BIS => 2025 11 21
1LP - BLUE NOTE RECORDS
1975 =>2021

TRACKLIST
Change (Makes You Want to Hustle)
Wind Parade
Dominoes
Places and Spaces
You and Music
Night Whistler
Just My Imagination

DESCRIPTION
Donald Byrd's 1975 album, Places and Spaces, featuring the hits "Wind Parade" and "Dominoes," was the culmination of his fusion period. It was his 5th consecutive album produced by the visionary Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had been with since 1958. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

IN STOCK
1LP - VAMPISOUL
2025

This curated collection comprises hard-to-find salsa 45s from the Discos Fuentes vaults—deep cuts that have long flown under the radar but still light up dance floors today.
Among the featured artists are: Super Combo “Los Famosos”, Sexteto Manaure, La Protesta de Colombia… This compilation also includes a range of studio experiments and covers—where artists like Piper Pimienta, Galileo y Su Banda, and La Integración reimagined beloved hits, from boleros to vallenatos, through a distinctly Colombian salsa lens.

TRACKLIST
Side A
1. SUPER COMBO LOS FAMOSOS - EL BAILADOR DE LA ESQUINA
2. SEXTETO MANAURE - BAJO EL TRUPILLO GUAJIRO
3. LA PROTESTA DE COLOMBIA - EL CAMPESINO
4. SONORA GUANTANAMERA - SAL Y AGUA
5. ORQUESTA SALSA PANAMERICANA - EL FANTASMA SALSERO
Side B
1. LA INTEGRACIÓN - HECHO Y DERECHO
2. GALILEO Y SU BANDA - NO ME CONVIENE TU AMOR
3. THE LATIN BROTHERS - LLORARÁS
4. PIPER PIMIENTA Y SU ORQUESTA - EL SUFRIDO
5. FRUKO Y SUS TESOS - SOY TU DUEÑO

DESCRIPTION
During the golden age of vinyl—from the 1960s through the 1980s—Colombia produced an astonishing number of 45 rpm records—many of them not tied to full albums, that continue to surprise collectors and music lovers today.
This abundance can be attributed to many factors: affordability, jukebox demand, radio promotion, or simply the joy of sharing a small musical token with a loved one. Whatever the reason, these little records traveled far and wide, sometimes ending up in distant countries —especially Mexico—, carried by DJs, collectors, or pirate radio waves. They became cultural passports, spreading salsa, cumbia, son montuno, and more.
This curated collection highlights hard-to-find salsa 45s from the Discos Fuentes vaults—deep cuts that have long flown under the radar but still light up dance floors today. These tracks, once pressed in small numbers, feature top tier musicianship, fiery brass, unforgettable grooves, and lyrical gems that reflect the rich diversity of Colombia’s musical landscape.
Among the featured artists are: Super Combo “Los Famosos” with their irresistible barrio anthem ‘El Bailador de la esquina’, capturing the spirit of Cali’s street life, Sexteto Manaure, delivering a poignant son that blends regional pride with poetic nostalgia, La Protesta de Colombia, a revolutionary Barranquilla outfit that gave a young Joe Arroyo his early spotlight and channeled the rebellious pulse of the times.
This compilation also includes a range of studio experiments and covers—where artists like Piper Pimienta, Galileo y Su Banda, and La Integración reimagined beloved hits, from boleros to vallenatos, through a distinctly Colombian salsa lens.
Every track tells a story—of artistic ambition, social change, regional identity, or simple joy. Some were attempts at hits, others personal expressions or studio curiosities. What they share is an authenticity that continues to resonate.
These obscure gems, long scattered across dusty crates and forgotten jukeboxes, now find new life. They speak not just to the past, but to a timeless rhythm that still moves dancers and dreamers alike.

IN STOCK
1LP - VAMPISOUL
1969 => 2025

This refined blend of artistry, groove, and message makes Marlena Shaw’s “The Spice of Life” not just an album—but a richly layered statement. Shaw’s voice—both playful and powerful— displays a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues.
Delving into it, one may discover a familiarity beyond recognition—proof of its quiet yet persistent influence. Tracks such as ‘Woman of the Ghetto’ or ‘California Soul’ have echoed across hip-hop, commercials and even video game soundtracks.
180g vinyl reissue.

TRACKLIST
Side A
1. WOMAN OF THE GHETTO
2. CALL IT STORMY MONDAY
3. WHERE CAN I GO
4. I'M SATISFIED
5. I WISH I KNEW (HOW IT WOULD FEEL TO BE FREE)
Side B
1. LIBERATION CONVERSATION
2. CALIFORNIA SOUL
3. GO AWAY LITTLE BOY
4. LOOKING THRU THE EYES OF LOVE
5. ANYONE CAN MOVE A MOUNTAIN

DESCRIPTION
“The Spice of Life”, released in November 1969, stands as Marlena Shaw’s second—and final—studio album for Cadet Records, produced and arranged by the renowned Richard Evans and Charles Stepney.
From the opening, Shaw’s voice—both playful and powerful—cuts through the lush yet tight-knit arrangements, weaving together a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues. The album features two defining classics: her deeply resonant original of ‘Woman of the Ghetto’ and a signature take on Ashford & Simpson’s ‘California Soul’, both staples in sampling culture (you'll probably find that you're more familiar with Shaw's material than you thought.)
Evans and Stepney’s arrangements are far from mere support—they’re panoramic and inventive. You’ll hear kalimba flourishes, psych-tinged guitar accents, and bongo-fueled organ textures that elevate each track, keeping the atmosphere rich but never overwhelming. Moments like the Bacharach-styled ‘Looking Through the Eyes of Love’ or the dramatic flair of ‘Stormy Monday’ showcase their widescreen sensibility and Shaw’s versatility.
Beneath its musical elegance, “The Spice of Life” carries a weighty current of social commentary. Tracks such as ‘Woman of the Ghetto’ and the succinct, fierce ‘Liberation Conversation’ bring political and feminist themes into a soulful, expressive framework—adding unexpected depth to the sophisticated sonic palette.
This album offers an immersive journey through soul-jazz mastery, one that rewarded listeners with sampling gold for decades to come. Reissue on 180g vinyl.

