BIS => 2025 05 02
1LP - MADLIB INVAZION MUSIC LIBRARY SERIES
2023

IN STOCK
1LP - VAMPISOUL
1971 => 2024

IN STOCK
GATEFOLD
1LP - MUNSTER
1970 => 2011

IN STOCK
1LP - NOW-AGAIN RECORDS
1971 => 2024

IN STOCK
1LP - VAMPISOUL
1973 => 2023

IN STOCK
1LP - EL PALMAS MUSIC
1976 => 2023

IN STOCK
2LP - VAMPISOUL
2023

IN STOCK
1LP - VAMPISOUL
1969 => 2023

IN STOCK
1LP - VAMPISOUL
1976 => 2023

IN STOCK
1LP - VAMPISOUL
2022

IN STOCK
1LP - HOT CASA
1984 => 2022

IN STOCK
1LP - VAMPISOUL
1971 => 2022

IN STOCK
2LP - BBE
2022 02 04

IN STOCK
1LP - VAMPISOUL
2022 01 21

IN STOCK
1LP - VAMPISOUL
? => 2021

IN STOCK
LIMITED - PINK COLORED 2LP - MR BONGO
2020 11 20

IN STOCK
1LP - LITTLE BUTTERFLY RECORDS
1972 => 2020

IN STOCK
2LP - BBE
2020

IN STOCK
1LP - VAMPISOUL
1972 => 2023

IN STOCK
2LP - VAMPISOUL
2020

IN STOCK
1LP - EVERLAND
2019

PRE ORDER => 2025 04 25
1LP - VAMPISOUL
1966 => 2025

“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats.
Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

TRACKLIST
Side A
1. DAME CAFÉ
2. NEGRA QUERIDA
3. PUES NO DA PA’ MÁS
4. PITIMBÁN
5. CUMBIA MILAGROSA
6. GALERAZAMBA
Side B
1. JOSÉ DOLORES
2. LOS GAVILANES
3. LA PREGUNTADERA
4. EDITH
5. CHARANGUERA
6. SE TE VE

DESCRIPTION
The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms. This group included notable figures like Andrés Landero, Aníbal Velásquez, Lisandro Meza, and Alfredo Gutiérrez, among others.
A prime example of their diverse musical styles is the album “Dame café”, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaíto and pasaje. The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind “Dame café”, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The group’s creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends. Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album “Dame café” has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track ‘Pues no da pa’ más’. Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

PRE ORDER => 2025 04 18
2LP - VAMPISOUL
2025

TRACKLIST
A1 Carlos Pickling– Cumbia Morena
A2 Los Chicoques– Olguita
A3 Los Demonios De Corocochay– Cumbia en Dominante
A4 Los Felcas– La Blanquiñosa
A5 Sonora Casino– Chinita
A6 Sam Brasil– La Pollera Amarilla
A7 Volada 5– Anita
B1 Otto De Rojas Y Su Orquesta– Cumbia Pueblerina
B2 Carlos Pickling– Yolanda
B3 Silvestre Montez Y Sus Guantanameros– Arequipeñita
B4 Ñiko Estrada– Lucerito
B5 Freddy Roland Y Su Orquesta– Cumbia Sabrosa
B6 Los Avileños– La Cumbia del Burro
B7 Los Demonios Del Mantaro– Cumbia 73
C1 Carlos Pickling Y Orquesta– Que Siga la Cumbia
C2 Joe Di Roma y su Conjunto– Chin Chin
C3 Los Rumberos Del Solar– Ritmo de Cumbia
C4 Los Pavos Reales– Ac Cha Chau
C5 Nilo Espinosa Y Su Orquesta– Cumbia Bonita
C6 Volada 5– Oh Condor
C7 Tito Chicoma Y Su Orquesta– Cumbia de Color
D1 Los Demonios De Corocochay– Cumbia y Amor
D2 Nelson Ferreyra Y Su Sonora– Negrita Linda
D3 Carlos Pickling Y Orquesta– Baila Mi Cumbia
D4 Los Kintos– Tierra Linda
D5 Manzanita (4)– Pochita
D6 Los Felcas– La Colocha
D7 Los Belking's*– La Celosa

