PRE ORDER => 2025 04 25
1LP - VAMPISOUL
1966 => 2025

“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats.
Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

TRACKLIST
Side A
1. DAME CAFÉ
2. NEGRA QUERIDA
3. PUES NO DA PA’ MÁS
4. PITIMBÁN
5. CUMBIA MILAGROSA
6. GALERAZAMBA
Side B
1. JOSÉ DOLORES
2. LOS GAVILANES
3. LA PREGUNTADERA
4. EDITH
5. CHARANGUERA
6. SE TE VE

DESCRIPTION
The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms. This group included notable figures like Andrés Landero, Aníbal Velásquez, Lisandro Meza, and Alfredo Gutiérrez, among others.
A prime example of their diverse musical styles is the album “Dame café”, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaíto and pasaje. The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind “Dame café”, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The group’s creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends. Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album “Dame café” has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track ‘Pues no da pa’ más’. Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

PRE ORDER => 2025 04 25
7 INCH - VAMPISOUL
2025

Two awesome Latin jazz-funk gems for the dance floor, blazing with the rich brass section and percussion.
Both songs are taken from mega-rare Venezuelan LPs released in 1976.
Reissued on a 45 for the first time.

TRACKLIST
Side A
LA RETRETA MAYOR -TORTA DE PAN
Side B
PABLO SCHNEIDER -LA VENGANZA

DESCRIPTION
First time 45 reissue of these two awesome Latin jazz-funk gems from Venezuela.
La Retreta Mayor was founded and led by guitarist Alex Rodríguez. ‘Torta de pan’, reminiscent of recordings of classic US funk bands such as the JBs, was originally included in their only and hard-to-find LP. On the flip side of our 45 we find ‘La venganza’ that was part of a mega rare soundtrack written and recorded by Pablo Schneider for the obscure Venezuelan sexploitation film “Sobre la Hierba… Virgen”. Both songs were released on Discomoda in 1976 and the original records are almost impossible to find in any condition.
How cool and handy is to have both songs together on a DJ-friendly 45? First time 7” reissue.

PRE ORDER => 2025 04 18
1LP - VAMPISOUL UMG
1971 => 2025

Reissued here for the first time, "Cartão Postal" is one of the best and most sought-after Brazilian funk-soul albums from the early ’70s.
It includes some outstanding uptempo gems like Marcos and Paulo Sergio Valle’s ‘Que bandeira’, and the stellar ‘Esperar Prá Ver’, co-written by Evinha’s brother Renato Corrêa who also happened to be a member of the Golden Boys.
This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre.
Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics.

TRACKLIST
Side A
1.QUE BANDEIRA
2.FEIRA MODERNA
3.CARTÃO POSTAL
4.OLHA O FUTURO
5.DE TANTO AMOR
6.ESPERAR PRÁ VER
Side B
1.TEMA DE ADÃO
2.SÓ QUERO
3.RICO SEM DINHEIRO
4.ENCONTRO
5.POR MERA COINCIDÊNCIA
6.ONZE E QUINZE

DESCRIPTION
We are thrilled to reissue for the first time one of the best and most sought-after Brazilian funk-soul albums from the early ’70s.
"Cartão Postal" was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of Trio Esperança, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off.
"Cartão Postal", her third solo album, comprises some outstanding gems. Songs like ‘Que bandeira’, by Marcos Valle, Paulo Sérgio Valle and Mariozinho Rocha, that moves between funk/soul and bossa/MPB grooves; the stellar ‘Esperar Prá Ver’, co-written by Evinha’s brother Renato Corrêa who also happened to be a member of the Golden Boys, is a mid-tempo funk soul number that features stunning arrangements and an epic bassline that is hard to be forgotten… ‘Só Quero’ emanates samba soul sounds while songs like ‘Por Mera Coincidência’ or ‘Rico Sem Dinheiro’ resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists.
Ridiculously rare and expensive now, and at the top of many collectors’ wants lists for decades, it’s finally reissued here after years unavailable.

