certified is now available on vinyl for the first time in years, and on black vinyl for the first time ever. This reissue also includes new redesigned artwork.
- Street Certified is executive produced by the legendary DJ Premier and features appearances by Busta Rhymes, Mobb Deep, and Maino.
- Street Certified has been covered by Complex, XXL, Okayplayer, HipHopDX, RapRadar, Hypebeast, HotNewHipHop, AllHipHop, and more.
- Over an illustrious career spanning more than three decades, M.O.P. has worked with the likes of Jay-Z, 50 Cent, Wu-Tang Clan, Gang Starr, Big Pun, Mark Ronson, Wyclef Jean, Slaughterhouse, Alchemist, Killer Mike, Redman, Styles P, Fat Joe, Pharoahe Monch, Kool G Rap, Xzibit, Termanology, and many more.

TRACKLIST
1. Welcome 2 Brooklyn (feat. Maino)
2. Broad Daylight (feat. Busta Rhymes)
3. Hustle
4. Shake Em Up
5. Heistmasters
6. 187
7. Street Certified (feat. Mobb Deep)
8. No Shame
9. American Muscle

DESCRIPTION
Among the most important groups in hip-hop history, legendary Brownsville, Brooklyn duo M.O.P. has been the embodiment of hardcore rap for three decades.They’ve been signed to iconic labels like Roc-A-Fella and G-Unit, released one of the biggest rap singles ever in “Ante Up”, and did it all without compromising their sound or integrity. Back in 2014, Lil Fame and Billy Danze unleashed the acclaimed album Street Certified, executive produced by DJ Premier. Featuring appearances by Mobb Deep, Busta Rhymes, and Maino, the project is classic New York hip-hop, with the type of raw, unfiltered music fans have come to expect from the Mash Out Posse. After an initial white colored pressing quickly sold out, Street Certified is now available on black vinyl for the first time ever, complete with redesigned artwork.

BIS => 2025 08 15
2LP - NOW AGAIN
2004 => 2024

TRACKLIST
A1. Carleen & The Groovers – The Thing
A2. Amnesty – Free Your Mind
A3. Detroit Sex Machines – The Stretch
B1. Michael Liggins & The Supersouls – Loaded To The Gills
B2. Kenny Smith & The Loveliters – Go For Your Self
B3. Dayton Sidewinders – Slipping Into Darkness
C1. The Apollo Commanders – James Brown Medley
C2. Lil’ Lavair and The Fabulous Jades – Cold Heat
C3. The Soul Seven – The Cissy’s Thang
C4. L.A. Carnival – Color
C5. The Aristocrats – Don’t Go
D1. The Soul Seven – Mr. Chicken
D2. Leon Mitchison – Street Scene
D3. Kashmere Stage Band – Scorpio
D4. Leroy & the Drivers – The Sad Chicken

DESCRIPTION
Cold Heat is Eothen “Egon” Alapatt’s a follow-up to the famous Funky 16 Corners set he curated in the early 2000s. And like that one, Cold Heat is overflowing with great bits that had barely (or never) been heard by the rest of the world at large. Egon went through a range of rare singles, masters, and demos and came up with tunes that burn with a brightness that's undeniable.
The grooves are all on the harder end of the James Brown Funky People side of the spectrum and some tracks are by names that finally got their due here, thanks to Egon, Now-Again, and some of the other funky forces doing the good work over the years.

BIS => 2025 08 15
2LP - SOUL JAZZ RECORDS
2025

TRACKLIST
1. COUCOU CHLOE – Nobody
2. Yaeji featuring Nappy Nina – Money Can't Buy
3. TeeZandos – Lioness
4. Sudan Archives – Selfish Soul
5. Miso Extra – 1013
6. Aunty Rayzor – Kuku Corona
7. Yaya Bey – Meet Me In Brooklyn
8. COUCOU CHLOE – Pokerface
9. Queenie – Okay Twin
10. Yaya Bey – Best Thang
11. MC Yallah x Debmaster – Kubali
12. Dizzy Fae – Solo
13. Vanessa Tha Finessa – Bad Bitch Steppin’
14. Dubbing Sun & Blue Hill featuring Warrior Queen – Armageddon
15. Georgia Anne Muldrow – Big Mama Africa Jam
16. Miso Extra featuring NAYANA IZ – Great Taste
17. Nira – Train Of Love

DESCRIPTION
Featured artists include Yaya Bey, Sudan Archives, Yaeji, COUCOU CHLOE, Georgia Anne Muldrow, Miso Extra, Aunty Rayzor, TeeZandos, Queenie, MC Yallah, Dizzy Fae, Vanessa the Finessa, Nira and Warrior Queen.
Queen Dem brings together a global selection of all powerful, maverick female artists, all creating new musical forms and re-writing the rules of expression to educate, entertain and empower.
From Lagos to Brooklyn, London to Hong Kong, these artists’ widely diverse music is connected through an all-encompassing self-awareness of both self and musical identity and a collective fierceness in attitude.
This album offers a snapshot of the current writing of musical history by women who embody confidence and conviction in their art - whether they are firmly-established artists such as Yaya Bey, Yaeji, Dizzy Fae, Sudan Archives, COUCOU CHLOE and Georgia Anne Muldrow or under the radar rising stars such as Queenie, Aunty Rayzor, Vanessa the Finessa, MC Yallah or Nira.

Featured artists
Chloe Erika Jane Olivié, aka COUCOU CHLOE. London-based French artist producer.
Kathy Yaeji Lee aka Yaeji : NYC Artist, DJ, producer.
Nappy Nina: Brooklyn-based Oakland-born writer, MC, producer.
TeeZandos: East London-born drill artist.
Sudan Archives: Los Angeles artist, songwriter, violinist.
Miso Extra: Hong Kong-born, UK-based artist, MC, producer.
Nayana Iz: Artist based in London.
Aunty Rayzor: Lagos, Nigeria singer and songwriter.
Yaya Bey: Brooklyn R&B vocalist.
Queenie: Croydon, London artist
MC Yallah: MC born in Kenya, raised in Uganda.
Dizzy Fae: Minneapolis singer and dancer.
Vanessa Tha Finessa: Ghanaian-born, New York raised, LA-based artist.
Warrior Queen: Jamaican dancehall artist.
Georgia Anne Muldrow: Los Angeles singer, producer, songwriter.
Nira: Los Angeles vocalist.

REVIEWS
'Killer Showcase of all powerful maverick female artists' MOJO ****

BIS => 2025 08 15
2LP - SOUL JAZZ
2025

TRACKLIST
1. Melody Maker
2. Full Range
3. Ghetto Organ
4. Toronto Express
5. Black Out
6. Fireball Rock
7. Tropic Island
8. Sure Soul
9. Taste Of Soul
10. SoulStew
11. ReggaeMagic
12. WestOfTheSun
13. HangingTree
14. PeenieWallie
15. WalkDon’tRun
16. BaBaBoom
17. DarkOfTheMoon
18. FullCharge

DESCRIPTION
Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.

BIS => 2025 08 15
2LP - SOUL JAZZ RECORDS
2024 => 2025

TRACKLIST
1. Wayne Smith - Under Mi Sleng Teng
2. Big Youth - Cool Breeze
3. Sister Nancy - Bam Bam
4. The Freddie Munnings Orchestra - Coconut Woman
5. Bobby Ellis - Step Softly
6. Althea and Donna - Uptown Top Ranking
7. Jah Lloyd - Lama
8. Culture - Stop The Fussing and Fighting
9. Lee Perry and The Upsetters - Jungle Lion
10. JohnnyandTheAttractions-Let'sGetTogether
11. AugustusPablo-VivaTirado
12. ArchieandLyn-RatInTheCentre
13. JackieParis-MakeMeSmile
14. BobbyEllis-ShankISheck
15. WinstonWrightandTheUpsetters-Jam#1
16. TheEthiopians-TheWhip
17. ChakaDemus&Pliers-TheBoom
18. GlenAdams-Can'tHideLove
19. JohnnyClarke-RebelSoldering
20. DeeSharp-Let'sDubItUp

DESCRIPTION
New edition of this most popular and highly acclaimed of all Soul Jazz Records' Dynamite! series – 300% Dynamite is jam-packed with reggae tunes that crossed-over to become dancefloor hits and are 100% guaranteed to rock any party!
This album is fully remastered, relicensed and features new tracks. Wayne Smith's booming anthem "Sleng Teng", Althea & Donna's worldwide hit 'Uptown Top Ranking', Sister Nancy's classic "Bam Bam", Augustus Pablo, Lee Perry – it's all here as 300% Dynamite joins the dots between reggae, jazz, funk, dub and soul.

"NO. 2 COMPILATION OF THE YEAR. A third slicing of vintage reggae, ska and rocksteady from the brilliant Soul Jazz, ranking highly in our faves of 99" TIME OUT
"NO. 4 COMPILATION OF THE YEAR" NME
"Who'd have thought a Ska and Reggae mix would become one of the most acclaimed compilations of the year" MIXMAG
"Absolutely fantastic quality compilation series" SELECT "As high quality as it gets" Q

BIS => 2025 08 15
1CD - SOUL JAZZ RECORDS
2024 => 2025

TRACKLIST
1. Wayne Smith - Under Mi Sleng Teng
2. Big Youth - Cool Breeze
3. Sister Nancy - Bam Bam
4. The Freddie Munnings Orchestra - Coconut Woman
5. Bobby Ellis - Step Softly
6. Althea and Donna - Uptown Top Ranking
7. Jah Lloyd - Lama
8. Culture - Stop The Fussing and Fighting
9. Lee Perry and The Upsetters - Jungle Lion
10. JohnnyandTheAttractions-Let'sGetTogether
11. AugustusPablo-VivaTirado
12. ArchieandLyn-RatInTheCentre
13. JackieParis-MakeMeSmile
14. BobbyEllis-ShankISheck
15. WinstonWrightandTheUpsetters-Jam#1
16. TheEthiopians-TheWhip
17. ChakaDemus&Pliers-TheBoom
18. GlenAdams-Can'tHideLove
19. JohnnyClarke-RebelSoldering
20. DeeSharp-Let'sDubItUp

DESCRIPTION
New edition of this most popular and highly acclaimed of all Soul Jazz Records' Dynamite! series – 300% Dynamite is jam-packed with reggae tunes that crossed-over to become dancefloor hits and are 100% guaranteed to rock any party!
This album is fully remastered, relicensed and features new tracks. Wayne Smith's booming anthem "Sleng Teng", Althea & Donna's worldwide hit 'Uptown Top Ranking', Sister Nancy's classic "Bam Bam", Augustus Pablo, Lee Perry – it's all here as 300% Dynamite joins the dots between reggae, jazz, funk, dub and soul.