IN STOCK
1LP - VAMPISOUL
1969 => 2025

Marva Whitney’s “It’s My Thing” dropped in 1969 and has since become a touchstone of funk.
From the explosive opening of ‘It’s My Thing’—a bold response to the Isley Brothers’ ‘It’s Your Thing’ Marva channels sheer intensity, backed by a band that doesn’t let up. The pace briefly softens with ‘If You Love Me,’ a soul-soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like ‘Unwind Yourself.’
Decades later, “It’s My Thing” continues to inspire, sampled by producers and treasured by collectors—a powerful snapshot of funk at its most uncompromising.
180g vinyl reissue.

TRACKLIST
Side A
1. IT’S MY THING (Pt 1)
2. IT’S MY THING (Pt 2)
3. THINGS GOT TO GET BETTER (GET TOGETHER)
4. WHAT KIND OF MAN
5. IF YOU LOVE ME
6. IN THE MIDDLE
Side B
1. UNWIND YOURSELF
2. YOU GOT TO HAVE A JOB
3. I’LL WORK IT OUT
4. GET OUT OF MY LIFE
5. I’M TIRED, I’M TIRED, I’M TIRED
6. SHADES OF BROWN

DESCRIPTION
Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic ‘Unwind Yourself,’ a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s—alongside iconic names like Lyn Collins and Vicki Anderson—Marva quickly carved out a name for herself.
In 1969, she began recording as a solo artist under James Brown’s King label, scoring a Top 20 R&B hit with ‘It’s My Thing.’ While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like ‘You Got to Have a Job’ and the endlessly sampled ‘Unwind Yourself’ have only grown in stature over the decades.
Her album, “It’s My Thing”, dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB’s and produced by James Brown himself—who also contributed to most of the songwriting—the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront.
From the explosive opening of ‘It’s My Thing’—a bold response to the Isley Brothers’ ‘It’s Your Thing’—Marva channels sheer intensity, backed by a band that doesn’t let up. The pace briefly softens with ‘If You Love Me,’ a soul soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like ‘Unwind Yourself.’
Decades later, “It’s My Thing” continues to inspire, sampled by producers and treasured by collectors—a powerful snapshot of funk at its most uncompromising.
Reissue on 180g vinyl.

BIS => 2025 11 21
1LP - COREY WOODS
2025

TRACKLIST
Side A
Intro
Bear Hill
Pomogranite
Veterans Only Billionaire Rehab (SKIT)
Wild Corsicans
1 Life
Barber Shop Bullies (SKIT)
Open Doors
Side B
600 School
The Guy That Plans It
Da Heavies
Officer Full Beard (SKIT)
The Omerta
Get Outta Here
The Sober Dose Gift (SKIT)
Debra Night Wine
Mac & Lobster

DESCRIPTION
Raekwon's The Emperor's New Clothes is a sharp return to form, showcasing the Wu-Tang veteran's lyrical precision and timeless street wisdom. The album is powerful with equal parts - high-quality bars and carefully sculpted production. - Raekwon recruits a stacked lineup of guests, including Nas, Griselda, Method Man, Inspectah Deck, and Ghostface Killah, injecting the project with gritty energy and legacy chemistry. Marsha Ambrosius and Stacy Barthe provide smooth, soulful hooks, adding emotional layers to the hard-edged verses

IN STOCK
1LP - VAMPISOUL
1974 => 2025

An essential Roy Ayers album blending soulful jazz roots with crisp 1970s funk.
Featuring Ayers' signature vibes, tight arrangements, and standout tracks like ‘The Boogie Back’ (sampled by the likes of NWA, 2Pac, De La Soul…) and ‘Change Up the Groove,’ this LP is a must-have for any fan of jazz-funk and vintage grooves.

TRACKLIST
Side A
1. CHANGE UP THE GROOVE
2. SENSITIZE
3. DON’T YOU WORRY ‘BOUT A THING
4. MASH THEME
Side B
1. FIKISHA (TO HELP SOMEONE TO ARRIVE)
2. FEEL LIKE MAKIN' LOVE
3. WHEN IS REAL, REAL?
4. THE BOOGIE BACK

DESCRIPTION
Step into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity’s early Polygram years. Often overlooked in favor of Ayers’ bigger hits, this soulful album is a masterclass in jazz-funk fusion, capturing the essence of Ayers’ evolving style as he bridged the gap between his jazz roots and the rhythmic snap of the '70s funk revolution.
From the very first track, Ayers’ signature vibes take center stage, shimmering with emotion and groove. The album leans heavily into instrumental richness, with standout contributions from jazz greats like the legendary Bernard Purdie on drums. Strings weave in and out subtly, enhancing Ayers’ already deep and textured arrangements.
Highlights include the undeniable funk of ‘The Boogie Back’, a breakbeat favorite for crate-diggers and DJs (sampled by the likes of NWA, 2Pac, De La Soul…), and a lush, electrified rendition of ‘Feel Like Makin’ Love’ that glows with mellow soul. The title track ‘Change Up the Groove’ delivers the kind of tightly arranged, emotionally charged funk that defined the era.
“Change Up the Groove” isn’t just an album—it’s a snapshot of Roy Ayers’ artistic evolution, full of rhythm, heart, and timeless groove. Whether you’re a longtime fan or just discovering his legacy, this record is essential listening.