PRE ORDER => 2025 04 18
1LP - VAMPISOUL UMG
1977 => 2025

GATEFOLD

TRACKLIST
A1 Mandamentos Black
A2 Just For You
A3 Andando Nos Trilhos
A4 Esse E O Nosso Black Brother
A5 Swing Do Rei
B1 Hereditariedade
B2 Foi Um Sonho Só
B3 Uma Chance
B4 God Save The King
B5 Blows

DESCRIPTION
Gerson King Combo's 1977 album is a masterpiece of Brazilian soul, emerged within the Black Rio movement, which was recorded with União Black as the backing band.
It features the kind of full-on funky sound you'd only expect to hear from a rare few American groups of the time. Its ten songs mix political statements, which primarily address issues of racial pride, and dancefloor-oriented music. The album has achieved cult status over the years, becoming one of the most sought-after Brazilian funk records of all times.
Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics.
El álbum de 1977 de Gerson King Combo es una obra maestra de soul brasileño, surgido dentro del movimiento Black Rio, que fue grabado con União Black como banda de acompañamiento.
Su sonido es de un estilo totalmente funky del que solo se esperaría de ciertos artistas norteamericanos de la época. Diez temas que fusionan el discurso político y de orgullo racial con la música hecha para bailar.
El paso del tiempo lo ha convertido en uno de los discos de funk brasileño más buscados por coleccionistas.
Remasterizado de las cintas originales y prensado en vinilo de 180gr. Este lanzamiento forma parte de una nueva serie de reediciones que incluirá también muchos otros clásicos brasileños sobresalientes.

PRE ORDER => 2025 04 18
2LP - VAMPISOUL
2025

TRACKLIST
A1 Carlos Pickling– Cumbia Morena
A2 Los Chicoques– Olguita
A3 Los Demonios De Corocochay– Cumbia en Dominante
A4 Los Felcas– La Blanquiñosa
A5 Sonora Casino– Chinita
A6 Sam Brasil– La Pollera Amarilla
A7 Volada 5– Anita
B1 Otto De Rojas Y Su Orquesta– Cumbia Pueblerina
B2 Carlos Pickling– Yolanda
B3 Silvestre Montez Y Sus Guantanameros– Arequipeñita
B4 Ñiko Estrada– Lucerito
B5 Freddy Roland Y Su Orquesta– Cumbia Sabrosa
B6 Los Avileños– La Cumbia del Burro
B7 Los Demonios Del Mantaro– Cumbia 73
C1 Carlos Pickling Y Orquesta– Que Siga la Cumbia
C2 Joe Di Roma y su Conjunto– Chin Chin
C3 Los Rumberos Del Solar– Ritmo de Cumbia
C4 Los Pavos Reales– Ac Cha Chau
C5 Nilo Espinosa Y Su Orquesta– Cumbia Bonita
C6 Volada 5– Oh Condor
C7 Tito Chicoma Y Su Orquesta– Cumbia de Color
D1 Los Demonios De Corocochay– Cumbia y Amor
D2 Nelson Ferreyra Y Su Sonora– Negrita Linda
D3 Carlos Pickling Y Orquesta– Baila Mi Cumbia
D4 Los Kintos– Tierra Linda
D5 Manzanita (4)– Pochita
D6 Los Felcas– La Colocha
D7 Los Belking's*– La Celosa

DESCRIPTION
Tras excavar hasta lo más profundo de los abrumadores archivos de Discos Fuentes y Codiscos en nuestros anteriores volúmenes, esta tercera entrega de la serie “Cumbia Cumbia Cumbia!!!” reúne 28 bombazos de cumbia peruana orientados a la pista de baile extraídos de los archivos de Discos MAG, todos ellos publicados originalmente entre 1964 y 1987.
“Cumbia Cumbia Cumbia!!!” combina clásicos muy conocidos con rarezas que son difíciles de conseguir en su formato original. Una invitación para disfrutar y dejarse sorprender, al margen y por encima de aproximaciones académicas y etnográficas a la cumbia.
-----------------------
After digging deep into the overwhelming archives of Discos Fuentes and Codiscos in our previous volumes, this third instalment in the series “Cumbia Cumbia Cumbia!!!” comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987.
“Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns.

PRE ORDER => 2025 04 18
1LP - VAMPISOUL UMG
1975 => 2025

"Na Rua, na Chuva, na Fazenda" is a landmark 1975 album by Hyldon, a key figure in Brazilian soul music. The album captures the vibrant musical spirit of the 1970s and reflects the influence of the black power movement.
With a mix of MPB, soul, and funk, Hyldon brought his unique sound to life, collaborating with influential artists like Azymuth.
This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics.