"NO. 2 COMPILATION OF THE YEAR. A third slicing of vintage reggae, ska and rocksteady from the brilliant Soul Jazz, ranking highly in our faves of 99" TIME OUT
"NO. 4 COMPILATION OF THE YEAR" NME
"Who'd have thought a Ska and Reggae mix would become one of the most acclaimed compilations of the year" MIXMAG
"Absolutely fantastic quality compilation series" SELECT "As high quality as it gets" Q

BIS => 2025 08 15
1CD - SOUL JAZZ
2025

TRACKLIST
1. Melody Maker
2. Full Range
3. Ghetto Organ
4. Toronto Express
5. Black Out
6. Fireball Rock
7. Tropic Island
8. Sure Soul
9. Taste Of Soul
10. SoulStew
11. ReggaeMagic
12. WestOfTheSun
13. HangingTree
14. PeenieWallie
15. WalkDon’tRun
16. BaBaBoom
17. DarkOfTheMoon
18. FullCharge

DESCRIPTION
Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.Jackie Mittoo’s ‘Reggae Magic’ is a new collection from the great Jackie Mittoo. The album features a mixture of classic tunes and rarities from the period 1967-74, when Mittoo was at the height of his musical powers.
Mittoo’s solo career began after the end of The Skatalites in 1965. He began pushing new musical boundaries, creating a uniquely identifiable organ-led funky reggae sound that owed as much to Booker T and The MGs, Jimmy Smith, Stax and Motown as to the post-ska and emergent rocksteady island rhythms of Kingston, Jamaica.
His solo work at the legendary Studio One spanned seven albums and hundreds of singles. Aside from producer and founder Clement ‘Sir Coxsone’ Dodd, it’s hard to think of anyone more central to the sound and success of Studio One than Mittoo; keyboard player extraordinaire, songwriter, arranger, musician, truly the Keyboard King at Studio One.
Jackie Mittoo had been the youngest founding member of The Skatalites (at age 16), probably the most important group in Jamaican music. After they split, he became leader of the three pivotal groups at Studio One – The Soul Brothers, The Soul Vendors and Sound Dimension. He also became musical director for Studio One, helping create countless hits for singers Ken Boothe, Bob Andy, The Wailers, John Holt, Delroy Wilson and more – unforgettable tunes like Alton Ellis’ ‘I’m Still in Love with You’, Marcia Griffiths’ ‘Feel Like Jumping’, The Heptones’ ‘Baby Why’ and others.
Between 1965 and 1968, many of the tunes created at Studio One can be attributed to Mittoo – timeless instrumental tracks, recorded either under his own name or those of The Soul Brothers, Soul Vendors and Sound Dimension, that have become the basis for literally 1000s and 1000s of Jamaican songs over many decades, giving the music an unsurpassed longevity.
The endurance of his music was as a direct result of significant developments in Jamaican music in the 1970s, namely the creation of three important new styles: Dub, Deejay and Dancehall. In the early 1970s Mittoo’s instrumental tracks were used as the musical source for a series of classic Studio One dub albums. At the same time Deejays at Studio One, including Dillinger, Prince Jazzbo and Dennis Alcapone, began toasting over these same popular rhythms to create their own new songs.
In the mid-70s, a new generation of Studio One singers and deejays, including Sugar Minott, Freddie McGregor, Johnny Osbourne, Michigan & Smiley and others, began once again creating new melodies over these original instrumentals, signalling the birth of a new Jamaican style that became known as ‘dancehall’. As dancehall swept across the island, rival producers copied these now classic rhythms.
These original Jackie Mittoo-driven tunes spread like a virus throughout Jamaican music; be they the instrumental cuts to tunes such as Alton Ellis’ ‘Mad Mad’ , ‘I’m Just A Guy’, Larry Marshall’s ‘Mean Girl’, Slim Smith’s ‘Rougher Yet’, and instrumentals such as Mittoo’s classic ‘Hot Milk’ or ‘One Step Beyond’, The Sound Dimension’s ‘Real Rock’, ‘Heavy Rock’, ‘Full Up’, ‘Drum Song’, ‘Rockfort Rock’ ... and the list goes on. These tracks became a constant soundtrack to the island, emitting from the ever-present sound of speaker boxes strung up around dancehalls.
This recycling travelled even farther afield; The Sound Dimension’s instrumental ‘Real Rock’, updated by Willie Williams on his classic ‘Armageddon Time’ was in turn covered by The Clash. Lily Allen sampled Mittoo’s debut solo single ‘Free Soul’ for number one hit ‘Smile’; Dawn Penn’s ‘You Don’t Love Me (No, No, No)’, accompanied by The Soul Vendors, was revived by Penn and producers Steely & Cleevie in 1994, since covered by Rihanna, Ghostface Killah, Stephen Marley, Damian Marley and Beyonce.
And so it goes; an endless time-leaping, continent-hopping diasporic musical map of the world with all roads essentially leading back to one man – Jackie Mittoo.

BIS => 2025 08 15
1CD - SOUL JAZZ RECORDS
2025

TRACKLIST
1. COUCOU CHLOE – Nobody
2. Yaeji featuring Nappy Nina – Money Can't Buy
3. TeeZandos – Lioness
4. Sudan Archives – Selfish Soul
5. Miso Extra – 1013
6. Aunty Rayzor – Kuku Corona
7. Yaya Bey – Meet Me In Brooklyn
8. COUCOU CHLOE – Pokerface
9. Queenie – Okay Twin
10. Yaya Bey – Best Thang
11. MC Yallah x Debmaster – Kubali
12. Dizzy Fae – Solo
13. Vanessa Tha Finessa – Bad Bitch Steppin’
14. Dubbing Sun & Blue Hill featuring Warrior Queen – Armageddon
15. Georgia Anne Muldrow – Big Mama Africa Jam
16. Miso Extra featuring NAYANA IZ – Great Taste
17. Nira – Train Of Love

DESCRIPTION
Featured artists include Yaya Bey, Sudan Archives, Yaeji, COUCOU CHLOE, Georgia Anne Muldrow, Miso Extra, Aunty Rayzor, TeeZandos, Queenie, MC Yallah, Dizzy Fae, Vanessa the Finessa, Nira and Warrior Queen.
Queen Dem brings together a global selection of all powerful, maverick female artists, all creating new musical forms and re-writing the rules of expression to educate, entertain and empower.
From Lagos to Brooklyn, London to Hong Kong, these artists’ widely diverse music is connected through an all-encompassing self-awareness of both self and musical identity and a collective fierceness in attitude.
This album offers a snapshot of the current writing of musical history by women who embody confidence and conviction in their art - whether they are firmly-established artists such as Yaya Bey, Yaeji, Dizzy Fae, Sudan Archives, COUCOU CHLOE and Georgia Anne Muldrow or under the radar rising stars such as Queenie, Aunty Rayzor, Vanessa the Finessa, MC Yallah or Nira.

Featured artists
Chloe Erika Jane Olivié, aka COUCOU CHLOE. London-based French artist producer.
Kathy Yaeji Lee aka Yaeji : NYC Artist, DJ, producer.
Nappy Nina: Brooklyn-based Oakland-born writer, MC, producer.
TeeZandos: East London-born drill artist.
Sudan Archives: Los Angeles artist, songwriter, violinist.
Miso Extra: Hong Kong-born, UK-based artist, MC, producer.
Nayana Iz: Artist based in London.
Aunty Rayzor: Lagos, Nigeria singer and songwriter.
Yaya Bey: Brooklyn R&B vocalist.
Queenie: Croydon, London artist
MC Yallah: MC born in Kenya, raised in Uganda.
Dizzy Fae: Minneapolis singer and dancer.
Vanessa Tha Finessa: Ghanaian-born, New York raised, LA-based artist.
Warrior Queen: Jamaican dancehall artist.
Georgia Anne Muldrow: Los Angeles singer, producer, songwriter.
Nira: Los Angeles vocalist.

REVIEWS
'Killer Showcase of all powerful maverick female artists' MOJO ****

BIS => 2025 09 05
1LP - G59 RECORDS LLC
2025

Limited clear vinyl LP pressing.

TRACKLIST
1 Count Your Blessings
2 Napoleon
3 Oh, What a Wretched Man I Am!
4 Full of Grace (I Refuse to Tend My Own Grave)
5 Chain Breaker
6 Now and at the Hour of Our Death
7 Self-Inflicted
8 Grey + Grey + Grey
9 Carried Away
10 Monochromatic

DESCRIPTION
2025 release from the New Orleans-based hip hop duo founded by cousins Scrim and Ruby da Cherry.

BIS => 2025 09 05
1LP - BURNING SOUNDS
2025

Includes insert with Sleeve notes.

TRACKLIST
Side 1
1. Go Now Dub (3:22)
2. Tell Me Dub (3:01)
3. Dub Is Mine (3:12)
4. Lonely Dub (2:09)
5. My Dub Leads The Way (3:12)
6. Dub To One (2:24)
7. Black Dub (2:37)
Side 2
1. Memories Dub (3:58)
2. Dub Jamboree (3:26)
3. Dub The Fool (3:05)
4. Hurry Dub (2:56)
5. Happy Dub (3:34)
6. Foreign Dub (2:51)
7. Same Dub (3:18)

DESCRIPTION
Originally issued in 2007 on Secret Records as a companion CD to Lester ‘Dillinger’ Bullock’s spirited deejay album, ‘Ten To One’, whose bold, brash braggadocio can still be heard echoing in and out, in and out and in and out of the mix here over a superb selection of dubwise rhythms from Niney The Observer…

BIS => 2025 10 03
1LP - SLANG
2025

- Consists of 9 singles featuring Brooklyn's very own DJ Enuff and previously released singles “Brand New” (200K+ Streams), “Have Nots” (250K+), “Megatron” (650K+).
- Visuals showcase action figure concepts, NYC lifestyle, and gritty storytelling.
- Issa Gold featured on Splice as a producer (for “Have Nots”).
- Playlist placements on Apple Music (Red Bull Basketball Mix, BARS) & Spotify (Rap Rising, Alternative Hip-Hop).
- AKTHESAVIOR featured in KidSuper x Bape collab video (April 2025).
- Have Nots was the top video for ON THE RADAR in October - (28,665 likes, 1423 comments, 4412 shares across all 3 posts).