BIS => 2025 11 14
1LP - ROC NATION
2025

BONUS TRACKS / GATEFOLD LP JACKET

TRACKLIST
1 Birds Don't Sing (Feat. John Legend & Voices of Fire
2 Chains & Whips (Feat. Kendrick Lamar)
3 P.O.V. (Feat. Tyler the Creator)
4 So Be It
5 Ace Trumpets
6 All Things Things Considered (Feat. Pharrel Williams & The-Dream
7 M.T.B.T.T.F
8 E.B.I.T.D.A (Feat. Pharrel Williams)
9 F.I.C.O. (Feat. Stove God Cooks)
10 Inglorious Bastards (Feat. Ab-Liva)
11 So Far Ahead (Feat. Pharrel Williams)
12 Let God Sort Em Out
13 Chandeliers (Feat. Nas)
14 By the Grace of God (Feat. Pharrel Williams)

DESCRIPTION
In the 15+ years since Clipse's last album hit the shelves of record stores, the music world has been upended several times over. Through it all, enthusiasm for the duo from Virginia never waned. 'Let God Sort 'Em Out' - Clipse's new independent release in partnership with Roc Nation Distribution - is one of the most highly anticipated releases in recent memory, a fact that underlines the singular talent and lasting influence of Pusha-T and Malice.

IN STOCK
1LP - VAMPISOUL
1976 => 2025

In "Everybody Loves the Sunshine" (1976), Roy Ayers seamlessly blends genres, creating a timeless sound that continues to influence musicians and DJs around the world. He makes the vibraphone the central instrument, a jazz-funk approach that defines his unique style.
Over time, the album has remained an essential reference in Roy Ayers' discography and in the history of 70s Black music. Summertime soul classic!
180g vinyl

TRACKLIST
Side A
1. HEY, UH-WHAT YOU SAY COME ON
2. THE GOLDEN ROD
3. KEEP ON WALKING
4. YOU AND ME MY LOVE
5. THE THIRD EYE
Side B
1. IT AIN'T YOUR SIGN (IT'S YOUR MIND)
2. PEOPLE AND THE WORLD
3. EVERYBODY LOVES THE SUNSHINE
4. TONGUE POWER
5. LONESOME COWBOY

DESCRIPTION
In 1976, legendary musician and composer Roy Ayers released one of the most iconic albums of his career: "Everybody Loves the Sunshine." This album not only solidified Ayers as a key figure in the world of jazz-funk but also marked a milestone in soul music and contemporary jazz. It features a sophisticated blend of irresistible grooves, smooth melodies, and a unique sound that has endured over the years, becoming a reference for multiple generations of musicians and listeners.
By the mid-70s, Ayers had already established his reputation with his band, Roy Ayers Ubiquity, and his distinctive use of the vibraphone, which became his personal trademark. However, with this album, Ayers ventured into a smoother, more accessible sound, partly in response to the rise of disco music and the growing interest in more experimental sounds within the music scene. Throughout its ten tracks, Ayers managed to create a sonic atmosphere that evoked both the warmth of summer and the sophistication of jazz from that era, set against a backdrop of modern soul.
The production was carried out by Ayers himself, along with his producer and friend, David R. Williams, and features the wonderful sound of Phillip Woo's Fender Rhodes and the powerful energy of the rest of the band, achieving an unmistakable authenticity and freshness. Some of its most well-known songs include the title track, ‘Everybody Loves the Sunshine,’ ‘The Golden Rod,’ and ‘The Third Eye,’ which quickly became classics of jazz-funk and soul.
This album is crucial in Roy Ayers' career, as it demonstrates his ability to remain relevant and creative in an ever-changing music industry. Over the years, "Everybody Loves the Sunshine" has become a cult album, frequently featured in DJ sets by artists like Gilles Peterson, Theo Parrish, and Lefto. Summertime soul classic!

IN STOCK
BLACK ICE COLOR
1LP - COALMINE RECORDS
2011 => 2025

TRACKLIST

Side A:
A1. The Genesis
A2. Detroit State of Mind
A3. Halftime
A4. Memory Lane
A5. The World Is Yours

Side B:
B1. Represent
B2. Life’s a Bitch (feat. Royce Da 5’9”, Stokley Williams)
B3. One Love
B4. It Ain’t Hard To Tell
B5. Detroit State of Mind (Remix)


DESCRIPTION

Between paying his dues at Hip-Hop Shop, building a buzz from his Out of Focus EP, and enjoying more visible success after joining the renowned group Slum Village, Elzhi always had a one-of-a-kind penchant for lyrical wizardry. With multilayered rhyme schemes, uncanny metaphors, and inventive concepts, he persistently had a case as the most gifted rapper in his city — even when Eminem dominated the charts.

But even some of his most dedicated fans knew that he hadn’t crafted a legacy-defining album yet. Such records often come from pain, and in 2009, that’s exactly what he dealt with: his Slum Village groupmate Baatin suddenly died in July, longtime manager and Detroit rap impresario HexMurda suffered a nearly fatal stroke two months later, and he went through a messy public breakup with SV the following year.

In 2011, Elzhi fearlessly took on the biggest challenge of his career: remaking Nas’ GOATed debut album Illmatic in his own name. He enlisted four-piece band Will Sessions to put a live, vibrant spin to sounds originally crafted by producers like DJ Premier, Pete Rock, and Large Professor, and demonstrated lyrical wisdom about when to maintain the original spirit of a song and when to switch things up.

He conjures images of the blocks he grew up on with “Detroit State of Mind,” recounts a romance with a woman who had a traumatic childhood on “One Love,” and uses “Memory Lane” to take a nostalgic cruise through childhood connections before the pain from such reflections is too much to bear.