TRACKLIST
Side A
1. GUITARRAS, VIOLINOS E INSTRUMENTOS DE SAMBA
2. NA SOMBRA DE UMA ÁRVORE
3. VAMOS PASSEAR DE BICICLETA?
4. ACONTECIMENTO
5. VIDA ENGRAÇADA
6. AS DORES DO MUNDO
Side B
1. NA RUA, NA CHUVA, NA FAZENDA
2. SÁBADO E DOMINGO
3. ELEONORA
4. BALANÇO DO VIOLÃO
5. QUANDO A NOITE VEM
6. MEU PATUÁ

DESCRIPTION
"Na Rua, na Chuva, na Fazenda" is a landmark 1975 album by Hyldon, a key figure in Brazilian soul music. His debut release was one of the top-selling albums that year, capturing the vibrant musical spirit of the 1970s and reflecting the influence of the black power movement alongside artists like Tim Maia and Cassiano. With a mix of MPB, soul, and funk, Hyldon brought his unique sound to life, collaborating with influential artists and contributing to the Brazilian music scene.
The album, which features the iconic title track, is a celebration of love with timeless songs like ‘As Dores do Mundo’, ‘Na Sombra de uma Árvore’ and ‘Meu Patuá.’ Produced by Guti Carvalho with arrangements by Hyldon and Waldir Arouca Barros, the studio band included the talented musicians from Azymuth (José Roberto Bertrami, Alex Malheiros and Ivan Conti “Mamão”), making it a memorable piece of Brazilian musical history.
This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Once incredibly rare and expensive, it's now at the top of every serious collector's wishlist. After being unavailable outside of Brazil for years, it’s finally been reissued – don’t miss your chance to own this legendary piece of music history.

PRE ORDER => 2025 04 18
1LP - VAMPISOUL UMG
1976 => 2025

"Cuban Soul-18 Kilates" is Cassiano's third studio album, released in 1976, and stands as a milestone in Brazilian soul music. It combines Brazilian rhythms with classic American soul elements, creating a unique fusion.
Cassiano's smooth, soulful vocal style and the album’s larger-than-life arrangements, reminiscent of Tim Maia's sound, give it a rich, deep feel.
The standout track, ‘Onda,’ is a relaxing anthem evoking beach vibes that has become a DJ’s favorite in recent years and also made it into several compilations.
"Cuban Soul-18 Kilates" has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics like Evinha “Cartão Postal” or Gerson King Combo.

TRACKLIST
Side A
1. HOJE É NATAL
2. COLEÇÃO
3. ANA
4. ONDA
Side B
1. CENTRAL DO BRASIL
2. SAIA DESSA FOSSA
3. DE BAR EM BAR
4. SALVE ESSA FLOR
5. A LUA E EU

DESCRIPTION
"Cuban Soul-18 Kilates" is Cassiano's third studio album, released in 1976, and stands as a milestone in Brazilian soul music. Influenced by artists like Otis Redding, Eddie Kendricks, Stevie Wonder, and others, it combines Brazilian rhythms with classic American soul elements, creating a unique fusion.
The album features 9 tracks, with ‘A Lua e Eu’ becoming a major commercial hit and the theme song for the soap opera “O Grito”. Cassiano's smooth, soulful vocal style and the album’s larger-than-life arrangements, reminiscent of Tim Maia's sound, give it a rich, deep feel. The standout track, ‘Onda,’ is a relaxing anthem evoking beach vibes, with its captivating bassline, subtle percussion, and natural sounds of the sea, making it perfect for moments of relaxation. This song, along with the album’s other tracks, showcases Cassiano's mastery of Brazilian soul, making “Cuban Soul-18 Kilates” a definitive and cherished record in the genre.
This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Once incredibly rare and expensive, it's now at the top of every serious collector's wishlist. After not being available outside of Brazil for years, it’s finally been reissued – don’t miss your chance to own this legendary piece of music history.

PRE ORDER => 2025 04 18
7 INCH - VAMPISOUL
2025

Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname “Loco” by being a free, independent spirit, an innovator and iconoclast who was initially branded as “crazy” for the freshness and audacity of his sound.
These two hot tracks were released in the early 70s and became instant dance floor fillers.
First time 7” reissue of these salsa and guaguancó gems.