TRAKLIST
Intro
Losing Feathers
Vices
Brand New
Wisher
Megatron
Sweepers
Have Nots
What Is This Place

DESCRIPTION
The Flatbush duo, The Underachievers, make their long-awaited return to hip-hop with Homecoming, their first project in five years. True to its name, this nine-track release is a powerful reintroduction—rooted in their signature sound while reflecting their artistic evolution. As pioneers of underground hip-hop, The Underachievers have consistently pushed boundaries with critically acclaimed projects that have shaped the genre. Homecoming continues this legacy, blending introspective lyricism with high-energy production. Previously released standalone singles “Brand New,” “Megatron,” and “Have Nots” provide an anthemic ode to unity and strength, a raw reflection on perseverance and showcase their dynamic range. The project opens with a special introduction from New York’s very own DJ Enuff, setting the stage for Homecoming with a declaration that The Underachievers are back and ready to take over. As the project unfolds, it serves as a reminder of the undeniable chemistry between AKTHESAVIOR and Issa Gold. With some production contributions from Issa Gold, Homecoming is more than a project—it’s a statement, a celebration, and a testament to The Underachievers’ enduring impact.

BIS => 2025 09 05
7 INCH - F-SPOT RECORDS
2025

- Authentic early Roots-Reggae sound and production.
- Previous EP released on Hornin’ Sounds Records, France.
- For fans of Victor Axelrod and The Frightners.
- Dubmix B-Side Version for DJs.
- Producer aDUBta featured in new book "DUB — THE SOUNDS OF SURPRISE".

TRACKLIST
Mr. Money Man
Mr. Money Man (Version)

DESCRIPTION
The music keeps flowing out of the Attic Studio, and we’re blessed once again with a fresh new 45 from “Marcus I meets aDUBta.” The latest release in their 7-inch series is "Mr. Money Man", a powerful blend of Nyabinghi spirit and Rocksteady swing—anchored by a deep one-drop groove. With its full auxiliary percussion stylings and the fun off-shoot lyrics from singer Marcus I, this single is a unique addition to their discography. The single further showcases the authentic, high-quality craftsmanship of producer and drummer aDUBta, who hails from Bavaria, Germany. Known for his analog production style and hands-on approach, aDUBta played and recorded all instruments himself. "Mr. Money Man" was written during a series of sessions last year, as part of the duo’s ongoing effort to channel the timeless vibes of 1960s Studio One. The B-side, simply titled "Version", delivers a heavy dub cut mixed live by aDUBta on his trusty Tascam 388. Expect space echo trails, feedback swells, and percussive drops galore—classic ingredients with their own twist. A serious sound system piece and a must-have for selectors and collectors alike. Better grab doubles.

BIS => 2025 09 05
1LP - BRIGHT SIDE ENTERTAINMENT
2025

- Fat Beats full-length debut from one of LA’s top indie voices.
- Features “Twin Turbo” (660K+ streams), “D.M.M. (Kickback)” ft. Project Pat (290K+ streams) and “Rome” ft. Killer Mike.
- Follows 2021’s Endless Brightside with production by Mike Shinoda, Evidence, and features from Slug, Big Jerm, and Tae Beast.
- Tour resume includes support for Mike Shinoda, Evidence, DJ Quik, and Killer Mike, plus a 2022 national headline tour and a sold-out LA show at The Echo.

TRACKLIST
NeedToKnow
Shots (feat. DWY)
Amazing Me
Twin Turbo (feat. SWANKS & UGLYFRANK)
Rome (feat. Killer Mike)
The Water, The Sea And Everything In It
Keep Me Company
Tell Me How U Feel (feat. Auntie Naj & Mat/Matix)
US
No Matter What
D.M.M. (Kickback) [feat. Project Pat]
Effort

DESCRIPTION
AmirSaysNothing's latest album "We Are Who We Say We Are" a crafted offering from one of LA's strongest independents, Bright Side Entertainment X Fat Beats full length debut. 12" Vinyl featuring fan favorite tracks "Twin Turbo" feat. SWANKS & UGLYFRANK, D.M.M. (Kickback) feat. Project Pat and "Rome" feat. Killer Mike.

BIS => 2025 08 22
1LP - F-SPOT RECORDS
2025

- Compilation of 7 previous limited edition 45s.
- Heavy all-star lineup of singers and musicians including Hollie Cook, N'Dea Davenport, Ranking Joe, The Lions, and more.
- Includes the long sold out and highly in demand singles “After Laughter” and “Didn’t I”.
- Previous steady radio play on BBC Radio 6, KCRW, SoHo Radio, and more.
- Very popular among DJ’s and collectors.
- Pressed on traditional black vinyl and housed in a tip-on jacket with insert poster.

TRACKLIST
Ain't That Loving You (feat. Chris Murray)
I Only Have Eyes For You (feat. Chris Dowd & Tippa Lee)
Your Old Stand By (feat. Trish Toledo)
Are You Lonely for Me, Baby (feat. Malik Moore)
Hercules (feat. Alex Désert & The Lions)
You Don't Know Me (feat. Eli "Paperboy" Reed)
After Laughter (feat. Destani Wolf)
Cramp Your Style (feat. N'Dea Davenport)
Got That Will (feat. Gina Murrell & Ranking Joe)
Live and Let Live (feat. Miles Tackett)
Tell It Like It Is (feat. Asdru Sierra)
Didn't I (feat. Hollie Cook)
If You Let Me (feat. Jr Thomas & The Volcanos)

DESCRIPTION
When Night Owls released their first 45 in July 2019, few could have predicted that their vision of reimagining soul classics in a Jamaican style would blossom into a catalog of fifteen 45s featuring a total of 27 songs with many of today's leading soul singers and legendary artists. Following the success of their first compilation LP, "Versions," it was only a matter of time before Night Owls would grace us with a Vol. 2. Now, in 2025, we are excited to present "Versions II," which compiles their latest seven 45s to date, tastefully programmed from start to finish. Raising the bar even higher, this production team, comprising Dan Ubick, Blake Colie, Dave Wilder, and Roger Rivas, further cements their distinct vision and signature sound, delivering hit after hit over the years. With Night Owls' twist on many beloved, chart-topping hits and diggers' choice deep cuts (including the highly in-demand and long-sold-out single "After Laughter b/w Didn't I"), producer Dan Ubick has once again meticulously curated a tracklist that highlights each vocalist's strengths. Featuring many well-known guest artists such as Hollie Cook (Prince Fatty, Mr. Bongo), N'Dea Davenport (The Brand New Heavies), Chris Dowd (Fishbone), Ranking Joe (Greensleeves, Joe Gibbs), Tippa Lee (Studio One, Dub Club), Trish Toledo, Asdru Sierra (Ozomatli), Malik Moore (Ocean 11), Alex Désert (Hepcat) & The Lions, Eli "Paperboy" Reed, Destani Wolf, Gina Murrell (U Roy, Wailing Souls, Orgone), Chris Murray, Miles Tackett (Breakestra, Funky Sole), and Jr. Thomas & The Volcanos, "Versions II" is yet another heavy soul and dub-infused LP, ready for turntables across the globe.

BIS => 2025 09 05
7 INCH - CB RECORDS
2025

- This is a remix for the Madlib Invazion library series by JJ Whitefield.
- Both sides of the record Skip On Beat so you can lift the needle and it stays on beat.
- Both sides of the record have a drum breakdown DJ Tool and looping runout grooves.
- Mophono's production and drum breaks are heralded by DJ Shadow, Q-Bert, Egyptian Lover and The Gaslamp Killer, this record has his trademarked "Skip On Beat" drum breaks.
- Limited edition black vinyl with large center hole, housed in a 2-color, single-sided, promo-hole yellow and black risograph sleeve. Only 300 copies made.

TRACKLIST
Vindaloo (Skip On Beat edit)
Maccheroni (Skip On Beat edit)

DESCRIPTION
CB Records is thrilled to announce the latest 7" release, Vindaloo, a groundbreaking collaboration between J.J. Whitefield—legendary force behind The Poets of Rhythm—and San Francisco's renowned DJ/producer titan, Mophono. This dynamic release features two explosive remixes, Vindaloo and Maccheroni, both crafted with Mophono’s signature "Skip on Beat" style and capped with killer drum break outro tools for DJs and beat enthusiasts alike. Both tracks are reimaginings of songs originally featured on the first volume of the Madlib Invazion Music Library Series, giving them new life with Mophono’s innovative production techniques and gritty funk aesthetic. Known for his love of retro funk and hard-hitting rhythms, Mophono didn’t stop at just one remix—he eagerly tackled two distinct reinterpretations of the same project, showcasing his versatility and respect for Whitefield’s original compositions. The Artists Behind the Magic Mophono (a.k.a. DJ Centipede) has long been a driving force in the experimental funk and breakbeat scenes, blending retro influences with cutting-edge production. His passion for gritty, percussion-driven tracks is on full display here, cementing his status as one of the Bay Area’s most influential producers. J.J. Whitefield, known as the mastermind behind The Poets of Rhythm, has been lauded for his pioneering role in the modern funk revival. Bosco Mann, co-founder of Daptone Records, once described The Poets of Rhythm as "the band that convinced me soul music wasn’t dead," crediting their influence as foundational to Daptone’s success and the global resurgence of soul music. Together, Mophono and Whitefield deliver a release that bridges eras, fusing the raw energy of classic funk with forward-thinking beats. Don’t Miss Out! Vindaloo is a limited-edition collector’s dream and an essential tool for DJs and beat heads who crave head-nodding grooves and fiery drum breaks. Secure your copy before it’s gone!