The technical proficiency was potent as always, but emotiveness made Elmatic blossom: the wistfulness of his mother’s flowing hair before chemotherapy took it from her, falling in love with a woman he met in the mall, the palpable pride in the peaks and valleys of his city.

It was a detailed, refined version of the introspection displayed on Out of Focus. Elmatic proved that Elzhi didn’t just have prodigious talent — he had a city to represent, and he had a story to tell. — William E. Ketchum III

IN STOCK
1LP - VAMPISOUL
1976 => 2025

The Rhythm Macine is now available again to the musical public, legitimately reissued in its original packaging. Offering up brilliant soul, haunting ballads and high-energy mid-70s funk, this tasty medley is served best in its entirety.
Virtually impossible to find in its original edition, we are now reissuing it once again thanks to a collaboration with Now Again.
Pressed on 180g vinyl.

TRACKLIST
Side A
1. YOU GOT ACTION, YOU GOT ME
2. LIL’S PLACE
3. PUT A SMILE ON TIME
4. THOUGHT MY LOVE WAS FINE
Side B
1. BRENDA AND ME
2. EVERYBODY’S CHIPPIN
3. YOU MAKE ME FEEL RIGHT, THINK RIGHT, DO RIGHT
4. CAN’T DO WITHOUT YOU

DESCRIPTION
Indianapolis' legendary Rhythm Machine is one of the rare funk bands that transitioned between eras of funk's history seamlessly, creating awesome funk sides for a host of independent labels between the years of 1968 and 1976. Born out of cult Indy funk band The Highlighters' ashes, the Rhythm Machine was founded in the early '70s by bass player James Boone and guitarist James Brantley.
Their self-titled and only LP, originally released in 1976, is a wild, super-groovy ride with tight band energy and a bunch of unexpected twists that keep things interesting from start to finish. At first, you might catch some Earth, Wind & Fire vibes—deep basslines, funky beats, and killer horn sections—but dig a little deeper and you’ll find something a little looser, a little cooler. There’s a smooth, jazzy undercurrent running through a lot of these tracks that gives the whole thing a fresh, off-the-beaten-path feel.
Some songs drift into a dreamy, almost spacey zone—think cosmic funk with a romantic twist. The production is silky, almost liquid-like, letting the guitars shimmer and the keys float. And when the soprano sax kicks in? Pure magic. It adds just the right bite to take the tracks up a notch.
Perfect for late-night grooves, chill sessions, or anyone hunting for that hidden gem funk record with serious soul.
Virtually impossible to find in its original edition, we are now reissuing it once again thanks to a collaboration with Now Again.
Pressed on 180g vinyl.

IN STOCK
1LP - MUNSTER
2024

IN STOCK
1LP - VAMPISOUL
1970 => 2023

IN STOCK
1LP - VAMPISOUL
1972 => 2024

IN STOCK
1LP - VAMPISOUL
1967 => 2018

IN STOCK
1LP - TRES SELOS / EAEO
1978 => 2022

IN STOCK
1LP - TRES SELOS / EAEO
1973 => 2022

IN STOCK
1LP - TRES SELOS / EAEO
1972 => 2022

IN STOCK
1LP - VAMPISOUL
1967 => 2022

IN STOCK
1LP - VAMPISOUL
1970 => 2022

IN STOCK
1LP - VAMPISOUL
1972 => 2023

IN STOCK
1LP - VINYL DIGITAL
2025

TRACKLIST
A1. Intro Ten Taclez
A2. Move Ur Body Eight8eat
A3. Beef Mit Cheese Eight8eat
A4. So Nah Figub Brazlevic
A5. Solang Wir Escolade
A6. Mach Platz Ten Taclez
B1. Alles Gut Stephen Junior Figub Brazlevic
B2. Abfuck Escolade
B3. AHA Grödash Escolade
B4. Lock Dog Redwan Fyahwan Classic Der Dicke
B5. Falle Hoch Simon Ngolo Zerbo Flo Mega
B6. Hustle Hustle Ten Taclez

DESCRIPTION
MAGAZINE, my second album.
This is about Die P, but also about Patricia, the young artist with ambitious dreams, grief, and loss, as each of us experiences it.
Why magazine??
Because each song reads like a short article, and no two pages are alike. It's about business gossip, about hip-hop culture; each song is a review of past experiences. It's about stories, Q&As, and personal notes from the artist. Just like a magazine, Die P surprises us, makes us think or gives us new food for thought, makes us laugh or cry.
This magazine is filled with personal and honest lines.
The Queen of German Hip Hop has spoken.

BIS => 2025 11 21
1LP - VINYL DIGITAL
2005 => 2024

TRACKLIST
A1. Intro
A2. 62 Pick Up
A3. One Love
A4. Interlude
A5. Angel Dust (feat. Havoc)
A6. Dead Man Walking
A7. Montana Diary
B1. Testament
B2. Every Hood (feat. Hussein Fatal)
B3. Coco Butter
B4. Killaz Theme (feat. Mobb Deep)
B5. Love Is Love
B6. Dead Man Walking 2

DESCRIPTION
The Testament is a studio album by Queensbridge rapper Cormega. It was originally recorded as Cormega's debut album in the mid-1990s, and scheduled for release on Def Jam Recordings, but was eventually shelved. After many years, Cormega was finally able to obtain the masters to the album, and released it on his own Legal Hustle imprint in 2005. This reissue marks the first time it has been in print on vinyl in 20 years, and features appearances by Mobb Deep and Hussein Fatal, plus production from Havoc, Sha Money XL, Nashiem Myrick, RNS and more.