DESCRIPTION
Tras excavar hasta lo más profundo de los abrumadores archivos de Discos Fuentes y Codiscos en nuestros anteriores volúmenes, esta tercera entrega de la serie “Cumbia Cumbia Cumbia!!!” reúne 28 bombazos de cumbia peruana orientados a la pista de baile extraídos de los archivos de Discos MAG, todos ellos publicados originalmente entre 1964 y 1987.
“Cumbia Cumbia Cumbia!!!” combina clásicos muy conocidos con rarezas que son difíciles de conseguir en su formato original. Una invitación para disfrutar y dejarse sorprender, al margen y por encima de aproximaciones académicas y etnográficas a la cumbia.
-----------------------
After digging deep into the overwhelming archives of Discos Fuentes and Codiscos in our previous volumes, this third instalment in the series “Cumbia Cumbia Cumbia!!!” comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987.
“Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns.

PRE ORDER => 2025 04 18
1LP - LITTLE BUTTERFLY
1984 => 2025

(+Booklet)

Mediocampo (1984), Jaime Roos's fifth album concludes an unintentional trilogy that began with Aquello (1981) and continued with Siempre son las cuatro (1982). It is the bright side of the series, a groundbreaking album that has become a classic, perhaps the most prestigious and well-known work of his discography.
Mediocampo is as daring and experimental as his previous two works, but with much more direct and accessible communication, achieving an almost perfect distillation of his artistic vision. Today, many of its songs are an essential part of Montevideo's cultural soundtrack.

TRACKLIST
Side A
A1. Durazo y Convención
A2. Victoria Abaracón
A3. Luces en el Calabró
A4. Si piensas en mí
A5. Tal vez Cheché
Side B
B1. Los futuros murguistas
B2. Nunca fuiste al cine
B3. Una vez más
B4. Pirucho

DESCRIPTION
The album's sound, aligned with international trends of the 1980s, made Mediocampo the gateway to Jaime Roos's universe for a younger audience approaching music through rock. Its proposal was unique and deeply Uruguayan, yet it incorporated elements that resonated with a public accustomed to Anglo-Saxon pop.
The albums Aquello and Siempre son las cuatro, despite being very different works, share a focus on the Beatles-inspired pop song structure, stylistic diversity, and a search for popular roots. Mediocampo, the conclusion of this song-driven trilogy, is as daring and experimental as its predecessors but with much more direct and accessible communication, achieving an almost perfect distillation of his artistic vision. Today, many of its songs are an essential part of Montevideo's cultural soundtrack.

PRE ORDER => 2025 04 18
7 INCH - VAMPISOUL
2025

Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname “Loco” by being a free, independent spirit, an innovator and iconoclast who was initially branded as “crazy” for the freshness and audacity of his sound.
These two hot tracks were released in the early 70s and became instant dance floor fillers.
First time 7” reissue of these salsa and guaguancó gems.

TRACKLIST
Side A
PA’ EL 23
Side B
MUCHACHO BARRIGÓN

DESCRIPTION
Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname “Loco” by being a free, independent spirit, an innovator and iconoclast who was initially branded as “crazy” for the freshness and audacity of his sound.
Amazingly, he is not that well known in the US, where he spent some time in the late 1960s and salsa was king during the 1970s. Yet he was quite popular in his home country from the beginning, especially amongst the working class of Caracas and Maracaibo, who adopted Cuban music played by New York Puerto Ricans as their own and called it “salsa” years before the term was employed by US labels like Fania as a marketing tool. Pérez is revered in Venezuela, as well as in Mexico and Colombia, and his storied career, which spans seven decades and thousands of concerts, has yielded more than 35 albums recorded by his various bands, including Los Dementes, Los Kenya, and Los Calvos, all of which are collector’s items today.
These two hot tracks were released in the early 70s and became instant dance floor fillers. In fact, ‘Muchacho Barrigón’ crossed over beyond the Venezuelan salsa scene and a few versions of the tune were recorded by international artists. How cool and handy is to have both songs together on a DJ-friendly 45? First time 7” reissue.