BIS => 2025 09 26
1LP - NATURE SOUNDS
2025

- Masta Killa is one of nine original members of iconic group Wu-Tang Clan, and remains an important presence in the collective, which is among the most successful and influential acts in hip-hop history. The group just wrapped up Wu-Tang Forever: The Final Chamber, a historic set of performances in arenas across North America.
- Earlier this year, Masta Killa hit 24 cities across the U.S. on a Balance tour promoting the album.
- Balance is executive produced by Wu-Tang mastermind RZA, who also contributes production and guest vocals on the album. Balance also includes appearances by Method Man, Snoop Dogg, Raekwon, N.O.R.E., Cappadonna, Uncle Murda, and more.
- Balance has been featured in prominent editorial playlists on streaming platforms, including Apple Music’s Rap Heavy Hitters, BARS, and Flowery, Tidal's Grown Rap and New East Coast, and Amazon’s Elite Rap.
- Masta Killa’s solo career includes collaborations with not only the entire Wu-Tang Clan, but Sean Price, Pete Rock, MF DOOM, Public Enemy, Rakim, 9th Wonder, Prodigy, Redman, Kurupt, and more. His last album Loyalty Is Royalty was covered by outlets like XXL, Billboard, Spin, Forbes, HipHopDX, Revolt, and more.
- Masta Killa is a spokesperson for PETA in current national print advertising campaign.

TRACKLIST
1. Hip Hop Forever
2. Eagle Claw (feat. Raekwon and Capadonna)
3. BK Harlem (feat. Head I.C.E)
4. Building With The Abbott (feat. RZA)
5. City (feat. Jamall Ray)
6. Glad To Meet You (feat. Method Man and Snoop Dogg)
7. It's Been A Long Time
8. Trumpets (feat. N.O.R.E., AZ, and Uncle Murda)
9. King Custom
10. Again (feat. AB Money and Big Bub)

DESCRIPTION
More than thirty years after their seismic arrival, the legendary Wu-Tang Clan remains as relevant as ever, whether inspiring an acclaimed TV series or securing a historic Las Vegas artist residency. With a wealth of talent that may never be duplicated, the group’s impact has been amplified by the solo careers of all nine members. Masta Killa has been an important part of this legacy, with four acclaimed solo albums containing countless Wu classics. Now, in the midst of the last Wu-Tang Clan tour ever, Masta Killa is back with the highly anticipated new album Balance. Executive produced by Wu-Tang mastermind RZA, the collection is vintage New York hip-hop at its finest, with thunderous drums courtesy of beatsmiths like Easy Mo Bee, PF Cuttin, Nick Price, and RZA himself. Lyrically, Killa proves his sword is sharper than ever, sharing wise words alongside a diverse set of guests including Method Man, Snoop Dogg, RZA, Raekwon, N.O.R.E., Cappadonna, AZ, Uncle Murda, and more. “What the world and the musical universe needs now is balance,” Masta Killa explains. Capturing a wide spectrum of moods and content, Balance embodies its title perfectly.

BIS => 2025 09 26
2LP - COALMINE RECORDS
1995 => 2025

The Collector’s Edition 2XLP boasts remastered audio and comes
pressed on classic black wax.

TRACKLIST
Side A:
A1. Intro
A2. Pimp In My Own Rhyme
A3. What Can I Do
A4. For Real
Side B:
B1. Funk Mission
B2. Kick That Shit
B3. Friend Or Foe (feat. Big Mike, E-40, Mac Mall, Rodney D. Ellis)
B4. Hand Of The Devil
Side C:
C1. Top Of The World
C2. What Do You See (feat. Nuckle Heads)
C3. In The Line Of Duty
C4. All In My Mind (feat. South Circle)
Side D:
D1. Comin’ Up
D2. Space Age Pimpin’ (feat. Nina Creque)
D3. Break ‘Em Of

DESCRIPTION
Suave House Records, in collaboration with Coalmine Reissues, proudly presents the first- ever vinyl reissue of On Top of the World by Eightball & MJG, celebrating the album’s 30th anniversary. This groundbreaking 1995 release, a cornerstone of Southern hip-hop, not only cemented the duo’s status as Memphis legends but also propelled them onto the national stage, highlighting their exceptional talent and unique sound.
At a time when the East and West Coasts dominated the rap scene, On Top of the World brought the Third Coast into the conversation with its masterful storytelling, slick production, and unparalleled chemistry between 8Ball and MJG. The album climbed the charts, peaking at #8 on the Billboard 200, earning gold certification, and proving that Southern hip-hop had a unique and powerful voice in the game.
Key singles like “Space Age Pimpin’” were instrumental in this breakout. The smooth, infectious track lit up airwaves across the country, reaching #58 on the Hot R&B/Hip-Hop Singles & Tracks chart and #22 on the Hot Rap Singles chart. Meanwhile, “Pimp in My Own Rhyme” underscored the duo’s lyrical prowess and contributed to the album’s widespread acclaim.
On Top of the World remains a hallmark of 1990s hip-hop—a testament to Eightball & MJG’s ability to carve out their own lane. This reissue is a must-have for fans, celebrating a record that propelled Southern rap to new heights and cemented its rightful place in hip-hop history.

BIS => 2025 09 26
1CD - NATURE SOUNDS
2025

- Masta Killa is one of nine original members of iconic group Wu-Tang Clan, and remains an important presence in the collective, which is among the most successful and influential acts in hip-hop history. The group just wrapped up Wu-Tang Forever: The Final Chamber, a historic set of performances in arenas across North America.
- Earlier this year, Masta Killa hit 24 cities across the U.S. on a Balance tour promoting the album.
- Balance is executive produced by Wu-Tang mastermind RZA, who also contributes production and guest vocals on the album. Balance also includes appearances by Method Man, Snoop Dogg, Raekwon, N.O.R.E., Cappadonna, Uncle Murda, and more.
- Balance has been featured in prominent editorial playlists on streaming platforms, including Apple Music’s Rap Heavy Hitters, BARS, and Flowery, Tidal's Grown Rap and New East Coast, and Amazon’s Elite Rap.
- Masta Killa’s solo career includes collaborations with not only the entire Wu-Tang Clan, but Sean Price, Pete Rock, MF DOOM, Public Enemy, Rakim, 9th Wonder, Prodigy, Redman, Kurupt, and more. His last album Loyalty Is Royalty was covered by outlets like XXL, Billboard, Spin, Forbes, HipHopDX, Revolt, and more.
- Masta Killa is a spokesperson for PETA in current national print advertising campaign.

TRACKLIST
1. Hip Hop Forever
2. Eagle Claw (feat. Raekwon and Capadonna)
3. BK Harlem (feat. Head I.C.E)
4. Building With The Abbott (feat. RZA)
5. City (feat. Jamall Ray)
6. Glad To Meet You (feat. Method Man and Snoop Dogg)
7. It's Been A Long Time
8. Trumpets (feat. N.O.R.E., AZ, and Uncle Murda)
9. King Custom
10. Again (feat. AB Money and Big Bub)

DESCRIPTION
More than thirty years after their seismic arrival, the legendary Wu-Tang Clan remains as relevant as ever, whether inspiring an acclaimed TV series or securing a historic Las Vegas artist residency. With a wealth of talent that may never be duplicated, the group’s impact has been amplified by the solo careers of all nine members. Masta Killa has been an important part of this legacy, with four acclaimed solo albums containing countless Wu classics. Now, in the midst of the last Wu-Tang Clan tour ever, Masta Killa is back with the highly anticipated new album Balance. Executive produced by Wu-Tang mastermind RZA, the collection is vintage New York hip-hop at its finest, with thunderous drums courtesy of beatsmiths like Easy Mo Bee, PF Cuttin, Nick Price, and RZA himself. Lyrically, Killa proves his sword is sharper than ever, sharing wise words alongside a diverse set of guests including Method Man, Snoop Dogg, RZA, Raekwon, N.O.R.E., Cappadonna, AZ, Uncle Murda, and more. “What the world and the musical universe needs now is balance,” Masta Killa explains. Capturing a wide spectrum of moods and content, Balance embodies its title perfectly.

BIS => 2025 10 10
1LP - JACKPOT RECORDS
1976 => 2025

INDIES EXCLUSIVE GOLDEN SUNSHINE COLOURED VINYL.

TRACKLIST
A1 One Step Forward
A2 Uptown Babies
A3 Chase The Devil
A4 War Ina Babylon
B1 Norman
B2 Stealing In The Name Of Jah
B3 Tan And See
B4 Smokey Room
B5 Smile Out A Style

DESCRIPTION
Jackpot Records is extremely proud to announce our reissue of the revered reggae album 1976's War Ina Babylon by Max Romeo & The Upsetters. Originally released on Island Records, the album is considered one of the greatest Reggae albums of all time and was a massive influence on the UK punk movement that was just starting to bubble to the surface. The record's incredible power belies an unlikely partnership between one of the world's greatest producers (and experimenters in sound), Lee "Scratch" Perry, and vocalist Max Romeo (who by 1976 had performed on over 120 7" singles) Romeo had been transforming from his "rude" records to writing lyrics with social themes as the era in Jamaica was rife with poverty, gangs, and politically motivated killings. As he was looking to produce protest music at it's most powerful alongside music that would never leave the listener's souls, Lee Perry and Max Romeo started collaborating together. Recorded in two weeks in 1976, utilizing Lee Perry's kitchen sink production, War Ina Babylon is considered part of Lee Perry's 'holy trinity' Black Ark produced LPs released by Island Records (Junior Murvin's Police and Thieves and The Heptones' Party Time being the other classics LPs in the trinity), this LP continues to find new fans with every passing generation.

BIS => 2025 10 03
1LP - JWJ PUBLISHING
2025

- Reimagining of Let’s Get It: Thug Motivation 101, now performed live with a full orchestra.
- Features iconic tracks like “Soul Survivor,” “Go Crazy,” “My Hood,” and “Trap or Die”.
- The Color of Noize Orchestra, created by Derrick Hodge, is an immersive audio-visual series blending contrasting sounds, styles, and setups. The project has ties to artists like Wizkid, Anderson .Paak, and WILLOW.
- This highly anticipated release merges classical instrumentation with iconic production perfect for hip-hop purists, live music lovers and collectors.
- Pressed on black vinyl.