IN STOCK
1LP - VAMPISOUL
2025

"Psychedelic Cumbia Party" brings together for the first time the best recordings of Los Zheros, a pioneering band of Amazonian cumbia from Peru. Their sound blends fast, percussive cumbia rhythms with surf-style electric guitars.
The album features their psychedelic rock hit ‘Cuarto oscuro,’ a highly sought-after track not only among cumbia collectors but also garage and psych DJs.
This compilation is a joint release with Peruvian label Rey Record and includes an insert with never-before seen photos of the band, as well as liner notes by expert Víctor Zela (creator of the acclaimed project "La Cumbia de mis Viejos").

TRACKLIST
Side A
1. PARA CHACHITA
2. CAMINANDO
3. LA ROSA
4. MI LAMENTO
5. RITMO ORIENTAL
6. MARITA
Side B
1. CUARTO OSCURO
2. NADANDO
3. TORO EN ÓRBITA
4. DESCARGA DE LOS ZHEROS
5. MARILÚ
6. EL PUSANGUERO

DESCRIPTION
This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos—alongside groups like Los Rogers and Los Wemblers—in the heart of Peru's Amazon capital.
The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style—a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the traditional cumbia styles that developed in other cumbia-producing countries like Colombia.
The album includes their psychedelic rock hit ‘Cuarto Oscuro,’ a highly sought-after track not only by cumbia collectors but also by garage and psychedelic DJs. This song also marked the beginning of their recording career in 1973.
This compilation is a joint release with the Peruvian label Rey Record and comes with an insert featuring never- before-seen photos of the band, as well as liner notes by genre expert Víctor Zela (the mind behind the prestigious project "La Cumbia de mis Viejos").

IN STOCK
1LP - VAMPISOUL
2025

Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler’s, and Juaneco y su Combo.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

TRACKLIST
Side A
1. MI GUITARRA LLORA POR TI
2. BAILA CON RANIL
3. EL VIAJERO
4. CUMBIA EN TU SOLEDAD
5. FANTASÍA DEL AMAZONAS
6. LAS OLADAS
7. CHINITO RULO
Side B
1. SONIDO AMAZÓNICO
2. VUELO A SATURNO
3. TIN MARÍN
4. MARLENITA
5. BAILANDO EN EL INFINITO
6. LAGRIMAS DE MIS OJOS
7. ALABANZA A DIOS

DESCRIPTION
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s.
By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler’s de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler’s. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement’s potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography.
Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos.
This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band’s 10 LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk… you’ll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

IN STOCK
1LP - MUNSTER
1968 => 2025

Seminal and highly influential album in the history of Venezuelan rock. “Ladies W.C.” (1968) is innovative in many aspects: from its stunning psychedelic guitars, loaded with fuzz and wah-wah effects, to its repertoire - made up of original songs - or even the graphics featured on the cover of the album.
As in the case of “Love Depression”, this album has become one of the most sought-after and collectible recordings of Venezuelan rock.
Our reissue includes remastered sound from the original tapes, 180g vinyl and liner notes.

TRACKLIST
Side A
1. PEOPLE
2. I CAN’T SEE STRAIGHT
3. TO WALK ON WATER
4. HEAVEN’S COMING UP
5. AND EVERYWHERE I SEE THE SHADOW OF THAT LIFE
Side B
1. SEARCHING FOR A MEETING PLACE
2. PUT THAT IN YOUR PIPE AND SMOKE IT
3. THE TIME OF HOPE IS GONE
4. W.C. BLUES
5. I’M GONNA BE

DESCRIPTION
Adib founded Ladies W.C. with his friends Jose Maria Arria “Chema” (bass, vocals), Wolfgang Vivas (lead vocals), and Frank Rojas (drums). Their sound was so innovative that it was not conducive to getting many bookings and they barely managed to play a single concert. As a result, all the original line-up, except Adib, upped and left. Soon after, Stephen Scott and Mario and Jaime Seijas replaced them, seamlessly complementing Adib's playing and his growing interest in blues and psychedelic hard rock.
The group’s first and only album, released by the Venezuelan label Souvenir, was recorded at Continente Studios in just 10 days. Ricardo Landaeta acted as technician, while Adib and Stephen worked out all the structures and arrangements of the songs, as well as the lyrics. They were very intense recording sessions in which they spent full days locked inside the studio. Hector Fuenmayor is the only guest musician on the recording (flute on 'To Walk on Water'). All the songs are their own compositions, which was unusual on the Venezuelan scene, as groups’ repertoires tended to be cover versions of international hits. The sleeve art, displaying a striking illustration instead of the classic covers showing a photo of the band, was also a novel ingredient in Venezuela, as was the distorted sound of the guitars which made great use of the wah-wah pedal, the extensive harmonica playing, and creative use of sound effects, all of which gave the album a unified conceptual feel.
The band were only active for only a couple of years from 1968 to 1969. Mario and Jaime left Venezuela to study in the United States, and although Adib spent a summer there with them playing as Ladies W.C. on the Allentown college circuit, the group was destined to split up.
Adib joined Sky White Meditation after he returned home and remained as a band member until 1972. Meanwhile Jaime Seijas played on another equally seminal record in the history of Venezuelan rock, The Love Depression album, also released by the Souvenir label.