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

TRACKLIST
Side A
LOS PAMBELÉ —CANNABIS
Side B
LOS DARLINGS DE HUANUCO —MARIHUANA

Welcome to the psychedelic vibes of this weed-inspired double sider where Colombian salsa and Peruvian cumbia meet!
‘Cannabis’ is a killer organ-driven salsa song recorded by Colombian music legend Fruko while ‘Marihuana’ by Los Darlings de Huanuco was conceived as an effort to combine rock and cumbia sounds resulting a perfectly balanced mix of both worlds.
First time 7” reissue of these extremely hard to find records!

DESCRIPTION
Welcome to the psychedelic vibes of this weed-inspired double sider where Colombian salsa and Peruvian cumbia meet!
Julio Ernesto Estrada Rincón aka Fruko has probably had one the busiest recording careers in the salsa biz! Not only did Discos Fuentes release some 18 full LPs under the “Fruko” banner over a 20-year period, in addition there were various side-projects like Afrosound and Orquesta Full Salsa, and also one-off studio projects like Los Pambelé. ‘Cannabis’ is the only song released under this name and happens to be a killer organ-driven weed inspired salsa song that funnily enough was renamed ‘Yerbabuena’ (peppermint) when included on a 1972 compilation…
On the flipside, we find Los Darlings de Huanuco, a pioneer band in introducing rock sounds into the local music scene of this Peruvian city. Under the inspiration of international bands such as Led Zeppelin, Santana or The Ventures and also local artists like Jean Paul “El Troglodita” or Los York’s they recorded ‘Marihuana’. Since the band background was cumbia, the resulting sound of the song is a perfect combination of both worlds despite the original idea was recording a rock number.
First time 7” reissue of these extremely hard to find records!

PRE ORDER => 2025 04 18
SPLATTER
7 INCH - VAMPISOUL
2024

BIS => 2025 05 09
7 INCH - UBIQUITY RECORDS
2024

- First release since 7 inch singles with Lovemonk label in 2022.
- Recently signed with Griot agency for EU touring in 2025.
- Limited 7 inch pressing.

TRACKLIST
La Cuota
Darling

DESCRIPTION
La Cuota b/w Darling is the lead-off single for El Combo Batanga's second full-length album and debut with Ubiquity Records. La Cuota on the A-side kicks the doors down with its undeniable energy and harkens back to the funkier moments in Fania's catalog with Ray Barretto. Darling on the B-side is an intense slow burn, a captivating Latin sweet soul ballad bursting with emotion and longing. El Combo Batanga is a musical explosion at the intersection of Afro-Cuban rhythms and Latin funk. A group of powerful musicians who blend son, timba, Latin soul, and boogaloo for people to enjoy.

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

BIS => 2025 04 18
2LP - VAMPISOUL
2024

BIS => 2025 04 18
7 INCH - VAMPISOUL
2024

BIS => 2025 04 18
2LP - VAMPISOUL
2024

BIS => 2025 04 18
1LP - MUNSTER
1967 => 2024

BIS => 2025 04 18
1LP - MUNSTER
2024

BIS => 2025 04 18
1LP - VAMPISOUL
1972 => 2024

BIS => 2025 04 18
2LP + 1CD - VAMPISOUL
2016

BIS => 2025 04 18
1LP - VAMPISOUL
1967 => 2018

BIS => 2025 04 18
1LP - MUNSTER
1968 => 2007

BIS => 2025 04 18
1LP - VAMPISOUL
1974 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1975 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1970 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1969 => 2022