TRACKLIST
Standing Ovation
Let's Get It / Sky's The Limit
Thug Motivation 101
Get Ya Mind Right
Air Forces
Trap or Die
Bang
Bottom of the Map
Go Crazy
Trap Star
And Then What
Soul Survivor

DESCRIPTION
Celebrate the 20th anniversary of one of hip-hop’s most iconic albums with Jeezy’s TM:101 Live, a once-in-a-lifetime reimagining of Let’s Get It: Thug Motivation 101, now backed by a full live orchestra. Originally released in 2005, TM:101 didn’t just introduce Jeezy to the world; it immortalized trap music, debuting at #1 on the Billboard Hip-Hop and R&B charts and #2 on the Billboard 200. Widely hailed as a critical and cultural classic, the album became the blueprint for a generation of street anthems and dominance. Now, Jeezy elevates his legacy with an epic live performance, merging raw lyrics with rich orchestral arrangements lending to a new level of sonic depth. Featuring stunning live renditions of tracks like “Soul Survivor,” "Go Crazy,” “My Hood" and “Trap or Die,” this release captures the emotion, scale and storytelling that defined a movement.

BIS => 2025 10 03
1LP - SPN RECORDS
2025

- New full-length studio album by Theo Croker, GRAMMY-nominated trumpeter, producer, and composer.
- Features high-profile collaborations with Estelle, Kassa Overall, Gary Bartz, MAAD, Malaya, D’LEAU, and Tyreek McDole.
- Explores jazz, house, soul, hip-hop, and experimental electronics through a dreamlike narrative arc.
- Standout tracks include “One Pillow,” “64 Joints,” “High Vibrations,” and “We Still Wanna Dance”.
- Produced by Theo Croker with co-production by D’LEAU, Elite, and Kassa Overall.
- Pressed on 180 Gram Black Vinyl with a printed insert.

TRACKLIST
Prelude 3
One Pillow (feat. Estelle & Kassa Overall)
64 joints (feat. Tyreek McDole)
Up frequency (Higher) (feat. Maad)
Light As A Feather (feat. Gary Bartz & Natureboy Flako)
High Vibrations (feat. Malaya & D'LEAU)
Crystal Waterfalls
We Still Wanna Dance (feat. D'LEAU)
Postlude 3

DESCRIPTION
Dream Manifest is the latest visionary statement from GRAMMY-nominated trumpeter, composer, and producer Theo Croker—a transcendent sonic journey blending jazz, soul, electronica, and Afro-futurist storytelling into a genre-fluid experience. Brought to life with an elite ensemble and shaped through intentional craftsmanship, the album invites listeners into a dreamstate where ritual, resistance, and revelation unfold through sound. From the meditative invocation of “Prelude 3” to the dance-floor liberation of “We Still Wanna Dance” and the interdimensional elegance of “One Pillow” (featuring Estelle and Kassa Overall), Croker builds a soundscape where dualities meet: acoustic and synthetic, earthly and cosmic, past and future. With contributions from jazz legends like Gary Bartz and next-gen voices like MAAD, Malaya, and Tyreek McDole, the album vibrates with collective spirit and personal truth. Produced entirely by Croker with select collaborators like D’LEAU, Elie, and Kassa Overall, and mixed by longtime engineer Todd Carder, Dream Manifest is rooted in improvisation and intentionality. It’s more than an album—it’s a ceremonial experience. Every track, every solo, every melody, every groove is a call to imagine beyond the limitations of the known world. Pressed on limited edition 180gram vinyl with a printed insert, Dream Manifest is a must-have artifact of sonic and spiritual significance—created to raise your vibrations.

BIS => 2025 10 03
1LP - RUCK DOWN RECORDS
2025

- Limited to only 300 units on Neon Purple Vinyl.
- ‘A Widow’s Cry’ marks the heartfelt and highly anticipated solo debut of Bernadette Price, wife of the late hip-hop icon Sean Price.
- Features top-tier production from acclaimed producers Khrysis, Da Beatminerz, Stu Bangas, and more, delivering gritty, authentic boom-bap soundscapes.
- Includes appearances from Boot Camp Clik members Smif-N-Wessun, Ruste Juxx, Rockness Monsta, and a rare, never-before-heard verses from the legendary Sean Price.
- A tribute rooted in love, loss, and resilience, this album is both a personal journey and a gift to true hip-hop heads.

TRACKLIST
Intro (Words from Keisha Plum)
Drama Time (feat. Ruste Juxx)
Real Life (feat. Smif N Wessun & Terror Van Poo)
Flatlined (feat. Terror Van Poo)
Interlude 1
Bars (feat. Ruste Juxx & Terror Van Poo)
Widows Cry
Gloomy (feat. Terror Van Poo)
Interlude 2
Seans Gone
S.T.F.U. (feat. Sean Price)
Skully
No Love (feat. Terror Van Poo)
Now Ain't The Time (feat. Terror Van Poo)
Do About It
Outro

DESCRIPTION
Bernadette Price, wife of the late, legendary Sean Price, steps into the spotlight with her solo debut album, A Widow’s Cry. This deeply personal project features hard-hitting production from some of hip-hop’s finest producers, including Khrysis, Da Beatminerz, Stu Bangas, and more. A Widow’s Cry not only honors Sean Price’s legacy but amplifies it, featuring collaborations with fellow Boot Camp Clik members Smif-N-Wessun, Ruste Juxx, Rockness Monsta, along with a rare, never-before-heard verse from Sean Price himself—a true gem for longtime fans. More than just a tribute, this album is Bernadette Price’s bold statement that she’s here and ready to make her mark.

BIS => 2025 10 03
1LP - DEWOLFE MUSIC
1972 => 2025

- Exclusive reissue of Tilsley Orchestra No.10 from De Wolfe Music, a pioneering library music label revered by crate diggers, producers, and beatmakers.
- Featuring the classic break “Warlock,” famously sampled by countless artists including Drake, Jay Z, Jay Electronica, KRS-One, Swizz Beatz, Soulja Boy, Swizz Beatz, and more.
- A masterclass of lush orchestral drama funk, big band arrangements, classic ’70s breaks, and genre-spanning compositions
- Reg Tilsley is a prolific composer known for his work in film and television, including Dawn of the Dead (1978), The Benny Hill Show, and Breaking Bad.
- First time commercial release and limited run of only 500 units.

TRACKLIST
Hold The Road
Blue Eyes
Warlock
Just Carol
Grand Slam
Come Next Sunday
Stax
Pan Ram
Sue
Strike Rich
Theme For Marilyn
Mark Twelve
Rosebud Joe Version 1
Rosebud Joe Version 2

DESCRIPTION
With influences ranging from Burt Bacharach to Quincy Jones, Tilsley Orchestral No.10 belongs on the shelves of all record collectors. Sweeping strings, pounding drums, leaping flutes, and polished horn sections take the listener on a sonic journey of late 60’s orchestral pop. Composed and arranged by the library legend Reginald Tilsley, this eponymous collection of recordings digs deep into jazz harmonies that adds a level of complexity while maintaining the simplicity of easy listening, highlighting the true genius of the composer. Tilsley Orchestral No. 10 spans a spectrum of spirits, from the lows of lost love (Sue) to the highs of winning the big game (Grand Slam). This LP features a favorite of hip-hop producers, Warlock, which has been sampled in songs by artists including Cam’ron, KRS-ONE, Soulja Boy, and Jay Electronica.

BIS => 2025 10 03
3LP SET - CHISWICK
2025

Limited to 500 copies this is sure to become a collector’s item.

TRACKLIST
SIDE ONE
1. TEENAGE LETTER - THE COUNT BISHOPS
2. KEYS TO YOUR HEART - THE 101'ERS
3. TRAIN TRAIN - THE COUNT BISHOPS
4. GATECRASHER - THE GORILLAS
5. DIRTY PICTURES - THE RADIO STARS
6. TELEVISION SCREEN (single version) - THE RADIATORS FROM SPACE
SIDE TWO
1. MOTORHEAD - MOTÖRHEAD
2. DO IT 77 - TWINK AND THE FAIRIES
3. NO ONE - JOHNNY MOPED
4. SAINTS AND SINNERS - JOHNNY AND THE SELF ABUSERS
5. NIGHT OF THE WEREWOLF - LEE KRISTOFFERSON
6. HANG LOOSE (I'VE GOTTA ROCK) – WHIRLWIND
SIDE THREE
1. I WANNA BE FREE - THE RINGS
2. I WANT YOU TO DANCE WITH ME - JEFF HILL
3. COMMON TRUTH - AMAZORBLADES
4. NERVOUS WRECK - THE RADIO STARS
5. ROMFORD GIRLS - RIFF RAFF
6. KLEAN LIVING KIDS - THE STUKAS
SIDE FOUR
1. I WANT CANDY - THE BISHOPS
2. RAMA LAMA DING DONG - ROCKY SHARPE & THE REPLAYS
3. DRIVER'S SEAT - SNIFF 'N' THE TEARS
4. SONG OF THE FAITHFUL DEPARTED - THE RADIATORS
5. HEY BABY - DISGUISE
6. I TAKE WHAT I WANT - THE BISHOPS
SIDE FIVE
1. LOVE SONG - THE DAMNED
2. SMASH IT UP - THE DAMNED
3. RADIOACTIVE KID - THE METEORS
4. TOMAHAWK CRUISE - T V SMITH'S EXPLORERS
5. THAT DRIVING BEAT - RED BEANS AND RICE
6. AUTOMOBILE - THE STICK SHIFTS
SIDE SIX
1. HEART - ROCKY SHARPE & THE REPLAYS
2. SIGN LANGUAGE - MINOR CLASSICS
3. TENNESSEE STUD - TERRY WOODS
4. GO GO GO - ALBANIA
5. KWAGAYO - TWO TWO Chiswick
6. GRAB WHAT YOU CAN (BIEZ CO MOZESZ) - JAKKO

DESCRIPTION
To celebrate our 50th Anniversary Ace Records are delighted to offer a three-LP limited edition compilation of where it all started – Chiswick Records.
Back in November 1975, Ted Carroll finally made his dream of starting an independent label a reality when Chiswick released their first single – The Count Bishop’s “Speedball” EP.
Flanked by Roger Armstrong and Trevor Churchill, Chiswick were in the right place at the right time. They were soon releasing singles that dropped anchor in pub rock, punk, metal, pop and rockabilly by the likes of the 101’ers, Motörhead, the Gorillas, the Radio Stars, the Radiators, the Stukas and many more.
There were also big names before they got bigger. Joe Strummer led the 101’ers. Johnny & the Self Abusers later morphed into Simple Minds whereas Riff Raff featured a young Billy Bragg. Solo artist Jakko became a mainstay of a later incarnation of King Crimson.
Over seven years, Chiswick singles not only sold well but the label even managed score chart singles with artists as diverse as the Radio Stars, Sniff ‘n’ the Tears, Rocky Sharpe & The Replays and the Damned.
Compiled by Roger Armstrong this 3-LP set pulls together some of the finest 45rpm output from Chiswick issued between 1975 and 1982. From the well-known to Minor Classics.
Roger Armstrong and Ted Carroll have also penned the informative line notes with stories ranging from hiring an aeroplane to take a promoter to see a gig in France in those early days, how a brief piano part was added to the Damned’s ‘Smash It Up’ and Thin Lizzy’s Phil Lynott came to produce Terry Woods ‘Tennessee Stud’.