IN STOCK
1LP - TOMMY BOY MUSIC
1991 => 2021

TRACKLIST
A1 Same Song 6:29
A2 Tie The Knot 3:13
A3 The Way We Swing (Remix) 4:58
B1 Nuttin' Nis Funky 9:41
B2 Packet Man (Worth A Packet Remix) 4:58
B3 Arguin' On The Funk 3:50

DESCRIPTION
With the recent passing of innovative artist/composer/MC, Shock G, once again bringing the genius of Digital Underground to the forefront of mainstream consciousness, new and old fans alike have been digging into the groups catalog as they seek solace and mourn the unexpected passing of the group's leader. While Digital Underground's debut album, "Sex Packets, " set the tone for the groups meteoric rise and helped them forever change hip-hop, they continued to wow fans through the years with several gamebending projects. In 1991, they released their now cult-classic, "This is an E.P. Release, " which contained two singles, "Tie the Knot", and, "Same Song", that were featured in the film, "Nothing But Trouble, " starring Dan Aykroyd, Chevy Chase, Demi Mooreand John Candy.The projects lead single, "Same Song, " also holds major historical significance as it served as the debut single from then up-and-coming MC Tupac Shakur. Tupac was also featured in the official video portraying an African king alongside cameos from lead actor Dan Aykroyd and West Coast legends Dr. Dre and Eazy-E. The project went on the receive gold-certification from the RIAA and has since become and often-overlooked gem amongst hip-hop aficionados worldwide.

BIS => 2025 11 21
1LP - TOMMY BOY MUSIC
1995 => 2022

IN STOCK
1LP - VAMPISOUL
2016

IN STOCK
1LP - SILVER AGE
2024 => 2025

TRACKLIST
A1. The Hunt for Czarface
A2. Rocket Science
A3. Here’s Some Homicide (feat. Ice-T)
A4. Cold Wave
A5. People Want Sugar
A6. Willrow Hood
A7. Top Men of Rap
B1. Mecha and the Sole Brother
B2. Genuine Lifestyle
B3. Off The Bone
B4. Space Cowboy
B5. Aladdin’s Castle (feat. Mega Ran)
B6. Giving Back to the Universe

DESCRIPTION
After endless requests for a Czarface and Dr. Octagon collaboration, the comic book inspired supergroup Czarface takes a turn for the cosmic, creating a funky full length adventure with the spacey Kool Keith! When the record is playing, they become a counterpart character that can even give the mighty Czarface a run for his money- Stress Eater! You can expect a rich blend of what makes both acts so special: block-rocking beats and bizarre, mind-bending lyricism...all served up with a cover from Czarface artist Lamour Supreme.

IN STOCK
NEON RED
1LP - SONY LEGACY / VMP
1994 => 2019

IN STOCK
1LP - CINEMATIC MUSIC GROUP
2015 => 2024

IN STOCK
1LP - COALMINE RECORDS
2023

IN STOCK
1LP - THE MADLIB INVAZION MUSIC LIBRARY SERIES
2023

IN STOCK
RSD 2023
1LP - NOW-AGAIN RECORDS
1969 => 2023

IN STOCK
1LP - NOW AGAIN
1970s => 2022

IN STOCK
1LP - GET ON DOWN
1984 => 2022

IN STOCK
1LP - NOW-AGAIN
1975 => 2022

IN STOCK
1LP - AIR VINYL
2021

IN STOCK
1LP - MADLIB INVAZION
2021

IN STOCK
1LP - NOW-AGAIN
2019 => 2024

BIS => 2025 05 02
1LP - TRU SOUL RECORDS
2020

IN STOCK
1LP - TUFF KONG RECORDS
2021

IN STOCK
1LP - TUFF KONG RECORDS
2021

NUMBERED EDITION

IN STOCK
1LP - TUFF KONG RECORDS
2021

IN STOCK
1LP - TUFF KONG
2020

IN STOCK
RSD 2024
CLEAR / ORANGE/ GREEN SPLATTER PRESSING
1LP - NE'ASTRA MUSIC GROUP
2004 => 2024

IN STOCK
1LP - LEGERE RECORDINGS
2020

IN STOCK
1LP - MUNSTER
2024

IN STOCK
1LP - VAMPISOUL
1974 => 2022

SOLD OUT
1LP - FATIADO DISCOS
1975 => 2021

IN STOCK
1LP - BE WITH RECORDS
2018

IN STOCK
1LP - NOW-AGAIN RECORDS
1971 => 2023

BIS => 2025 11 21
1LP - HARLEM SHUFFLE RECORDS
2023

IN STOCK
1LP - BELOW SYSTEM RECORDS
1999 / 2015 => 2023

IN STOCK
1LP - SMOKERS CLUB RECORDS
2023

IN STOCK
COLOR = BURGUNDY VINYL
1LP - NEXT RECORDS
2023

IN STOCK
1LP - RRC MUSIC
2023

IN STOCK
1LP - SURF SCHOOL
2023

IN STOCK
1LP - NOW-AGAIN
2023

BIS => 2025 11 21
1LP - GET ON DOWN
1990 => 2019

IN STOCK
1LP - NOW AGAIN
2021

IN STOCK
1LP - NOW-AGAIN RECORDS
2021

IN STOCK
1LP - NOW AGAIN RECORDS
1976 => 2021

SOLD OUT
OPAQUE ORANGE
1LP - NOW AGAIN
1975 => 2021

BIS => 2025 11 21
1LP - MADLIB INVAZION
2020

IN STOCK
RSD 2020
1LP - NATURE SOUNDS
1974 => 2020

SOLD OUT
1LP - POST UP MUSIC
2025

- Karpenters features guest verses from hip-hop icons like Tash (Tha Alkaholiks) and Marc Live (Analog Brothers/Black Elvis), alongside rising talents Dear Derrick and Yah Zillah, all complementing Kool Keith’s signature eccentric style
- This is Kool Keith’s first official album since Black Elvis 2, a cult classic, making it a must-hear release for dedicated fans and new listeners alike.
- LP is pressed on standard black vinyl.