TRACKLIST
Side A
PA’ EL 23
Side B
MUCHACHO BARRIGÓN

DESCRIPTION
Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname “Loco” by being a free, independent spirit, an innovator and iconoclast who was initially branded as “crazy” for the freshness and audacity of his sound.
Amazingly, he is not that well known in the US, where he spent some time in the late 1960s and salsa was king during the 1970s. Yet he was quite popular in his home country from the beginning, especially amongst the working class of Caracas and Maracaibo, who adopted Cuban music played by New York Puerto Ricans as their own and called it “salsa” years before the term was employed by US labels like Fania as a marketing tool. Pérez is revered in Venezuela, as well as in Mexico and Colombia, and his storied career, which spans seven decades and thousands of concerts, has yielded more than 35 albums recorded by his various bands, including Los Dementes, Los Kenya, and Los Calvos, all of which are collector’s items today.
These two hot tracks were released in the early 70s and became instant dance floor fillers. In fact, ‘Muchacho Barrigón’ crossed over beyond the Venezuelan salsa scene and a few versions of the tune were recorded by international artists. How cool and handy is to have both songs together on a DJ-friendly 45? First time 7” reissue.

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

TRACKLIST
Side A
LOS PAMBELÉ —CANNABIS
Side B
LOS DARLINGS DE HUANUCO —MARIHUANA

Welcome to the psychedelic vibes of this weed-inspired double sider where Colombian salsa and Peruvian cumbia meet!
‘Cannabis’ is a killer organ-driven salsa song recorded by Colombian music legend Fruko while ‘Marihuana’ by Los Darlings de Huanuco was conceived as an effort to combine rock and cumbia sounds resulting a perfectly balanced mix of both worlds.
First time 7” reissue of these extremely hard to find records!

DESCRIPTION
Welcome to the psychedelic vibes of this weed-inspired double sider where Colombian salsa and Peruvian cumbia meet!
Julio Ernesto Estrada Rincón aka Fruko has probably had one the busiest recording careers in the salsa biz! Not only did Discos Fuentes release some 18 full LPs under the “Fruko” banner over a 20-year period, in addition there were various side-projects like Afrosound and Orquesta Full Salsa, and also one-off studio projects like Los Pambelé. ‘Cannabis’ is the only song released under this name and happens to be a killer organ-driven weed inspired salsa song that funnily enough was renamed ‘Yerbabuena’ (peppermint) when included on a 1972 compilation…
On the flipside, we find Los Darlings de Huanuco, a pioneer band in introducing rock sounds into the local music scene of this Peruvian city. Under the inspiration of international bands such as Led Zeppelin, Santana or The Ventures and also local artists like Jean Paul “El Troglodita” or Los York’s they recorded ‘Marihuana’. Since the band background was cumbia, the resulting sound of the song is a perfect combination of both worlds despite the original idea was recording a rock number.
First time 7” reissue of these extremely hard to find records!

PRE ORDER => 2025 04 18
SPLATTER
7 INCH - VAMPISOUL
2024

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

BIS => 2025 04 18
2LP - VAMPISOUL
2024

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

BIS => 2025 04 18
2LP - VAMPISOUL
2024

BIS => 2025 04 18
1LP - VAMPISOUL
1972 => 2024

BIS => 2025 04 18
2LP + 1CD - VAMPISOUL
2016

BIS => 2025 04 18
1LP - VAMPISOUL
1967 => 2018

BIS => 2025 04 18
1LP - VAMPISOUL
1974 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1975 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1970 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1969 => 2022

BIS => 2025 04 18
7 INCH - VAMPISOUL
1976 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1973 => 2018