BIS => 2025 10 03
2LP - BIG BEAT
1968 => 2025

TRACKLIST
SIDE ONE
1. INTRODUCTION BY "HUMBLE HARVE" MILLER / MR FARMER
2. NO ESCAPE
3. SATISFY YOU
4. NIGHT TIME GIRL
5. UP IN HER ROOM
SIDE TWO
1. GYPSY PLAYS HIS DRUMS
2. CAN'T SEEM TO MAKE YOU MINE
3. MUMBLE AND BUMBLE
4. FOREST OUTSIDE YOUR DOOR
5. 900 MILLION PEOPLE DAILY ALL MAKING LOVE
6. PUSHIN' TOO HARD
SIDE THREE
1. INTRODUCTION BY "HUMBLE" HARV / MR FARMER
2. MUMBLE AND BUMBLE
3. NO ESCAPE
4. SATISFY YOU
5. HUBBLY BUBBLY LOVE
6. UP IN HER ROOM
SIDE FOUR
1. GYPSY PLAYS HIS DRUMS
2. CAN'T SEEM TO MAKE YOU MINE
3. FLYIN' WITH LOVE
4. 900 MILLION PEOPLE DAILY ALL MAKING LOVE
5. PUSHIN' TOO HARD

DESCRIPTION
“Raw & Alive – The Seeds In Concert” may just possibly be the greatest “live” album that never was. Released in 1968 towards the end of the original quartet’s career, the album was an attempt to deliver on vinyl the live frenzy that these garage legends were notorious for in person.
The album is highly regarded by Seeds aficionados, containing as it does exciting versions of band classics like ‘No Escape’ and ‘Up In Her Room’, as well as superlative new originals such as the punkoid ‘Satisfy You’, the latter a clear return to form after the flowery “Future” long-player. But most are unaware that the performances were actually cut live in the studio, with applause added afterward for release.
The original premise was for a Seeds show to be taped in front of an audience. Attended by the bands fan club, a live studio performance was recorded in February 1968, only to be scrapped at the last minute. The second disc of our deluxe vinyl reissue features this planned album in the form in which it was prepared for release, direct from the assembled master tape which has not been heard until now. The early version included the rare ‘Hubbly Bubbly Love’, which would not be re-recorded for “Raw & Alive”.
The new 2LP “Raw & Alive” is the fourth in the series of Seeds expanded editions and comes with a 8-page booklet, with notes from compiler Alec Palao that detail the history of the swansong of the original Seeds personnel, illustrated with unseen photos of the quartet on stage in their mid-60s heyday.

BIS => 2025 10 03
1LP - ACE
2025

TRACKLIST
SIDE ONE
1. PICTURE ME GONE
2. I CAN'T LET GO
3. YOU'VE GOT ME UP TIGHT
4. TAKE ME FOR A LITTLE WHILE
5. WE KNOW BETTER
6. THE ROLL
7. THE LOVE OF A BOY
8. MY DOG
SIDE TWO
1. ANGEL OF THE MORNING
2. BILLY SUNSHINE
3. RUN HOME TO YOUR MAMA
4. DANNY BOY I LOVE YOU SO
5. IT MAKES ME LAUGH
6. DEAR JOHN
7. I WAS MOVED

DESCRIPTION
“I Can’t Let Go” is the first ever compilation of Brooklyn singer Evie Sands' 60s recordings, featuring all 15 tracks from her first 8 singles on the vinyl version. The CD edition boasts a further 11 cuts, featuring her complete 45s from 1963-1970.
Singing from her pre-teens and first working in the studio at a tender age, Sands’ powerful and mesmerising voice belied her youth and featured on classic 45s cherished by soul and rock collectors alike, as well as girl group and femme pop aficionados.
After fledgling releases on ABC and Gold, Sands teamed up with the writing, arrangement and production team of Chip Taylor and Al Gorgoni in 1965 for a series of excellent, and frequently astounding records on the Blue Cat, Cameo and A&M labels, culminating in her much admired first LP. Along the way she cut the original (and definitive) versions of ‘Take Me For A Little While’, ‘I Can't Let Go’, northern soul floor filler ‘Picture Me Gone’, and the stately ‘Angel Of The Morning’, and watched on in disbelief as they all became hits for other artists. Finally achieving a sizeable hit of her own in 1969 with ‘Any Way That You Want Me’, she followed a short retirement in the early 70s with a well-received comeback LP, “Estate Of Mind” and a brace of US Top 50 hit singles.
Honing her production and writing skills along the way led to a veritable who's who of pop royalty queuing up to work with her and record her songs; Barbra Streisand, Dusty Springfield, Karen Carpenter, Dionne Warwick and later Missy Elliot all covered Sands' compositions and Elvis very nearly did too...
“I Can’t Let Go” has been compiled by Jai Rathbone with the full co-operation of Evie Sands who shares her thoughts and insights on this early part of her career. Lavishly illustrated this is a must-have purchase.
Marvel again (or for the very first time) at the versatility of one of the 60s best kept secrets; the rich, emotional and truly distinctive voice of Evie Sands.

BIS => 2025 10 03
7 INCH - KENT
2025

TRACKLIST
Side 1
Darrow Fletcher – The Pain Gets A Little Deeper
Side 2
Darrow Fletcher – My Judgement Day

DESCRIPTION
‘The Pain Gets A Little Deeper’ was soul music’s equivalent of Frankie Lymon’s ‘Why Do Fools Fall In Love’ – young, vulnerable, heart-felt vocals that belied the singer’s years. It entered the charts in January 1966 and catapulted the 14 year-old Darrow Fletcher to fame in the R&B world, particularly in his home city of Chicago. Elton John has cited the recording as one of the best soul records he has ever heard. The ‘My Judgement Day’ flip demonstrated that there was depth to Darrow’s talent and a fruitful career followed.

BIS => 2025 10 03
7 INCH - KENT
2025

TRACKLIST
Side 1
The Exits – Another Sundown In Watts
Side 2
The Exits - I Don’t Want To Hear It

DESCRIPTION
The sparsely-recorded Exits must be considered one of the greatest Los Angeles 60s soul vocal groups. Jimmy Conwell was their driving force, but all four singers contributed. Jimmy and fellow Exit Godoy Colbert, along with label owner Hank Graham co-writing both of these songs. Graham licensed ‘Another Sundown In Watts’ to Kapp records but with the issue being incredibly scarce compared to the demo, it may not have had a proper release. The song is hugely popular among both discerning northern soul fans and harmony lovers and now fetches over £1,000.
Coming up fast on the rails is the catchy dancer ‘I Don’t Want To Hear It’, issued on Cleveland’s Gemini label two years previously. It’s another mid-tempo harmony jam, ideal for today’s ageing dancers.

BIS => 2025 10 03
7 INCH - KENT / SOUL HARMONY
2025

TRACKLIST
Side 1
Take It From Me - Barbara Long
Side 2
Poor Loser - The Cautions

DESCRIPTION
Barbara Long’s exquisite vocals on ‘Take It From Me’ are backed by a heavenly backing group that was no doubt arranged and maybe featured Raynoma “Miss Ray” Gordy, Berry’s second wife and co-founder of Motown. This song was written by Eddie Singleton, Ray’s new partner who set up Shrine Records with her in Washington DC. The record came out on their sister label Jet Set, but sold poorly and is very sought after now.
Singleton wrote another beautiful harmony ballad, ‘Poor Loser’ for his main group the Cautions - issued on Shrine in 1966. It was their second single and got lost in the company’s implosion with most copies incinerated in record distributor Waxie Maxie’s fire. Its Northern soul flip makes it a £2,000 record on original.

BIS => 2025 10 17
1LP - MUNSTER
1966 => 2025

Released exclusively in Germany in March 1966, “Black Monk Time” by The Monks has become a cult classic—praised as a groundbreaking forerunner to punk and krautrock.
From the explosive opener ‘Monk Time’ to the fierce ‘Complication,’ “Black Monk Time” rejected flower power for something more urgent—anger, humor, and innovation developing a confrontational, rhythm heavy sound.
Remastered sound from the tapes, pressed on 180g vinyl.

TRACKLIST
Side A
1. MONK TIME
2. SHUT UP
3. BOYS ARE BOYS AND GIRLS ARE CHOICE
4. HIGGLE-DY PIGGLE-DY
5. I HATE YOU
6. OH, HOW TO DO NOW
Side B
1. COMPLICATION
2. WE DO WIE DU
3. DRUNKEN MARIA
4. LOVE CAME TUMBLIN’ DOWN
5. BLAST OFF!
6. THAT’S MY GIRL

DESCRIPTION
Released exclusively in Germany in March 1966, “Black Monk Time” by The Monks has become a cult classic -praised as a groundbreaking forerunner to punk and krautrock. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim.
The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men—Walther Niemann and Karl Remy—who became their managers and helped reinvent their identity.
Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Nowhere is this clearer than in the album’s opening track, ‘Monk Time,’ which captures their entire aesthetic in under three minutes. A pounding, repetitive groove of bass and drums anchors the track, layered with distorted guitar bursts, percussive electric banjo, chaotic organ stabs, and unrestrained, shouted vocals. It’s a declaration of intent—urgent, jarring, and unforgettable.
Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. From the explosive opener ‘Monk Time’ to the fierce ‘Complication,’ “Black Monk Time” rejected flower power for something more urgent—anger, humor, and innovation.
At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history—loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the ‘60s. The band never sparked the revolution they hinted at, but decades later, “Black Monk Time” still resonates. This is your chance to experience the album that dared to be different - don’t miss it.
Remastered sound from the tapes, pressed on 180g vinyl.