TRACKLIST
Super HIts
Style Wars feat. Tash
Pierre 9
Body Rock
DAW
Pissing
Serious
Nights feat. Marc Live
That's Us feat. Dear Derrick
Stomp
Jim Kelly

DESCRIPTION
Karpenters, the latest album from Kool Keith, produced by Grant Shapiro, stays true to the essence of Hip-Hop: boom bap beats, clever samples, and heavyweight guest features. Hip-Hop legends like Tash (Tha Alkaholiks) and Marc Live (Analog Brothers/Black Elvis) add to the project, complementing Kool Keith’s signature eccentric flow. This marks Kool Keith’s first official album since the cult classic Black Elvis 2—a long-awaited release for dedicated fans. The album boasts mixing by J-Styles (Keith’s in-house engineer) and mastering by Grammy winner Steve “Steve B” Baughman, ensuring top-tier sound quality. Leading the charge is the official music video for "Super Hits," directed by Wayne Campbell—known for his work on Kool Keith’s Love Infringement and videos for artists like Benny The Butcher. With executive production by Kool Keith and distinctive, hard-hitting beats from Grant Shapiro, Karpenters is a project fans have been craving—raw, authentic, and unforgettable.

BIS => 2025 11 14
1LP - DEWOLFE MUSIC
1976 => 2025

- Founded in 1909, de Wolfe Music’s legendary production music catalog has gained cult status among vinyl collectors and crate diggers worldwide.
- Featuring music from a roster of composers including Reg Tilsley, Roger Webb and duo Frank MacDonald & Chris Rae, it also includes performances from iconic musicians such as Jimmy Page and Herbie Flowers. 
- De Wolfe Music has provided the soundtrack to countless feature films including Monty Python and The Holy Grail, The Witchfinder General, Dawn Of The Dead, and more than twenty of the Shaw Brothers’ Kung Fu classics. 
- Major recording artists who’ve sampled the collection in recent years include Beyonce, Drake, Jay Z, Madlib, Danger Doom, Alchemist, Lily Allen, Gorillaz, Action Bronson, Jay Electronica, Cam’ron and Ja Rule, to name just a few. 

TRACKLIST 
Presentation
Transworld
Bite Hard
Shark Beat
Action
The Greatest
Big Double
Wild Double
Bombing Along
White Death
Flash Barrier
Dramatone
Dramatone (faster)
World At Your Feet
Evil Eye
Here Comes The Band
There Goes The Band
Skin Full
Drunk Scene
Short Out
Quick Out
Quick Pause
Penny Piece
Sleepy Head

DESCRIPTION
Unleashed in 1976, “Bite Hard” is a relentless funk juggernaut from the legendary composer, Johnny Hawksworth. Defined by its brash urgency and dramatic flair, this album is a powerhouse lineup of brass, driving drums, searing electric guitar riffs, and soulful piano grooves.Hawksworth's dynamic compositions transcend mere danceability, delivering a visceral sonic experience that commands attention. With blistering beats and soulful instrumentation, "Bite Hard" captures the essence of 1970s cinematic funk with a bold and unapologetic swagger, making it a soundtrack of unbridled musical intensity.

IN STOCK
1LP - BGP
1970 => 2025

TRACKLIST
Side 1
01 Rainbow Ride
02 I'm Leaving Home (She's Leaving Home)
03 Candle Waxing
04 Baby James
05 The Love Flow
Side 2
01 New York Good Sugar/Love Lyric #7
02 For You, Child
03 Jennipher
04 Take Away This Pain
05 Velvet Smile

DESCRIPTION
When Creed Taylor was setting up his CTI label one of his proposed signings was Billy Vera. This led to a deal for Vera’s younger sister Kathy McCord. In fact, McCord was the first artist signed and recorded by CTI. Her debut, “Kathy McCord” was released in 1970.
Although the label would go on to establish a fine reputation in jazz, Kathy McCord was a folk rock album. A gifted young poet the 17-year old McCord wrote many of the tracks on the album which were then interpreted in the studio by a crack team of jazz musicians that included Harvey Brooks (bass), Hubert Laws (flute), John Hall (guitar) and Wells Kelly and Ed Shaugnessy (drums). Musically and lyrically both the musicians and McCord stretched out on tracks like ‘Rainbow Ride’, ‘Jennipher’, ‘Candle Waxing’ and ‘Take Away This Pain’ to conjure up an amazing fusing of folk and jazz. The only cover on show was a version of Lennon and McCartney’s ‘She’s Leaving Home’ which McCord repurposed as I’m Leaving Home.
Upon release the album sold poorly. Creed’s expertise and contacts were in the jazz field and he had no idea how to market an album of folk jazz songs sung with fragile beauty by a good looking girl still in her late teenage years. Also, when Billy Vera did not sign to CTI McCord was dropped.
Over time “Kathy McCord” attracted a dedicated following amongst folk-rock collectors in America and the UK. In many respects it was an echo of something like Deena Webster’s 1968 folk rock LP, “Tuesday’s Child” that also came, went and is now sought after.
Ace are delighted to give the world the first vinyl reissue of “Kathy McCord” since 1970. Pressed on black 180gm vinyl it also includes liner notes from Billy Vera who, in conclusion, has this to say about his later beloved sister, “My sister had the goods. She could sing, she could write and she looked great. Like so many other talented people, she just failed to get lucky. Listen and enjoy her. I love her stuff”. You will too...

BIS => 2025 10 31
1LP - BGP
1978 => 2025

TRACKLIST

SIDE ONE
1. DISCO TO GO
2. WARSHIP TOUCHANTE
3. NAPPY
4. BIRDIE

SIDE TWO
1. JUST LIKE YOU
2. WHEN YOU'RE GONE
3. AMOROUS

DESCRIPTION

George Clinton’s imagination knew no bounds and, defying normal music industry convention, by 1978 had five bands signed to three different record labels. One of these comprised of three other Parliament/ Funkadelic female backing singers working under the name of Parlet, whose debut single, ‘Pleasure Principle’ was released on Casablanca Records in March 1978.