SOLD OUT
1LP - VAMPISOUL
1976 => 2022

SOLD OUT
1LP - VAMPISOUL
1976 => 2021

BIS => 2025 04 18
1LP - VAMPISOUL
2021

BIS => 2025 04 18
1LP - VAMPISOUL
1974 => 2021

BIS => 2025 04 18
1LP - VAMPISOUL
1980 => 2020

BIS => 2025 04 18
1LP - VAMPISOUL
2016

BIS => 2025 04 18
RSD 2020
1LP - VAMPISOUL
1968 => 2020

IN STOCK
1LP -VAMPISOUL
1961 => 2024

IN STOCK
2LP - VAMPISOUL
GATEFOLD
2023

IN STOCK
1LP - VAMPISOUL
1971 => 2022

IN STOCK
180G VINYL
1LP - VAMPISOUL
1989 => 2024

IN STOCK
1LP - VAMPISOUL
1971 => 2024

IN STOCK
1LP - VAMPISOUL
2022

IN STOCK
1LP - VAMPISOUL
1973 => 2023

IN STOCK
1LP - VAMPISOUL
1978 => 2023

BIS => 2025 05 09
2LP - VAMPISOUL
2024

BIS => 2025 05 09
1LP - VAMPISOUL
1970 => 2023

BIS => 2025 05 09
2LP - VAMPISOUL
2023

BIS => 2024 12 20
1LP - VAMPISOUL
1974 => 2022

IN STOCK
7 INCH - VAMPISOUL
2020

SOLD OUT
7 INCH - VAMPISOUL
2024

SOLD OUT
1LP - VAMPISOUL
1968 => 2019

BIS => 2024 12 20
1LP - VAMPISOUL
1982 => 2022

BIS => 2024 12 20
1LP - VAMPISOUL
1967 => 2022

BIS => 2024 12 20
1LP - VAMPISOUL
1988 => 2021

BIS => 2024 12 20
1LP - VAMPISOUL
1975 => 2020

PRE ORDER => 2024 11 22
1LP - VAMPISOUL
2024

PRE ORDER => 2024 11 22
180G VINYL
1LP - VAMPISOUL
1969 => 2024

BIS => 2024 11 22
7 INCH - VAMPISOUL 
2024

BIS => 2024 11 22
1LP - VAMPISOUL
1971 => 2024

SOLD OUT
1LP - VAMPISOUL
1972 => 2021

SOLD OUT
2LP - VAMPISOUL
2016

IN STOCK
1LP - VAMPISOUL
1972 => 2017

BIS => 2025 02 21
1LP - VAMPISOUL
1968 => 2022

IN STOCK
1LP - VAMPISOUL
? => 2021

BIS => 2025 03 07
2LP - VAMPISOUL
2015

BIS => 2025 02 21
1LP - VAMPISOUL
1972 => 2020

IN STOCK
7 INCH - VAMPISOUL
2024

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
1LP - VAMPISOUL
1968 => 2023

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
1LP - VAMPISOUL
2022

BIS => 2025 02 21
1LP - VAMPISOUL
2022

IN STOCK
2LP - VAMPISOUL
2022

IN STOCK
7 INCH - VAMPISOUL
2022

BIS => 2025 05 09
1LP - VAMPISOUL
1970 => 2022

SOLD OUT
1LP - VAMPISOUL
1966 => 2022

IN STOCK
7 INCH - VAMPISOUL
1984 => 2022

IN STOCK
1LP - VAMPISOUL
1975 => 2019

IN STOCK
2LP - VAMPISOUL
2018

IN STOCK
1LP - VAMPISOUL
1967 => 2024

IN STOCK
1LP - VAMPISOUL
2023

BIS => 2025 05 09
1LP - VAMPISOUL
1965 => 2022

IN STOCK
1LP - VAMPISOUL
1972 => 2023

BIS => 2025 03 07
2LP - VAMPISOUL
2010

BIS => 2024 09 27
500 COPIES LIMITED EDITION
RED COLOR
7 INCH - VAMPISOUL
2021 => 2024

IN STOCK
1LP - VAMPISOUL
1966 => 2022

IN STOCK
1LP - VAMPISOUL
1968 => 2022

IN STOCK
1LP - VAMPISOUL
1973 => 2021

SOLD OUT
1LP - VAMPISOUL
1974 => 2020

BIS => 2024 09 27
1LP - VAMPISOUL
1971 => 2022

BIS => 2024 05 17
1LP - VAMPISOUL
1967 => 2022

IN STOCK
1LP - VAMPISOUL
1967 => 2022

BIS => 2025 05 09
1LP - VAMPISOUL
RSD 2022

BIS => 2024 06 21
1LP - VAMPISOUL
1968 => 2021

SOLD OUT
7 INCH - VAMPISOUL
SPLATTER VINYL
2023

BIS => 2024 06 21
YELLOW / PINK SPLATTER VINYL
7 INCH - VAMPISOUL
2021 => 2024

IN STOCK
2LP - VAMPISOUL
2011

BIS => 2024 06 21
7 INCH - MUNSTER
2024

IN STOCK
SPLATTER COLOR
7 INCH - VAMPISOUL
2021 => 2024

SOLD OUT
1LP - VAMPISOUL
1974 => 2023

IN STOCK
1LP - MUNSTER
2023

IN STOCK
1LP - VAMPISOUL
1970 => 2023

IN STOCK
3LP - VAMPISOUL
2010

BIS => 2 / 3 WEEKS
1LP - VAMPISOUL
1971 => 2023