BIS => 2025 04 18
1LP - VAMPISOUL
1973 => 2018

SOLD OUT
1LP - VAMPISOUL
1976 => 2022

SOLD OUT
1LP - VAMPISOUL
1976 => 2021

BIS => 2025 04 18
1LP - VAMPISOUL
1974 => 2021

BIS => 2025 04 18
1LP - VAMPISOUL
1980 => 2020

BIS => 2025 04 18
1LP - VAMPISOUL
2016

BIS => 2025 04 18
RSD 2020
1LP - VAMPISOUL
1968 => 2020

IN STOCK
GATEFOLD SLEEVE WITH EXTENSIVE SLEEVE NOTES
2LP - SOUL JAZZ RECORDS
2024

IN STOCK
1LP -VAMPISOUL
1961 => 2024

IN STOCK
1LP - NOW-AGAIN RECORDS
2024

IN STOCK
1LP - MONTEREY
1974 => 2023

IN STOCK
RSD 2023
1LP - MUNSTER
1972 => 2023

IN STOCK
SPLATTER VINYL
1LP - NATURE SOUNDS
2021

IN STOCK
1LP - P-VINE
1976 => 2021

IN STOCK
7 INCH - MR BONGO
2021 02 12

IN STOCK
7 INCH - MATASUNA
2020 12 11

IN STOCK
1LP - TRANSAMERICAS
1971 => 2020

IN STOCK
1LP - CUBOP
1968 => 1995

SOLD OUT
1LP - F-SPOT RECORDS
2024

SOLD OUT
1LP - BGP
1970 => 1992

BIS => 2025 03 28
BI-COLOR YELLOW & GREEN VINYL
LIMITED EDITION OF 1,000 COPIES ONLY
1LP - CULTURE FACTORY
1965 => 2020

IN STOCK
1LP - NOW-AGAIN RECORDS
1972 => 2024

IN STOCK
7 INCH - F-SPOT RECORDS
2023

IN STOCK
1LP - VAMPISOUL
2022

IN STOCK
1LP - VAMPISOUL
1978 => 2023

IN STOCK
7 INCH - MAD ABOUT RECORDS
2023

BIS => 2025 05 09
2LP - VAMPISOUL
2024

BIS => 2025 05 09
2LP - VAMPISOUL
2023

IN STOCK
7 INCH - VAMPISOUL
2020

SOLD OUT
7 INCH - VAMPISOUL
2024

BIS => 2025 03 07
7 INCH - MUNSTER
2024

SOLD OUT
1LP - VAMPISOUL
1968 => 2019

BIS => 2024 12 20
1LP - MUNSTER
2023

BIS => 2024 12 20
1LP - VAMPISOUL
1967 => 2022

BIS => 2024 12 20
1LP - VAMPISOUL
1975 => 2020

IN STOCK
1LP - NOW-AGAIN RECORDS
2024

PRE ORDER => 2024 11 22
1LP - VAMPISOUL
2024

PRE ORDER => 2024 11 22
180G VINYL
1LP - VAMPISOUL
1969 => 2024

SOLD OUT
1LP - CUBOP
BLACK FRIDAY 2022
1972 => 2022

BIS => 2024 11 22
7 INCH - VAMPISOUL 
2024

BIS => 2024 11 22
1LP - VAMPISOUL
1971 => 2024

BIS => 2025 05 02
1LP - NOW-AGAIN RECORDS
1971 => 2023

SOLD OUT
1LP - NOW-AGAIN RECORDS
1970 => 2023

BIS => 2025 04 25
1LP - BGP
1966 => 1993

SOLD OUT
2LP - VAMPISOUL
2016

IN STOCK
1LP - VAMPISOUL
1972 => 2017

BIS => 2025 02 21
1LP - VAMPISOUL
1968 => 2022

BIS => 2025 02 21
1LP - VAMPISOUL
1972 => 2020

IN STOCK
7 INCH - VAMPISOUL
2024

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
7 INCH - VAMPISOUL
2023

IN STOCK
1LP - VAMPISOUL
1968 => 2023

BIS => 2025 02 21
1LP - VAMPISOUL
2022

IN STOCK
2LP - VAMPISOUL
2022

IN STOCK
7 INCH - VAMPISOUL
2022

IN STOCK
1LP - VAMPISOUL
1975 => 2019

BIS => 2025 01 31
1LP - BIG BEAT
2013