BIS => 2025 10 17
7 INCH - VAMPISOUL
2025

A longtime favorite among Brazilian music collectors!
Trio Ternura’s ‘A Gira’, originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless.
We're excited to make this incredible single available once again, cut at 45 RPM and remastered from the original tapes.

TRACKLIST
Side A
A GIRA
Side B
LAST TANGO IN PARIS

DESCRIPTION
A longtime favorite among Brazilian music collectors, Trio Ternura’s ‘A Gira’ blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Originally released in 1973, the track was written by the group’s father and uncle as a heartfelt homage to the Candomblé deity - celebrating nature and spirituality.
Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them ‘A Gira’ captures “the dancing, the expression, the lyrics and musical relaxation – something very Brazilian.”
The B-side features the trio’s soulful interpretation of Gato Barbieri’s Last Tango in Paris, adding a mellow cinematic touch to this sought-after release.
After decades of eluding most collectors at a reasonable price - even the reissue from a few years ago has been fetching high prices - we're excited to make this incredible single available once again, cut at 45 RPM and remastered from the original tapes.

BIS => 2025 10 17
1LP - TOCUYO
2025

Cheo y Los Consentidos de la Casa is a dynamic, funk-infused Latin music project led by Cheo Pardo (of Los Amigos Invisibles). Serving as the house band for a bi-weekly dance night at NYC’s Nublu, the group blends salsa, boogaloo, cha-cha-cha, and bolero with psychedelic effects and deep grooves. Their debut live album captures this high-energy fusion, reimagining Latin classics with a modern, electrifying twist that honors tradition while pushing boundaries.

TRACKLIST
Side A
A1. LLEGO LA BANDA
A2. SOUL SAUCE feat. Felipe Fournier
A3. TABOGA
A4. LA MUCURA
A5. LLUVIA CON NIEVE
Side B
B1. MUJER DIVINA
B2. SALSA NA’ MAS
B3. BEMBA COLORA feat. Chico Raro
B4. AY QUE RICO feat. José Benjamín

DESCRIPTION
This isn’t your abuela’s salsa night — this is CHEO Y LOS CONSENTIDOS DE LA CASA. Funk-forward. Rhythm-obsessed. 100% dance floor approved.
Cheo y Los Consentidos de la Casa is the latest groove-laced project from Cheo Pardo (Los Amigos Invisibles), serving as the house band for a bi-weekly Latin throw down at the legendary Nublu in NYC.
Born from a love of vintage Latin soul and the raw energy of NYC’s dance floors, Cheo assembled an all-star crew of the city’s hottest Latin players to cook up a high-octane blend of salsa, boogaloo, cha-cha-cha, and bolero — all filtered through wah-wah pedals, space echoes, fuzzy guitar solos, and a deep, unshakable groove.
The result? A psychedelic, percussive party that’s equal parts tradition and funked-out future.
Their debut album, recorded live at Nublu, captures the heat, sweat, and sabor of their wildest nights — reimagining classics from Joe Cuba, Willie Colón, Eddie Palmieri, Mon Rivera, and more. Each track is a tribute and a reinvention, breathing new life into the old- school with a cosmic twist, and opening the doors for a whole new generation to feel that sabrosura in their bones.

BIS => 2025 10 17
1LP - VAMPISOUL
1974 => 2025

An essential Roy Ayers album blending soulful jazz roots with crisp 1970s funk.
Featuring Ayers' signature vibes, tight arrangements, and standout tracks like ‘The Boogie Back’ (sampled by the likes of NWA, 2Pac, De La Soul…) and ‘Change Up the Groove,’ this LP is a must-have for any fan of jazz-funk and vintage grooves.

TRACKLIST
Side A
1. CHANGE UP THE GROOVE
2. SENSITIZE
3. DON’T YOU WORRY ‘BOUT A THING
4. MASH THEME
Side B
1. FIKISHA (TO HELP SOMEONE TO ARRIVE)
2. FEEL LIKE MAKIN' LOVE
3. WHEN IS REAL, REAL?
4. THE BOOGIE BACK

DESCRIPTION
Step into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity’s early Polygram years. Often overlooked in favor of Ayers’ bigger hits, this soulful album is a masterclass in jazz-funk fusion, capturing the essence of Ayers’ evolving style as he bridged the gap between his jazz roots and the rhythmic snap of the '70s funk revolution.
From the very first track, Ayers’ signature vibes take center stage, shimmering with emotion and groove. The album leans heavily into instrumental richness, with standout contributions from jazz greats like the legendary Bernard Purdie on drums. Strings weave in and out subtly, enhancing Ayers’ already deep and textured arrangements.
Highlights include the undeniable funk of ‘The Boogie Back’, a breakbeat favorite for crate-diggers and DJs (sampled by the likes of NWA, 2Pac, De La Soul…), and a lush, electrified rendition of ‘Feel Like Makin’ Love’ that glows with mellow soul. The title track ‘Change Up the Groove’ delivers the kind of tightly arranged, emotionally charged funk that defined the era.
“Change Up the Groove” isn’t just an album—it’s a snapshot of Roy Ayers’ artistic evolution, full of rhythm, heart, and timeless groove. Whether you’re a longtime fan or just discovering his legacy, this record is essential listening.

BIS => 2025 10 17
1LP - VAMPISOUL
1971 => 2025

A samba funk essential. This debut album from Jorge Ben’s iconic backing band blends Brazilian rhythms, soulful vocals, and American funk energy into one unforgettable groove.
Includes the hit single ‘Coqueiro Verde’ along with standout tracks like ‘Meu País,’ ‘Aleluia, Aleluia,’ and ‘O Canto da Ema.’ A timeless gem for fans of Brazilian soul, vintage funk, or global grooves.
First time official reissue.

TRACKLIST
Side A
1. MEU PAIS
2. XAMÊGO DE INÁ
3. O CRIOLAUTA
4. O SORRISO DE NARINHA
5. ESPERANÇA
Side B
1. MARIA DOMINGAS
2. NAGÔ
3. SÓ QUERO
4. O CANTO DA EMA
5. ALELUIA, ALELUIA (E AINDA TEM MAIS)
6. COQUEIRO VERDE

DESCRIPTION
Trio Mocotó is best known for being the powerhouse backing band behind Brazilian legend Jorge Ben during the height of his creative explosion in the early 1970s. But their contribution to music goes far beyond the supporting role—they were instrumental in shaping what would become known as samba funk, a vibrant fusion of traditional Brazilian rhythms with the groove and energy of American soul and funk music.
Formed in São Paulo’s iconic Jogral nightclub, Trio Mocotó—featuring Fritz Escovão, Joãozinho Parahyba, and Nereu Gargalo—began their musical journey as resident musicians, providing live accompaniment for a rotating cast of performers. It was here that Jorge Ben first encountered their raw talent and unmistakable chemistry, ultimately inviting them to join his band. The collaboration would go on to define an era.
In 1971, Trio Mocotó stepped into the spotlight with their debut solo album, “Muita Zorra! (...São Coisas Que Glorificam a Sensibilidade Atual).” The record made an immediate impact, climbing the charts with the infectious single ‘Coqueiro Verde’ and marking the start of a prolific period in the group’s career.
“Muita Zorra!” is a dazzling blend of styles—mixing the baroque funk and melodic sophistication of artists like Marcos Valle with the soulful spirit of Jorge Ben. Layered with elements of American funk, the album delivers a dynamic, rhythm-driven sound that still feels fresh today. The trio’s vocal harmonies are front and center, weaving through each track with warmth and richness, creating a captivating sonic tapestry that energizes every beat.
This album isn’t just a snapshot of a musical moment—it’s a cornerstone of Brazilian soul. A must-listen for fans of global grooves, vintage funk, and timeless Brazilian music, “Muita Zorra!” is once again available and ready to take its well-deserved place in your collection. First time official reissue.

BIS => 2025 10 17
1LP - VAMPISOUL
2025

Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler’s, and Juaneco y su Combo.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

TRACKLIST
Side A
1. MI GUITARRA LLORA POR TI
2. BAILA CON RANIL
3. EL VIAJERO
4. CUMBIA EN TU SOLEDAD
5. FANTASÍA DEL AMAZONAS
6. LAS OLADAS
7. CHINITO RULO
Side B
1. SONIDO AMAZÓNICO
2. VUELO A SATURNO
3. TIN MARÍN
4. MARLENITA
5. BAILANDO EN EL INFINITO
6. LAGRIMAS DE MIS OJOS
7. ALABANZA A DIOS

DESCRIPTION
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s.
By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler’s de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler’s. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement’s potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography.
Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band’s 10 LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

BIS => 2025 10 17
1LP - VAMPISOUL
2025

"Psychedelic Cumbia Party" brings together for the first time the best recordings of Los Zheros, a pioneering band of Amazonian cumbia from Peru. Their sound blends fast, percussive cumbia rhythms with surf-style electric guitars.
The album features their psychedelic rock hit ‘Cuarto oscuro,’ a highly sought-after track not only among cumbia collectors but also garage and psych DJs.
This compilation is a joint release with Peruvian label Rey Record and includes an insert with never-before seen photos of the band, as well as liner notes by expert Víctor Zela (creator of the acclaimed project "La Cumbia de mis Viejos").

TRACKLIST
Side A
1. PARA CHACHITA
2. CAMINANDO
3. LA ROSA
4. MI LAMENTO
5. RITMO ORIENTAL
6. MARITA
Side B
1. CUARTO OSCURO
2. NADANDO
3. TORO EN ÓRBITA
4. DESCARGA DE LOS ZHEROS
5. MARILÚ
6. EL PUSANGUERO

DESCRIPTION
This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos—alongside groups like Los Rogers and Los Wemblers—in the heart of Peru's Amazon capital.
The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style—a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the traditional cumbia styles that developed in other cumbia-producing countries like Colombia.
The album includes their psychedelic rock hit ‘Cuarto Oscuro,’ a highly sought-after track not only by cumbia collectors but also by garage and psychedelic DJs. This song also marked the beginning of their recording career in 1973.
This compilation is a joint release with the Peruvian label Rey Record and comes with an insert featuring never- before-seen photos of the band, as well as liner notes by genre expert Víctor Zela (the mind behind the prestigious project "La Cumbia de mis Viejos").