It was Clinton’s idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, “The Clones Of Dr Funkenstein”. “I have to be honest – at first, I hated the name and I thought George was kidding,” Mabry told Blues & Soul, “But I have gotten to like it – especially just the Brides.”

Clinton got the Brides signed to Atlantic Records and their first single was ‘Disco To Go’ / ‘ When You’re Gone’. The A-side was written and produced by Clinton and Bootsy Collins and had originally featured in live shows by Collins’ live band. Clinton was asked by Black Echoes why the song was recorded by the Brides rather than Bootsy. “He could, and it would have been a smash too,” he replied. “But we thought it sounded too much like James Brown, so we gave it to the girls. Now it don’t sound like James Brown.” It certainly did not and this electronic bass and horn-powered banger – complete with an Old MacDonald nursery rhyme refrain – debuted on the Billboard Hot Soul Singles chart at #80 on 30th September 1978. By the time the P-Funk crew were flying across the Atlantic in early November it had peaked at #7. Sadly for UK fans, ‘Disco To Go’ was only available on import although a Black Echoes review stated it was a “Slow chunky handclapper. It sounds not unlike Funkadelic’s own ‘Coming Round The Mountain’”.

‘Disco To Go’, went gold in America selling over 500,000 copies. It was the perfect springboard for the Brides debut LP, “Funk Or Walk” which quickly climbed into the upper reaches of the R&B chart and even saw the duo embark upon a signing tour of record stores. All of the songs on “Funk Or Walk” were written by legends of P-Funk, such as Bootsy Collins, Rodney Curtis, Bernie Worrell, Gary Shider and Clinton. “George has got thousands of tracks,” Mabry told Black Echoes. “When we go into the studio he says, ‘Like this track?” And we go‘Aaaaaahh naa.’ ‘Like this one?’ ‘Well, yeah.’ He’s got thousands of tracks. He’s got a whole cupboard full of them. He’s got enough tracks to keep him in albums for two years.” Clinton himself told Blues & Soul how his busy production line worked, “How do we do it? Real simple: we lay down rhythm tracks all the time and just decide who should have what.”

“Funk Or Walk” kicked off with the dancefloor filler Disco To Go’ while elsewhere the nine-minute ballad ‘Just Like You’ showed another musical side of the group. ‘Birdie’ was a prime slice of word-playful danceable horn-powered funk arranged by Fred Wesley. ‘Amorous’ and the ethereal intergalactic ‘War Ship Touchante’ splattered with electronic and vocal effects – a close encounter of the P-Funk kind – were released as the Brides’ second single and peaked at #76 on the Hot Soul Singles chart in February 1979. “I especially like ‘Amorous’ and ‘War Ship Touchante’”, Silva told Blues & Soul, “because they convey a real message and I like that. And that message is happy and it is important to us that people get happiness from us. We really get upset when we don’t win over an audience.”

“Funk Or Walk” peaked at #17 on the Billboard R&B album chart and #70 on the Hot 100. It was also released in the UK and Germany to tie in with UK and European dates at the end of 1978 and early in 1979. Blues & Soul gave it a positive review, “If you like Parliament/Funkadelic, then it’s easy – you’ll lap this up.”

The album has not been reissued on vinyl since 1976 and Ace are delighted to put it out again. It comes with an inner sleeve with notes written by Ace’s Ian Shirley.

BIS => 2025 11 07
1LP - MUNSTER
1986 => 2024

BIS => 2025 11 14
1LP - CONTINUED SOUND
2007 => 2024

BIS => 2025 10 31
1LP - KENT / FAME
1972 => 2024

BIS => 2025 10 31
1LP - KENT
2024

BIS => 2025 11 14
1LP - UBIQUITY RECORDS
2023

BIS => 2025 11 14
1LP - FUNK NIGHT RECORDS
2010 => 2023

BIS => 2025 11 14
1LP - CLOSED SESSIONS
2012 => 2023

IN STOCK
1LP - BGP / FLYING DUTCHMAN AMSTERDAM
1970 => 2023

BIS => 2025 10 31
1LP - BGP
1974 => 2023

SOLD OUT
1LP - BGP
1975 => 2023

BIS => 2025 11 14
1LP - FAT BEATS RECORDS
2009

IN STOCK
1LP - WESTBOUND
1979 => 2023

BIS => 2025 10 31
1LP - BGP / FLYING DUTCHMAN
1976 => 2023

BIS => 2025 10 31
1LP - SOUTHBOUND
1973 => 1989

IN STOCK
1LP - FLYING DUTCHMAN
1970 => 2023

BIS => 2025 11 07
1LP - VAMPISOUL
1976 => 2023

BIS => 2025 11 14
1LP - SOMEOTHASHIP
1999 => 2022

IN STOCK
1LP - BGP
1966 => 1993

BIS => 2025 11 07
1LP - VAMPISOUL
2022

BIS => 2025 10 03
1LP - VINTAGE VIBES / MA DUKES OFFICE
2017

BIS => 2025 10 31
1LP - BGP
1969 => 2022

BIS => 2025 11 14
1LP - FUNK ON SIGHT
2019

SOLD OUT
1LP - AKASHIK RECORDS
2019 => 2022

BIS => 2025 09 05
1LP - SOUTHBOUND
1975 => 2018

IN STOCK
1LP - BGP
1973 => 2011

BIS => 2025 10 31
1LP - BGP
1971 => 2014

IN STOCK
1LP - BGP
1971 => 1993

BIS => 2025 10 31
1LP - SOUTHBOUND
1974 => 2018

BIS => 2025 11 14
1LP - FAT BEATS
2018

IN STOCK
1LP - BGP
2016