BIS => 2025 10 17
1LP - MUNSTER
1973 => 2025

"Paloma mensajera" (featuring members of New Juggler Sound / Laghonia) shows the shift that was taking place within Peruvian rock away from psych and hard rock which had predominated during the early 70s.
The style adopted by Grupo Amigos (and other bands and artists during this period) highlights the influence of soft rock, UK, US and Latin American folk rock and, above all, the desire to keep the melodic greatness of The Beatles alive.
This reissue includes bonus tracks and extensive liner notes.

TRACKLIST
Side A
1. NO SABES QUE ME SIENTO BIEN
2. MUJER
3. DAMA
4. SON LAS 5
5. EN EL CAMPO
6. EVERYBOBY IS FREE – BONUS TRACK
Side B
1. ENSUEÑO
2. EL TREN DEL SEÑOR TAYLOR
3. ATARDECER DE UN VERANO
4. BUSCANDO UN HOGAR
5. PSIQUIATRA
6. DIRTY GIRL – BONUS TRACK

DESCRIPTION
"Paloma mensajera" (featuring members of New Juggler Sound / Laghonia) shows the shift that was taking place within Peruvian rock away from psych and hard rock which had predominated during the early 70s.
The style adopted by Grupo Amigos (and other bands and artists during this period) highlights the influence of soft rock, UK, US and Latin American folk rock and, above all, the desire to keep the melodic greatness of The Beatles alive. The positive reception albums by artists such as We All Together, Telegraph Avenue and Zulu garnered between 1972 and 1975, marked a change of paradigm and in preferences within the Peruvian rock scene. Eclecticism gained new ground, to the detriment of the sectarian and orthodox, while melody grew more present and visible, moving away from the progressive experimentation that typified underground Peruvian rock up to the beginning of the 70s.
For their first single on MAG, included on this reissue, the band adopted a formula in which Beatles harmonies converged symmetrically with folk motifs. ‘Dirty Girl' was a hit on the radio. A full album followed but only a fairly small number of copies of the album were pressed, which seems to have been the main reason for omitting it from the historical accounts of Peruvian rock music from the late 90s onwards.
In "Paloma mensajera" all compositions were penned by the group, after several years during which cover versions were a staple. Some of the musical resources that the band had at their disposal in terms of composition and arrangements are striking and even surprising, considering that they were a debut band, whose members were under the age of 20. The arrangements included the clever use of a Moog synthesizer which had just arrived at the MAG studio.
The success achieved by the Beatles tribute performances played by the members of Grupo Amigos for decades have eclipsed the songs that Edmundo, Andrés Da Ros and Simón Ames composed with youthful enthusiasm and energy between 1972 and 1973 to the point where they have almost been forgotten. This re-release of "Paloma mensajera" should help rectify this major injustice. It includes bonus tracks and extensive liner notes.

BIS => 2025 10 17
1LP - MUNSTER
1985 => 2025

“Anti Todo” is Eskorbuto’s most celebrated album, recorded in the shortest time imaginable and released in 1985. It shows what the Spanish punk band did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible.
A new remastering for this edition has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed “Anti Todo”, a true classic recorded at Eskorbuto’s peak of their creativity and energy.
It includes a large poster and insert with notes.

TRACKLIST
Side A
1. HISTORIA TRISTE
2. DE TI DEPENDE
3. ES UN CRIMEN
4. MATA LA MUSICA
5. ANTI TODO
6. HACIENDO BOBADAS
Side B
1. CUIDADO
2. TAMARA
3. CEREBROS DESTRUIDOS
4. HA LLEGADO EL MOMENTO (EL FIN)

DESCRIPTION
1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it.
Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things…
When it came to recording “Anti Todo”, Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and we have to ask: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song ‘Tamara’ was practically composed on the spot in the studio in less than two recording days, as was much of ‘Ha llegado el momento’.
The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. We can once again enjoy the urgency, simplicity, and rage of this refreshed “Anti Todo”, a true classic in our musical history, originally released in 1985 at Eskorbuto’s peak of their creativity and energy.
This edition of the album includes a large poster and insert with notes.

BIS => 2025 10 17
1LP - MUNSTER
2025

Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it’ll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures.
“Joropop. Psych Pop & Folk in Venezuela, 1968-1976” features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks—most of which have never been reissued until now. Let’s set off together to discover the magic of Caracas in the late ‘60s!

TRACKLIST
Side A
1. BUENOS DÍAS JUVENTUD – EL ZIGUI Y UNA LUZ
2. DAMA GENTIL – GRUPO ESPIGA
3. VIENDO LA LLUVIA – GRUPO SYMA
4. LÁGRIMAS EN TUS OJOS – LA FE PERDIDA
5. PEOPLE – LADIES W.C.
6. QUIERO CLARIDAD – LOS FABRICANTES DE MUÑECAS
7. EL CIELO ESTÁ EN TU MENTE – LOS MEMPHIS
8. SED DE AMOR – LA CUARTA CALLE
Side B
1. JOROPO Nº 2 – GRUPO C.I.M.
2. AMOR Y FELICIDAD – GRUPO PAN
3. STORMY – LOS RANGERS
4. REGRESA JUNTO A MI – LOS CHICOS MALOS
5. SIEMBRA TUS SUEÑOS – CIRUELA
6. CONOCE EL AMOR – THE FOUR BLUES
7. DI QUIÉN ES FELIZ – LA CUARTA CALLE

DESCRIPTION
Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it’ll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures.
“Joropop. Psych Pop & Folk in Venezuela, 1968-1976” features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks—most of which have never been reissued until now.
The golden age of Caracas pop started in 1965. It replaced the wave of cloyingly romantic song writing as fresh talents leant into richer and more complex styles: folk-rock, psychedelia, soul, hard blues, symphonic pop, Latin rock etc. Singer-songwriters, experimental electric guitars and jam sessions all appeared on the scene, creating music that became increasingly refined and free. The industry took a while to catch on to this new trend and leave behind the teen idols and dream lifestyles.
By the late 60s, there was a long list of new bands in the capital city. Young people finally found their voice.
Let’s set off together to discover the magic of Caracas in the late ‘60s!

PRE ORDER => 2025 10 17
2LP - VAMPISOUL
2013

Abelardo Carbonó, the godfather of champeta, is a legendary Colombian musician who reached a pioneering creative peak in the 1980s with his recordings in the city of Barranquilla. His music knows no boundaries and draws from Afrobeat, highlife, cumbia, Haitian compas, psychedelia…
This compilation presents the ground-breaking and kaleidoscopical work of this unclassifiable artist: the wonderful world of Abelardo Carbonó and his Afro- Colombian psychedelic sound.
Compiled by Lucas Silva of Palenque Records and annotated by Etienne Sevet.

TRACKLIST
1. MUÉVELA
2. QUIERO A MI GENTE
3. LA NEGRA KULENGUE
4. LA NEGRA DEL NEGRERÍO
5. SCHALLCARRI
6. GUANA TANGULA
7. A OTRO PERRO CON ESE HUESO
8. CAROLINA
9. LA CERRADURA
10. SE ACABA LA PAZ
11. BAILE DEL INDIO
12. VIAJANDO
13. TE ACORDARÁS DE MÍ
14. LA PLAYA
15. GUAGUANCÓ MODERNO
16. OYE MUJÉ, MUJÉ
17. EJÉN EN ACORDEÓN

DESCRIPTION
Abelardo Carbonó, the godfather of champeta, was born in 1948 in Ciénaga, a small town between Santa Marta and Cartagena, Colombia. He started playing guitar when he was eight or nine, just playing along with his father. His family moved to Barranquilla in 1959. Upon his arrival, he quickly went to become a police cadet as it was pretty much all the city had to offer him in terms of earning one's life.
At the turn of the 80s, Abelardo had almost two decades of being in the police, a job he "wasn't very good at". With his brothers Jafeth (bass) and Abel (solo guitar), he progressively formed what was to become the nucleus of the bands to come, developing their signature: a sharp guitar, a strong bass and a choir that only brothers' voices can deliver. The tropical pop sound, the groaning voice, the drum kit, the mix of rockish and tropical guitar that one would hear later in Abelardo's work, were already visible in his personal way of playing Caribbean music in these early days.
Although tracks like 'A otro perro con ese hueso' may not be exactly developing the same kind of sound, there was already a resemblance in terms of format and arrangement. The vallenato cajón drum, a traditional feature one would rarely consider beyond vallenato circles, was used here and would be used extensively by Abelardo in various contexts. With its childish voices drowned in reverb, the swinging electric bass contrasting with the acoustic guitar, and the funny lyrics about a man who promises a lot as the choir rejects his affirmations, the tune stood out of a 12-song compilation released by Sonolux and gained Abelardo's band attention from the music industry.
Other tracks like 'Quiero a mi gente' and 'Schallcarri' seem to testify once again that Fela Kuti's "Shakara" had a huge impact on the musicians from the coast; the West African and French Caribbean influence became more and more obvious in the band's work, despite Abelardo claiming that he wasn't listening to radio, nor looking for records. In fact, the most decisive influence was the African and Afro Caribbean one: it ranged from the Super Negro Bantous to South African music, the 45s from Kenya and of course Congolese music, Cameroon, Ivory Coast, Haitian music, French West Indies... Funk and pop were also important, just as vallenato, cumbia and porro to name a few.
For several years, Abelardo enjoyed the savoir faire and experience of the best studios around and worked with producers such as the great Eduardo Dávila, some sort of costeño Lee Perry, out of which came out memorable sessions with collaborations by legends like Michi Sarmiento and several artists from the Dolcey Gutiérrez Orchestra. The groove was the law, and what a groove!
In his albums for Felito, Abelardo recorded such gems as 'Negra Kulenge', 'Palenque' or 'Carolina', magnified by a great sound and a unique mix. But, for some reason he cannot explain, the follow up to those albums was not, as one could expect, immediate. He recalls having trouble to handle the destiny of his band and actively promote it to find gigs. Instead he even went to the Guajira region as a policeman or to work for the coal mine, supposedly to teach music in the mining company's schools there.
The best of this boundless artist is yet to come. Europe and the rest of the world is finally about to discover the talent of this kind of Colombian Tom Zé. A man representing the psychedelic yet groovy side of the Caribbean musical world, one of the best kept secrets of Colombian music.